Françoise Luciani Art

a mesmerizing sea of light blue and acqua color tones from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique abstracti...

Ed Mell 1942-2024 Original signatures on stamps and envelope. Custom presentation frame. Arizona Centennial Commemorative Stamp, Arizona First Day of Issue by Ed Mell, 1942-2024. C...

Miroir d’Artistes by Jesus Rafael Soto, Venezuelan (1923–2005) Date: 2005 Screenprint on Plexiglas and Mirror, signed and numbered, verso Edition of 99 Size: 19.75 in. x 19.75 in. x ...

Jose Margulis is a contemporary artist whose work explores the space where art, science, and philosophy meet. Best known for his three-dimensional geometric constructions, he works w...

Gene Davis Large Scale Lithograph on Archival paper Signed and numbered in pencil. Titled Yankee Doodle and executed in 1972. Original frame with plexiglass. Printed by Fine Creati...

Signed and numbered lithograph on woven paper designed by Robert Rauschenberg titled "Broken Harp". An early edition, number 24 of only 500 prints ever made. Executed on woven paper ...

Opening Night - This complimentary pair of paintings emphasizes the combination of intricate detail and strong composition. Extensive detail is found in the pearls made of paper collage, building up delicate tone on tone textures. The blending of paint and pencil work creates an outcome both expressive and refined. The black and off-white contrast offers a sense of glamour and timeless elegance...

FOCUS is a public art sculpture about photographic vision and how it shapes the way we see the world. It is concerned with the viewer’s growing visual perception and bodily experienc...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Fine Art Cover Material 12 × 18 × 3 in 30.5 × 45.7 × 7.6 cm Edition of 500 Part of a limited edition set Includes a Certificate of Authenticity Discover a masterpiece with "Annie L...

This magnificent work by Victor Vasarely displays an intricate interplay of green optical figures against a clear background in a three-dimensional medium. It offers a fascinating vi...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

This super colorful and vibrant wall sculpture is both a painting and a sculpture in one. The piece floats off the wall and is created using black plexiglass which is carved with an...

Abstract modern collage of geometric shapes in blues, greens, and yellows, by artist Spe, 2000's. Signed. Displayed in a white mat with a gold border and fits a standard-size frame. ...

Josef Albers (1888–1976) One Plate: Homage au Carre (116/125), 1964 is a distinguished serigraph in colors on Arches Cover paper from Josef Albers' celebrated Homage to the Square se...