Art by Medium: Watercolor

Nicola Magrin was born in Milan in 1978. In 2004 he graduated from the Accademia di Belle Arti di Brera in Milan with a thesis on Miquel Barceló. In 2008 he was selected for a three...

Bright, monochromatic abstract in warm, glowing desert tones by Marianne K. Brown (American, 1928-2019), 2000. The free flowing color field background is accented with areas of patterns evoking the Southwest. Signed "Marianne K. Brown" in the lower right and was acquired with a collection of Brown's work. Title "Desert Days" and date 2000 are written on verso. No frame. Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

This original abstract watercolor painting by Nealy Hauschildt features a deep blue and magenta palette, with two large organic planes of washy color layered over one another for a b...

Provencal Landscape by Louis Bellon (French 1908-1998) inscribed verso From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measureme...

Modern light blue, brown, and black geometric abstract circle pattern painting by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 32.75 in. x W 35.63 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...

A pair pf 19th century English School watercolor portraits of a man and woman, possibly husband and wife. Both are inscribed on the rever...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 11 x 8.25 inches Delightful early 20th century F...

"The End of Day" is a watercolor by award-winning L.A. artist and architect Thomas W. Schaller. The watercolor painting depicts a man in a red coat and his loyal dog standing at the edge of a dock and looking out across the lake at distant cottages. Two boats are tied to the dock and the man and his companion seem to be relaxing and enjoying the soothing sounds of the gentle waters and the comforting shade of the over-arching tree. For more works by Thomas Schaller...

Untitled is an original Contemporary artwork realized by the Italian Contemporary artist Fausto Melotti (Rovereto, 1901 – Milan, 1986) in 1977. Original Watercolor on paper. Good conditions. The certificate of authenticity on photo has been released by the Fausto Melotti Archive. Exhibitions: “Fausto Melotti. Lo spazio inquieto”, marzo-maggio 2009, Rovereto Galleria Transarte Reference: “Fausto Melotti. Lo spazio inquieto”, marzo-maggio 2009, Rovereto Galleria Transarte, cat. p. 110. Refined mixed media and watercolor artwork on paper depicting an abstract composition realized by one of the most interesting artist of the XX Century in Italy in the end of the 1970s. His style and his poetics has changed over the years, always following his very personal research, aimed at articulating the space according to rhythms with a musical flavor. His work, and the sculptures in particular will have more and more a mental character and at the same time will undergo a synthesis, in the ways and in the materials: ceramics or plaster, but above all his very light steel sculptures, will be imbued with a surreal and ironic vein; up to the extreme consequences in the works following official recognition, which will only come in 1967, thanks to an exhibition in Milan. Fausto Melotti was born in Rovereto (Trento) in 1901. In 1918 he enrolled in the Faculty of Physics and Mathematics at the University of Pisa. During this period he studied the piano and took up studies of sculpture in Turin under the sculptor Pietro Canonica...

Designs by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 20 inches good condition provenance: from the artists estate, France Josine V...

Early 20th Century Japanese Landscape Watercolor with Torii Gate Beautiful early 20th century Japanese landscape watercolor featuring a torii gate by Shumi...

Early modern original watercolor and gouache ad layout for Foley's by Houston portraitist Robert C. Joy. The work features a central reflection of a woman doing her makeup while wear...

Gouache on paper. Signed in pencil, lower right corner.

MARINO MARINI 1901-1980 Pistoia, Italy 1901-1980 Viareggio, Italy (Italian) Title: Jugglers and Horse Giocolieri e Cavallo, 1943 Technique: Double-sided Hand Signed and Dated Pencil, Watercolour and Gouache on Thin Card Paper size: 49 x 34.5 cm. / 19.3 x 13.6 in. Additional information: This pencil, watercolour and gouache work is hand signed and dated in pencil by the artist "Locarno 1943 Marino" in the lower left image. It is also signed in ink "Marino" in the lower right image. The drawing was created in Locarno in 1943. Furthermore, there is a sketch of Horse...

Standing Female Figurative Nude in Watercolor and Pastel on Paper A woman is depicted standing, presumably pregnant, in the nude with her hand on the small of her back. The artist u...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

"Zoltan" - 1990 Male Nude Study Watercolor painting depicting a nude male figure. The brunette male figure is posing, seated on a purple cloth, his left hand gripping a table net to him, while he leans on his right elbow, his face looking straight ahead. The background is made up of hues of green. Signed "AG" lower left. Signed, titled and dated on verso. "Arnold Grossman, 'Zoltan' November 1990" Presented in a white mat. Image with mat: 19"H x 22"W Image: 10.5"H x 14.5"W Sheet: 12"H x 16"W Arnold A...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

"Cream Bottles Collection" is a contemporary still-life painting portraying a collection of bottle silhouettes in tan tones, perfectly arranged b...

Substantial and period portrait of a beautiful spaniel done in charcoal signed "Lee" on verso, c.1913-1917. Although this is by an unknown artist it is an excellent example of Philadelphia Sketch Club quality drawing. Displayed in a distressed black vintage wood frame with mat. Image, 11"H x 13"W; frame dimensions 17"H x 19"W x 1"D. Phildelphia, PA. Gallery and Frame Makers label on verso. Based on the address and history we know the drawing to be 1913-1917. Founded by Adolph and George Newman...

Very stylish, unique and original 1930's French fashion design, no doubt of Parisian origin. The painting, executed in gouache/ watercolor and pencil, is dated to the upper corner ...

Balancing Act 3 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 3 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

This watercolour captures the charm of a Parisian street scene in the Parisian district of Montmartre. The artist skillfully renders the narrow, winding street, flanked by traditiona...

23 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper, Year: 2022 Style: Realism, Subject: Golden-Crowned Kinglet, Si...

Crop Meadow English School, early 1900's original watercolor painting on artists paper, unframed overall paper size: 8 x 11.25 inches From a large private collection of English wat...

Nathaniel Dirk, Untitled (Gloucester), watercolor, with fresh colors, on watercolor paper; in fine, original condition, with the artist's tack holes (barely visible) at the sheet edg...

387 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2024 Style: Classic Art Title: Hare Size: 12 x 16 inch, (...

5 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper, Year: 2022 Style: Realism, Subject: Fairy Wren, Size: 12 x 16 ...

Clyde Steadman's "Untitled 16" is an original, handmade watercolor painting that depicts an impasto painting of a nude female model.

Stunning late 19th century landscape of misty purple hills dotted with small sheep in the Scottish highlands near Dunkeld by Boston artist Miss H. L. Radford (19th Century). Signed a...

orange, green, sunset Dora Maar is the pseudonym of Henrietta Theodora Markovitch (Paris 1907 - 1997). Shrouded in the monumental shadow of Picasso, she has long been - and reductive...

Contemporary organic abstract watercolor painting by Texas-based artist Tina Ruyi. The work features red, blue, and yellow cylindrical shapes in a wavy pattern reminiscent of a rolli...

Signed lower center, 'B. Metcalf'; additionally signed verso and painted circa 1975. An idyllic tropical landscape showing palm trees and scarlet bougainvillea in the foreground wit...

Garth Bayley Garth Bayley. Out of the Gates -Horses Racing Original pen, watercolour and ink painting on watercolour paper Pen and ink on paper Image size: H24 cm x W32 cm x D 0.1cm ...

Pointillist Abstract Design by Louis Bellon (French 1908-1998) initialled lower right gouache painting on paper, unframed measurements: 8.75 x 6 inches (overall the sheet measures 11...

Jim's of Lambertville Fine Art Gallery is proud to present this work by Jacob Lawrence (1917 – 2000). Provenance: This painting is from the private collection of Gwen Lawrence, widow of Jacob Lawrence. Exhibitions: An attached photo (3rd photo) of the back of the piece shows its extensive exhibition history. Biography: Leading African-American narrative painter, Jacob Lawrence was born in Atlantic City, New Jersey in 1917. After his father abandoned his family in 1924, Lawrence spent several years in foster homes before reuniting with his mother in 1930 in Harlem, New York. In New York, he attended art classes organized at the Harlem Art Workshop with Charles Aston and the Harlem Community Art Center with Augusta Savage. There, he met fellow young painters, Aaron Douglas, and William Johnson...

Mabel E. Johnston Untitled, c. 1920s Watercolor and pencil on paper Sight: 12 1/2 x 10 1/2 in. Framed: 21 1/8 x 17 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidb...

Autumn Forest , 1970's Earth-tone Vertical Landscape Watercolor with Trees Serene vertical landscape by Kay Swanson (American, 20th Century). This vintage 1970s watercolor depicts a lovely autumn forest full of tall trees depicted in a range of subtle earth-tones and fine detail. Signed "Kay Swanson" in the lower right corner. Presented in a double mat of cream and charcoal with a modern gold frame and glass. Tag on verso with artist information. Image size: 22.5"H x 15"W Kay Swanson (American, 20th Century) is a watercolor artist from Park Ridge...

Wonderfully vivid winter landscape painting, attributed to Ingeborg Christensen (Danish/American, 20th Century), c.1940. Signed "Ingeborg" lower left. Presented in a light orange/tan...

Early 20th century orientalist watercolour of cattle grazing signed Aiveill bottom right. In art history, Orientalism is the imitation or depiction of aspects in the Eastern world. ...

William Zorach, 1887-1966 Redwoods, Yosemite Valley, 1920 Watercolor and pencil 15 ¾ x 13 ⅜ inches Signed (at lower right): William Zorach WZorach-7 Provenance: Estate of William Zorach Exhibited: William Zorach, 1887-1996, Sculpture, Drawings and Watercolors, Zabriskie Gallery, New York; Feb. 10 – March 14, 1998. William Zorach was born in Lithuania in 1889, and immigrated to the United States with his family in 1893. Settling in Cleveland with his parents, he worked as a lithographer from 1902- 1908, making enough money to study painting with Henry G. Keller at the School of Art. In 1910, Zorach traveled to Paris to study in La Palette, where he was encouraged to develop his own unique style rather than adhere to traditional teachings. Zorach once said, “I began to be conscious of the various modern influences that were invading the art world…I was disturbed and confused, and yet I felt that I was a very young man entering a new age. The forces creating modern art seemed more alive to me than anything I had known or anything being done in America.” 1 Together with his wife Marguerite, William Zorach produced a number of Cubist- style paintings for the American Armory Show of 1913, and the Forum Exhibition in New York in 1916. Around 1917, Zorach followed the lead of cubist artist Pablo Picasso and began experimenting with wood and stone carvings. By 1922, he devoted himself entirely to sculpture, and like Picasso, became fascinated in “primitive art”—the ritual objects and sculpture pieces of Oceanic, Native American and African tribes. Zorach’s work developed in its use of block-like forms with progressive suppression of detail—drawing elements from sources as disparate as the contemporary cubist and modernist movements, and combining them with forms seen in early African sculpture. Though the forms of his sculpture were often abstract, Zorach primarily focused upon a traditional subject matter, producing such well-known sculptures as Young Girl, now in the Whitney Museum of American Art, and Mother and Child, in the collection of the Metropolitan Museum of Art. Today, William Zorach is known as one of the earliest and most influential American artists dedicated to direct carving. Zorach also made an impression as a teacher and writer, facilitating a major change in the aesthetic philosophy and technique of sculpture in the United States. During the summers from 1913 to 1922, Zorach and his wife Marguerite painted...

A beautiful watercolour painting of Pansies by 20th century artist Kitty Mulder (b.1942). Mulder's chosen medium has been used to dramatic effect to depict this mass of flower heads ...

This beautiful 19th-century watercolour captures the haunting beauty of abbey ruins. The artist skilfully frames crumbling Gothic arches and ivy-covered walls through a large foregro...

"Full Personality," by John Taintor Foote and illustrated by Henry P. Raleigh for the Saturday Evening Post, January 28, 1933. "I've come to drown myself -- will you help?" Henry Patrick Raleigh...

Donise English Busy Blue, 2020 14" X 17" gouache and collage on paper This abstract geometric composition on paper features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Forest Light, 2016 (Contemporary Impressionist Landscape in Watercolor ) by Susan Hope Fogel Abstracted landscape watercolor drawi...

Gabriel Spat was born in Kishinev, Russia, in 1890. Leaving Russia in 1911, he studied at the Academie des Beaux-Arts in Geneva and at the Academie Colarossi and the Academie de la ...

"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...

Saint Michaels Church, Workington, Cumbria , England. This picture is the design for a window which was dedicated to a long serving and much loved choirmaster by the name of George S...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper stuck on card size: 18 x 25 inches condition: very good and ready t...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Lady Reading by Helen Greenfield (British 20th century) watercolour painting on thin board, unframed painting : 14.75 x 16 inches condition: overall very good provenance: all the pai...

Shipley Mill by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches signed to lower left 'Ronald Burch' and titled lower cent...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour/ gouache painting on card, signed size: 7.75 x 10.75inches Beautifully colourful, original painting by the very popular and highly regard...

Untitled is an abstract composition drawing in watercolor realized by Gustave Singier. Monogrammed by the Artist. Included a Passepartout:49 x 34 Very good conditions. Beautiful mixed colored composition on the tones yellow and red by the Belgian painter Gustave Singier (Comines-Warneton, 1909 – Paris, 1984), active in France as member of the new Paris School of Lyrical Abstraction and the Salon de Mai. After meeting the painter Charles Walch...

Sunset on sea English School, early 1900's original watercolor painting on artists paper, unframed overall paper size: 7.75 x 11 inches From a large private collection of English w...

Magnificent French watercolor of a crystal blue waterfall spilling out from a rocky crevice by artist J. Aucante-Roy, circa 1920. Signed lower right. Original artwork on paper disp...