Art by Medium: Plastic

“Opening and Cypress Form” mixed media collage of acrylic polymer, paper and charcoal on canvas by American artist Stephen Edlich (1944-1989). Title, signature, date (1979) and 439 ...

A conceptual four part wall sculpture by American female artist Dianne Baker. I 8"x8"x 1" wood, metal, canvass II 8" x 10"x 1" wood, metal III 15" x 8" x 2" wood...

This Plexiglass collage was created by Canadian artist Max Epstein. Epstein's works often feature Canadian motifs and bright colors. This collage is signed and titled at the bottom, ...

In this poignant photograph, the lens captures the profound essence of an aged Spanish polychromed wood statue of María Magdalena. The weather...

Artist: Joe Tilson, British (1928 - ) Title: Eleusis Proscinemi Year: 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: AP 4/20 Size: 31.5 x 22.5 in. (80.01 ...

Bleed # 202122 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas — Unframed. Edition: 1/3. Work can be hung with either the WallCleat system (support bar sup...

"Mirror" is a site specific installation that was exhibited in the show "Dialects of Place(s) by Land Report Collective at COOP Gallery in Nashville, TN. In this piece, Jobe uses industrial materials such as insulation foam, concrete, window screen, and graphite tracing paper to create a patterned structure that protrudes from the corner and carries the viewer's eye upward. At the bottom of the piece, we see delicately balanced concrete on top of pale blue insulation foam. The patterned concrete and insulation foam carries the viewer's eye upwards towards another pop of blue on top of the aluminum window screen frame. The screen gives the viewer a window in which to look through the piece. On one side, this mesh frames the graphite paper and on the other side the viewer can see the patterned concrete and insulation foam. Review from "The Rib" about "Mirror" One of the more surprising works here is Nashville-based Brian Jobe...

Beautiful rare tall magnificent modern Lucite Pyramid Modern Decorative Centerpiece midcentury

Dina Brodsky's realist oil on mylar animal miniature, "Egret," 2018, depicts an Egret preening itself, its neck arched elegantly as it reaches for its furthest wings. The bird's bril...

"Untitled 2" Sculpture 24" x 11" x 7" inch Edition 1/1 by Isaac Pelayo Unique work. Signed by the Artist. Comes with COA. Hand embellished plaster/fiberglass sculpture ABOUT THE AR...

One of a kind handcrafted surrealist sculpture made by local San Diego artist, Richard Becker. This is made from plastic, stainless steel and wood. The artist has depicted a bulldog ...

Edition of 5 Mounted in Plexiglas Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The World Records series celebrates some of...

This two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's. This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition. The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017. John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii. On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime. Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...

Peter Saville vinyl record art 2007: Off-set print on vinyl record. Measure: 12 x 12 inches Excellent condition. Published by Visionaire Fashion, 2007; un...

Plastic Head: RARE Vintage Batman Doll - 1988: This figure was my big brothers when we were kids. Batman was a significant part of my childhood, from the ...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 40" x 2". It is acrylic on panel, charcoal, mulberry paper, g...

John McCaw's (US based) "Red Carpet" (2023) is a beautiful original abstract oil painting. John McCaw (b. 1967), the eldest son of American expressionist Dan McCaw and brother to pa...

*Blue Constellation (96 85 93)* is a captivating contemporary wall sculpture by Chicago-based artist Yvette Kaiser Smith. Known for her rigorous exploration of geometric form and ma...

An original wall sculpture by American female artist Felice Koenig. Koenig covers carved polystyrene forms with layers upon layers of acrylic dots. The works take Koenig around 6 m...

Friedrich Geiler Untitled from Constructive Landscapes II (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen on PVC Year: 1987 S...

Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Saint Luc in Tourna...

Bubble plastic stuffed with pompoms and feathers

The sculpture is a part of the series - Forward to the Future. The core idea of this project is to encourage people to use infinite and environmentally friendly natural energy. The ...

Time Collides (Abstract Painting) Acrylic on polyester resin film - Unframed. This work is part of a series titled Year of Color and is about time-keeping. Debra Ramsay captured ti...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 36" x 48" x 2". It is acrylic on canvas, glass beads, Japanese pape...

Bookscape series with contemporary books on 80's Rock legends Prince, INXS, Van Halen, Abba, The Police, Bruce Springsteen, Michael Jackson, Chicago, REM and more

"The transparency makes the shape of the flower clear. Gossamer, translucent. Seeing through to a dream garden. A real and unreal space. Beauty. Budding, unfolding. Dying. Precious m...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

An original mixed media plexi and mirrored glass construction that bears the phrase "is this it?" Born in Buffalo in 1979, alexandra spaulding received a Bachelor of Fine Arts with ...

Edition of 200 ex. Free shipment worldwide. Acquired directly from the artist. Recycled plastic. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism ...

No title (No 78) Ballet Photography 32 x 32 in Ed of 25 by Yevgeniy Repiashenko No title (No 78) by Yevgeniy Repiashenko Year photo was taken: 2017 Edition of 25. Premium Quality: ...

Acrylic on acrylic panel (plexi) - Unframed. This work on plexiglass is part of an ongoing series titled Hue[s]pace, it comes with a cleat system for hanging. Hue[s]pace continues...

Acrylic paint on polystyrene. An unusual choice of material that gives the piece depth. Vibrant colours swirl through the painting and draw the eye into the intricate patterns that c...

This photo frame was hand-made in Romania and features 22K gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading or ot...

Large-scale photograph from the Equine Beauty series. This striking artwork presents a mesmerizing black-and-white portrayal of a horse in motion. The noble creature's powerful form...

Béatrice Hug Or Rose, 2018 In Or Rose, Béatrice Hug transforms light into a luminous, almost tactile presence. Colour radiates across the image, vibrating with an intensity more com...

Gold leaf, amethyst crystals, epoxy polymer clay, marble base.

Technique: Every piece of the artwork is handmade with polyurethane resin - mixed media mosaic  Edition: limited edition of 10 copies Certificate: of authenticity provided Size: 6...

Reclaimed Tipping Tower, 2010

Camp

Up Hill

J. Ivcevich portrays urban deterioration and grit in much of his work. Taking inspiration from the abstract forms found in shredded advertisement posters around New York, Ivcevich ph...

Framed size: 28.50h x 23w in J. Ivcevich portrays urban deterioration and grit in much of his work. Taking inspiration from the abstract forms found in shredded advertisement posters...

This sculpture by Kenzie Wells depicts a surrealist landscape and an abstraction of a home or "castle." Stone tiles create a small walkway and steps to an archway, where a blue foam ...

No Title (No 62) Ballet Photograph 32 x 32 in Ed. of 25 by Yevgeniy Repiashenko Year photo was taken: 2021 This picture is a part of Spirit series. Magic dance movement. "Edition...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Signed and dated "Mary Spencer Nay '74" lower left. Titled "Pyromaniac's Pyre" verso. Exhibited: 1976-1977 "Mary Spencer Nay: Recent and Retrospective Works". J.B. Speed Art Museum...

Kim Jae Il's process of expression is hiding and burrowing to make the image and appearance visible. His forms differ with every work displaying themselves by perspective and sculptu...

VIEW is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the...

I. 2011-2013. Paper, plastic glass, oil, 90x68cm

Lion 1, Archival Photographic print reverse mounted to Plexiglass with aluminum hanging hardware- Edition of 10. Max Clifton is a renowned nature photographer who is celebrated not...

"Lara" Figurative Sculpture 16" x 13" x 9" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. H...

Keith Haring Talk To Us! 1989 (The Aids Hotline): Designed & illustrated by Keith Haring one year after Haring's own diagnosis, this RARE promotional bag was distributed by the NYC ...

48 x 42 Oil on wood panel

Bleed # 202481 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas — Unframed. Work can be hung with either the WallCleat system (support bar supplied) or the ...

Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them. These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact. Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that. Mary Borgman Portrait of Matt Latham charcoal on mylar 60h x 40w in 152.40h x 101.60w cm MBG011 FRAMED DIMENSIONS 62h x 42w x 2.25d in 157.48h x 106.68w x 5.71d cm [This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass] Mary Borgman b. October 4, 1959 St. Louis, MO SELECTED EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR 2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C. SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2011 Gallery Group Ann Nathan Gallery, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...

Christopher Ruess large scale painting entitled "Spatial Environs: Deep Blue", encapsulated polymer with acrylic on canvas. A Pennsylvania-born artist, Chris Ruess later studied at t...

This painting is a small framed early work by Heather Hartman. The majority of the canvas is overcast with ivory and grey cloud cover. In the lover left-hand quadrant of the painting...

The photograph titled "Madonna di Pietraquaria" captures a poignant portrait of a centuries-old carved wooden statue of the Virgin Mary, deeply rooted in the traditions of Baroque an...

Barbie’s Fortune Fountain is a wall-mounted sculpture by Kumikaho Oshima from the series Dollar Dreams in Neon Barbie World, where the artist stages a visual dialogue between a Barbi...