Art by Medium: Silk

Colorful Floral Abstract Painting Acrylic on Silk 56" x 75 3/4" Housed in a Black Metal Frame Overall Size: 56 1/2" x 76 1/4" This monumental painting was recently discovered...

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

Silksreen, 1969 Handsigned by the artist in pencil Edition : 120/250 Publisher : Fondation Vasarely, Château de Gordes Printer : Arcay, Paris Catalog : Benavides 165 72.00 cm. x 62....

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Frank Stella The Whale Watch Shawl (signed in indelible black marker), held in red silk presentation box; also with embossed COA hand signed by both Frank Stella and Kenneth Tyler, 1...

This piece of jewellery from southern Persia is hand-knotted from fine, hand-spun highland wool and dyed with natural vegetable dye. Highland wool is particularly hard-wearing and du...

Colorful Floral Abstract Painting Acrylic on Silk 56" x 75 3/4" Housed in a Black Metal Frame Overall Size: 56 1/2" x 76 1/4" This monumental painting was recently discovered...

Silksreen, 1979 Handsigned by the artist in pencil and numbered 20/20 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) Triptych composed of three plates all signed and numbered T...

Silksreen, 1966 Handsigned by the artist in pencil and numbered 147/150 Publisher : Denise Renè, Paris Printer : Ateliers Arcay Catalog : [Benavides 57] 83.00 cm. x 75.00 cm. 32.68 ...

Silksreen, 2014 Handsigned by the artist in pencil and numbered 28/50 Publisher : Galerie-F Edition 84.50 cm. x 61.50 cm. 33.27 in. x 24.21 in. (paper) 65.50 cm. x 50.00 cm. 25.79 ...

Sol LeWitt Limited Edition Geometric Abstraction Silk Scarf, ca. 1987 Limited Edition Silkscreen on 100% Italian silk scarf/shawl Signed on the fabric with artist's printed signature...

Silksreen, 1983 Handsigned by the artist in pencil and numbered 169/250 Publisher : The Museum of Contemporary Art, Los Angeles Printer : The Litho Shop, Santa Monica 73.50 cm. x 1...

Silksreen, 1984 Handsigned by the artist in pencil and numbered 24/100 85.00 cm. x 65.00 cm. 33.46 in. x 25.59 in. (paper) 67.00 cm. x 60.00 cm. 26.38 in. x 23.62 in. (image) Poste...

Elisabet Urpí Ràfols and Nacho Umpiérrez Fripp, collectively known as ELIURPI, are the creative duo behind our brand. Based in Barcelona, we specialize in shaping unique pieces throu...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

This silk ikat textile wall hanging is by Japanese fiber artist, Jun Tomita.

Frank Philip Stella (born May 12, 1936) is an American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. Stella lives and works in New York City. This hand signed silk textile scarf work is acquired directly from the publisher. Extremely uncommon to find this piece in new condition and comes in the original red silk box. This art piece can be framed and hung on the wall or be a worn as a wearable art piece. This dazzling, large, hand signed, silkscreen on 100% Italian silk shawl was created by Frank Stella in collaboration with his longtime publisher Kenneth Tyler of the famed Tyler Graphics Studio. "The Whale Watch...

Debra Smith Shifting Vision #4, 2017 pieced vintage silk 18 x 15 in. This original textile collage by Debra Smith features bold red silk squares carefully stitched with with layers ...

Silksreen, 2014 Handsigned by the artist in pencil and numbered 20/50 Publisher : Galerie-F Edition 61.00 cm. x 75.00 cm. 24.02 in. x 29.53 in. (paper) 48.00 cm. x 63.50 cm. 18.9 i...

Modern Geometric Green & White Kimono, Abstract Expressionist Collagraph Plate #3 Stunning modern minimalism meets abstract expressionism with green, white and black in this unique ...

Debra Smith Shifting Vision #5, 2017 pieced vintage silk 18 x 15 in. This original textile collage by Debra Smith features graphic shapes crafted with layers of vintage silk in vari...

Silksreen, 1973 Handsigned by the artist in pencil and numbered 69/95 Publisher : Malbotough Graphics, New York 80.00 cm. x 80.00 cm. 31.5 in. x 31.5 in. (paper) 65.00 cm. x 65.00...

Silksreen, 1981 Handsigned by the artist in pencil and numbered 83/190 Catalog : [Prent 190] 60.00 cm. x 60.00 cm. 23.62 in. x 23.62 in. (paper) 46.00 cm. x 53.00 cm. 18.11 in. x 2...

State of Mind, Contemporary Woven Tapestry, Abstract Textile Wall Sculpture, Viscosed silk, cotton cloth, jersey dots, 102” x 95”, 2016 by textile artist, Ane Henriksen...

Silksreen Handsigned by the artist in pencil After a gouache. Edition : 113/200 Printer : Jean Bruller (Paris) Catalog : Saphire E10 56.00 cm. x 38.00 cm. 22.05 in. x 14.96 in. (pa...

Framed work On a white background, JonOne interprets dense, modern calligraphy in black. The repetition of free-form shapes and the dripping effect create a dense, expressive motif....

Contemporary abstract painting by Hungarian artist Gabor Erdélyi titled, "Shock," acrylic and silk on canvas. Size: 37.5 x 55 inches. Gabor Erdélyi's art attaches itself to minimali...

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

Silksreen, 1954 Handsigned by the artist in pencil and numbered 70/200 Catalog : Saphire E6 38.00 cm. x 54.00 cm. 14.96 in. x 21.26 in. (paper) 25.00 cm. x 28.00 cm. 9.84 in. x 11....

Silksreen, 1984 Handsigned by the artist in pencil and numbered 38/250 Publisher : Galerie Lahumière Catalog : Benavides 987 75.00 cm. x 74.00 cm. 29.53 in. x 29.13 in. (paper) 60.0...

Silksreen Handsigned by the artist in pencil and 143/300 Catalog : Benavides 1168 58.00 cm. x 50.00 cm. 22.83 in. x 19.69 in. (paper) 40.00 cm. x 40.00 cm. 15.75 in. x 15.75 in. (i...

Silksreen, 1973 Handsigned by the artist in pencil and numbered 66/200 Catalog : Benavides 206 76.00 cm. x 62.00 cm. 29.92 in. x 24.41 in. (paper) 53.00 cm. x 49.00 cm. 20.87 in. x...

Silksreen, 1989 Handsigned by the artist in pencil and numbered 54/70 Catalog : Benavides 1075 60.00 cm. x 58.00 cm. 23.62 in. x 22.83 in. (paper) 45.00 cm. x 45.00 cm. 17.72 in. x...

charcoal on paper mounted to silk foam core and wood Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurring systems of reproduction and growth. When Pomilio begins a piece, he doesn’t know where it will lead; although his tools and marks are precise, the layering, repetition, rotation, and distribution of basic shapes are improvised to emulate a single cell dividing and compounding into a complex form. The process of cell growth influences Pomilio’s practice and is emphasized through his own process, the use of erasure, faint outlines, opacity and translucency, and deliberate marks. The resulting compositions are balanced, unified, and harmonious. His work is included in the collections of the University of Arizona Museum of Art, Baylor University Martin Museum of Art, Dupont Corporation, University of Michigan...

woven silk, gold leaf, photo collage screen print

oil and wax on silk Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

SAM FRANCIS: Limited Signed Deluxe Edition (Hand signed and numbered by Sam Francis), 1982 Deluxe limited edition hardback monograph with cloth boards, held in special slipcase of ts...

Japanese Botany, Original Contemporary Abstract Mixed Media Textile Wall Hanging Artist Commentary: INSPIRED IN JAPANESE AESTHETICS Keywords: Abstract, Nature, patterns, circles, ovals, white Artist Biography: My artwork is engaged to nature and its recurrent patterns and rhythms. I use them as a base in order to create my compositions. I´m attracted to repetitive sequences, combining separate elements to form a cohesive group. It isn’t a strict conceptual idea of repetition on itself; my work doesn’t seek to impose an order or structure, but rather to enjoy the rhythm of repetition. Silk and paper have the softness and malleability that I need in order to create my desired forms, shapes and even shadows. The process to carry out my work is thorough and methodical. I choose as materials small and simple elements; such as feathers made out of paper and silk and then organized in a precise order. This allows me to build a group of entities that end up being the final artwork. My goal is to create projects that inspire, connect and touch people emotionally, taking the viewer on a journey through different ethereal, botanical and peaceful landscapes. I was Born in Santiago, Chile in 1973. I grew up surrounded by Chilean...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

A wonderful, museum caliber painting by Craig Kauffman. Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish" that had influenced some of his art. Robert Craig Kauffman was born on March 31, 1932, in Los Angeles. He started painting regularly at age 7 and went to theUniversity of Southern California to study architecture in 1950. But art soon won out over architecture, and he transferred to the University of California Los Angeles, to study painting. He earned Bachelor's and Master's degrees there. A breakthrough came in the early 1960s when he experimented with painting on glass, but found it too fragile. He then painted on flat acrylic plastic. His next inspiration came from the plastic packaging increasingly used to wrap merchandise. He sought out craftsmen at commercial factories to learn the technique, Time magazine reported in 1968. The results were several series of three-dimensional wall hangings. Some were inspired by large plastic fruit clusters on the wall of a doughnut shop he frequented in Los Angeles. These lozenge-shaped reliefs were sometimes called "bubbles." Barbara Rose, in a catalog essay for an exhibition at the Washington Gallery of Modern Art in 1967, wrote, "Shaping the brittle sheet plastic into a series of voluptuous curves, Kauffman achieves a kind of abstract eroticism that is purely visual." Mr. Kauffman's work was shown in countless exhibitions and many one-man shows. It has been acquired by the Museum of Modern Art in New York, the Tate Modern in London, the Art Institute of Chicago and the Los Angeles County Museum of Art, among others. In 2006, one of Mr. Kauffman's reliefs fell from a wall of the Georges Pompidou Center in Paris, where it was part of an exhibition titled "Los Angeles: Birth of an Art Capital, 1955-1985." It shattered. After storms of publicity, the Pompidou provided technical help and money to make a new version. Mr. Kauffman was married several times. He is survived by his daughters from his marriage to Dana Kauffman, from whom he was separated: Wilhelmina, Vida Rose and Georgia Kauffman. When they started in the 1960s, Mr. Kauffman and his artistic compatriots did not foresee a legacy, much less earning an income, Larry Bell, a prominent artist in the group, said in an interview on Wednesday. "The troops sort of banded together to be our own audience," he said. "Every once in a while, we'd sell...

Ricardo Mazal Tee 2 (Beige 2), 2023 Acrylic on natural silk mounted on aluminum panel 18 x 19 inches RM541 Ricardo Mazal is perhaps best known for his near decade-long investigation...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

Chicago-based artist Michael Thompson creates unique compositions of abstract painted elements and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. In a departure from his split bamboo kite series, this work on stretched canvas entitled "Study in Red" layers textured paper and silken fragments within a rosy...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

Silksreen, 1975 Handsigned by the artist in pencil Edition : 122/300 Publisher : Georges Fell (Paris) Catalog : [Benavides 732] 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (paper) ...

Silksreen, 1966 Handsigned by the artist in pencil and numbered 122/150 Publisher : Denise René, Paris Printer : Ateliers Arcay Catalog : [Benavides 59] 83.00 cm. x 75.00 cm. 32.68 ...

Silksreen, 1966 Handsigned by the artist in pencil and numbered 147/150 Publisher : Denise Renè, Paris Printer : Ateliers Arcay Catalog : [Benavides 61] 83.00 cm. x 75.00 cm. 32.68 ...

Lithograph, 1948 Handsigned by the artist in pencil and numbered 120/250 Publisher : Fondation Vasarely, Château de Gordes Printer : Mourlot, Paris Catalog : Benavides 173 72.00 cm. ...

Silksreen, 1966 Handsigned by the artist in pencil and numbered 123/150 Publisher : Denise René, Paris Printer : Ateliers Arcay Catalog : [Benavides 60] 83.00 cm. x 75.00 cm. 32.68 ...

Silksreen, 1976 Catalog : [Benavides n°782] 73.00 cm. x 70.00 cm. 28.74 in. x 27.56 in. (paper) 50.00 cm. x 50.00 cm. 19.69 in. x 19.69 in. (image) Victor Vasarely's silkscreen em...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

This 24" x 36" oil and silk on canvas painting created in 2015 by artist Diane Coady, depicts an abstracted environment with boats and rabbits in a palette...

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

Silksreen, 2014 Handsigned by the artist in pencil and numbered 4/50 Publisher : Galerie-F Edition 61.50 cm. x 71.50 cm. 24.21 in. x 28.15 in. (paper) 46.00 cm. x 60.50 cm. 18.11 i...

Silksreen, 2014 Handsigned by the artist in penciland numbered 35/50 Publisher : Galerie-F Edition 61.00 cm. x 45.00 cm. 24.02 in. x 17.72 in. (paper) 45.00 cm. x 33.50 cm. 17.72 i...