Art by Medium: Wood Panel

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Karina Rodríguez is a contemporary artist known for her hyperrealistic painting. Her works are regularly still lifes, composed with great determination to achieve the perfect balance...

Minimal, Vertical abstracted landscape painting of a fuschia pink field with evergreen and red trees under a pale blue sky "Color Field 500", painted by Tracy Helgeson in 2021 36 x ...

"Galloping Horse and Rider" Alessio Issupoff (1889 Russia-1957 Rome) Oil on wood panel Signed lower right 5 1/2 x8 1/2 (13 1/2 x 16 1/2 frame) inches This is such a stunning little jewel, it's almost hard to believe. Alessio Issupoff dedicated his whole life to art and was shaped by his years at the Moscow School of Painting, and later absorbed a great deal from Impressionism and the work of the Italian Renaissance masters. But he kept his distinctive style and remained true to the idea that excited the generation of painters of the turn of the 20th century — “the embodiment of the great beauty of everything alive.” Alexei Vladimirovich Isupov, known by his Italianized name Alessio Issupoff, was born in Vyatka (now Kirov) on March 10, 1889. The son of an icon carver and gilder, he learned to paint from the artisan painters who worked with his father. Wanting to give expression to his own artistic creativity, the young Alexei did not take up his father's trade but left Vyatka for Moscow where he attended the School of Painting, Sculpture and Architecture. His mentor was the painter Apollinary Mikhailovich Vasnetsov, brother of Viktor, who introduced him to the Moscow artistic milieu and helped him find work. By studying and visiting museums, Issupoff formed his own aesthetic “taste” by modifying it on contemporary Russian and French Renaissance art...

Bathed in luminous Mediterranean light, Wisteria in Italy captures a dreamlike hillside scene glimpsed through a curtain of violet-blue wisteria blooms. The composition reveals Faith...

Coulombe-Bégin creates dynamic, highly textured paintings that explore identity, emotion, and the human experience. Contrasting colors, spontaneous gestures, and layered materials br...

Frank Dekkers Landscape 14 15 x 20 cm (framed, included in price 20 x 25 cm) oil on Panel About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know...

This painting is Unframed. Frame will be an additional cost. Painted en plein-air on a beach in Italy, a female figure sits alone on a sunny day beneath a parasol, cascading shade a...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

This modular work features hues of orange and yellow. Three separate pieces hang together to create one piece. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and ...

Crucifixion, studio of the Master of the Half-Figures (Antwerp, active 1500-1550), not signed Antwerp School, mid-16th century Oil on oak panel , h. 88 cm, w. 59 cm Original frame, framed: h. 98 cm, w. 68 cm A rare example of Antwerp painting from the first half of the 16th century, our Crucifixion captivates as much by the quality of its expansive river landscape as by the delicacy of its figures and the brilliance of its palette. The richness of the colors, the balance between devotion and narrative, and the subtlety of the atmospheric effects make it a particularly representative work of the artistic refinement developed in the workshop of the Master of the Half-Figures. Through its remarkable synthesis of the world-landscape inherited from Patinir and the expressive gentleness characteristic of the Master of the Half-Figures, this composition stands out as a particularly accomplished example of the Antwerp Flemish Renaissance. Our painting of the Crucifixion is organized around the central figure of Christ nailed to a high cross erected atop Golgotha. His slender, pale body stands out against a blue-green sky that lightens towards the horizon, creating an atmospheric depth characteristic of Flemish painting of this period. The bowed head, encircled by the crown of thorns, expresses agony in a restrained pose. The white loincloth, tied at the front according to a recurring motif in the work of the Master of the Half-Figures, has one end drawn between the legs before billowing outwards in a movement lifted by the wind, subtly animating Christ's silhouette. At the foot of the cross, a skull and a few bones evoke Adam and the redemption of humanity through Christ's sacrifice. To the left stands the Virgin Mary, enveloped in a flowing blue-green mantle whose heavy folds accentuate her contemplative posture. Her pale face, framed by a white veil, expresses silent sorrow. Kneeling at the center of the composition, Mary Magdalene embraces the cross in a gesture of fervent devotion, while to the right, Saint John, clad in a richly textured red cloak, gazes up at Christ, his hands folded across his chest. Contrary to the iconography typically found in 16th-century Antwerp workshops, he appears here as a bearded, middle-aged man. This relatively rare characteristic, however, is found in several works by the Master of the Half-Figures. The Virgin's face displays the typical characteristics of the Master of Half-Figures' repertoire : a high forehead, full cheeks, a rounded chin, and a gentle expression tinged with restrained melancholy. This youthful, feminine physiognomy is found in numerous depictions of Virgins, Magdalenes, and other saints from his workshop. The figures are also distinguished by their smooth complexions, elegant proportions, and attention to the richness of the fabrics, favoring formal refinement over dramatic expressiveness. The background unfolds according to the world-landscape formula inherited from Joachim Patinir. A vast panorama, blending a fortified city, estuary, winding paths, rocky outcrops, and bluish hills, stretches behind the sacred figures. At the heart of this lively river landscape, a small port, quays, and several boats also appear, their silhouettes punctuating the waterway and testifying to the attention paid by Antwerp painters to the commercial and maritime activities that ensured the city's prosperity. The composition is structured by a succession of narrative planes that invite the viewer's eye to move through the image as a continuous story, a technique characteristic of Antwerp painting in the first half of the 16th century. Behind the main scene appears the episode of the Carrying of the Cross, depicted by a group of soldiers and horsemen, with Golgotha rising on the mountain to the left, while to the right, in a grotto carved into the rocks, unfolds the Entombment of Christ. This multifaceted narrative, integrated into the landscape, enriches the meditative dimension of the work while highlighting its kinship with the inventions of Patinir. The attribution to the workshop of the Master of the Half-Figures seems all the more plausible given that several art historians, notably Robert Koch and Walter Gibson...

Adele Webster’s contemporary landscape paintings explore atmosphere, light, and the emotional presence of open space. Working with layered acrylic washes on wood panel, Webster creat...

This is a unique proof, aside from the edition of only 6 on wood panel (there was a separate larger edition of paper - this is the rare wood panel example): Shepard Fairey God Save t...

Beautiful Italian Still Life painting by unknown artist in the style of Giorgio Morandi. Oil on panel, measuring 16 1/8 x 22 inches. ca. 1960s Artist board and fixtures are Italian.

Threshold I is an artwork by French contemporary artist Frédérique Domergue, crafted with oxidized zinc and bronze leaves on an honeycomb aluminum panel. Dimensions: 78.7 × 39.4 in /...

This abstract contemporary oil painting has a floral theme featuring the colours coral, green and lemon. This elegant oil painting is by one of Canada’s finest contemporary artists,...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Lesley Anne Spowart (American, born 1957) "Fifi and Her Muse" 2025 Oil paint and oil sticks, acrylic paint, graphite, mixed media, spray paint, and stencil on cradled wood panel Sign...

Anne Sargent Walker’s Oil and Acrylic painting "In It Together", depicts three beautifully rendered birds in migration flight against a deep blue, starlit night sky. The sky lightens...

Frank Dekkers Landscape 22 15 x 20 cm (framed, included in price 20 x 25 cm) oil on Panel About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know...

Oil on wooden paneld realized by Sirio Pellegrini in 1970. Includes a coeval wooden frame cm. 42x53. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, le...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

"Still Life and Hunting Dogs, 1851" P. M. Guillemin (French, 1800-1874) Monogrammed "EG" on right side. Oil on cradle board 26 x 21 (36 x 31 frame) inches Stunning example and un...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a french pink background with thick use of paint. I...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

Calvin Lai's (US based) "Approaching Equilibrium" is an original, handmade oil painting that depicts a nude female figure, standing, with her face in profile and dappled in light. ...

Maroniez is best known as an accomplished painter of the sea and the life of fishermen. He painted mainly in Brittany ( France ) Museums and galleries holdings : Boulogne: Mussel b...

This 19th-century oil on panel portrait depicts a Hungarian Rabbi, characterized by his traditional attire and solemn expression. The Rabbi is portrayed with a long, white beard and ...

Lesley Anne Spowart (American, born 1957) "Buster" 2023 Acrylic Paint, Oil Paint, Mixed Media, Wood Panel, Wire The artist signed the bottom left and back of the painting. "Buster"...

Carl Skånberg (1850-1883) Sweden A Barbizon Garden (1879) oil on wood panel signed C. Skånberg, dated 1879 (lower front) unframed: 19 × 24 cm (7.5 × 9.4 inches) framed: 40 × 45 cm ...

Acrylic & oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She work...

This contemporary acrylic abstract painting was inspired by nature. Expressive brushstrokes and veils of colour dance across this canvas, painted by Claudia McCabe. This painting ex...

Dimensions with frame: 25 x 31 x 4,5 cm Signed "Buono Napoli 1889" in lower left corner. This evocative harbor scene depicts the lively waterfront of Naples, capturing the city’s close relationship with the sea. Warm-toned buildings line the shoreline, their facades reflected in the gently rippling water, while a sailboat glides calmly across the harbor, anchoring the composition in a distinctly maritime atmosphere. Figures bathing and moving in the foreground introduce a sense of daily life and human presence, reinforcing the authenticity and intimacy of this Neapolitan coastal setting. The artist’s confident yet sensitive brushwork allows light and reflection to animate the surface of the water, creating a harmonious dialogue between architecture, figures, and sea. The palette of soft blues, earthy reds, and sunlit ochres evokes the Mediterranean climate and character of Naples, conveying both warmth and tranquility. This painting offers a timeless vision of harbor life in southern Italy, balancing architectural structure with fluid, atmospheric elements. A refined and atmospheric work, ideal for collectors of European harbor scenes, Mediterranean landscapes, and traditional maritime paintings. Naples harbor painting, Neapolitan harbor scene, European harbor painting...

"Backyard Sunset" By Carl Grauer Oil on Canvas 20x20 inches, 21 x 21 x 3 inches framed in painted white wood floater frame Signed en verso Artist Carl Grauer expertly and astutely c...

Ricky Hunt’s mixed-media minimalist wall art is influenced by his tumultuous past, which led to a paradigm shift in his creativity and life. He covers the wood panel with layers of a...

Gustave Vidal. French ( b.1895 - d.1966 ). Pêcheurs Sur Les Rochers. Bord De Mer En Côte d'Azur. Oil On Panel. Signed Lower Right. Image size 12.4 inches x 15.6 inches ( 31.5cm x 39.5cm ). Frame size 22.2 inches x 26 inches ( 56.5cm x 66cm ). Available for sale, this original oil painting is by the French artist Gustave Vidal and dates from around 1935. The painting is presented and supplied in its original frame. The original cotton slip has been replaced with a sympathetic contemporary slip that is in keeping with the fresh coastal aesthetic of the painting (which is shown in these photographs). This antique painting is in a good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Gustave Vidal was a 20th century French artist, and one of the best Provencal landscapers of his generation. He worked in the Provencal and Basque regions as well as Corsica and the centre of France. He was born in Avignon in 1895, in the Provence region of France, and died in the same town in 1966. Vidal trained at the École des Beaux-Arts in Avignon. It is often reported that he studied under Pierre Grivolas, (1823-1906) who was a prominent teacher there who had encouraged plein air painting to capture light and colour directly from nature. However, Grivolas died when Vidal was only 9 or 10, so it is very unlikely that there was a direct teacher/student relationship between them in a formal apprenticeship or atelier setting. Pierre Grivolas had been a director of the École des Beaux-Arts in Avignon until his death in 1906, and found what became known as the Nouvelle école d’Avignon, promoting outdoor practice and modern landscape painting. Grivolas influenced a generation of Provençal painters directly, and his teachings persisted after his death. Vidal therefore studied in the establishment that continued his ethos and would have been influenced by Grivolas’ directorship. Vidal won numerous awards at the Beaux-Arts in Avignon and became a sociétaire (member) of the Salon des Artistes Français in Paris, an important exhibition venue for French artists of the period. He actually wrote the articles of association for this establishment. As well as exhibiting in Avignon and Paris Vidal also exhibited in Berlin and Brussels. Vidal was primarily a landscape and marine painter. His work is associated with Provencal scenes — including rural landscapes, village streets, harbours, seascapes, and views of the French Riviera and interior France. His technique combined impasto application with both palette knife and brush, reflecting influences from Impressionism and post-Impressionist colourism encountered during his career, especially in Paris. This gives his canvases a textured, lively surface and strong sense of light and atmosphere. His works typically show rich colour and balanced composition, with evocative French light. Nowadays Vidal’s paintings appear regularly in antique galleries, auctions, and online sales in Europe and beyond, though he’s not commonly featured in major public museums or standard art history encyclopaedias. Auction results indicate steady interest among collectors of regional French painting, with prices varying according to size and subject. Although not among the most famous French painters of his generation, Gustave Vidal holds a solid place within early-to-mid-20th-century Provence painting, continuing the regional tradition of light, colour, and landscape that followed Impressionism, and appealing to contemporary collectors of Provençal and southern French art...

John F. Pasmore (British, 19th century) Young Woman by a Cottage Door with Cat, Dog and Bird, circa 1880 Oil on panel, signed lower left A finely observed late-Victorian genre paint...

Urban Landscape Painting of the Victorian Arcade of Accrington Northern England by Leading Contemporary British Artist, Angela Wakefield Art measures 24 x 18 inches Victorian Arcad...

Contemporary Impressionist Encaustic Landscape Painting "Spring Snow", made by Regina Quinn in 2023 Encaustic, oil with wax, and India Ink on panel 16 x 12 inches, 17.25 x 13.25 x 2...

Peter Hoffer portrays trees. He invites the audience to take a closer look at their posture, their details and their expressions. The subject is as important as the technique: the wa...

Calvin Lai's (US based) "Upon Waking" is an original, handmade oil painting that depicts a nude female figure in a Contrapposto posture leaning back against a lavender hued wall whil...

Portrait of Catherine Murray (nee Bruce), Countess Of Dysart, 17th Century Attributed to DAVID SCOUGALL (1610-C1680) Large 17th century portrait of a lady traditionally identified...

Frank Dekkers Landscape 09 15 x 20 cm (framed, included in price 20 x 25 cm) oil on Panel About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know...

A beautiful and evocative oil painting on wood by the great Italian artist who lived between the late nineteenth and early twentieth centuries. It depicts with rare effectiveness a...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

The painting was painted Plein Air, in Artist's own garden of the memorial roses she planted. This is Rosa Albertine, the first Old English variety Artist Shizico Yi planted in her garden in 2016, before her late dog died. Old English Roses...

My current practice centers on still-life painting. Objects are typically arranged in complex structures to create representational challenges. Working from life, I am attempting to ...

Promenade Acrylic on wood 33.1 x 21.8 cm A compact yet striking cubist composition by French artist Grégoire Mathias, “Promenade” explores human figures through layered geometries and rich earth tones. “Promenade” is a refined, vertically oriented work in acrylic on wood panel by French artist Greg Mathias, a pioneer of Diachronic Cubism—an evolution of Cubism that doesn’t just fragment space, but also folds multiple moments in time into a single frame. In this composition, a solitary figure appears mid-step, portrayed through overlapping forms that subtly shift in posture and position, evoking successive instants of the same walk. Using a palette of earthy ochres, rose-beige tones, slate blues, and deep browns, Mathias blends geometric abstraction with temporal movement. The fractured background enhances the impression of both forward motion and layered time, suggesting the silent passage of moments within a single contemplative scene. Unlike traditional Analytical Cubism, which reduces forms to a still, spatial analysis, this piece embodies motion and transformation—hallmarks of the artist’s unique visual language. Compact in size but conceptually expansive, “Promenade” invites the viewer to witness the echo of steps already taken and those just about to occur. Perfect For: Interior designers sourcing vertical wall art...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Multicolor and silver background with thick use o...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Franciscus Melzer (1808-1865) Interior painting with a cat that gives out a scratch Signed lowerright corner F. Melzer Oil on mahogany wooden pane...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Roos van der Meijden Passage du Bourg l’Abbé 26 x 26 cm ( framed 32 x 32 cm, frame is included in price ) Oil paint on panel Dutch artist Roos van der Meijden is famous because of h...

"BRAT" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual sh...

'Sunny Afternoon, Hyères, Côte d’Azur' by Carl Stilling, 1928. French Riviera, Royal Academy of Art, Framed Oil ---- Signed lower right, "C. Stilling" for Carl Conrad...

oil on canvas Hiro Yokose paints images of nature composed in subtle, sensuous palettes. Playing with the viewer’s perceptions, his work creates a visual experience of recognition a...

This vibrant abstract painting features bold red and orange tones layered with expressive, gestural brushwork. Accents of soft white, blue, and green punctuate the composition, creat...

Longing instant at dusk #15 is a unique painting by Japanese contemporary artist Shoko Okumura. This painting is made with pigments and silver leaf on Japanese paper mounted on wood ...