Art by Medium: Plexiglass

Print on plexiglass - artwork can be shipped in a crate

"Asphodel" Ballet Photograph 32" x 32" in Ltd. Ed. of 25 by Yevgeniy Repiashenko Asphodel Photography Edition of 25 32 x 32 inch Year photo was taken: 2020 This picture is a part...

15 x 15 x 31 cm PetG and Metal Gold Paint Lisbon-based, Miguel Rodrigues is renowed by having developed a highly innovative and personal artistic style: the hyperbaroque. His hyper...

"Arabesque" Black & White Photograph 32x32 in Ed. of 25 by Yevgeniy Repiashenko Photography Year photo was taken: 2018 This picture is a part of Spirit series. Magic dance moveme...

Digital+Diasec Plexi Plexi Ed. 1/3 89 x 63 cm / 35 x 25 in

Digital+Diasec Plexi Plexi Ed. 1/3 89 x 63 cm / 35 x 25 inch

The Three Graces Acrylic+Digital+Diasec Plexi Plexi Ed. 1/3 120 x 90 cm / 47 x 35 in

Annick b. Cuadrado, a French artist, born and working in Paris, introduces in her works of art the most famous products of our consumer life. She has convinced the owners of the most...

Ed of 5 + 2AP Among the contributors to the contemporary art world’s boundary-breaking experimentation in media, Kim Keever has hit on something truly unique—a photographic art in w...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

Kim Fonder MENTA COLLAGE I Mixed Media on Paper with Plexiglass 20.00 X 20.00 in $1,100.00 Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation wi...

Lucy Blue is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a white frame. It 25" x 25". It is filled with blue colors and white . It is $1,600. This is an edition of 30. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits...

INIZIO AVORIO I by Kim Fonder is a mixed media on handmade paper, pigment, mica, on burlap over panel measures 24.00 X 24.00 in and is priced at $800. Kim Fonder loves texture and t...

ENSO SERIES II by Kim Fonder is a Mixed Media on Handmade Paper with Plexi that measures 12.00 X 12.00 in and is priced at $600.00. Kim Fonder loves texture and touch. Her paintings...

BATIK II by Kim Fonder is a Vintage Batik Textile on Burlap with Plexiglass measuring 60.00 X 36.00 in and is priced at $3,600.00. Kim Fonder loves texture and touch. Her paintings ...

Edition of 10 archival pigment print mounted with plexiglass

these beautiful tjaps pronounced ‘chops’ are used to apply wax during the batik process

These beautiful tjaps pronounced ‘chops’ are used to apply wax during the batik process mounted on burlap and enclosed in a plexi glass frame antique copper batik stamps...

These beautiful tjaps pronounced ‘chops’ are used to apply wax during the batik process

Anne's Heart is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 36". It is filled with Blues and white . It is $2,450. This is an edition of 30. It was originally photographed in 2015. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

First of May is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 24". It is filled with Blues and Green colors. It is $1,850. This is an edition of 30. It was originally photographed in 2012. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Framed Dimensions: 25h x 25w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received in...

Framed Dimensions: 30.5h x 42.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed Dimensions: 36.5h x 36.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed Dimensions: 21.5h x 26w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received ...

Framed Dimensions: 37h x 34w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received in...

"No title (No 44)" Ballet Photography 45x45 in Ed. of 18 by Yevgeniy Repiashenko No title (No 44) Photography 45 x 45 inch Year photo was taken: 2019 Edition of 18. Premium Qualit...

Bandeau noir ondulé 108 x 41 cm Collage papiers sur carton plume, collé sur plaque plexiglass. 4 kg avec pochette emballage carton. Signé au dos. Prix galerie : 2300 €

Carré noir ondulé 1 et 2 60 x 60 cm Collage papiers sur carton mousse, encadrement plexiglass. 4 kg Signé au dos. Prix galerie : 2100 €

Carré noir ondulé 1 et 2 60 x 60 cm Collage papiers sur carton mousse, encadrement plexiglass. 4 kg Signé au dos. Prix galerie : 2100 €

Grand carré noir ondulé 100 x 100 cm Collage papiers sur carton plume, encadrement plexiglass. 10 kg avec pochette emballage carton. Signé au dos. Prix galerie : 2800 €

Carré blanc ondulé 83 x 83 cm Collage papiers sur carton plume, encadrement baguette bois blanc. 8 kg avec pochette emballage carton. Signé au dos. 3000 €

"VINYL MICKEY MOUSE" Plexiglass Print 39' x 39' in Ed. of 5 by Edyta Grzyb Fine art pigment print on Hahnemühle, 300 g under acrylic glass 2020 Each prin...

No title (No 57) Ballet Photograph 45"x45" in Ed. of 18 by Yevgeniy Repiashenko No title (No 57) Photography Edition of 18 45 x 45 inch Year photo was taken: 2017 This picture i...

"Blind Standard" (FRAMED) Photography 48 x 36 In Edition of 3 by StillVika Size framed: 54" x 44.5" inch Medium: Digital Print, Plexiglass, Matte Varnish Signed and numbered by the ...

This multiple is hand signed by the artist “J. Arp” in blue ballpoint pen on a label, verso. It is also hand numbered in blue ballpoint pen, from the edition of 100 on a label, verso...

This laser cut acrylic series of Scribble Sculptures is inspired by the gestures and quick mark making found in abstract expressionist painting and drawing, and the whimsical, bold color and shape found in classic cartoon. Ryan Coleman...

A digital photography print entitled "Children from heaven" Numbered 1/20 by the contemporary artist Marc Vandermeer ( American, 1950's ). Featuring shapes of children floating in a ...

An exceptional mixed media photo collage printed on ultra premium photo luster by the contemporary artist Marc Vandermeer ( American, 1950's). The art work entitled "End of Days" and depicts a city in flames. Dimensions: 21” H x 27” W x 0.5” D About the artist : Marc Vandermeer Art has been a part of Marc's DNA since birth. His mother, a New York-based artist, sculptor, and teacher, continually exposed him to the world of galleries and museums, between their home in SoHo and summers spent in Provincetown, MA. He began practicing early, attending high schools specializing in art and summer workshops in Provincetown, and studying art history in Florence, Italy. In 1971 he enrolled at The Philadelphia College of Art, initially as a painter but ultimately graduating with a BFA Film in 1976. He studied under photographer Ray K...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

Fernanda Naman Fenix IV Mounted on Plexiglas

Fernanda Naman Fenix III Mounted on Plexiglas

Fernanda Naman Extremes III Mounted on Plexiglas

Fernanda Naman Extremes II Mounted on Plexiglas

Fernanda Naman Extremes I Mounted on Plexiglas

C print on plexiglass Please allow 3-4 weeks for printing and mounting. Price does not include any mounting or framing. Can be shipped in a tube.

Wild horses frolicking in the snow.

After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the Interna...

Movie Poster Art Signed lower right. Birney Lettick was a consummate craftsman. A native of New Haven, Connecticut, he attended the Yale University Art School and studied with Joseph Albers. He learned anatomy by dissecting cadavers and all the other fundamentals involved in a painter’s classic education. His abilities won him the Tiffany Scholarship as one of the ten most promising art students in the country. His art career, delayed by four years in Europe, soon revived. He found advertising clients for national...

Overcoming fear.

SPECTACULAR Snowy owls are excellent hunters, relying on patience and the element of surprise to capture prey. They can wait on perches for hours waiting for prey before ambushing th...

Before I left for this trip to take wild horse photography, a friend of mine and I were having dinner at a restaurant in NYC. She asked, “what are you going to do differently this time?” And, ” how will you photograph beautiful wild horses?” It was as though someone stabbed me with a dagger. However, she was right. I was coming back with similar-looking photographs and nothing different as well to have people shop for wild horse photography. So I consciously made a significant effort to change things around to capture my horse pictures...