Art by Medium: Screen

A green and gray composition that features a more dimensional rendition of Albers’ famous “Homage to the Square” series. The exterior ring of dark green flanks a window of gray befor...

Artist: Jay Rosenblum, American (1933-1989 Title: Cycle 3 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition size: 250 Size: 25 in. x 25 in. (63.5 cm x 63.5 cm)

Artist: Jon Becklers Title: Echo Structure Year: circa 1980 Medium: Screenprint and collage multiple, signed and numbered in pencil Edition: 9/25 Size: 39 x 27 in. (99.06 x 68.58 cm)

Artist: Budd Hopkins, American (1931 - ) Title: Jutland III Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: AP 45 Image Size: 21.5 x ...

Artist: Chryssa, Greek (1933 - 2013) Title: Series 2 Year: circa 1979 Medium: Silkscreen on Arches, Signed and Numbered in Pencil Edition: AP 11/20 Size: 31.5 x 34 inches

Artist: Thomas Lahy, American (1947 - ) Title: Chromatic Transit Year: 1971 Medium: Silkscreen, signed and numbered in pencil Edition: 43/100 Image Size: 1...

Artist: Joseph Grippi, American (1924 - 2001) Title: Pink Landscape Year: circa 1975 Medium: Silkscreen, signed and numbered in pencil Edition: 20 Image...

Artist: David Roth, American (1942 - ) Title: Untitled 2 Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 150 Image Size: 23 x 23 inches Size: 29 x 29 in. ...

Artist: Robert Indiana Title: Art Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 14" x 14" Signature: Unsigned

Artist: David Storey Title: V.4 Year: 1999 Medium: Screenprint, signed and numbered in pencil Edition: 100 Image Size: 17 x 13 inches Size: 22.5 in. x 17.5 in. (57.15 cm x 44.45 cm)

Bridget Riley (b. 1931) is an influential British abstract painter who came to prominence in the 1960's as the Op Art movement emerged. Riley first gained international recognition ...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

A superb impression of this color engraving, soft-ground etching, scorper and screenprint on Japan paper. Fifth state (of 5). Signed, titled, dated and numbered 1/50 in pencil, lower...

This is a Five colour screen print Including a metallic Silver layer. This print is then finished off by drawing over the print with multi-coloured paint including Gold, Yellow and G...

Josef Albers Homage to the Square (from "Son oeuvre et sa contribution à la figuration visuelle au cours du XXe siècle") 1972 Silkscreen Print in brilliant colors on wove paper Image Size: 8.75 × 8.75 inches(22.23 × 22.23 cm) Sheet Size (approx.): 10.5 × 12 inches (26.67 × 30.48 cm) Framed Size: 13 × 13 × 0.5 inches (33.02 × 33.02 × 1.27 cm) Unsigned; as published Edition: ~1,500; not individually numbered Published by Dessain et Tolra – 1972 Printed with an additional image verso as issued Serigraphs by Herbert Geier, Ingolstadt, Germany & Ives-Sillman, Inc., New Haven, Connecticut, USA Gallery-issued COA available upon request The Homage to the Square series is Josef Albers’s most celebrated and influential body of work, produced between 1950 and his death in 1976. Consisting of hundreds of paintings, the series explores the interaction of color through a deceptively simple compositional structure: nested squares arranged concentrically on a flat surface. Despite its geometric restraint, the work is fundamentally about perception—how colors shift, advance, recede, and transform in relation to one another. Albers applied paint directly from the tube using a palette knife, avoiding visible brushwork to eliminate gesture and emphasize color relationships as the primary subject. Each composition is carefully calibrated, demonstrating how identical colors can appear dramatically different depending on their surrounding context. The result is a dynamic visual experience in which depth, vibration, and spatial illusion emerge purely through chromatic interaction. The series reflects Albers’s theoretical contributions, particularly his seminal book Interaction of Color (1963), in which he articulated his belief that color is relative rather than absolute. Rather than expressing emotion through imagery, Albers invites the viewer into an active perceptual process, making the act of seeing itself the central theme. Homage to the Square remains a cornerstone of modernist abstraction and color theory, influencing generations of artists, designers, and architects. Works from the series are held in major museum collections worldwide and continue to be studied for their rigorous investigation of visual perception. Homage to the Square, Josef Albers square...

Artist: Ibram Lassaw, American (1913-2003) Title: Continuity Year: 1971 Medium: Silkscreen, signed and numbered in pencil Edition: 150 Size: 24 in. x 32 in. (60.96 cm x 8...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel, signed and numbered in pencil. Date: 1980 Medium: Screenprint, signed, numbered, dated and titled in pencil...

SHIPS THAT PASS IN THE NIGHT, (Barcos que Passan na Noite) 1999, color screenprint, signed in pencil, numbered 1/60, sheet 22 ½ x 27 ½”. From Jerusalem print workshop. Asaf Ben Zvi, Israeli contemporary artist, was born in Kfar Yehezkel, Israel, 1953. Studied at the Bezalel Academy of Arts and Design, Jerusalem and the Pratt Institute, New York. Laureate of numerous awards, notably the Rappaport Prize for an Established Artist for 2011, Tel Aviv Museum of Art. Lives and works in Jerusalem. He did his army service in a commando unit and fought in the Yom Kippur War. After his discharge from the army he settled in Jerusalem and became interested in bird-watching. In 1981 he began to study architecture at Bezalel, but transferred to the art department. During the period of his studies, he worked primarily in sculpture, but after a period of study in New York, he began to paint as well. From the mid-1980s he made use of simple figures, so abstracted in their form that they became symbolic figures. Some of these figures were connected to biographical baggage, while others were based on trivial events. Many of his works are based on poetic texts that show his interest in esthetics and in the relationship between the painter and society. Education 1981-1985 Bezalel School of Art and Design, Jerusalem, BFA 1985 Pratt Institute, New York.City, USA Teaching 1933 Bezalel School of Art and Design, Jerusalem. Since 1989 Kalisher School, Tel Aviv. Awards And Prizes 1981-82, The America-Israel Cultural Foundation, Sharett Fund Grant 1982-83, The America-Israel Cultural Foundation, Sharett Fund Grant 1987 Beatrice Kolliner Prize for a Young Israeli Artist, Israel Museum, Jerusalem 1989 Mendel Pundik Prize for Israeli Art, Tel Aviv Museum of Art, Tel Aviv 1991 Rafael and Hadassah Klatchkin Prize, America-Israel Cultural Foundation 1992 Prize for Plastic Arts, Ministry of Education 1994 Bank Discount Prize for an Israeli Artist, Israel Museum, Jerusalem 1997 Eugene Kolb Prize for Israeli Graphic Arts, Tel Aviv Museum of Art, Tel Aviv 2011 Prize for an Established Israeli Artist, Tel Aviv Museum of Art, Tel Aviv Environmental Sculptures 1982 Tel-Haisaf Ben Zvi was involved in ornithology until the early 1990s. In 1981, he enrolled in the Art department at Israel’s Bezalel Academy of Arts and Design. During his studies, he participated in a student exchange program at the Pratt Institute in New York. From the outset, Ben Zvi’s focus has been on nature and the environment. Ecological and human disasters and natural disasters initially played an main role in his work and received expression through various fields of color, with motifs such as a cross, a water flask, a wasp, butterfly or bird, symbolizing the fragile human existence steeped in an eternal struggle. In his later work, words penetrate the space of his paintings and art, reflecting on the private, public, local and universal realms. "Ben Zvi at his best is a visual poet, one who places words with great sensitivity to their tone and sometimes relinquishes the splendor of an image in favor of text and message." The Printer's Imprint: Twenty Years with the Jerusalem Print Workshop, Jerusalem Israel Museum, Jerusalem 15 November, 1994 - 14 February, 1995 Artists: Avraham Ofek, Fima (Roytenberg, Ephraim), Michael Kovner...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Roy Ahlgren Allegro, 1986 Serigraph Signed, title and edition in pencil in lower margin Edition 5/100 Sheet: 22 1/4in H x 29 3/4in L (unframed) Ahlgren came to art relatively late ...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

James Rosenquist (American, 1933-2017), Sketch for Forest Ranger, Screenprint in Colors on Plastic Film, 1967, from Ten from Leo Castelli portfolio, published by Tanglewood Press, In...

Paul Levy (American, b. 1944) An established designer and illustrator, Paul M. Levy was born in Brooklyn, New York, in 1944. He received his B.S. in Industrial Design from the Univer...

Coloured serigraphy on paper, edited in 1970 Limited edition of 250 copies, numbered as 66/250. Signed in pencil by artist in lower right corner. Paper size: 75 x 75 cm Framed size:...

Colour enamel screen printing on paper, edited in 1992. Limited edition, numbered as PA (Prova d'Artista) (Artist's proof) in lower left corner.
 Hand-signed by artist in pencil in l...

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Deep Down (Orange) Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200; AP 30 Image Size: 30 x 23.5...

Artist: Josef Albers Portfolio: Formulation: Articulation (Double Portfolio) Title: G-Cleft Variation - P1, F16, I1 Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper E...

Robert Rauschenberg Human Rights Award, 1981 Silkscreen and Lithograph with Collage Embossing on Hodgkins Handmade Paper Pencil signed and numbered 73/100 on the front Published by ...

Skiing girls by Anne Storno [2021] This work is inspired by collage and surrealist artworks. I like combining images removed from their original narrative c...

Clouds Behind Clouds II by Simon Tozer [2021] This is one of an ongoing series of seascapes and sky images that have clouds as their main focus. Clouds are ethereal forms, and along...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel. Date: 1991 Medium: Screenprint, estate stamped verso and numbered in pe...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Flamboyant Year: 1979 Medium: Serigraph, Signed and numbered in pencil Edition: 200, AP 30 Size: 22.5 x 30 inches

A very good, richly-inked impression of this color screenprint on Japon nacré. The deluxe, Roman numeral edition of 60 on Japon nacré, aside from the regular edition of 100. Signed a...

Artist: Michael Argov, Austrian/Israeli (1920 - 1982) Title: untitled 3 Year: 1970 Medium: Screenprint, signed and numbered in pencil Edition: 32 Size: 20 in. x 27.5 in. (50.8 cm x ...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980s Edition: 27/54 Sheet Size: 29 5/8" x 8 3/4"...

Artist: Arthur Boden, American Title: T Series (Green) Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Size: 29 in. x 23 in. (73.66 cm x 58.42 cm)

'Blue Hat', 2003 Alex Katz Etching and Aquatint 33.5 x 66.9 in. / 85 x 170 cm Edition of 75, Signed by Artist The specific information regarding edition will be provided at the time...

Julian Schnabel Invierno Primaveral, 1995 Hand-painted, 17-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso ...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Rupprecht Geiger (German, 1908-2009) Red on Violet (from Hundertbuch III), 1981 Medium: Screenprint on card Dimensions: 39.5 x 40 cm Edition of 100 + XX: Hand-signed in pencil, verso...

Atsuko Tanaka Small circles with blue, red and green circles screenprint, 14.5 x 9.5cm image 37.7 x 27 cm sheet 42 x 32 cm framed ed. 61/100 Small circles with blue, red and green ...

Artist: Anne Youkeles, Austrian (1920 - ) Title: Kaleidoscope Year: 1969 Medium: 3-D Silkscreen on plastic, signed, numbered, dated, and titled in pencil Size: 23 x 22 in. (58.42 x ...

This screenprint was created by Welsh artist Gordon House (1932-2004). House was a designer and painter whose hard-edged abstract works reflected the dramatic tensions of his graphic...

Artist: John Grillo, American (1917 - 2014) Title: Guitarra Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 25 Image Size: 22 x 29.5 inches Size:...

Colour screen printing Limited edition of 200 copies, numbered as 78/200 in lower left corner. Signed in pencil by artist in lower right corner. Paper size: 69,7 x 49 cm Very good c...

"Nightscape" is a serigraph on paper by Seikichi Takara, signed 'S Takara' lower right and numbered HC 49/75 lower left. The image size is 35 x 32 inches and the framed dimensions ar...

Screenprint from 20 screens with embossing. On Velin Arches mould-made paper Based on 'Lotus', textile dyes on hand-made Indian paper, 1978 Signed and dated in pencil, lower centre. ...

This work from Ann Aspinwall’s Eklat series presents a luminous field of deep indigo and saturated violet tones, subtly energized by fine linear tracings of warm coppery ink. Measuri...

Just Out Of Reach by Carne Griffiths is a Limited Edition Print on 330 gsm Somerset Paper with hand torn edges and is signed and editioned by the artist. Edition of 50. Print Medium:...

Artist: Ray Elman, American (1955 - ) Title: The Old in and Out Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 160 Paper Size: 20 in...

Artist: Paul Burlin, American (1886 - 1969) Title: untitled 2 from Drawings Portfolio Year: 1968 Medium: Screenprint on Paper, signed and numbered in pencil Edition: 31/50 Paper Siz...

Artist: Kyohei Inukai Title: Seven Units on Red Year: 1978 Medium: Screenprint, Signed and numbered in pencil Edition: AP 30 Size: 22 x 30 inches

Artist: Paul Burlin, American (1886 - 1969) Title: untitled from Drawings Portfolio Year: 1968 Medium: Screenprint on Paper, signed and numbered in pencil Edition: 31/50 Paper Size:...

Colored screen print on paper, realized by the Italian artist and pioneer of Abstract art  Mario Radice  (1898-1987), in 1964. Hand-signed and numbered in pencil on the lower margin...

Chris Keegan Blue Gemstone Limited Edition Silkscreen Print Edition of 50 Size: H 42cm x W 30cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of h...

Red Abstract Composition is an original contemporary artwork realized by Salvatore Provino in 1991. Mixed media on paper Hand signed and numbered on the lower margin Edition of 73...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

2015 Screenprint on wove paper I: 44 x 42.7 cm ( 17.3 x 16.8 inches) S: 66.9 x 58.6 cm ( 26.3 x 23.1 inches) Edition of 75 Signed, dated and numbered by Riley in pencil Bridget Rile...

This striking screenprint by Ann Aspinwall is defined by a rich red palette and finely calibrated linear abstraction that conveys both movement and depth. Crepe de Chine IV is compos...