Art by Medium: Plastic

JANE HAMMOND with ARDEN MASON (Jane Hammond is a renowned contemporary artist and Arden Mason is a celebrated 'plein air" painter) Artist's Palette (from the Estate of Ashton Hawkin...

"Pop Doll" is a decorated sculpture. It is created by the french artist David Cintract. About the artwork: TECHNIQUE: mannequin fiberglass, lacquer, acrylic, stencil, aerosol, mother of pearl, digigraphy, varnish, resin, Indian headdress 218 cm or helmet 198 cm. NEW MOVEMENT & STYLE: POP ART, POP FREE, Contemporary Edition : Unique, signed Weight: Approximately 25 kg. “The impressions of David's artworks on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his artworks bring positive emotion, represented by the vast creative power of his talent.” David Cintract was born in 1970. Halfway between Andy Warhol and Roy Lichtenstein, the artist projects his vision of consumer society on all media: paintings, dolls or mannequins. While paying tribute to the great artists Pop, Cintract has stood out thanks to his strong personality, becoming a key figure in the movement that he founded: “The Pop free.” David Cintract has a fascination for the exuberant sculpture and storage works so “Aladdin’s cave...

This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass) abstract painting depicting beautiful monarch butterflies and gold leaves by California arti...

"Portami Al Mare"is a coastal mixed media wall sculpture by Vera Vizzi that combines material relief, color and narrative to evoke a longing for the sea. Executed on a 40 cm Ø wood p...

The artwork is a three-state model of an inorganic body, beginning with a black, alien-like rock formation, which gradually unfolds as it evolves, revealing its contents as a whitish...

This is a 3-D motion lenticular - its moves when you walk past it and it is incredibly 3-D there are little lenses on the face that create this effect. It is professionally framed a...

As a child, Ryan Van Der Hout owned a telescope and was fascinated by the sight of the moon in the night sky. This iconic image of the moon as viewed from earth is re-imagined when V...

Fernanda Naman Metamorphosis (Triptych) 94 x 55 inches (each) 94 x 165 (total) Edition of 9 Plexiglas Mounting Also available in: 50 x 30 inches (each) 50 x 90 inches (total) Edit...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Carlos Cruz Diez Three element transchrome 2011 Plexiglass Sculpture Editions La Difference Paris 49 of 75 21 x 5 x 5 in Signed, dated, and numbered at the publisher label at the bot...

Greg Chann Hygge, 2024 acrylic and ink 26 x 20 x 1.25 in. (cha033)

Ethereal and minimal, Susan English’s paintings play with light and space. She employs transparent pigments and layering to manipulate light and illuminate her color fields. Soft var...

"Tiny Buckets" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 26.5"h x 17"w x 2.5"d and comes with a gallery-issued Certif...

This Mixed Media piece titled "Starflower Series 3" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 5.25”h x 5”w. Roxana Azar’s...

Stefanie Schneider's Minis 'Brooklyn Bridge' (Stay), 2006 signed and signature brand on verso Lambda digital Color Photographs based on the original Polaroid. from the movie 'Stay'...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Stefanie Schneider's Minis Slow (Oxana's 30th Birthday), 2008 Signed and signature brand on verso. Lambda digital Color Photographs based on a Polaroid. Sandwiched in between Plexig...

Abstract composition reverse-painted on an acrylic sheet (Plexiglas) by Laurel Morley (American, b. 1969). Acrylic sheet is mounted on a steel structure with "wings" on either side. ...

Kerry James Marshall MOCA LA Street Banner (Museum of Contemporary Art, Los Angeles), 2017 Silkscreen on Vinyl 95 × 34 inches Original Gigantic Flagpole Banner exhibited on the stree...

Passionate, sensitive and an eye for detail, light and color, this is the working method of Dutch photographer Ursula van de Bunte (1969). She is a...

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

Varco is a mixed media wall sculpture by Vera Vizzi that explores the emotional depth of the sea through a vivid interplay of texture, gesture and color. Composed in foam clay, plast...

C-print face mounted to non-glare plexiglass

Carefully applied nontraditional materials including light yellow sulfur in glass vials, wood ash, and crushed precious minerals such as sunstone, red tiger's eye, volcanic rock, ser...

Rearing Horse is a polyester sculpture by contemporary artist Eric Valat, dimensions are 100 × 80 × 30 cm (39.4 × 31.5 × 11.8 in). The sculpture is availabl...

Piero Manzoni Merda d'Artista - Merde d'Artiste - Artist's Shit, 2013 Sealed tin can in special offset lithograph paper and shrink wrapped sealed with a fingerprint The artist's sign...

Spaceman Richie Figure By Alec Monopoly Alec Monopoly is a street artist renowned for his distinctive take on pop culture icons, often featuring the Monopoly Man in various playfu...

The artwork is a three-state model of an inorganic body, beginning with a black, alien-like rock formation, which gradually unfolds as it evolves, revealing its contents as a whitish...

This Mixed Media piece titled "Big Alocasia Suncatcher" is an original artwork by Roxana Azar made of a digital print on acrylic, plastic chain, metal, and glass. The piece measures ...

Find Yours / Happy Place Butterflies cut from fine art paper, arranged in the words "Happy Place", airbrushed with liquid acrylic paint and pinned with stainless steel entomology p...

Rodrigo Franzão is a Brazilian contemporary artist renowned for his innovative exploration of textile and mixed media art. With a background in Literature, Arts, and Art History, Fra...

"Make Yourself Useful" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 22"h x 23"w x 6.25"d and comes with a gallery-issued ...

Hydrocal, pigmented concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Farblichtung gelb grün is a unique one-of-a-kind contemporary modern sculptural painting by German artist Sybille Pattscheck. Her sculptural paintings are made by applying numerous l...

This is a one of a kind original mixed media (Acrylic paint, Japanese paper, plexiglass) painting depicting beautiful red leaves against abstract background by California artist and ...

The artwork is a three-state model of an inorganic body, beginning with a black, alien-like rock formation, which gradually unfolds as it evolves, revealing its contents as a whitish...

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

48 x 30" yellow sienna In Jinni Thomas’ work she says, " The emotion from that visual experience, that awe moment, works down into our hearts and alters the grain of our reality. ...

Layers of foliage in vibrant, eye-catching shades of reddish orange with shadows of deep burgundy grace light pink branches on the pristine white background of this contemporary bota...

a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest Redwoods (hexaptych) by Erik Pawassar 48 x 132 inches (122 x 335cm) six panels of 48 x 22 inches / each "frameless" acrylic glass face mount edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity __ "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. _______________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

"The Wages Of Doing Everything Correctly Is Also Death" is an original piece by Jedediah Morfit made from fiberglass reinforced plaster and paint. This piece measures 26.25”h x 23”w ...

Ed of 5 + 2AP Among the contributors to the contemporary art world’s boundary-breaking experimentation in media, Kim Keever has hit on something truly unique—a photographic art in wh...

"One Footed Trauma Vessel" is an original piece by Jedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 29.5"h x 14.75"w x 2.5"d and comes with a gall...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...

Stefanie Schneider's Minis Gasoline II (Stranger than Paradise), 1999 Signed and signature brand on verso. Lambda archival Color Photographs based on the original Polaroid. Sandwich...

In this contemporary landscape in black sumi ink on Mylar, a peaceful forest scene is intricately detailed, beautifully capturing the serenity of a walk in the woods. This ink drawi...

The artwork is a three-state model of an inorganic body, beginning with a black, alien-like rock formation, which gradually unfolds as it evolves, revealing its contents as a whitish...

How It Is, Pewter, 2018 Additional information: Medium: Pewter Dimensions: 3 x 3 x 2 in Heidi Schwegler explores a wide range of materials in the service of her subject matter. Dra...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

In Fidel Santos' work, La Alegre, a sense of pure exuberance is captured through the depiction of a saint in a state of joyous celebration. The horizontal composition focuses exclusi...

Helder Batista is a self-taught artist who works both sculpture and painting. He was born in 1964 in Paris where he attended the evening classes of the Beaux-arts. He lives and works...

'Aqua', Part of Void and Substance series. Composite materials and fiberglass is 20 x 18 x 12 inches, While Oleg is a classically trained master stone carver, as an artist and sculpt...

This is a one of a kind original mixed media (Paper, paint, plexiglass) abstract composition by California artist and educator, Kathleen Kane-Murrell, titled, "Flanders". Its dimensi...

Collectors searching for a statement contemporary mixed media artwork with crushed crystals, mirrored surfaces, black textures, and metallic sculptural elements will be captivated by...

This vibrant fiber artwork features sheer, layered fabrics in a glowing spectrum of jewel tones, citrus brights, and soft pastels. The geometric composition is both hand- and machine...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Flow' Flow I by Ch...

Big Creature is a unique glass fiber reinforced concrete (blue/grey) sculpture by contemporary artist Pavlína Kvita, dimensions are 225 × 120 × 120 cm (88.6 × 47.2 × 47.2 in). The s...

New York Window, 1986, mixed media on illustration board, signed and dated lower right, 31 x 20 inches (image), 36 ½ x 28 inches (sheet) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...