Art by Medium: Plastic

Elza Mayhew (1916-2004) was known for her abstract bronze sculptures, many large scale, that were described by Colin Graham of the Art Gallery of Greater V...

After graduating with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the International Center of Photography with an...

This artwork, featuring a cut-out image of plump lips in a metallic Barbie pink, encapsulates the culture of Barbie, an iconic symbol of beauty, fashion, and empowerment. The lusciou...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Bookscape series with contemporary books on creating the perfect cocktail.

large format photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the summer rites and rituals of modern leisure Meloria (20...

This large indoor outdoor contemporary sculpture is painted in car paints and is impervious to all weather conditions. It is a striking contemporary statement of geometric abstracti...

silicone cast on frame Size: 26x32cm Framing: Custom handmade wooden frame – ready to hang Year: 2025 Signature: Signed Certificate of Authenticity: Included Condition: Excellent – ...

Linda Stein, Skeletal Format 67 - American Feminist Contemporary Chair Black Tan Sculpture Linda Stein has been addressing the theme of Power/Vulnerability for more than five deca...

Artist: Initialled “RG” (British) Medium: Acrylic on paper Date: 1969 Size: 16 x 23 inches Signature: Initialled and dated 1969 Condition: Good condition Description A bold and ener...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Irina Daylene Leap of Faith (blue chrome freestanding), 2024 Chrome paint on fiberglass 26 x 31 x 25 in (66.04 x 78.74 x 63.5 cm)

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Linda Stein, Stories from Home 1287 - Contemporary Art Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the tradition of wund...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Mixed-Media / Pop and Contemporary Pop / Representations of Everyday Objects / Illustration / Human Figure / Interiors / Landscape / Still Life / Technology / Bright and Vivid Colors / Figurative Art / Outsider Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Spaghetti Western...

Judy Pfaff, American (1946 - ) - Year of the Dog #5, Year: 2008, Medium: Hand Colored Woodblock and Collage, signed, dated and numbered in pencil, Edition: varied edition of 20/20...

artwork dimensions (unframed): 35.5h x 39w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

Linda Stein, Highway, Bridge & Twist 296 - Mixed Media Metal Wood Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural wo...

Linda Stein, Specimen 94 - Mixed Media Collage Contemporary Wall Sculpture Diorama This diorama was made in the 1970s as part of Linda Stein's Missives series--a body of work born f...

This original screenprint diptych in colours are each hand signed in pencil by the artist with his monogram "A. C." at the lower left margins. Each are dated “1973” next to the sign...

This piece titled "Friendly Money Loan" is an original artwork made from paper, plaster, vinyl, acrylic, enamel, polyester, basswood, chain, wire, inkjet prints, and pastel by Drew Leshko. This piece measures 35"h x 16"w x 9"d. Drew Leshko is a Philadelphia, Pennsylvania-based artist. By carving, cutting, and layering varieties of paper and wood, Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale...

"Wonder Bread" Pop Art Sculpture 6.5" x 14" x 6.5" inch Edition 1/1 by Kii Arens ABOUT One of the most credible and influential in Los Angeles - the award winning Kii Arens, is a cr...

This wall-mounted pop sculpture by María Magán consists of dozens of hand-molded silicone forms arranged in a dense gradient composition within a classical white wooden frame. Made f...

Untitled 10 [Dissecting the Unknown 10], 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Be...

After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the Intern...

Mon Levinson (1926-2014). The Edge V, 1965. Plexiglass, acetate and paper. 24 x 24 x 3 inches. Minor scuffing on surface of plexiglass. Original gallery label affixed en verso. Unsig...

Oil pastel and acrylic geometric painting by French artist Tesson, circa 1990. Signed lower left. Original artwork on paper displayed on a white mat with a gold border. Archival p...

Banksy Gross Domestic Product (after) Banksy Welcome Mat, 2020 Medium: Doormat and refugee life vest Dimensions: 24.6 x 17.7 x 1.4 in (62.5 x 45.0 x 3.5 cm) Edition size: Undisclos...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Untitled 09 [Dissecting the Unknown 09], 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Berszán...

Rodrigo Katayama Nature Abstraction #3, Rainforest (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed

Artist: Petra McCarthy, British Title: Yellow Abstract Year: circa 2005 Medium: Acrylic on Canvas with Painted Plexiglass Size: 40 x 40 x 3 in. (101.6 x 101.6 x 7.62 cm)

Security Knight 646 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icon...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Mercedes Polar White on Fiberglass Edition of 6

Imaginative work from this Internationally exhibited Brooklyn based artist. Signed and dated 2007

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Pillar Phantom is a unique pigmented glass fiber reinforced concrete, raw steel plinth sculpture by contemporary artist Pavlína Kvita, dimensions are 270 × 90 × 85 cm (106.3 × 35.4 ×...

silicone cast on frame Size: 24 × 36 cm Framing: Custom handmade wooden frame – ready to hang Year: [insert year] Signature: Signed on the reverse Certificate of Authenticity: Includ...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

"Untied, Joyride" is an original metal, fabric, pebbles, wire, polyester fibre, plastic, paper, and enamel paint artwork by Kendal Murray measuring appro...

No Title (No 62) Ballet Photography 32 x 32 in Ed. of 25 by Yevgeniy Repiashenko Year photo was taken: 2021 This picture is a part of Spirit series. Magic dance movement. "Editio...

The new works of Mylinh Nguyen designed from polymer resin, bring us into a nature whose refinement commands admiration. From the physiognomy of living or extinct plant species, the ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...

Peter Phillips Tiger-Tiger, 1968 3-D Relief made of impact-resistant polystyrene, deep-drawn, silkscreened in 8 colors, rear wall made of styrofoam and vacuum form plastic 28 7/10 × ...

Collectors searching for a statement contemporary mixed media artwork with crushed crystals, mirrored surfaces, black textures, and metallic sculptural elements will be captivated by...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Untitled 02, 2016 Mixed media on metal sheet (Signed on reverse) 70,87 H × 39,37 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of ...