Video Art

Casting resin

Hajime Sorayama (Japan, b. 1947) Medium: PVC (vinyl), silvered chrome resin Dimensions: 60 × 23 × 15 cm Approximately 23.5 x 9 x 6 inches. Produced by APPortfolio and Nanzuka A Tyra...

"Cheetah" is an original hand-cut wood collage by Matt R. Phillips. The piece ships in the pictured, artist-made, wood floater frame and measures 14"h x 12"w. Matt R. Phillips is a...

Space Between by Camilo Andres Rodriguez Marquez Burnt Wood Sculpture Dimensions: H. 54 x 19.5 x 10 cm Camilo Andres Rodriguez Marquez is a Col...

This Totem by Marc Zimmerman is currently on display at Earthbound Farm, nestled in California's Carmel Valley. A country totem with a playful chicken and farm produce brings fun an...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Dive into the whimsical realm of mystique with this utterly enchanting totem. Crafted with meticulous detail, this...

A refined mid-century bronze bas-relief sculpture by Eric Bransby, depicting a female ballet dancer in an elegant arabesque pose, captured in a moment of balance, lift, and controlle...

Gustave FONTAINE ( Etterbeek 1877-1952 Brussels). Sculptor–painter. Took courses in Saint-Josse-ten-Noode, continued his training at the Academy of Brussels and with the sculptor Julien Dillens...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

Journey Trees III, linens and swing threads, 8" x 8" x 1", 2021. This figurative woven textile piece is by UK-based textile artist, Sara Brennan (b. 1963...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting and Draw...

Robertson focuses on creating paintings that move beyond portraying reality. Driven by a synthesis of gestural brushstrokes and expressive smears, he offers viewers a liminal space o...