Art by Medium: Wood Panel

Peter has an absolute love of oil painting and especially admires the masters of Dutch Painting of the 17th Century, which is reflected in his own work. Since 1995, after seeing the work of Estonian artist Olav Maran, Peter decided to review his paintings and started researching ‘Still Life’ painters such as Willem Kalf and De Heem. After experimenting with priming his own panels and canvases with different colours, then painting with thick and thin paint and glazing on top, in the way of the old masters, he has developed a style with detail and atmosphere that is essential in his portrayal of fine wine, fruit and cheeses etc. In a quirky and sometimes conceptual world, Peter makes no apologies for producing traditional subjects where the craftsmanship is evident in every brushstroke. His paintings bring much joy and pleasure to those who understand he has an obvious and underlying love of handling paint and observing his subject using techniques that take many years to acquire. Recently he has changed the view point for some of his paintings, to give them a bold contemporary look. Peter Kotka...

"Daughter" (2024) by Adam Shaw is an original handmade oil painting that depicts a portrait of an astronaut with her face partially visible through her helmet. About the Artist: Fi...

This painting is made by Dutch artist Bart Koning who lives and works in Krefeld, Germany. Incredibly clever how the originally Dutch Bart Koning knows h...

This Italian tempera painted on gilt wood gold ground panel is a Tuscan religious artwork in the style of late Renaissance - early Gothic period. The sc...

This realistic oil landscape painting is by Ciba Karisik, whose work is collected internationally. Photographers call it the ‘golden hour’ or ‘the magic hour’—that moment in time ju...

The work Fishing is an intimate evocation of the tranquility and calmness offered by the sea. It captures a moment of peace and contemplation in which a fisherman, abstracted from h...

Be-formed is a unique sculpture by contemporary artist Sharon Brill. This is a mixed media wall sculpture (porcelain, wall putty, paint, wooden frame), dimensions are 40 × 40 × 17 cm...

Marein Konijn Hike V 10 x 10 cm (Framed, included in price 15 x 15 cm) Large monumental landscapes without color, small landscapes with countless shades of green, figurative paintin...

In this cinema noir , comic strip series of original oil and acrylic painting on wood panels, Myron Stephens realistically recreates images of people and often mundane objects that a...

The gallery guarantees the uniqueness and high quality of this work of art, confirmed by a certificate of authenticity. By purchasing paintings by Irina Forrester, you make a smart ...

"FUCK IT" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual...

Yellow, Orange, and White Expressionist Composition in Wax and Acrylic on Wood Panel Bold abstract composition from the Studio of David Francis by "Margo" (20th Century). Bright col...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Scarlet Red background with thick use of paint. I...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Peter Durieux Pad 19,7 x 16,3 cm (Framed, included in price 30 x 26,5 cm) The work of Durieux is characterized by serene French landscapes. In recent years, he has also created work...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

In this radiant encaustic work, Joanne Ungar transforms a flattened cardboard box—originally packaging from the health and beauty industry—into a luminous, layered composition. Satur...

This still-life is painted by Dutch Painter Ingrid Smuling. The now 77-year-old artist is still most in her element when she is painting in her beautiful studio in the middle of The...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

Calvin Lai's (US based) "Inner Speech" is an original, handmade oil painting that depicts two standing female nudes. The painting is framed, with overall dimensions of 29 x 23 inches, Artist Bio: Calvin Lai's art is a mixture of medicine, meditation, and personal growth. He found early on that drawing was something he loved, and to make a picture appear lifelike became his goal. Through constantly drawing, his work began to breath, and his fascination with value and perspective led Calvin to become a student of realism. Eventually he moved from where he grew up in Los Angeles to San Francisco. There he studied drawing and printmaking at San Francisco State University. In 2008, he enrolled in the Academy of Art for illustration, but began painting instead. He found that he preferred the fine arts over commercial illustration...

Serene is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments and silver leaf on Japanese paper mounted on wood, dimensions are 61 × 50 ...

Max Guarnaccia paints from live floral arrangements that he sets up in his studio in Houston, Texas. "Fresh from Floral Stand" is 4" x 11" and has a custom made frame which makes i...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

Calvin Lai's (US based) "Let's Play Ball" is an original, handmade oil painting that depicts a still life of a plastic toy bear in situ with an apple and a wooden mannequin, all cast...

A charming image of cherubs cavorting with sheaths of wheat in a woodland setting. Follower of Jean-Honoré Fragonard Cherubs cavorting before a tree Oil on panel 10¾ x 14 inches exc...

By the Waterside III is a unique oil on wood painting by contemporary artist Valérie de Sarrieu, dimensions are 50 × 50 cm (19.7 × 19.7 in). It is part of the “Silhouettes” series. T...

Keimpe van der Kooi Green with flowers 80 x 68 cm Framed: 110 x 73 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He like...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

Artist: Paul von Ringelheim Title: Abstract in Purple, Green and Red Year: 1974 Medium: Airbrush and Mixed Media on Panel, signed and dated verso Size: 53 x 41.75 in. (134.62 x 106...

Highways and Byways is painting on a wooden panel so there is no need for a frame.. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

With the medium of traditional oil paint, this charming piece by Chaval is exceptionally detailed and thought-provoking. Following a realist approach, yet depicting some playful impe...

Genevieve Hamel You are my Light Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.5 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for design...

Rutger Hiemstra Attempted Art Oil on wood panel 53 x 125 cm Dutch artist Rutger Hiemstra (1975) understands the art of painting from observation. Still lifes, landscapes, portraits...

Artist Statement "While staying at the Forbes' Trinchera Ranch in southern Colorado, I was intrigued by seeing this heavy cloud layer every morning hovering below Mt. Blanca's impressive peak of 14,351 feet. The cloud layer created an atmospheric division between the cool shadows below and the bright, warm light above." ―Peter Adams Description The artist's particular bold, broad brushwork magnifies a sense of epic in this pristine scene. The painting exemplifies the American West as an expansive land of free spirit and boundless possibilities. The colors are opulent and there is an intriguing sense of mystery about the subject, a Shangri-la feeling. The presentation of the painting makes a grand entrance statement. Provenance Acquired by the gallery directly from the artist Gallery Note The artist began the painting in 2006 and completed it in November of 2017. Exhibited Maxwell House...

"Eyed Wide" is an original artwork by Akira Gordon made from acrylic and oil on wood panel. This piece is a diptych and measures measures 48"h x 46"w complete. Akira hopes to give black people images that they can relate to in some way without making an overt political statement; instead, showing figures in leisure, doing the mundane and the ordinary. She finds the most authentic way to do this is through self-portraiture and referencing her experiences. She uses herself as a reference for her paintings because she believes examining your own life is important. Her artworks delve into the complex emotions associated with her struggle to transition into adulthood while clinging to the familiarity of "childish" things. It's an introspective journey, an attempt to reconcile the inevitability of growing up with the desire to preserve the youthful spirit that continues to reside within her. Akira Gordon, a Philadelphia-born painter and recent graduate of the University of the Arts, is a captivating artist driven by a passion for contemporary art and self-portraiture. Inspired by Kerry James Marshall and Sasha...

HUBLOT NACRE is a small-scale, mixed-media assemblage on wood that captures the raw materiality and ephemeral beauty of the natural world. Created following a trip to the Caribbean, ...

Born in Columbus, Ohio, in 1965, Ron Hicks was an avid artist from an early age. Hicks began his formal studies in art at the Columbus College of Art and Design in Ohio. Hicks contin...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Mint green background with thick use of paint. In...

This piece titled "Short Shrift" is an original artwork made from oil on panel by Lauren Rinaldi. This piece measures 7”h x 5”w. Lauren Rinaldi (b. 1983, Brooklyn, NY) is an America...

Acrylic on wood.

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Falling Towards Myself is a large-scale multicolored abstract painting with dramatic shades of Kelly green, vibrant cobalt lapis blue, yellow, ochre, peach and pale mint green agains...

"Leaving Orange Pt. 1" (2020) by Francesca Reyes Oil painting on wood panel, urban skyscape, sunrise or sunset Figurative Art / Representations of Architecture / Cityscapes and City Scenes / Dark Colors Small scale vertical contemporary landscape, cityscape. Moody color tones of a Philadelphia...

Crucifixion, cercle of Adriaen Isenbrandt, mid 16th century School of Bruges, cercle of Adriaen Isenbrandt (actif 1510-1551) Oil on oak panel with its original ebonized frame Dimensi...

Calvin Lai's (US based) "Release" is an original, handmade oil painting that depicts a nude female figure, on her knees, arching her back as if turning into the colorful blue and red...

The Musical Contest between Apollo and Marsyas, by Peter Sion (Antwerp, 1624-1695) Signed in the lower right corner P. Sion 17th century Antwerp School Oil on copper, dim. h. 53 cm, ...

Calvin Lai's (US based) "The Wanderer" is an original, handmade oil painting that depicts a tattooed male nude walking. Artist Bio: Calvin Lai's art is a mixture of medicine, medi...

Crowell's abstract paintings are in the challenging media of oil paint and cold wax. "Techniques I originated in my practice 20 years ago are now widely recognized and taught. My pro...

"1974, Syl and Big Stroll" is an original piece by Shawn Theodore made from hand-crafted paper collage and acrylic and archival ink on Epson Hot Press Natural paper on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection. This pieces measures 36”h x 48”w and comes with a gallery-issued Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist...

Three wood panels composition with grey white acrylic paint. Alicia Gimeno, born in Barcelona (1989), trained in graphic design during her time in Mexico. From the beginning, she wa...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Collections: Robert Gallon (1845-1925); Private Collection, UK. Oil on canvas laid down on panel Framed dimensions: 11.5 x 10 inches This highly engaging, previously unpublished portrait by Johan...

A wonderful composition Slonem's Hummingbirds. This piece depicts gestural figures of colorful Humming Birds on a light French Pink background with thick use of paint. It is housed i...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

This British artist is new to the Netherlands, her work is now a household name in the rest of the world. We understand why. A painting by Pam Hawkes is something remarkable. At th...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Karl Hartman gives primacy to the sparsity of form in his Mid-Western prairie landscapes. Simple and earnest, saturated primary hues and decisive lines ad...