Art by Medium: Polaroid

Alejandra By the Pond (2014)
 - Alejandra shaved her head when she was 16. It was an act of rebellion and transgressions. She came to visit me, I took her to the river... 25x25cm...

Mind Storm (The Last Picture Show) - 2000 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

Leaving (Strange Love) - 2005 20x30cm, Edition of 10 plus 2 artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. “I never remembe...

Stefanie Schneider Polaroid sized unlimited Mini 'Memory of a Dream (29 Palms, CA)' - 2006 - 1 Archival Color Photograph based on the original Polaroid. Polaroid sized open Editio...

Ancient Bridge Views III (Stay) - 2006 20x20cm, Edition of of 5. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 2490. Not mounte...

Kitten - 2017 50x50cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and certificate. Artist inventory PL2017-490. Not mounted. ...

The Games we played (Till Death do us Part) - 2005 50x50cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label, a...

3 Stefanie Schneider Polaroid-sized unlimited Minis 'Radha Mind Screen' - 1999 - triptych signed in front, not mounted. 3 Digital Color Photographs based on the 3 Polaroids. 10.7...

Hug My Soul - 2019 Edition of 10 - 20x20 cm. Archival C-Print based on the Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works and Lives: UK Clare M...

Outback Dreams - 29 Palms, CA - 2010 50x130cm. Archival C-Print, based on the 3 original Polaroids. Signature label and certificate. Artist Inventory # 1933. Not mounted. THE G...

Mindscreen 12 - 1999 126x126cm with white frame, Edition of 5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate. artist Inventory...

This work is unique photographic work taken under the direction of Andy Warhol. Provenance: Gift of the artist, to the personal collection of Ronnie Cutrone to the current owner Wo...

Baltic pines, 2025 A study of silhouette and stillness of the Baltic landscape. Captured on Polaroid film. Archival pigment print on Hahnemühle Photo Rag Baryta paper. Stamped, lab...

Athena and Henry (Stay) - starring Ryan Gosling and Elizabeth Reaser - 2006 20x25cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and...

Last Days of Summer - 2019 - 30 x 38 cm, Edition 1/7. Photograph printed on Fuji glossy paper, based on a reclaimed Fuji Instant Film Negative (not mounted). Signed on back wi...

They are always there, it has always been that way (Dude Ranch) - 2022 Brother - triptych 17.78 x 50.8cm Edition of 7, plus 2 Artist proofs. Archival C-Print, based on 3 Polaroid...

3 Stefanie Schneider Polaroid-sized unlimited Minis 'Radha Mind Screen' - 1999 - triptych signed in front, not mounted. 3 Digital Color Photographs based on the 3 Polaroids. 10.7...

Lost Love (The Princess and her Lover) - 2008 40x50cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #7054. Not mou...

Nida No.3 is an original black and white Polaroid photograph captured on SX-70 film along the Baltic coastline of Lithuania. The image is part of a limited edition of 20, hand-signed...

A Million Dead End Streets (Stage of Consciousness) - 2007 40x40cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. ...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

Star me Kitten - 2017, 50x50cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, not mounted. Signature label with certificate. Artist inventory PL201...

Womb #02 - 2006, 56x55cm, Edition 2/5, Analog C-Print, printed by hand by the artist on Fuji Archive Crystal Paper. Based on the original Polaroid . Certificate and Signature la...

'Paperback Writer' (Bombay Beach) 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist ...

Village Motel Sunset (Stranger than Paradise) - 2005 38x36cm, Edition 6/30, archival C-Print, based on the original Polaroid Certificate and Signature label. Artist Inventory Nr. ...

This work is unique photographic work taken by Andy Warhol of one of his Shadow Paintings. The work is initialed by the artist on the front side of the polaroid. Polaroid dimension...

Part of the BLOOMY VIEW series taken in Bern 2020 in collaboration with Heym Collections, the images gained new life in their ambiguity, which often stimulates the viewer to project ...

They are always there, it has always been that way (Dude Ranch) - 2022 Father - triptych 17.78 x 50.8cm Edition of 7, plus 2 Artist proofs. Archival C-Print, based on 3 Polaroids...

No Middle (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature l...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

The Muse (29 Palms, CA) - 2009 38x37cm, Edition of 5, Artist Proof 1/2, analog C-Print, hand-printed by the Artist, mounted on Aluminum with matte UV-Protection, based on the Pol...

Rocket Man (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature ...

Strange Days (Wastelands) - 2003 57x56cm, Edition of 5, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Ar...

This is a unique photographic work taken by Andy Warhol. Lana Turner got her start in Hollywood in 1937 at just 16 years old. She would become one of the m...

12121 Amboy Road (California Badlands) - 2010 20x24cm, Edition of 10, digital C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 10910. Not moun...

Untitled (Beachshoot) - 2005 38x37cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1410. Not ...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Untitled II (Cricket on the Nose Scene) from the 29 Palms, CA series - 2009 56x56cm, Edition 1/5. Analog C-Print, hand-printed by the artist, based on a Polaroid, mounted on Alumi...

The Diva and the Boy (Beachshoot) - 2005 Edition of 10 plus 2 artist Proofs. 48x46cm each, installed 155x151cm. 9 archival C-Prints, based on the 9 Polaroids. Certificate and Sig...

Albert WATSON (*1942, Scotland) Monkey Comic Book, 1992 Chromogenic print from a polaroid positive face mounted to acrylic (Diasec) 243 x 183 cm (95 5/8 x 72 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Print only Signed by the artist Albert Watson (*1942, Scotland) is a Scottish photographer well known for his fashion, celebrity, and art photography, having shot over 200 Vogue and 40 Rolling Stone covers since the mid-1970s. His photographs are signature, classical, and bold, and in our world of manipulation, Watson prefers the enlargers and the trays; an artist who greatly enriches our perception with his unique photographic view. Photo District News named Watson one of the 20 most influential photographers of all time, along with Richard Avedon and Irving Penn, among others. The work ‘Kate Moss...

Fountain Head (Stay) - 2006 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5250 No...

Waiting (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature lab...

Nowhere (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature lab...

Space Angel (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature...

Housewife's Chores II (Suburbia) - 2004 20x24cm, Edition of 10, digital C-Print based on a Polaroid, Not mounted, Certificate and signature label. Artist Inventory No. 1684. Th...

A Vision you can't Capture #03 (29 Palms, CA) - 2007 50x61cm, Edition 2/5, analog C-Print printed on Fuji Archive Paper, hand-printed by the artist, based on a Polaroid, artist Inv...

Drowning the Noise - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory - PL202...

Girlfriends (Suburbia) - 2004 60x80cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Pol...

A Young Bride with a Strong Headache - 2020 40x50cm, Edition of 10, plus 2 Artist Proofs. Photograph printed on Fuji glossy paper, based on a reclaimed Fuji Instant Film Negative....

Meeting in front of Church (Sidewinder) - 2007 Edition 2/5, each 30x37cm, installed 30x160cm. 4 analog C-Prints, hand-printed by the artist, based on the 4 oirginal Polaroids. Ce...

Unknown Girl 01 - Street Portraits (Stranger than Paradise) - 1999 Edition of 10, 40x40cm. Archival Print, based on the Polaroid. Signature label and Certificate. Artist Invento...

Untitled (Olancha) - 2006 38x37cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No. 822. Not mo...

Untitled (Stage of Consciousness) - 2007 part of the 29 Palms, CA project. 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on t...

Nastasia with Gun (High Desert) - 2019 Edition 1/10, 50x50cm, Digital C-Print, based on the Polaroid. Signature label and Certificate. Not mounted. Stefanie Schneider: A German...

3 Stefanie Schneider's Minis from the movie Stay: 'Forgive me', 'Lila', 'Jellyfish' signed in front, not mounted Lambda digital Color Photographs based on Stefanie Schneider expired ...

Desert Playground (Oxana's 30th Birthday) - part of the 29 Palms, CA project - 2007 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. ...

Springtime (Paris) - 1995 Edition of 5, 50x60cm including white borders. Analog C-Print, hand-printed by the artist and based on the Polaroid. Signature label and Certificate. A...

Salton Sea Life (American Depression) - 1999 58x56cm. Edition of 10, plus 2 Artist Proofs. 1 analog C-Print, hand-printed by the artist, based on the Polaroid. Signature Label an...

Jules and Jim (Renée's Dream), - 2007, from the 29 Palms, CA series, 40x39cm, Edition 3/10, Analog C-Print, hand-printed by the artist, based on the Polaroid, Certificate and sig...