Art by Medium: Wood Panel

Mixed Media with Porcelain Clay on Canvas, Hong Zhenyu is a Chinese artist born in 1982 who lives and works in Beijing, China. He was graduated from the Academy of Arts & Design, Ts...

Incredibly detailed depiction of the goddess Kali appearing before a hunter by Konci (Balinese, 20th Century). Overflowing with details and imagery, this piece depicts the goddess Kali in the forest along with other godlike figures. A hunter is kneeling before them, wearing a quiver, and with hands folded in prayer. Kali is depicted in a traditional Balinese style, but with a multitude of faces engulfed in flames. The jungle background is full of swirling plants. Signed "Konci" in the lower right corner. Cloth wrapped around wood panel. Unframed. Image size: 35"H x 25.5"W This carved, wooden mask represents the mythical creature known in Bali as Banaspati Raja, meaning “King of the Forest,” also called the Barong Ket. Lion-like masks such as this one are the most common type, but Barong can take on the features of a number of different animals, including wild boar, dog, deer, and tiger, individually or in composite form. In Balinese society, all Barong masks...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe...

Mixed Media with Lacquer on Wood Panel, Hong Zhenyu is a Chinese artist born in 1982 who lives and works in Beijing, China. He was graduated from the Academy of Arts & Design, T...

AUSPICE 2020 Paris, France An auspice is a ‘prophetic sign’ which the artist was inspired by. This textured, abstract piece features a lying skull, looking up to the sky...

Breeze II is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments, gold and silver leaf on Japanese paper mounted on wood, dimensions are...

Turquoise Drip, 2025 — Jamie Burmeister A unique mixed-media painting on wood panel by American artist Jamie Burmeister, Turquoise Drip exemplifies the artist’s distinctive fusion o...

"Harvest" is an original piece by Shawn Theodore made from found/family photos, polaroid lift, acrylic on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection. This pieces measures 13.25”h x 17.25”w and comes with a gallery-issued Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...

Born in Columbus, Ohio, in 1965, Ron Hicks was an avid artist from an early age. Hicks began his formal studies in art at the Columbus College of Art and Design in Ohio. Hicks contin...

20th Century Oil painting of an Impressionist River Landscape of Cahors, France Moroney was born on the 14th of February 1949 in South London. Of Anglo Irish parentage, his father was typical of his generation and worried about Ken’s artistic temperament which he viewed as effeminate. As a result, Ken took up boxing and won a gold medal for South London in his teens. His art continued to flourish with his trademark striking use of color. His main medium oils and he favors romantic subjects of Edwardian times. Ken has traveled extensively and spent 2 years working for major galleries in New York. The Royal Academy nominated him in 1976 as being one of the few promising young artists to emerge this century: "Ken Moroney has considerable talent, any painting purchased now can only be seen as a sound long term investment." Ken Moroney's work now hangs in many important collections and has had paintings exhibited at The Royal Academy (London), and the Kline Galleries (Canada). The painting came from a private collection and previously came from Duncan Miller...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a colorful striped background with thick use of pai...

oil paint on panel 12 x 12 inches This contemporary cityscape oil painting is painted on wood panel in a realistic style. The scene is of a Brooklyn skyline where old water towers...

Oil on panel Image size: 12 1/2 x 9 1/4 inches (31.75 x 23.5 cm) Original frame This is a captivating portrait of a young Bedouin. The painting has a sensitive and cohesive colour p...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

Mirko Baricchi (born 1970) is an accomplished Italian painter who currently lives and works between Vicenza and La Spezia, regions located in Veneto and Liguria, Italy, respectively....

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Steadfast Earth II is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 40 × 40 cm (15.7 × 15.7 in). The artwork is signed, sold unframed a...

Bart Koning (Dutch artist) Seahorse II 20,8 x 15,8 cm (Framed included in price 21,2 x 16,2) Oil paint on wood panel We're proud to introduce Dutch/ German artist Bart Koning. Incr...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint ...

Awakening is a painting by Taïwanese artist Chen Yiching created with mineral pigments and silver leaf. Dimensions are 100 cm × 100 cm (39.3 x 39.3 in). The artwork is sold framed (...

This piece titled "Home Plate 10" is an original artwork made from oil paint and acrylic on panel by Lauren Rinaldi. This piece is freestanding and measures approx. 7.25"h x 2.5"w x ...

Peter Durieux Pad 19,7 x 16,3 cm (Framed, included in price 30 x 26,5 cm) The work of Durieux is characterized by serene French landscapes. In recent years, he has also created work...

Artwork description Original oil painting on cardboard by the artist Simon Kozhin. Wooden framing with the artist's name. Simon Kozhin is committed to th...

"Ogunquit, Maine 03.16.2020" is an American Impressionist oil painting, painted en plein air. A day at the beach by Nelson White is not complete without the textured blue sky made by his palette knife and bright-colored umbrellas. People on the beach lounge...

Abstract painting with assorted neutral toned golden tree bark and purple violet encaustic "Barking Betula", by Hudson Valley artist, Allyson Levy, mad...

Snow of May III is a unique painting by contemporary artist Yiching Chen. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 38 x 46 cm (15 ...

Christopher Clark's "New Destinations" is an original, handmade oil & acrylic painting that depicts an abstracted landscape with a bright sunset and a bird taking off in flight. Chr...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...

Ready to Open, 2020

Peter Stephens Oh Vivienne!, 2025 acrylic and collage on wood panel 20 x 18 in. (ste036)

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Hide and Seek is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 30 x 40 cm (11.8 ...

Jeanine Donkers Among Flowers 70 x 50 cm ( framed included in price) Measurement with included frame: 75 x 55 cm Oil on wood panel Jeanine Donkers' paintings offer a world filled w...

Wind II is a unique painting by contemporary artist Yiching Chen. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 30 x 40 cm (11.8 × 15.7...

One of a kind shaped painting by Noche Crist (1909 - 2004). Titled "The Kiss" and signed on reverse. Painting is casein paint and plaster on board. Catalogue of an exhibition in...

In his book Now or Never naturalist Tim Flannery describes a vision of a world with a dead purple ocean and a poisonous green sky. This is a world where warming has melted the ice ca...

Artist: Varouján Hovakimyan Title: Abstract Landscape Medium: Wax Oil on Wood Panel Year: 2019 Style: Contemporary Art Encaustic Dimensions: 24" x 18" x 0.5" inch (61 x 46 x 2cm) Pre...

Portrait Of "Sucre" a Standard Poodle, 19th Century Frances Mabel HOLLAMS (1877-1963) Large 19th Century English portrait of Sucre a Standard Poodle oil on panel by Frances Mabel ...

Mimosa II is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments, silver leaves on Japanese paper mounted on wood, dimensions are 41 × 2...

Solitude is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments and silver leaf on Japanese paper mounted on wood, dimensions are 70 × 1...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Artist Unknown The Rehearsal for Spontaneity. 1990 Mixed Media on wood panel, 20 x 29.5 inches. Unsigned and unattributed. Original label on verso. Frame has bee removed which e...

The images reveal undeniable traces of natural phenomena, seeking not to replicate the natural world, but rather to suggest the forces of nature itself. His complex process of mixing...

Melisa Taylor Metzger’s MH II is a hauntingly immersive optical spray painting on wood, executed with pyrography, airbrushed paint, stencils, and a removed tape grid. The composition...

John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...

Brad Davis's "Ohio River Spider" is an oil painting on wood panel, measuring 12 x 18 inches unframed and 14 x 20 inches framed. This striking depiction portrays an expansive, deeply ...

Anne Siems was born in Berlin, Germany. As a child, she lived for three years near Buenos Aires, Argentina. Her first extended stay in the US was as an exchange student. After finish...

This work by Michael Gadlin is mixed media on wood panels. The central figure is rendered against an azure background, while the sitter's brightly-hued abstracted features take cente...

Title: Abraçada means "hug" in Catalan. "The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cem...

Worlds Unseen Natasha Chaykowski It’s strange to look at a high definition photograph of red blood cells. They appear otherworldly and supple, formal and punctuated: so different...

Tracy Spadafora's “The Tender and the Delicate”, is from her series “Left Behind: Visual Histories”. This contemporary encaustic and oil painting consists of pink, blue, brown, and r...

Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan) 18 x 24 x 2 inches Charcoal and acrylic on Primed Arches Paper Mounted on Wood Panel Excellent condition, Ready to hang as is This contemporary charcoal landscape drawing on arches paper was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees and wooded landscapes. The artist captures exquisite detail and luminous light with the mere use of black and white charcoal and carbon pencil. The artist creates this tree through a blend of light and shadow that demonstrates the artist's masterful technique. Dark leaves and winding branches in black charcoal contrast elegantly against a light filled sky. There is sturdy wire installed on the back for easy hanging. Artist Statement: "My work is drawing based. As a native of Ireland, the landscape there has certainly shaped and influenced my own history. Many of my drawings are of places that have a deep personal association for me; an endeavor perhaps to stay connected to my roots. My aim is not only to convey a sense of place and belonging, but also an attempt to capture the ineffable, to evoke a feeling or a memory, to invite the viewer to look beyond and beneath what they see. My process is one of building up tones and textures using a combination of charcoal, carbon and graphite, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself." About the work: A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies reminds us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging. SELECTED EXHIBITIONS 2019 'A Quiet Respite", Carrie Haddad Gallery, Hudson, NY 2018 'DRAWN',5th Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2018 'On Paper - An Exhibition of Drawings', Florence Academy of Art, NJ 2018 'MONOCHROME', Bo.Lee Gallery, London 2017 'Arboreal', Manifest Gallery, OH 2017 'Hudson Valley Landscapes', Carrie Haddad Gallery, Hudson, NY 2017 'Affordable Art Fair, Battersea, London, October 2017 'A Long Way from Home', Bo.Lee Gallery, London 2017 187th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2017 'Palette', Abend Gallery, Denver, CO 2017 'Summer Exhibit', Carrie Haddad Gallery, Hudson, New York 2017 'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design 2017 8th Annual Drawing Discourse, University of North Carolina Ashville 2017 'Small is Beautiful', Le Salon Vert, Geneva Switzerland 2016 'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY 2016 'Inside Outside', Carrie Haddad Gallery, Hudson, NY 2016 7th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina Asheville 2016 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2016 DRAWN, 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2016 'Summer Group Invitational', George Billis Gallery, NYC 2015 'Radical Inventions', Carrie Haddad Gallery, Hudson, NY 2015 'Strange Paradise', First Street Gallery's National Juried Exhibition, Juror Steven Harvey 2015 185th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2015 'DRAWN' 2nd Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2015 7th Annual Juried Exhibition, Prince Street Gallery, NYC, Juror Robert Berlind 2015 Bradley International Print & Drawing Exhibition, Heuser Art Center, IL, Juror Beth Grabowski 2015 'Interactive Lines' Small Group Invitational, Cabarrus Arts Council, Condor, NC 2014 ‘Regarding the Sublime’, Small Group Invitational, North Park University, IL 2014 27th Northern National Art Competition, Nicolet College Art Gallery 2014 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2014 'DRAWN’ 1st Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2014 POP-UP : On and Off the Wall, Series 2, Invited Artist, First Street Gallery, NYC 2014 5th Drawing Discourse, University of North Carolina, Asheville, Juror Tim Lowly 2013 VISTA [landscape in contemporary art], National Juried Show, Manifest Gallery 2013 Marks, A National Juried Drawing Exhibition, Madelon Powers Art Gallery, East Stroudsburg University, PA 2013 American Art Today : Figures, The Bascom, A Center for Visual Art, Juror Jonathan Stuhlman 2013 First Street Gallery's National Juried Exhibition, Juror Donald Kuspit 2013 4th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Asheville, Juror Susan Hauptman 2012 Fort Wayne Museum of Art Contemporary Realism Biennial, Fort Wayne Museum of Art, Juror Frank Bernarducci 2012 25th Northern National Art Competition, Nicolet College Art Gallery, Juror Sarah McKenzie 2011 Salmagundi Annual Non-Member Open Exhibition, Salmagundi Club, NYC 2011 33rd Bradley International Print & Drawing Exhibition, Juror Robert E Marx

20th Century Oil painting of an Impressionist scene of Chinese Junks at sea. Moroney was born on the 14th of February 1949 in South London. Of Anglo Irish parentage, his father was typical of his generation and worried about Ken’s artistic temperament which he viewed as effeminate. As a result, Ken took up boxing and won a gold medal for South London in his teens. His art continued to flourish with his trademark striking use of color. His main medium oils and he favors romantic subjects of Edwardian times. Ken has traveled extensively and spent 2 years working for major galleries in New York. The Royal Academy nominated him in 1976 as being one of the few promising young artists to emerge this century: "Ken Moroney has considerable talent, any painting purchased now can only be seen as a sound long term investment." Ken Moroney's work now hangs in many important collections and has had paintings exhibited at The Royal Academy (London), and the Kline Galleries (Canada). The painting came from a private collection and previously came from Duncan Miller...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

GEOMETRIC COLLAGE IN TAUPE Size: 31 x 23 cm (including frame) Mixed media on wooden panel A very unique original artwork by contemporary British artist Dave Boyd, which has been con...

GEOMETRIC COLLAGE IN DARK BROWN Size: 32.5 x 26 cm (including frame) Mixed media on wooden panel A very unique original artwork by British artist Dave Boyd, constructed from discard...

16 x 12" oil, pastel and cold wax on a cradled wooden panel.

Brian Keith Stephens's "Butterfly Kisses for You #1" (2018) is an original, handmade oil painting that captures the presence of a pig through a uniquely expressive style. The work, c...