Art by Medium: Wood Panel

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a light blue bunny on gradient diamond dust background with thick us...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

This painting is a small framed early work by Heather Hartman. The majority of the canvas is overcast with ivory and grey cloud cover. In the lover left-hand quadrant of the painting...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Rooster and Hens in the Barnyard William Baptiste Baird (U.S./France 1847-1917) Oil on panel Signed lower right "W. Baird" 12 1/4 x 9 inches A stunning example of William Baptiste...

“Garlic Dance” by Lesley Powell – Contemporary Still Life Oil Painting, 12" x 12" Add a touch of elegant charm to your collection with Garlic Dance, an original oil painting by cele...

This painting is part of the Paradise body of work, a series that explores the layered and often contradictory meanings of the word itself. Boldly inscribed with the word “PARADISE,”...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Recent oil on linen canvas mounted on cradled wood panel signed and dated on reverse. Part of an ongoing series by the artist in his humorous observation of humans and their pets ABO...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

JJ Galloway is an internationally collected artist known for her whimsical paintings and sculptures that combine people, animals, and food. Using oils, watercolors, and mixed media, ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and signed and titled by the artist on verso. Art measures 8 × 8 inches A native New Yorker, Christie Owen...

**FALL SUPER SALE UNTIL OCTOBER 13TH** This is the ultimate homage to QUEEN BE> Her latest album turned into an one of a kind mixed media artwork. The artist...

Steven Nederveen's art is a testament to the complex and ever-evolving relationship between humans and nature. His vivid nature scenes, often seemingly uplifting and idyllic, also reveal the darker aspects of our connection with the natural world. Through his work, Nederveen explores the dualities of our relationship with nature - the love and destruction that can coexist within us. His masterful use of color and light illuminates the beauty and mystery of natural environments such as oceans and...

Tania Rivilis Hidden in dots 30 x 30 cm framed (included in price) 33,5 x 33,5 cm Oilpaint on wood panel Tania Rivilis (b. 1986) 2022 winner of the 'William Locke Price' ( £ 30.0...

Contemporary nocturnal landscape in oil on wood panel titled Full Moon, capturing a poetic night scene bathed in layered blues and glowing light. This evocative oil painting on wood...

Tiberio Titi (Florence, Italy, 1573 – 1638) Title: Portrait of a Gentleman Medium: Oil on panel Dimensions: Without frame 122 x 91 cm – with frame 162 x 133 x 10 cm Publications: G...

"Morning Swimmer 5" by Cornish artist Jon Doran, crafted in 2023, is an evocative oil painting that captures the serenity of a solitary moment in nature. Measuring 100 x 80 cm and fr...

"COOL" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual sh...

Unknown Artist (Dutch School, late 18th century) Pastoral Scene with Goatherds, ca. 1780–1800 Oil on canvas In this lively pastoral composition, a group of figures reclines in rusti...

Charles Zacharie Landelle. French ( b.1821 - d.1908 ). “Je Te Demande Une Caresse Et Tu Me Chatouilles”. (“I Ask You For A Caress And You Only Tickle Me”). Oil On Panel. Signed Lower...

Marten Huitsing The girl in the old house 70 x 45 cm ( frame is include, with frame the size is 80 x 55 cm) Oil on wood panel The paintings of this artist have been part of the collection of Galerie Bonnard since his graduation (2010) at the Classical Academy of Groningen. Huitsing has quickly become successful, his style, craftsmanship and choice of subject appeals to many people. Yet Marten, he says, does not want to repeat himself. He is always looking for the way of painting that suits him at that moment. The sympathetic artist got national fame because he beautifully portrayed a famous Dutch TV presentator Mart Smeets in the 'Paint the stars' program. Honest, very recognizable and with a narrative painting. Mart Smeets was overwhelmed, praising his comments. Rightly so! From that moment. Marten Huitsing's work has gained increasing popularity, he is an annually returning artist at the renowned PAN and he can hardly cope with the demand for new work. The work that the artist has made for our gallery that there is always a balanced composition. In the collection there is one painting that is directly an ode to an older master, both often with Marten Huitsing. He did that before. In this case an ode to the French painter William Bougeureau...

This 19th-century oil on panel portrait depicts a Hungarian Rabbi, characterized by his traditional attire and solemn expression. The Rabbi is portrayed with a long, white beard and ...

Breeze II is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments, gold and silver leaf on Japanese paper mounted on wood, dimensions are...

Attributed to Emmanuel Costa (French, 1833-1921) Untitled, c. Late 19th century Oil on wood panel 9 1/2 x 13 1/4 in. Framed: 14 x 18 x 1 1/4 in. Signed lower right: Costa Emmanuel B...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a deep purple lavender background with thick use of...

Genevieve Hamel Deep Water Oil on Wood Panel Year: 2024 Size: 40 x 30 x 1.625 inches Signed by hand COA provided Ref.: 924802-2088 Somewhere in the bottom of this pond, swim beautif...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

A finely painted portrait of Man aged 55 years. Signed, Inscribed and Dated with old Dutch family provenance. He weighs a large white millstone ruff and a black silk tunic.

Genevieve Hamel Sky is the Limit Oil on Wood Panel Year: 2024 Size: 36 x 18 x 1.625 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for desi...

Circle of Graciela Rodo Boulanger. Woman Walking Dog, ca. 1970. Oil on wood panel measuring 5 x 7 inches; 12.25 x 14.25 inches framed. Signed indistinctly upper right.

Hieronymus FRANCKEN III (Antwerp 1611 - 1671) 17th century Antwerp School The Denial of Saint Peter Oil on panel, dim. h. 53 cm, l. 76 cm Framed, h. 82 cm, l. 106 cm Sold with the ...

Beaches in Cap Skiring No.2 is a unique oil pencil on cardboard, glued on wooden frame drawing by contemporary artist Calo Carratalá, dimensions are 80 × 139 × 4 cm (31.5 × 54.7 × 1....

Genevieve Hamel Sunflower Garden Oil on Wood Panel Year: 2024 Size: 30 x 40 x 1.625 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for desi...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Underwater nude photograph of a model swimming in the pool. "There were five grand pianos at her house, a pool at the third floor, and a sad man on the bottom of that pool me. I jus...

This is an original still life interior painting of fruit (apples) with a geometric fractured composition. The artist made the painting one section at a time. When working on one section, the artist would block off the rest of the composition so the objects and background needed to be placed again. By building the composition this way, the background and table appear at different levels and the shapes don't quite align. These imperfections convey a sense of passing time. In each section, the tone of the light changes, and the shadows switch directions. The apples and geometric shapes were chosen as much for metaphorical value as for aesthetics. A seemingly simple arrangement in a familiar painting genre contains a depth of observation, artistic choices, and interpretation. This painting is signed and dated on the back. Includes all hanging hardware and ready to install; no need for additional framing. Mat...

Red Terrier Possibly Dutch School Oil on wood panel, circa 1900-1910. Initialed lower left 7 1/2 x 7 (12 x 11 1/2 frame) inches A charming and thoughtfully rendered depiction of a t...

In this painting, I've unleashed a vibrant symphony of emotions, blending acrylic, oil, and ink to create a cascading spectacle of color and form. Inspired by the raw beauty of natur...

Well painted late 19th century/early 20th century English Impressionist landscape oil painting. Ernest Charles Walbourn was born on 16 February 1872 at Dalston, Middlesex. The secon...

Yukihisa Isobe Work 62-21 1962 Oil on wood panel 182 × 128 cm (71 ⅝ × 50 ⅜ in) Painted in 1962, Work 62-21 belongs to Isobe’s formative early period, when he was experimenting with...

Saint Jerome in the desert Cercle of Lambert Van Noort (1520-1571, Antwerp) Antwerp School, mid-16th century Oil on oak panel. Dimensions: panel h. 69 cm (27.16 in), l. 52.5 cm (20.6...

Signed lower right: Johan Arsenius and dated 1858 or 1853, attributed Johan Georg Arsenius (1818 - 1903), was a Swedish military man, painter and draftsman. Up for sale is important ...

Info artist : Van Beers studied at the Academy in Antwerp. In 1873, he undertook a trip to London with Alexandre Struys. In 1878, Van Beers went to Paris where he worked in the stud...

Porcelain, aside from being an exquisite material, is the name of an exquisite photo series. The series includes my favorite underwater photographs of nude models in the porcelain co...

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Carrie Goller's (US based) "Guiness" (2024) is an original, mixed media painting using encaustic on wood panel which features a side portrait still-life of a sheep. Born and raised ...

"On the Water XXII: Spinnaker" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of creamy light blues and vibrant cool blues wit...

Three dimensional abstract sky blue, indigo, mauve, purple, and violet wooden wall sculpture Dyed and painted wood on panel with paper collage detail 36 x 24 x 2 inches Can be orie...

Beautiful mid century figurative landscape of a contemplative woman in Cotswold village, England by David L. Ghilchik (b. 1892 Romania; d. 1972 London), c.1945. Signed lower right "Ghilchik." Presented in rustic wood frame. Image measures: 14.5"H x 17.5"W. With frame, measures: 21"H x 25"W x 2"D. David Louis Ghilchik was a painter, and cartoonist for Punch Magazine and the Daily Sketch. He was the son of Abraham Josef Ghilchik, who traded in lace and linen, and his wife Sali. The family settled in Salford in 1920, where David enrolled at the Manchester School of Art and studied under Adolphe Valette...

Oil on wooden panel realized by Sirio Pellegrini in 1969. Hand signed and dated. On recto: The Cliff. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestra...

"19 // 23" stands as a testament to the serene yet intricate dance of light and form, rendered in a palette of subdued grays. This piece, born from the union of acrylic, textured pai...

This piece depicts an abstract composition with the use of mixed media and bold patterns producing a work that is visually textured and rich with layers, as Owen creates an intricate geometric minimalistic composition. Even though this work has a rustic and heavily textured quality, the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating a piece that allows us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her piece aims to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This unique work is executed on 1.5 depth baltic birch panel, and signed and titled by the artist on verso. Art measures 36 x 36 inches A native New Yorker, Christie Owen...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Dutch Female Artist Liseth Visser is no stranger to the world of portraiture. In the past she was nominated for the 'BP portrait award' from 'Th National...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on French Blue background with thick use of paint. It ...

My 80's Hart "Token 4" 2019, gouache, acrylic, graphite, panel, yellow, orange

Tania Rivilis Unspoken 63 x 45 cm Oil on wood panel First we can announce some wonderful news! 3 May 2022 Tania Rivilis did win the first price of the Royal Academy of Portraitpain...