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Mary BorgmanPortrait of Matt Latham - Large Scale Portrait, Original Charcoal on Mylar2022
2022
$40,000
£30,076.78
€34,926.43
CA$55,859.16
A$61,951.94
CHF 32,534.12
MX$760,813.92
NOK 411,851.11
SEK 388,381.12
DKK 260,589.60
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About the Item
Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them.
These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact.
Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that.
Mary Borgman
Portrait of Matt Latham
charcoal on mylar
60h x 40w in
152.40h x 101.60w cm
MBG011
FRAMED DIMENSIONS
62h x 42w x 2.25d in
157.48h x 106.68w x 5.71d cm
[This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass]
Mary Borgman
b. October 4, 1959 St. Louis, MO
SELECTED EXHIBITIONS
2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL
2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR
2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C.
SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL
SOFA NY, Ann Nathan Gallery, New York, NY
2011 Gallery Group Ann Nathan Gallery, Chicago, IL
SOFA NY, Ann Nathan Gallery, New York, NY
2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL
What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague, Cedarhurst Center for the Arts, Mt. Vernon, IL
SOFA Santa Fe 2010, Santa Fe Convention Center, Santa Fe, NM
Art Chicago, Merchandise Mart, Chicago, IL
2009 Here’s Looking at You: Contemporary Portraits, Schmidt Art Center, Belleville, IL
SOFA, Ann Nathan Gallery, Chicago, IL
Mosaic, Pennsylvania College of Art and Design, Lancaster, PA
Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL
SOFA, Ann Nathan Gallery, New York, NY
Portraits, Ann Nathan Gallery, Chicago, IL
2008 Photo/Realism, Clay Center, Charleston, WV
Looking Ahead: the Mott-Warsh Collection, Muskegon Museum of Art, Muskegon, MI
Palm Beach³, Ann Nathan Gallery, Palm Beach, FL
Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL
SOFA, Ann Nathan Gallery, New York, NY
2007 SOFA, Ann Nathan Gallery, Chicago, IL
In Black and White II, Ann Nathan Gallery, Chicago, IL
SOFA NY, Ann Nathan Gallery, New York, NY
Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL
Palm Beach³, Ann Nathan Gallery, Palm Beach, FL
2006 SOFA NY, Ann Nathan Gallery, New York, NY
8th Annual Realism Invitational, Jenkins Johnson Gallery, NY & Jenkins Johnson Gallery, CA
Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL
Mary Borgman, Ann Nathan Gallery, Chicago, IL
Palm Beach³, Ann Nathan Gallery, Palm Beach, FL
2005 Representing Representation VII, Arnot Art Museum, NY
SOFA NY, Ann Nathan Gallery, New York, NY
Art Chicago 2005, Butler Field at Millennium Park, Ann Nathan Gallery, Chicago, IL
Palm Beach³, Ann Nathan Gallery, Palm Beach, FL
2004 SOFA, Ann Nathan Gallery, Chicago, IL
VISION 9, Ann Nathan Gallery, Chicago, IL
SOFA NY, Ann Nathan Gallery, New York, NY
Art Chicago 2004, Navy Pier, represented by Ann Nathan Gallery, Chicago, IL
New Work, Ann Nathan Gallery, Chicago, IL
2003 Ann Nathan Gallery, Chicago, IL
SOFA, Ann Nathan Gallery, Navy Pier, Chicago, IL
Art Chicago, Navy Pier, represented by Ann Nathan Gallery, Chicago, IL
2002 In Black and White, Ann Nathan Gallery, Chicago, IL
SOFA, Ann Nathan Gallery, Navy Pier, Chicago, IL
Art Chicago 2002, Ann Nathan Gallery, Navy Pier, Chicago, IL
Art of the 20th Century, Ann Nathan Gallery, Seventh Regiment Armory, New York, NY
2001 Five Pick Five, Meramec Gallery, St. Louis, MO
Drawing the Body, The Hunt Gallery, St. Louis, MO
2000 Midlands Invitational 2000: Works on Paper, Joslyn Art Museum, Omaha, NE
Of World and Self, Innsbrook Gallery, Innsbrook, MO
1999 The Millennium: Looking Forward, Looking Back, Center for Contemporary Arts, St. Louis, MO Yeiser Art Center, Paducah, KY
1998 Messing Gallery, Saint Louis, MO
1997 Mitchell Museum, Mt. Vernon, IL
St. Charles County Community College, St. Peters, MO
Nicolet College, Rhinelander, WI
1996 Figurative Painting in Saint Louis Today, Fontbonne College, St. Louis, MO
Art of Living, Museum of Contemporary Religious Art, St. Louis, MO
SELECTED PUBLIC COLLECTIONS
21C Museum Hotel, Louisville, KY
The Clay Center, Charleston, WVSt. Louis University, St. Louis, MO
St. Louis Community College, St. Louis, MO
The Tullman Collection - Howard Tullman, Kendall College, Flashpoint Academy, 1871 (Tech Incubator), Chicago, IL
The Mott-Warsh Collection
SELECTED PRIVATE COLLECTIONS
Kenneth Alpert, New York, NY
Drs. Mark and Helene Connolly, River Forest, IL
Rod Dommeyer, Chicago, IL
John Ferring, St. Louis, MO
Patti Gilford Fine Art, Chicago, IL
Hellman Gallery, Chicago, IL
Joe Kolb, Little Rock, AR
Caryn Cohen, New York, NY
The Shoemaker/Ruud Collection
Lorry and Cara Lichtenstein, Chicago, IL
Jan Petry, Chicago, IL
Bill Silverstein, Highland Park, IL
Ginny Sykes, Chicago, IL
Thurston and Sharon Twigg-Smith, Honolulu, HI
Robin Winslow, Evanston, IL
Chuck Wolandi, Chicago, IL
SELECTED HONORS
2009 Semifinalist, Outwin Boochever Portrait Competition 2009, National Portrait Gallery, Smithsonian Institute
2006 The Open Studios Press, Winner of the Midwest Competition, no 65.MA
2001 Global Grant: The Elizabeth Greenshields Foundation, Montreal, Canada
2001 The Open Studios Press, Winner of the Midwest Competition, no. 35.MA
1999 The Open Studios Press, Winner of the Midwest Competition, no. 28.MA
Books, Articles, Catalogues and Reviews
• Katherine R. Lieber. ArtScope.Net V.11 “Art Chicago at the Merchandise Mart” May 2009
• Neila Mezynski. artnowMAG “Muskegon Museum of Art: Gems in Middle America” Sept. 2008 SOFA Chicago Catalog (Reproduction)
• Deborah Rockman. “Drawing Essentials-A Guide to Observation,” Textbook. 2008 (reproductions)
• Kevin Nance,. “Vision Provides Walk on the Art Side.” The Chicago Sun Times. July 2007 (reproduction)
• Margaret Hawkins. Art News. Review. Sept. 2006 p.151 (reproduction)
• Joshua Rose. American Art Collector. “The Tullman Collection,” Oct. 2006 p. 77,78
• The Mobile Press-Register “Contemporary Imaginings: The Howard and Judith Tullman Collection”, Harrison, Dec.10, 2006
• Fred Camper The Chicago Reader “The Female Gaze-Mary Borgman at Ann Nathan” 2006
• Margaret Hawkins. “From Bleak to Chic in Less Than a Week” The Chicago Sun Times May 2006
• Art Knowledge News. “Bold Charcoals by Mary Borgman in Chicago” April 2006
• Margaret Hawkins. The Chicago Sun Times “Drawings are no small appreciation of chickens” May 5, 2006
• The Open Studios Press. New American Paintings, Midwest Edition, 2006 Featured artist
• Mary Ellen Sullivan. Art Info “The Chicago Show Goes On-Under New Leadership” May 1, 2006
• 8th Annual Realism Invitational Jenkins Johnson Gallery NY and SF catalog (reproductions)
• John Cleary. “The Big Event.” Star Gazette, New York September 16, 2005 (reproduction)
• John O’Hern. Arnot Art Museum Representing Representation VII Catalogue (reproductions)
• John O Hern. Art Collector’s Magazine “Museum Curator” p 26 Jan. 2006 (reproductions)
• SOFA Chicago SOFA New York 2005 Catalogue (reproduction)
• Art Chicago 2005 Catalogue (reproduction)
• Katherine Rook Lieber. “Mary Borgman at Ann Nathan Gallery” Artscope, 2004 (reproductions)
• Margaret Hawkins. “Less is Lots Better at Art Chicago Show” Chicago Sun Times, May 10, 2004
• Art Chicago 2004 Catalogue (reproduction)
• Alan G. Artner. “Mary Borgman” Chicago Tribune, Oct. 4, 2002 Section 7 c, page 36 (reproduction)
• Ann Weins. “Mary Borgman” The Chicago Art Critics Association Review, Oct. 2002, Vol 3. No.1
• Art Chicago 2003 Catalogue (reproduction)
• Jeff Daniels. “From River City to River North” St. Louis Post-Dispatch, Sept. 27, 2002 Everyday Section page 1 and D6, (reproductions)
• Margaret Hawkins. “Making the Rounds” Chicago Sun-times, Sept. 13, 2002 (reproduction)
• Jeff Daniels. “It’s the Art, Not the Space” St. Louis Post-Dispatch, August 11, 2002 A and E Section
• The Open Studios Press. New American Paintings. Juror: Janet Bishop, Curator of Painting and Sculpture at the San Francisco Museum of Modern Art. Featured artist. no. 35, 2001
• Janet L. Farber. Midlands Invitational 2000 –Works on Paper. Joslyn Art Museum Catalogue, pages 4, 5, 14, 15, 49 (reproductions)
• McNally, Molly. “Illustrating the Inner and Outer Experiences.” The Reader, June 7, 2000 Calendar 58, pages 37-38. (reproduction)
• Hay, Cris. “Paper World” The Omaha Weekly, May 11, 2000. Vol. 1, Issue 10 p. 3-6.
• The Kentucky Voice and St. Louis Artist’s Exhibit at Yeiser” July 1999, Volume 8, No. 7 page 1, 8 (reproductions)
• Callahan, Teresa. “The Millennium: Looking Forward, Looking Back” Art St. Louis Magazine Volume 13, No. 3, page 9. (reproduction)
• The Open Studio Press. New American Paintings, Juror: James Rondeau, Assistant Curator of Contemporary Art at the Art Institute of Chicago Featured Artist, no. 23, 1999 (reproductions)
• Rogers, Stacy Smith. “Artist Eye on Paducah,” Arts and Crafts Across Kentucky spring 1999, page 11 (reproduction)
• Wampler, Scott. Contemporary American Drawing. China: Jilin Fine Arts Publishing House, 1997, catalog (reproductions)
• Batz, Jeanette. “Conversations: Shades of Gold.” The Riverfront Times, February 12-18, 1997, page 10 (reproductions)
• Duffy, Robert. “Portraits That Penetrate and Reveal; Mary Borgman: Black and White Portraits.” Saint Louis Post-Dispatch, February 20, 1997, Get Out Section, page 27, column 1 (reproduction)
• Duffy, Robert. “Go Figure.” Saint Louis Post-Dispatch, September 19, 1996, Get Out Section, page 27, column 1
• Shepley, Carol Ferring. “A Dozen Strong Emerging Artists.” Saint Louis Post-Dispatch, March 28, 1996. Get Out Section, page 26, column 1 (reproduction)
• Shepley, Carol Ferring. “A Show of Color.” Saint Louis Post-Dispatch, May 4, 1995, Section G, page 4, column 1
PROFESSIONAL EXPERIENCE
INSTRUCTOR
2004 – 2008 Washington University, St. Louis, MO: Drawing
1999 – 2004 Fontbonne University, St. Louis, MO: Drawing/Figure Drawing, Graduate & Undergraduate
2003 – 2004 University of Missouri at St. Louis: Advanced Painting and Drawing
2000 – 2004 St. Louis Community College at Meramec 2001 St. Louis Community College at Florissant Valley
1999 – 2003 St. Louis Community College, St. Louis, MO
JUROR
2008 Foundry Arts Center, Saint Charles, MO
2001 St. Louis Community College at Forest Park Student Exhibition: guest awards
1998 NAWBO Award, Juror: (presented to an outstanding St. Louis woman artist)
ARTIST’S LECTURES
Pennsylvania College of Art and Design, 2009
Webster University, 2000, 2003, 2007
St. Charles Community College, 1999, 2002, 2004
St. Louis Community College at Forest Park, 2000, 2003
St. Louis Community College at Meramec, 2000
St. Louis Community College at Florissant Valley, 1999
The Ethical Society of St. Louis, 1998
University of Missouri at St. Louis, 1998
Fontbonne University, 1997
Southern Illinois University at Edwardsville, 1997
The Messing Gallery in St. Louis, 1999
St. Louis Women’s Caucus for Art, 1997
The Mitchell Museum in Illinois, 1997
EDUCATION
2001 M.F.A. Fontbonne College, St. Louis, MO
2000 M.A. Fontbonne College, St. Louis, MO
1986 A.A. Deaf Communications, St. Louis Community College, St. Louis, MO
1982 B.F.A. Graphic Communications, Washington University, St. Louis, MO
- Creator:Mary Borgman (1959, American)
- Creation Year:2022
- Dimensions:Height: 60 in (152.4 cm)Width: 40 in (101.6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:Seller: MBG0111stDibs: LU554310024232
Mary Borgman
Mary Borgman was born in 1959 in St. Louis. She earned a BFA in graphic communications from Washington University in St. Louis in the year 1982, and an AA in deaf communications from the St. Louis Community College, St. Louis in 1986. Then in 2001, she went on to earn her MA and MFA from Fontbonne University in St. Louis.
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View AllPortrait of Justin Shanitkvich - Large Scale Charcoal on Mylar Original, Framed
By Mary Borgman
Located in Chicago, IL
Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them.
These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact.
Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that.
Mary Borgman
Portrait of Justin Shanitkvich, 2022
charcoal on mylar
53h x 40w in
134.62h x 101.60w cm
MBG009
[This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass]
FRAMED DIMENSIONS
55.25h x 42.50w x 2.25d in
140.34h x 107.95w x 5.71d cm
Mary Borgman
b. October 4, 1959 St. Louis, MO
SELECTED EXHIBITIONS
2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL
2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR
2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C.
SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL
SOFA NY, Ann Nathan Gallery, New York, NY
2011 Gallery Group Ann Nathan Gallery, Chicago, IL
SOFA NY, Ann Nathan Gallery, New York, NY
2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL
What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Mylar, Charcoal
Portrait of Manop - Monumental Portrait, Original Charcoal on Mylar, Framed
By Mary Borgman
Located in Chicago, IL
* Provenance: This artwork was included in Portraiture Now: Drawing on the Edge, at the National Portrait Gallery in Washington DC, 2012-2013. The exhibition traveled to the Arkansas Art Center in Little Rock, AR in 2013.
Mary Borgman
b. October 4, 1959 St. Louis, MO
SELECTED EXHIBITIONS
2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL
2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR
2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C.
SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL
SOFA NY, Ann Nathan Gallery, New York, NY
2011 Gallery Group Ann Nathan Gallery, Chicago, IL
SOFA NY, Ann Nathan Gallery, New York, NY
2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL
What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Mylar, Charcoal
Self Portrait at 80 - Realist Charcoal on Paper Drawing, Artist Self Portrait
By David Becker
Located in Chicago, IL
Facial expressions are used to convey information from one person to another. Here the viewer has a sense of how the artist feels about celebrating his 80th birthday. A master with vine charcoal, David Becker uses it with precision. With a rich range of value and strong darks, Becker captures his own fine details with exacting clarity. This piece is floated and framed with a simple wooden frame.
David Becker
Self Portrait at 80
vine charcoal on paper
35.75h x 25w in
90.81h x 63.50w cm
DB0031
David Becker
Exhibitions
2017 Figure8, Gallery Victor Armendariz, Chicago, IL
Coming Attractions, Gallery Victor Armendariz, Chicago, IL
2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI
2011 Art Chicago 2011, Merchandise Mart, Chicago, IL
2010 Art Chicago 2010, Merchandise Mart, Chicago, IL
2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL
Art Chicago 2009, Merchandise Mart, Chicago, IL
The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC
Selections, Ann Nathan Gallery, Chicago, IL
2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL
SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY
Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL
2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL
2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY
Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL
Ann Nathan Gallery, Chicago, IL
Palm Beach³, Ann Nathan Gallery, Palm Beach, FL
2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC
Art Chicago 2004, Ann Nathan Gallery, Chicago, IL
Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia
Return of the Men, Peltz Gallery, Milwaukee, WI
2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL
Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia
National Academy of Design 178th Annual Exhibition, NY, NY
2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL
Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY
Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC
Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI
Return of the Men, Peltz Gallery, Milwaukee, WI
2001 Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan
Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC
"FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia.
David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February.
2000 Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000.
1999 National Academy 174th Annual Exhibition, NY
University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI
Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY
1995 Bharat Bhavan International Biennial of Prints, Bhopal, India
Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ
Collection Update, 1994, National Academy of Design Museum, NY
1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY
In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs
Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI
GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg
1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY
1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC
Outstanding American Prints, Anderson Arts Center, Kenosha,WI
National Academy of Design 168th Annual Exhibition, NY
David Becker: Etchings, Davidson Galleries, Seattle, WA
Portraits, Davidson Galleries, Seattle, WA
1992 The Print Fair, 7th Regiment Armory, NY
1991 166th Annual Exhibition, National Academy of Design, NY
Alma College Collection, Detroit Institute of Arts, Detroit, Michigan
Modes of Expression, Potsdam College, SUNY, Potsdam, NY
1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA
Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY
Publications/Reviews
2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA
2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino.
2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions."
Review of Progressive Printmakers (LVM) exhibition.
2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith.
2001 February Capital Times, "The Crowned Prints," by Kevin Lynch.
1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance.
1995 – 1999 Who’s Who in America.
1993 Summer The Journal of the Print World, review.
March 14 The New York Times, review.
March 12 The Daily Oklahoman, review.
1990 Dec. 13 The Capital Times, review.
April 28 The Washingtion Post, review.
March 25 The New York Times, review.
Summer The Journal of the Print World, review.
Selected Collections
- additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR
Art Institute of Chicago, Chicago, IL
Brooklyn Museum, NYC
Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI
Elvehjem Museum of Art, U of Wisconson-Madison
Honolulu Academy of Arts, Honolulu, HI
Library of Congress, Washington, DC
Metropolitan Museum, Miami, FL
Museo de Arte Moderno, Cali, Columbia
National Academy, NY, NY
National Museum of American Art, Washington, DC
New York Public Library, NY
Portland Art Museum, Portland, Oregon
Rose Art Museum, Brandeis University, MA
United States Information Agency, Prague, Czech.
Alberta College of Art, Alberta, Canada
Albion College, Albion, MI
Alma College, Alma, MI
Art Center, South Bend, IN
AT&T Corporate HQ, Plainfield, NJ
Boston Printmakers, Boston, MA
Bradley University, Peoria, IL
Columbia Green Community College, Hudson, NY
Columbus State University, Columbus, GA
Davidson College, Davidson, NC
Dickinson College, Carlisle, PA
Georgia State University – Atlanta
Hope College, Holland, MI
Hunterdon Art Center, Clinton, NJ
Kansas State University, Manhattan, KS
Madison Art Center, Madison, WI
Marui Imai Inc., Sapporo, Japan
Milwaukee Art Center, Milwaukee, WI
Minot Art Association, Minot, ND
North Carolina Print/Drawing Society, Charlotte, NC
North Texas State University – Denton
Ohio University – Athens
Oklahoma Art Center, Oklahoma City, OK
Oklahoma State University, OK
Quad Graphics, Milwaukee, WI
Silvermine Guild of Arts, New Canaan, CT
Springfield College, Springfield, MA
St. Lawrence University, Canton, NY
State University of New York – Fredonia
State University of New York – Potsdam
Trenton State College, Trenton, NJ
University of Arizona Museum of Art, Tucson, AZ
University of Colorado-Boulder
University of Dallas, TX
University of Louisville, Louisville, KN
University of Manitoba, Winnipeg, Canada
University of North Dakota – Grand Forks
University of South Dakota – Vermillion
University of Tennesse – Knoxville
West Chester State College, West Chester, PA
Western Kentucky University – Bowling Green
Private Collections
Carla Leighton, New York, NY
Marc Hauser, Chicago, IL
Michael John Hofer, Chicago, IL
Drs. Mark & Helene Connolly, River Forest, IL
Jamie Kalikow, New York, NY
Dianne & Jim Blanco, Chicago, IL
Denise Roberge, Palm Desert, CA
Tish & Philip Messinger, Creskill, NJ
Brian Wesphal & Michael McVicker, Chicago, IL
Ralph Privoznik, Lafayette, IN
Candice Groot, Evanston, IL
Shomaker/Ruud Collection, Chicago, IL
Braden Berkey and Robert Bartlett, Chicago, IL
Bill and Karyn Silverstein, Highland Park, IL
Steve Weitz, Lovettsville, VA
Mary Allice Wimmer, Madison, WI
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Category
2010s Realist Portrait Drawings and Watercolors
Materials
Paper, Charcoal
Daniel Samaniego Male Portrait I Contemporary Graphite Drawing on Paper Framed
Located in Keego Harbor, MI
A graphite drawing on paper depicting a male portrait by Daniel Samaniego. Circa 2010s. A dramatic black and white composition with an angular shaped paper that echoes broken glass. ...
Category
2010s American Drawings
Materials
Paper
Daniel Samaniego Male Portrait II Graphite & Charcoal Drawing on Paper Framed
Located in Keego Harbor, MI
A graphite and charcoal drawing on paper depicting a male portrait by Daniel Samaniego. Circa 2010s. A dramatic black and white composition with an angular shaped paper that echoes b...
Category
2010s American Drawings
Materials
Paper
Self Portrait (original signed unique charcoal drawing) Kraushaar Gallery label
By John Heliker
Located in New York, NY
John Heliker
Self Portrait, 1991
Charcoal Pencil on Paper (with original Kraushaar Galleries label verso)
Signed on the front
bears the original KRAUSHAAR GALLERIES label on the verso on the frame
Vintage metal frame included
Self portrait done in charcoal pencil by distinguished American artist John Heliker. Hand signed on the front
This work is framed - bears the label of the renowned KRAUSHAAR GALLERIES on the verso.
Image size: 13 inches by 10 inches;
Framed: 18 1/2 inches by 14 1/2 inches
About John Heliker from The New York Times Obituary, 2000 (Roberta Smith)
John Heliker, a painter and teacher who was a fixture of the New York art world for nearly seven decades, died on Tuesday at the Sonojee Estate, a health center in Bar Harbor, Me. He was 91 and had lived in New York during most of his career, spending summers on Cranberry Island...
Category
Late 20th Century Modern Portrait Drawings and Watercolors
Materials
Charcoal, Carbon Pencil
Jeremy Abbott, Portrait Painting
Located in Miami Beach, FL
Jeremy Abbott, 2016 by Ramonn Vieitez
Watercolor and Gouache on canvas
Size: 15.7 H x 11.8 W in.
Signed on the back by the artist
Unframed
___
Ramonn Vieitez is a self-taught Brazi...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Watercolor, Gouache
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