Art by Medium: Polaroid

Stages of Loss (The Girl behind the White Picket Fence) - 2013 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certific...

Morning (Till Death Do Us Part) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x2...

The Lonely Hearts (The Girl behind the White Picket Fence) - 2013 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certi...

I can’t be without you (The Girl behind the White Picket Fence) - 2013 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and ...

Over and over and over (The Girl behind the White Picket Fence) - 2013 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and ...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Circle of Magic - Summon (29 Palms, CA) - 2009, 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist I...

Circle of Magic - Lightning Strikes (29 Palms, CA) - 2009, 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate...

Circle of Magic - Elixirs (29 Palms, CA) - 2009 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...

Outgoing (Till Death do us Part) - 2016 40x40cm, Edition of 10. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory number: 9006. Not moun...

Richard Prince Angie Dickinson (Angie from Untitled Portfolio) from the estate of Vera G. List, 1986 Large Color Polaroid (w/Barbara Gladstone & Sotheby's Gallery Labels) Signed and ...

Hans finds Oxana’s Stage (Stage of Consciousness), 2007, 93x75cm, Edition 2/5, analog C-Print, printed by the artist on Fuji archive Paper, mounted on Aluminum with matte UV-Protecti...

Today's Heros (Suburbia) - 2004 20x24cm, Edition of 10, Archival C-Print based on a Polaroid, Not mounted, Signature label and Certificate. Artist Inventory No. 330.01. Stefani...

'Peaches', 2016, Edition 1/7 plus 2 Artist Proof Based on a Polaroid, digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2016-186 Kirsten Thys...

Ch-ch-ch-ch-changes (Stage of Consciousness) - 2007 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist...

'Looking back' (Till Death do us Part) - 2005 20x20cm, Edition 1/10, digital C-Print print, based on a Polaroid, Certificate and Signature label, artist Inventory No. 9485.01, N...

Paul Anka is a popular singer and songwriter known for such hits as Put Your Head on My Shoulder, Diana, and She's a Lady, recorded by Tom Jones. Image dimensions: 4.25 x 3.375 in. ...

Palm Springs Palm Trees II (Californication) - 2016 100x100cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artis...

The Tiara (The Girl behind the White Picket Fence) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate....

Hug My Soul - 2019 Edition of 10 - 20x20 cm. Archival C-Print based on the Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works and Lives: UK Clare M...

Gloriosa Noire No.2, 2025 A study in silhouette and stillness. Flame curves. Velvet dark. Captured on Polaroid film, a bloom both vanishing and eternal. Archival pigment print on H...

Seeds Series - 2018, Edition 1/10 plus 2 Artist Proof, 50x50cm, Digital Print based on a Polaroid on Hahnemühle photo rag paper, not mounted. Signed on back with certificate. Ariel ...

Hand signed, dated and inscribed Polaroid photograph of Nancy Graves, dated September 24, 1980, depicting the artist with her iconic sculpture Shaman. Provenance: Collection of Jim W...

She's gonna run like water through your hands (Till Death do us Part) - 2005 48x47cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on the Polaroid. Certific...

Pantomime - Stage of Consciousness (29 Palms, CA) - 2007 75x93cm, Edition of 10 plus 2 Artist Proofs, Archival C-Print based on a Polaroid. Signature label and Certificate. Art...

Three Girls IV (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

Joyce Tenneson is an accomplished American photographer best known for her mystical and sensual photographs of the female form. At once haunting, enigmatic, and evocative of dreams a...

Lost Love (The Princess and her Lover) - 2008 40x50cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #7054. Not mou...

The Hideout - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #725. S...

Radha at Fence (29 Palms, CA) - 1999 featuring Radha Mitchell 60x58cm, Edition of 10 plus 2 Artist Proofs. Analog C-Print, hand-printed and enlarged by the artist, based on the Po...

Phoenix Rising (Strange Love) - 2007 20x20cm, Edition of 10. Archival C-Print, based on the Polaroid. Signature label and certificate, artist Inventory No. 9923. Not mounted. ...

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

'Trailer life', 2020 20x24cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL20...

Joyce Tenneson is an accomplished American photographer best known for her mystical and sensual photographs of the female form. At once haunting, enigma...

Austen and Daisy in front of Trailer IV (Till Death Do Us Part) - 2005 80x79cm, Edition 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate ...

Max, smoking in Car (29 Palms, CA) - 1999 58x56cm, Edition of 10, plus 2 Artist Proofs. analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, matte su...

Gas station at Night I (Stranger than Paradise) - 2006 Edition 1/5, 48x46 each, 93x91cm installed with gaps. 4 analog C-Prints, hand-printed by the artist, based on the 4 Polaroid...

Photogram on Polaroid Type 809 (Unique) Signed, titled, and dated in black ink, verso This artwork is offered by ClampArt, located in New York City. Brian Buckley’s work has alway...

Scared (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory # ...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Under Water (The Girl behind the White Picket Fence), 2013 100x98cm, Edition 1/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Sign...

Burning Field (Stranger than Paradise) - 2004, 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Artist Inventory # 779.20. Mounted on Aluminum with matte UV-Pro...

Long Way Home (Stranger than Paradise) - 1999, 3 x 58x56cm, installed 58x180cm, (sold out Edition of 10), this is THE last Artist Proof 3/3. 3 Analog C-Prints, hand-printed by th...

Fleur Du Mal - Black & White Original Polaroid Photograph by Pia Clodi Framed Not unlike many of Pia Clodi’s works, Fleur Du Mal is a celebration of the ana...

'Still' 2019, 20x20cm, Edition of 7 plus 2 Artist Proofs. Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inven...

Crossfire (Californication) - 2019 50x50cm, sold out Lumas Edition of 150, available Artist Proof 4/5, 5/5. Archival C-Print, based on the Polaroid. Certificate and Signature lab...

Miss America (Sidewinder), diptych - 2005 Edition of 5. plus 2 artist Proofs. 38.5 x 38 cm each, installed 38.5 x 81cm. Analog C-Print, hand-printed by the artist in September 20...

Await (The Girl behind the White Picket Fence) - 2013 50x60cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #13084. ...

Penny Lane (Chicks and Chicks and sometimes Cocks) - 2017 Edition of 10, 50x50cm, plus 2 Artist Proofs. Lambda Print based on the Polaroid. Artist inventory 21327B. Signature labe...

Wild Child (Chicks and Chicks and sometimes Cocks) - 2019 - 20x20cm, Edition of 10 plus 2 Artist Proofs. digital C-Print, based on a Polaroid Artist inventory 22252. Signature l...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1329. N...

The morning after (Till Death do us Part) - 2005 50x50cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label, art...

Never Let Go (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory # 7945. Not mounted. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006 20x24cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signatur...

Fly Away Home, 2019, Edition 1/10 plus 2 Artist Proof, 20x20cm. Art Print based on an original Polaroid on Hahnemuhle photo rag paper. Signature label and certificate. Not mounted....

Desert Fire, 2019 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2019-...

Every Single Incident Weighs Tons (The Girl Behind the White Picket Fence) - 2013 90x89cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificat...

Lerici '25 is an original black and white Polaroid photograph captured on SX-70 film along the Ligurian coastline of Italy. The image is part of a limited edition of 20, hand-signed ...

Horizonte (Journey to the Center of the Earth) - 2019 Edition of 10. Photograph printed in Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not mount...

Beloved (Stage of Consciousness) - 2007 65x80cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and certificate. Artist Inventory ...