Art by Medium: Plastic

Fiberglass & Chrome Edition 1/3 Valentin Korzhov is a Russian artist born in 1975 who lives & works in Moscow, Russia. Valentin Korzhov is known for his multi-media works combining...

Unique. Paul Snell is an Australian artist who blurs the boundaries between photography and painting, creating contemplative works that replace constant image saturation with moment...

artwork dimensions (unframed): 35.5h x 39w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Artist: KAWS, Title: Time Off (Pink) Series: Toys Date: 2023 Medium: Sculpture Unframed Dimensions: 7" x 11" x 6" Signature: Stamped Edition: Open Edition KAWS (American, b...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Archival photo print under acrylic glass. 8x 24x24 inches. Can be diversely assembled. If horizontal, total of 48x96 inches (add 2 or 3 inches in between each piece). Artist and ...

Pathways of Desire (2009) - block printed, manipulated, stitched, heat-set polyester, cotton thread. This contemporary abstract tapestry is by UK-based contemporary textile artist, Caroline Bartlett...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Contemporary, Mixed Media, Ceramic, Sculpture, Functional Mug, Utilitarian Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Arti...

'Mid-Summer Dream' - Abstract Red, Orange & Red Flowers, Oil on Canvas, 2002 from Modern British Artist Margaret Francis, widow of famous Abstract Expressionist Artist, Sam Franc...

Changing Seasons Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 108 x 20 x 20 in "I am an artist, ...

"Béatrice Hug makes colours radiate in all directions and vibrate in a way thought to be restricted to painting, transparencies play like glazes to accentuate depth. Haziness and cla...

Carnival Fiberglass / Composites Filled Resin Base Gold Metallic Finish 47" x 12" x 10" "I am an artist, a sculptor not by choice but by destiny as each step in the path I followed ...

This is a one of a kind original mixed media (Antique silk paper, wool fiber, dye, paint plexiglass) painting depicting beautiful gold leaves against abstract background by Californi...

This is a one of a kind original mixed media (Antique silk paper, wool fiber, dye, paint plexiglass) abstract painting depicting beautiful monarch butterflies by California artist an...

Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Saint Luc in Tourna...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Luminous pink magnolia blossoms grace burgundy brown branches with hints of dark turquoise green on the pristine white background of this contemporary painting in acrylic on Mylar mo...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Acrylic on acrylic panel - Unframed 2 panels are 9 inches square and the middle panel is 14 x 8 inches. They hang from a cleat system which makes them appear to “float” off the wal...

"Rise" Photography Edition 2/28 32" x 32" inch by Yevgeniy Repiashenko "Rise" Photography Edition of 28 Year photo was taken: 2017 This picture is a part of Spirit series. The pic...

This Plexiglass collage was created by Canadian artist Max Epstein. Epstein's works often feature Canadian motifs and bright colors. This collage is signed and titled at the bottom, ...

Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Saint Luc in Tourna...

A unique, large scale/oversized, expressive artwork, from the Fragments of the Mind series. This series examines the delicate balance of the mind and the intricacies of our thoughts...

Other bookscapes available - popular themes include Music, Art, Fashion, Sports, Film, and more. Music DS Bookscape highlights contemporary books on Music legends, including Jimi H...

This painted work-on-paper is an abstract geometric design that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The...

Black and white abstract cast paper, ink, Size: 48x38, new frame under plexiglass. Pencil signed, Artist Proof. Richard Royce was born in New York on August 18, 1941. After getting his BA and MA in fine art at the University of Wisconsin, Richard went to France to study with Stanley W. Hayter, (the father of modern printmaking). On returning to the US he opened a studio where he produced etchings, cast paper, paintings and sculptural commissions of his own work while at the same time helping other artists including Roy Lichtenstein, Larry Rivers, Marisol, George Segal, Raphael Soyer, Francoise Gilot and Jim Rosenquist to realize works in various media. COLLECTIONS Bibliotheque Nationale, Paris, France State Historical Society of Wisconsin Portland Art Museum, Oregon Fine Arts Museum of Long Island, New York International Paper Corporation, New York Isla Center, University of Guam, Micronesia Byer Museum of the Arts, Evanston, Illinois Musee du Petite Format, Couvin, Belgique Yasuda Life Insurance Company, Japan SOLO EXHIBITIONS 1991 Prestige Gallery, Danvers, MA 1989 Watermark/Cargo Gallery.. Kingston, NY 1986 ARRAS Gallery, NYC, NY 1985 The Tremellen Gallery, Lancaster, PA 1982 Linden Gallery, New York, NY 1979 Contemporary Crafts Gallery, Portland, OR Keller Gallery, Salem, OR The Tremellen Gallery, Lancaster, PA 1970 Ventura College, Ventura, CO University of Wisconsin, Madison, WI 1969 Comsky Gallery, Boston, MA Ohio University, OH 1968 Thompson Gallery, Boston, MA The Galor Hagen Gallery, Dallas, TX University of Southern California Gallery SELECTED GROUP EXHIBITIONS 2004 Living Space Gallery, Cornville, AZ 2001 Rodman Gallery, Stockbridge, MA 1997 Dalton Fine Art, Boston, MA Boston Corporate Art, Boston, MA Prestige Gallery, Atelier Royce Group Show, Danvers, MA 1996 Copley Society Gallery, Group Sculpture Show, Boston, MA 1995 Barbara’s Hang Up Gallery, Group Show, Beverly, MA 1991 Creative Framing Gallery, Boston, MA 1989 5e Exposition International "Petit Format de Papier" Cul-Des-Arts (Couvin), Belgique 1988 Premiere Triennale Mondiale D'Estampes Petit Format (Traveling show to museums throughout France) 1987 "Eight Upstate Sculptors", Woodstock Artist Assn., NY 1986 First International Biennial of Paper Art, Leopold-Hoesch Museum, Dueren, Germany 1985 '85 Mini-Exhibition, Isla Center, University of Guam, Micronesia 1984 Paperworks: A National Invitational, Chevey Cowles Memorial Museum, Spokane, WA Paper, Canvas & Glass, Gallery Mack, Seattle, WA Atelier Royce Group Show, Eclipse Gallery, New York Contemporary Paperworks, Hurlbutt Gallery, Greenwich, CT 1983 Paper As Images - Traveling exhibition: Six galleries throughout England 1982 Papermaking USA, American Crafts Museum, New York Atelier Royce Group Show, State University, Purchase, NY New American Graphics 2, Art Museum Association of San Francisco Traveling...

This large indoor outdoor contemporary sculpture is painted in car paints and is impervious to all weather conditions. It is a striking contemporary statement of geometric abstracti...

John McCaw's (US based) "High Noon" is an abstract mixed media painting that depicts an arching red shape against a pale yellow background that reminds one of a mountain and the smal...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Keith Haring was an American artist and representative of American Pop Art of the 1980s. He first came to public attention with his chalk drawings in the New York underground, which ...

Artist Statement: How many ways can I depict a flower? I can draw it, paint it, and photograph it. Then I can manipulate those images on a printer. I can enlarge it. Make it smaller. Make the negative. Make the positive. Change the color. My mornings in Santa Fe start with a walk around the garden to see what has bloomed overnight. Two summers ago, I rented an adobe guest house that is surrounded by Hollyhocks, Roses, Poppies, and Yellow Thistles. The flowers have crept into my vision. The first summer, I painted the flowers using oil on canvas. The second summer I became more experimental, combining drawing, photography, and painting. Mixing the media all in one artwork, I abandoned canvas for transparent Lucite panels. The new works are essentially mixed media collage applied to Lucite. Working on front and back, layered to see through to the next. Creating a real space with real shadows but in an ambiguous world. The flowers are dense but there is an identity and clear shape of each. These works are labor intensive, requiring precise cutting of the paper and careful application. In "The Flowers of the Street of Spirits," black Hollyhocks stand tall with turquoise Firewheels and magenta Coneflowers. Real and unreal. Cut paper and paint come together in a surreal garden...

Dramatic oil on mylar on panel painting by Elena Zolotnitsky depicting a chair from her Extinct series of abandoned chairs and their unique histories. Professionally framed in a clea...

"Teddy Bear (Hot Pink with Sparkles)" cast lucite acrylic, hand polished sculpture with embedded sparkles by artist Mara Sfara from an edition of 25. Signature Mara Sfara and edition...

Edition: 1/3 Work can be hung with either the WallCleat system (support bar supplied) or the screw-eye system if it needs support from wire or above. Available in 4-5 weeks turnaro...

Edition: 1/3 Paul Snell is an Australian artist who blurs the boundaries between photography and painting, creating contemplative works that replace constant image saturation with m...

Artist: KAWS, Title: Flayed Companion (Brown) Series: Toys Date: 2016 Medium: Sculpture Unframed Dimensions: 11" x 5" x 3" Signature: Stamped Edition: Open Edition KAWS (Am...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Artist: KAWS, Title: Together (Brown) Series: Toys Date: 2018 Medium: Sculpture Unframed Dimensions: 10" x 8" x 5" Signature: Stamped Edition: Open Edition KAWS (American, ...

Archival photo print under museum acrylic. Three prints, 3 x 24x24" (each) Signed & Numbered by the artist Edition of 5 Montreal-based artist and photographer Paul-Émile Rioux has...

Memory of Spring (Abstract painting) Acrylic on acrylic panel (plexi) - Unframed. This work is sold as a triptych which could be hung on a wall (cleat system supplied) or displayed...

This two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's. This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition. The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017. John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii. On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime. Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Title: Lantern Column VI Year: 2019 Medium: Mold blown glass, cast polymer rubber, steel, cast iron Size: 69.5 W 7 X D 7 (in) ( metal base 18 X 18 in.) Niho Kozuru is a Japanes...

Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Saint Luc in Tourna...

Framed size 26 1/4 x 34"

Bleed # 202481 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas — Unframed. Work can be hung with either the WallCleat system (support bar supplied) or the ...

Artist: Nancy Graves (American, 1939-1995) Title: "Rope Trap" *Titled, signed, and dated by Graves (inscribed into the metal) on red cylinder lower right Year: 1985 Medium: Original ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

This artwork, featuring a cut-out image of plump lips in a metallic Barbie pink, encapsulates the culture of Barbie, an iconic symbol of beauty, fashion, and empowerment. The lusciou...

Artist Commentary: Made with plastic bags, beeswax, oil paint and graphite Keywords: abstract, calm Artist Biography: Toby Zallman has always combined ...

This nature based work is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She splits her time between NYC and rural northeast P...

Artwork made with birch panel, latex, lacquer, enamel & MDF Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art F...

Divyendu Anand - Eternal Beauty Liquid Metal Coating over Composite of Stone Glass & polyester Resin Black Granite H 31 x W 18.5 x D 19 inches, 2020 Gr...

"No title (No 43)" Ballet Photography 45x45 in Ed. of 18 by Yevgeniy Repiashenko No title (No 43) Photography Year photo was taken: 2018 This picture is a part of Spirit series. ...