Art by Medium: Wood

Burled Maple Sculpture Nude Woman with Arms Over Head Beautiful burled walnut sculpture of a nude woman. The woman stands with her arms stretched over her head. Behind her a dark st...

Andrzej Karwacki likes to create warmth within his work by using dark colours. Within this work, Andrzej has used: Black, Orange, Yellow and Red to create a very warm and comforting ...

Confusion ritmique I no. 8/10 is one of a series of three different medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia...

This sculpture consists of two pieces. The dimensions of each piece are: 51x8x8 cm and 47x8x8 cm respectively. At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Born: 1978, Cape Town, South Africa. Lives and works: Edinburgh, Scotland. Jonathan Freemantle...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Circular BIPOC portrait painted in acrylic on wood. This piece explores structural marginalization, identity, and the politics of resignation in contemporary society. Currency #264 ...

Original acrylic painting on wood with functioning clock. Hand signed on front; signed and titled on verso by Jozza. Framed as pictured which was custom painted by Jozza. Frame si...

Unknown Artist - Eagle, Medium: Hand carved wooden sculpture, Size: 13.5 x 7.5 x 5.5 in. (34.29 x 19.05 x 13.97 cm)

Modern Furniture Chair- Colorful, Simple, Playful - Clean, Compact Design This modern chair is a true statement piece: modern and clean, yet full of playful and colorful character....

Modern Stool - Colorful, Simple, Playful - Clean, Compact Design This furniture is a true statement piece: modern and clean, yet full of playful and colorful character. Crafted from...

Swiss artist Edith Konrad paints figurative abstract compositions with mixed media on canvas. She layers her expression of her emotional response to the subjects with dynamic textures and subtle patterns in her artworks. The thick layers of paint add a sculptural and tactile, rich looking feel to her paintings, along with the bodily presence of her subjects. Her works have been exhibited internationally, including Artspace Warehouse Los Angeles and many art fairs such as Montreux, Geneva, Salzburg, Rotterdam, Marbella, Los Angeles, Toronto and Paris. This original 17 inch square artwork is created with mixed media on a flat wood panel. The artist signed this abstract figurative painting on the front in the lower right corner. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping are also available. A certificate of authenticity issued by the art gallery is included. Edith Konrad has studied in numerous master classes with artists from Germany and Italy. She paints in a variety of techniques and particularly prefers the use acrylic on canvas, collage and mixed media. In 2007 her art was acquired by the State Museum Halifax, Nova Scotia, Canada. She won the 2009 Palm Art Award, a Certificate of Excellence for outstanding artistic quality and originality of the work. In 2010 she exhibited at the Salon de la Culture at the Louvre in Paris, France. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 Identity With A Chance of Imperfection, Los Angeles, CA 2020 In Search of Principle, Artspace Warehouse. Los Angeles, CA 2019 Something Vague, Artspace Warehouse, Los Angeles, CA 2018 Artspace Warehouse, Los Angeles, CA Opposites Group Exhibition, Hotel Chlosterhof, Stein am Rhein, Switzerland Falcon Gallery, Stein am Rhein, Switzerland K-13 Freiamt, Villmergen, Switzerland 2017 Falkengalerie, Stein am Rhein, Germany Banca intermobiliare di investimenti Lugano, Switzerland Arte Genova 13, Art Fair Genova, Italy 2016 Fugo Diethelm, Mühlau, Switzerland Galerie f 5, Lucerne, Switzerland Kunstsupermarkt Solothurn, Switzerland Kunstwarenhaus Zürich, Switzerland Affordable Art Fair New York, NY Galerie-Beck, Saarbrücken, Germany 2015 Affordable Art Fair Singapore Migros Kulturprozent Zugerland, Switzerland Artspace Warehouse, Los Angeles, California Love Art Fair Toronto, Canada Affordable Art Fair New York, NY LA Art Show International Art Fair, Los Angeles 2014 Artspace Warehouse Los Angeles Houston Fine Art Fair, Texas Kunstwarenhaus Zürich, Switzerland Love Art Fair Toronto, Canada Who’s Who Deutschland (Germany) 2013 Galleria Alter Ego, Ponte Tresa, Switzerland Schweizer Kunstraum, Lausanne, Switzerland Artspace Warehouse Los Angeles, California Kunstwarenhaus Zürich, Switzerland Flussreif in Berikon, Switzerland Ateliernacht im Freiamt, Switzerland Kunst-Supermarkt Solothurn, Switzerland 2012 Affordable Art Fair Los Angeles, CA Artspace Warehouse, Los Angeles Galerie Katapult, Basel, Switzerland 2011 Kunst-Supermarkt Solothurn, Switzerland Kunstwarenhaus Zurich, Switzerland Zugermesse, Switzerland 2010 Kunstwarenhaus, Zürich, Switzerland Ennenda, Switzerland Zentrum Aettenbühl Sins CH Louvre, Salon de la Culture, Paris, France 2009 International Art Fair, Europ Art Geneva, Switzerland Palm Art Award, Leipzig, Germany Kunst-Supermarkt Solothurn, Switzerland Porto Ceresio Italy Galerie Tedden Düsseldorf, Germany Galerie Katapult, Basel, Switzerland Who‘s Who Deutschland (Germany) 2008 Chunschtspycher Bettmeralp, Switzerland Bad Ditzenbach Germany Porto Ceresio Italy Forum Zugerland Migros Kulturprozent, Switzerland Kunst-Supermarkt Solothurn, Switzerland 2007 International Art Fair ROTTERDAM, Holland Kulturachse Horw: art five, Switzerland Acquisition by STATE MUSEUM HALIFAX, Nova Scotia 2301 Art Fair Zug Design, Switzerland Vita Solothurn Gallery, Switzerland 2006 International Art Fair EUROP`Art Genève International Art Fair ART SALZBURG, Austria International Art Fair ART MARBELLA, Spain Müllerhaus Lenzburg group exhibition CH 2005 International Art Fair ART GALLERY Montreux, Switzerland Porto Ceresio Italy Kulturschür Windisch, Switzerland 2004 Bahnhofgalerie, Sins, Switzerland 2003 Keller Galerie, Zürich, Switzerland 2002 Bahnhofgalerie, Sins, Switzerland 2001 Jugendseelsorge, Zürich, Switzerland 2000 Zentrum Aettenbühl, Sins, Switzerland TV & FILM Athena, Amazon Prime...

Teakwood and white lava sand make this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree g...

Junction II is a wood sculpture (poplar) by Wouter van der Vlugt, dimensions are 45 × 44 × 40 cm (17.7 × 17.3 × 15.7 in). It is a unique signed piece and it comes with a certificate...

A Charming, 1950s Mid-Century Modern Portrait of a Young Boy in Blue Hat by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork Size: 9 x 6 1/4” (Framed size: 11 1/2” x...

A moody mid century landscape painted in neutral, sepia tones featuring an abandoned building by Joseph Bodner (American, 1925-1982). Signed "Bodner" in ...

Walnut stain makes this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree grew. Sitting on...

This green and orange floral sculpture titled "Flower Block (Orange)" is an original artwork by Luke O'Sullivan made of screenprint, acrylic, and spraypa...

Fear and insecurity came uninvited to keep the artist company. Suddenly it became necessary to release the sensations that surrounded him day and night. At times the artist felt as i...

One flame candle holder putto made of gilded wood. Those kind of objects were present in churches or noble villas, specially during the Baroque times. The base is not coeval.

Acrylic on plywood Udi Cassirer is an Israeli visual and contemporary artist born in 1965 who lives and works in Tel Aviv - Yafo, Israel. He is graduated...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Unique variant from an edition of 473 100 x 100 cm (39.4 x 39.4 in) Signed on the front Mint. Sold in...

Ivars Miķelsons (1962)

A dynamic, Mid-Century Modern horse race painting by noted Chicago artist, Rudolph Pen. Artwork size: 27" x 23"; Framed size: 27 1/2" x 23 1/2". Signed "Pen" lower right. Provenan...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Charles Searles (1937 - 2004). Charles Searles was born in Philadelphia, PA and received his fine art educat...

Gorgeous California plein air painting by J.F. Snyder (American, 20th Century), circa 1980. Signed lower right corner, titled on verso "San Benito Creek". D...

Katherine Bowling (American, b. 1955) Oil on spackle on wood 1988 Hand signed, titled and dated verso, Dimensions: 48"h x 48"w Provenance: From an Important Private Collection, NYC; bears gallery label from Blum Helman Gallery, NYC Notes/Literature: Exhibited: "Earth and Sky: Recent Paintings by Katherine Bowling, Joan Nelson and Ellen Phelan", Hood Museum of Art, Dartmouth College 1992 Katherine Bowling (born 1955, Washington, D.C.) is a modernist painter known for her layered landscape paintings that draw inspiration from nature in the Hudson Valley. Katherine Bowling grew up in Tidewater, Virginia. She received her BFA from Virginia Commonwealth University in 1978. Bowling's first New York show, as well as her first solo exhibition, was in 1987. Bowling's works tend to be luminous landscape paintings that often feature woods and fields as well as roads. Many of her paintings are based on her photographs of woods and fields surrounding and in Schoharie County, where she rents a house. As Molly O'Neill notes in an essay on Bowling and her work, this area is "fifty miles northwest of the vistas that inspired the Hudson River School painters in the mid-1800s." Bowling focused in particular on the imagery of roads for the theme of her exhibition at Greenberg Van Doren, Divide. As the title implies, writes Lilly Wei in the exhibition's accompanying catalog, Bowling views the roads as "abstract marks in the landscape that divide and order space." Even with roads she has often traveled, Bowling finds something new on closer inspection that alters her perception of the familiar and mundane. Bowling explains that the roads "function as a metaphor for memory and displacement." In 2001, Bowling exhibited a number of seascape paintings. In her essay on the exhibition, art historian and critic Nancy Princenthal writes that, far from being an aberration from Bowling's typically home-based scenes, the ocean paintings are "a return to childhood memories and life long inclinations. A native of Virginia, she spent her first summers at the Atlantic shore and on the Chesapeake Bay." Primarily, however, Bowling's works focus on capturing the play of light and shadow. Art critic Eleanor Heartney notes that "Her paintings, like those of Monet, Pissarro, and Renoir, focus on the ephemeral moment and the fleeting impression, conjuring the flicker of sunlight through the trees, the shifting shadows of early evening, the reflections of clouds and foliage glancing across the rippling surface of a lake." They have a luminist quality to them. O'Neill argues that Bowling additionally "has an innate sense of abstraction and she ranges happy as an uncaged chicken, pecking elements from the Impressionists' obsession with light; from modern photography; and the drip paintings of Jackson Pollock." Bowling is influenced by the use of light in the paintings of European Romantics such as J. M. W. Turner and John Constable as well as by the later work of George Inness:  Her paintings also recall landscapes by Claude Lorraine, Albert Pinkham Ryder and Camille Corot. Bowling is known for her use of spackle. She uses a long process of layering and sanding to create the "back-lit" effect found in her paintings. First, the paintings begin as a photograph which she typically takes near her rented house in the Hudson Valley. Then, she uses these photographs, which serve as her "preliminary drawings," to aid in the painting process. She also paints from memory and direct observation. Bowling paints on square panels of plywood. Bowling considers rectangular pieces to be too horizontal and rife of implications already of landscapes and horizons. She sometimes paints on one of these square and sometimes paints on several square panels together. The seams between these adjoined panels are left visible. Next, Bowling applies layers of spackle. O'Neill remarks that "Inspired, perhaps, by her day job of painting houses, [Bowling] turned to more industrial media: damp vinyl spackle, a building compound that is applied to wooden panels to create a matte, fresco-like surface. Thinned oil pigments are poured, allowed to dry, and then the Sisyphean task of sanding begins."  Initial layers generally correspond with the color of the light—varying from pinks, golds, blues, and oranges. Through this layering and sanding, she creates a luminous quality in her landscapes. Despite rigorous sanding, air bubbles within the spackle layers are revealed occasionally on the surface. Rather than disguise them, Bowling integrates them. Heartney writes that Bowling "allows these irregularities to become part of the painting so that the viewer's perception of the play of light and shadow across the image cannot be separated from an awareness of surface itself." In later stages of painting, Bowling stands above panels to throw, dribble, and splatter paint with a hair dryer, recalling the techniques of Abstract Expressionist artists such as Jackson Pollock. Awards and honors 1991 National Endowment for the Arts Grant 1989 New York State Foundation for the Arts Fellowship 1988 Mid Atlantic Arts Foundation Fellowship Notable public collections The Metropolitan Museum of Art, New York, NY Brooklyn Museum of Art, New York, NY Mary and Leigh Block Museum of Art, Evanston, IL Phoenix Art Museum, Phoenix, AZ Norton Museum of Art, West Palm Beach, CA Fisher Landau Center, New York, NY Select exhibitions 2025 PS122 Gallery Lower East Side, New York 2022 Katherine Bowling: Trees Winston Wachter Fine Art, New York 2013 Woods, Lovely Dark and Deep. DC Moore Gallery Chelsea NY Featuring: Eric Aho, Milton Avery, Romare Bearden, Dozier Bell, Jake Berthot, Katherine Bowling, Charles Burchfield, Mary Frank, Noriko Furunishi, April Gornik, Marsden Hartley, Daniel Heidkamp, David Hilliard, Mark Innerst, Max Jansons, Sissel Kardel, Whitfield...

Immortals III is a bronze sculpture (gum wood base) by contemporary English sculptor Oliver Ashworth-Martin, dimensions are 13 × 16 × 15 cm (5.1 × 6.3 × 5.9 in). This sculpture is si...

Wonderful mid century California landscape of Gold Rush's Amador City with iconic stone building and farm by John Britton Matthew (American, 1896 - 1980),...

Teakwood and white make this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree grew. Sitti...

Medium: wood, steel, pigment (wall hung) As an artist, I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line, and surface are used as...

Hand made working rock back and forth toy He is represented by Krause Gallery in NYC Steve Casino resides in Kentucky, but as he quips the small town atmosphere doesn't mean he isn'...

This contemporary, mixed media Wall Relief by Ned Evans features yellow, black and blue oil paint and resin on wood. Its modern design turns y...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his portraits in village landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. Art measures 25.5 x 21.25 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. For the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher, he encouraged individual expression. Baxte stated, “No pupil should ever be forced into the imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient's light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Gable like symbol of authority Ibibio, Nigeria, c1940

The Skateroom x Keith Haring Foundation Art Is For Everybody, 2023 7 ply Grade A Canadian Maple wood (Set of 4) Opened edition 31 1/2 × 7 9/10 in 80 × 20 cm (each) Licensed by Artes...

Takashi Murakami Flowers Skateboard Deck: A vibrant piece of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus Eats It...

This wall-hanging painting titled "Be Here Now" is an original artwork by Melissa Lomax made of acrylic paint & colored pencils on wood. This piece measure...

The School of Stoics brings the viewer into an airy evening discussion at an agora overlooking the Aegean Sea. Amidst the silent water and grained marble, a group of stoics debate logic, reason, and nature. Agreement and disagreement prevail in the noble gestures of their bodies. Soon you see an individual's gaze directed towards you, raising their hand, calling you to join the conversation. Technical: 53” x 39”. Tempera on panel with 24k gold water-gilded frame. Painting and frame produced by artists Justas and Vilius Varpucanskis. This piece utilizes the "rules of craftsmanship" as outlined in Cenino Cennini's Il Libro dell'Arte. 21st century contemporary artwork that employs techniques, philosophy, and visual language of the Italian High Renaissance...

African Carved Wood Makonde Mask Heavy wood carved ceremonial mask symbolizing an ancestor 16.5 x 8 x 10 inches A carved ceremonial mask symbolizing an ancestor, this African facial...

A late 17th c. Italian carved figure of Mermaid, Circle of Filippo Parodi (Genoa, 1630 – July 22, 1702) Dimensions: h. 29.13 in, w. 30.31 in, p. 18.9 in (at the base) Magnificent Italian Baroque sculpture depicting a mermaid seated on the rock. All the virtuosity of the sculptor unfolds in this carved group. The fantastic creature is featured seated, the upper part of the body darting forward, the head looking upwards. Sophisticated hairstyle with rows of pearls intertwined in her hair, her loose locks fly in the wind and bring movement to the whole sculpture. The wide-open eyes with hollowed-out pupils make it possible to follow the mermaid's gaze, towards the sky. The half-open mouth further magnifies this bewitching and seductive attitude. Its long double tail ending in fins wraps on either side of a rocky mound strewn with objects evoking the underwater world: seashells and shells, branches of coral. The ornamental richness combined with the great care taken in its execution make it a work in which the splendor of Italian Baroque art unfolds in such characteristic scenic movement. The composition betrays a strong influence from Filippo Parodi, the leader of Genoese Baroque sculpture, and points to an artist from his circle. Our sculpture was probably part of a decorative monumental palace. The iconographic theme evoking the marine world finds its application in the numerous fountains and artificial grottos, designed in Italian palaces at the turn of the 17th and 18th centuries. Giacomo Filippo Parodi (Genoa 1630 – July 22, 1702) was an Italian Baroque sculptor of the Genoese school, who introduced Bernini's aesthetic to Genoa. In his youth fathers a first apprenticeship with a carpenter, he went to Rome where he became a pupil of Bernini. He had the opportunity to admire in person the works and style of the French sculptor Pierre Puget...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

"Hot Mess" is a minimalist and modernist wood wall sculpture reminiscent of both mid century modern forms and bold graphic design. It is part of my "Small Pops" Series which are smal...

This ceramic buste is made by Spanish artist Pedro Quesada Sierra. The Spanish sculptor, despite his only 39 years, is already a lot of laureate artist. In March 2018 he received, ...

"Without Floorboards 2-4" is an original hand-cut wood collage by Matt R. Phillips. The piece ships in the pictured, artist-made, wood floater frame and measures 24"h x 36"w. Matt ...

Still Life with Daises and Wisteria in Acrylic on Masonite Still life by a window by Richard M. Bacon (American, 20th Century). A still life with a bouquet, a glass of wine, and a b...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

Ivars Miķelsons (1962)

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her ...

Susan Woldman received her BA Degree from Sarah Lawrence College. After studying sculpture in Lacoste, France through the Cleveland Institute of Art she went on to get her MFA at the...

Blossom III is a wood sculpture (cherry) by Wouter van der Vlugt, dimensions are 36 × 42 × 36 cm (14.2 × 16.5 × 14.2 in). It is a unique signed piece and it comes with a certificate...

Processing Venice is a unique contemporary modern painting relief by renowned Polish-Dutch artist Eliza Kopec. This painting relief is a typical exampl...

This figurative sculpture titled "Deepfake National Monument" is an original artwork by Jedediah Morfit made of plaster, paint, pins, epoxy, adhesive, wood, rope, and hardware. This piece measures 32"h x 11"w x 27”d. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) Hand signed and dated 2002 Metallic paint, acid etched on aluminum, wood Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

This piece titled "Shovel, Recovered" is an original artwork made from iron, paper, beeswax, brass, pine, mounted on panel by Katie VanVliet. This piece measures 12"h x 24"w x 5"d Katie VanVliet (she/her) is a sculptor and printmaker practicing from her home studio in Elkins Park...

Katrina Revenaugh Day Dream Triptych Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2020 Size: 12×12in (each) Overall Size: 12x36in Signed: On Verso (each) COA pr...

"Hip, Hip, Hooray!", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2019 24 x 24 x 2.5 inches Carved wood and acrylic paint on panel Signed, ver...

This piece gradually transitions in tone from white through grey into black, creating a delicate and intricate structure that houses small artifacts of memory. The found objects and ...

"It's Complicated" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped and mounted on painted pine f...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Dive into the whimsical realm of mystique with this utterly enchanting totem. Crafted with meticulous detail, this...