Art by Medium: Polyester

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

This painting is a small framed early work by Heather Hartman. The majority of the canvas is overcast with ivory and grey cloud cover. In the lover left-hand quadrant of the painting...

2004 Accumulation of miniature bronze violins embedded in polyester resin. Edition of 99 copies + 20 AP + 20 HC + 30 I/XXX. Signed and numbered in resin....

"Mannequine I" Sculpture 42" x 11" x 5" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He s...

"Window VI" is one piece in Heather Hartman's Spare Room series. Hartman’s work combines paper softly appearing behind polyester mesh to create the illusion of light glowing through ...

Ramsay is a New York-based artist working in abstract painting, drawing, and installation who employs a systematic, mathematical approach to translate nature's shifting colors into g...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

Banksy Gross Domestic Product (after) Banksy Welcome Mat, 2020 Medium: Doormat and refugee life vest Dimensions: 24.6 x 17.7 x 1.4 in (62.5 x 45.0 x 3.5 cm) Edition size: Undisclos...

Artist: Kaloust Guedel Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas over Board, Mirror, Polyester, Spray Paint. Y...

Ramsay is a New York-based artist working in abstract painting, drawing, and installation who employs a systematic, mathematical approach to translate nature's shifting colors into g...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Ramsay is a New York-based artist working in abstract painting, drawing, and installation who employs a systematic, mathematical approach to translate nature's shifting colors into g...

Archer Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 58" x 10" x 14" "I am an artist, a sculptor ...

VIEW is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the...

This is a multi-paneled painting of Heather Hartman's investigation into the light and landscape of Tennessee. earth tones are combined with violets to give space for the light, crea...

JOAQUIM NABUCO SURFBOARD, Rio de Janeiro series 70 x 20 x 2.5 inches polyester resin; hand-shaped polyurethane foam; digital print Swallowtail: 70 h. x...

This 10.5" x 6" x 8" 3-D printed bust of Jesse Jackson was created by California based artist, Daniel Edwards. It is a unique 3D printed sculpture from the Civil Rights Portrait Seri...

Divyendu Anand - Eternal Beauty Liquid Metal Coating over Composite of Stone Glass & polyester Resin Black Granite H 31 x W 18.5 x D 19 inches, 2020 Gr...

Ceramic sculpture "White Way". With this work I am talking about the state of a woman when she is connected to the natural source of her power, when she is light at heart. In this case, a woman's actions are filled with favorable energy. I have depicted this energy in the form of a white band that she weaves with her hands.

 The work is made of white white clay with fine chamotte. The figure has a matte rough surface of cream color with white engobe flecks. The white band is tied with polyester thread. It is attached to the figure with a thin wire. - Sve Gri...

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

"Mannequine III" Abstract Sculpture 49" x 13" x 5.5" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture...

In this painting, we see an underpainting of clouds parting around a sunburst at dawn. The natural curvature of the clouds is interrupted by hard-edged longitudinal stripes of gradie...

"Rising Burst" is created by Heather Hartman to capture the light bursting through an obstruction. This painting is is part of an on-going series that explores the light and landscap...

WHIRL II captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

One Year, Yellow Trail, Landscape As Time (Abstract painting) Acrylic on polyester film - Unframed This project, began in April 2013 is about time-keeping. Debra Ramsay captured t...

Acrylic on polyester film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It blooms in January with bright yel...

Acrylic on polyester resin film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It ...

Acrylic on polyester film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It blooms in January with bright yel...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Richard Hamilton (1922-2011) is widely regarded as one of the founding fathers of Pop Art. Inspired by common domestic or industrial objects and the visual language of mass producti...

"Mannequine II" Abstract Sculpture 40" x 7.5" x 5" in by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1...

"Cloaked Woman" Sculpture 50" x 15" x 6" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He ...

Selkie Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Graphite filled acrylic laquor on filled polyester resin base 29" x 21" x 20" "I am an artist, a sculptor...

Ramsay is a New York-based artist working in abstract painting, drawing, and installation who employs a systematic, mathematical approach to translate nature's shifting colors into g...

Duchess Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 53 x 15 x 16 in "I am an artist, a sculptor...

Dreamer Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 51 x 13 x 12 in "I am an artist, a sculptor...

Dreamer Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 51 x 13 x 12 in "I am an artist, a sculptor...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Polymer (resin-polyester) sculpture. Edition 2 of 9

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

"Soul Boat III" Figurative Sculpture 12" x 43" x 7" inch by Ahmed Saber Acrylic on Polyester AHMED SABER - BIO Ahmed Saber is an Egyptian artist based in Luxor in Upper Egypt, wher...

Vliegende uil Flying Owl Polyester Cortensteel Big Bird Sculpture Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at the Rot...

JOAQUIM NABUCO Surfboard Rio 3, Rio de Janeiro series 70 x 20 x 2.5 inches polyester resin; hand-shaped polyurethane foam; digital print Swallowtail: 7...

JOAQUIM NABUCO Surfboard Rio 2, Rio de Janeiro series 70 x 20 x 2.5 inches polyester resin; hand-shaped polyurethane foam; digital print Swallowtail: 7...

Annamarie Dzendrowskyj Into the Night Norway V Oil on Australian Polyester 56 x 60 cm Landscape Painting

Rennende Haas Running Hare Polyester Cortensteel Coating Sculpture Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at the R...

CHROMASEEDS is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh layers. The plants represented in the piece are Gaillardia flowers, commonly known as blanket flowers, native to North America and often bred for their decorative, ornamental shape. In her creative process, Hartman anthropomorphizes the flowers, paying attention to their dance-like growth movement. Here, their shadows dance in the prismatic light of the rainbow, while the wind catches their seeds, cultivating the garden. The vibrant, rainbow light was achieved by painting a prismatic shape on tyvec and black paper, creating a reverse silhouette...

PASSAGE is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh. The white, reverse silhouettes...

Coming Soon

Echo IV is a composite of images collected from my daily surroundings (light, architecture, and botanical forms) combined and reimagined as an attempt to grapple with larger questions of ecology and mutability. Layers of paper and cut Tyvek are painted and manipulated beneath the surface – pushed and pulled in and out of focus...

Laure Krug. Contemporary French artist Holder of a license in plastic arts, she naturally turns to sculpture. Materials: She begins by working the soil and masters the different co...

This painting by Heather Hartman is a burst of fiery red clouds, overlaid with meticulously painted 1s and 0s. Truth, Beauty Binary is part of an on-going series that explores the li...

This piece presents to us glossy longitudinal stripes of pastel hues, overlaid on a foggy blue-grey underpainting with meticulously rendered raindrops. The earthy fragrance of spring...