Art by Medium: Wood

This sculptural wall piece consists of two wooden segments forming a divided circle. The surface is entirely hand-carved with a dense geometric grid, creating a rhythmic, almost arch...

Stinkfish is a street artist known for his colorful, large-scale stencil portraits. He uses photographs taken during his travels or found in the streets and at flea markets as refere...

This piece titled "Age/Sex/Location (Chatroom Lingo)" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic and beads hanging fro...

Modeling clay and enamel sculptural relief on fir wood that transposes runaway thought into a looping painted ribbon. This modeled sculptural relief, executed in modeling clay and e...

Marina. original acrylic expressionist painting

A fine Italian 20th century oil on panel "Battipanni" (The Carpet Beaters) by Nino Caffè (1908-1975) depicting a group of Cardinals playing a...

Date: Undated Medium: Oil on Masonite Signature: Signed Lower Left An undated story illustration depicting the 1889 bare-knuckle heavyweight title fight in Richburg, Mississippi, wh...

This piece, titled "Neighborling Maquette 29" is an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating st...

Lee Jackson Park in Summer, 1940 Signed lower right Oil on wood 19 3/4 x 12 inches Provenance Gift of the T. B. Walker Foundation, Lena Kruse Memorial, 19...

Vibrant, large-scale multimedia artworks incorporate reflective mediums and thick textures in Kate Tova's recent work. Colors splash across the page melding into flourishes of sequin...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface" ETERNAL FLAME III, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed) From edition of 5 Series: Southern Song Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style. Larger dimensions available from limited edition of 5 also available and made upon order. The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Original and unique artist PAJARES work. Done in mixed media on canvas and collage. PAJARES, Juan Manuel (Lleida 1957 ) Pajares was introduced to the impact of large-scale canvas pai...

The Skateroom x JR 28 Millimètres: Women Are Heroes. Action in Kibera Slum, "Into the Wild", Kenya (2009) Date of creation: 2019 Medium: Digital print on Canadian maple wood Edition...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

American 1870s Hudson River Antique Gilt Frame Antique Painting Frame Frame Size: Width: 22″ X Height: 25″ Thickness: 3.50″ Picture Size: Wi...

Artful one-of-a-kind long shelf or sculpture by artist Ben Darby. Made of various pieces of wood and accented with multi-color acrylic paint. We selected this piece soon after it was...

Kayak (Small Contemporary Painting of Woman in Blue Swimsuit emerging from the lake) 11 x 14 inches, oil on linen on wood 12.25 x 15.25 inch custom floater frame Joan Hanley works ...

Constant Gardener belongs to two of Shizico Yi’s long-term projects: Constant Gardener and Memory Landscape Series, both initiated in 2015. Across these bodies of work, Yi explores t...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Granite Sail - Abstract Wall Sculpture in Wood, Resin, and Aluminum Whimsical and fluid abstract composition by Craig French (American, b. 1959). Cast re...

A vibrant fusion of Eastern symbolism and street‑art energy, layered with gold leaf, vintage textures and mixed‑media detail. Presented within a black wooden block style frame.

Polychrome Wood Sculpture of the Christ Child, Catalan School, 18th Century A finely carved and expressive figure from the late Baroque period. Crafted in wood with traces of its ori...

Ball lamp d=28cm rust with oak base natural 20x20x48cm You will find here an exceptional as well as high quality lamp, which conjures up a beautiful shadow pattern on the wall or ce...

A stylized horse is depicted grazing in an abstract landscape. Most likely, the location is Woodstock, New York, where the artist lived. Signed Lower Right; Framed; Note: titled and signed on verso. Ethel Magafan (August 10, 1916 – April 24, 1993) was an American painter and muralist. Magafan was born in Chicago to Greek parents who had recently immigrated to the U.S. The family soon relocated to Colorado Springs, Colorado, and Magafan's artistic training occurred at the Colorado Springs Fine Arts Center under the tutelage of Peppino Mangravite, Boardman Robinson and Frank Mechau, who hired Magafan and her twin sister, Jenne, to assist on mural projects. In 1937, aEthel won the commission to paint a mural in the U.S. post office in Auburn, Nebraska, making her the youngest recipient of such a commission. It would be the first of seven government-sponsored commissions for the artist. Murals "Andrew Jackson at the Battle of New Orleans, January 8, 1814" E. Magafan, 1943 Under President Franklin Roosevelt's New Deal, several programs were created to employ Americans during the Great Depression. The Magafan twins worked under the New Deal's Section of Painting and Sculpture, a program that hired thousands of artists to paint murals in public spaces, particularly post offices. Ethel and her twin sister, Jenne Magafan, became widely known for their murals painted during the Great Depression. Ethel received her first of seven Government commissions when she was commissioned to produce a painting for the United States post office in Auburn, Nebraska, titled Threshing.Other murals commissioned by the US Government hang in the United States Senate Chamber, the Social Security Building and the Recorder Deeds Building in Washington, D.C., and in post offices in Wynne, Arkansas, titled Cotton Pickers in 1940; in Madill, Oklahoma, titled Prairie Fire in 1941; and Englewood, Colorado, titled The Horse Corral in 1942.Her final mural, entitled Grant in the Wilderness, was installed in 1979 in the Chancellorsville Visitor Center at the Fredericksburg National Memorial Military Park in Virginia, She was a member of the National Academy of Design. Magafan died April 24, 1993, in Woodstock, New York, at the age of 76. References "Collections National Academy Museum". Retrieved 2017-03-08. "Jenne Magafan". Retrieved 2017-03-08. Marlene Park and Gerald E. Markowitz, Democratic Vistas: Post Offices and Public Art in the New Deal. Philadelphia: Temple University Press, 1984. "Browse New Deal projects by State and City". Living New Deal. Retrieved 9 January 2015. "Ethel Magafan Passes Away". New York Times. No. Obituary. April 29, 1993. Opitz, Glenn B, Editor, Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Book...

This modular domino wall sculpture is executed in foam clay and acrylic on a black painted wood panel. The composition pairs a deep matte ground with a sculpted white shell and two g...

Large Scale Shaped Collage Assemblage created with Archival Papers and 3/4" plywood. Artwork is mounted to wall with Included metal Hardware with a 3" float from the wall. Ray Bel...

Ofrenda I by Camilo Andres Rodriguez Marquez Burnt Wood Sculpture Dimensions: H. 75 x 74 x 30 cm Camilo Andres Rodriguez Marquez is a Colombian...

This piece titled "Billy Ray's Tavern" is original artwork made from paper, plaster, acrylic, enamel, polyester, basswood, chain, wire, inkjet prints, and pastels by Drew Leshko. This piece measures 28"h x 19"w x 7"d. Drew Leshko is a Philadelphia, Pennsylvania-based artist. By carving, cutting, and layering varieties of paper and wood, Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three-dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale...

Parthelion By Angela Lane 2022 Oil on birch plywood Signed and dated, reverse Condition: Excellent.

Nocturnal seascape by Vasil (Victor) Papkov (20th Century). A dark storm hangs over the ocean, with mixed hues of black, blue, purple and red. At the ho...

Striking mid century acrylic painting on canvas of animals in a lush jungle setting, executed in a charming naive style by Gustova Novoa. Signed G Novoa in the lower right and presen...

Nativity Scene with Blessed Mary, Kneeling Joseph, Angel, One Shepherd, One King, Manger, Baby Jesus, and Two Animals. The figures range in height from 18.5" to 12"; animals are 3" ...

Paisaje original expressionist acrylic painting. Rafael Griera Calderon (1934) Rafael Griera Calderón is a contemporary painter born in Las Palmas de Gran Canaria, although he has ...

Contemporary wall-mounted sculpture by Tristan Fitch composed of pit-fired porcelain cubes on a hand-carved shelf made from locally sourced pine referencing architectural forms and a...

Signed and dated lower right. Lohman studied at John Herron Art Institute, and Cranbrook and Yale for graduate work. Assisted Carl Milles at Cranbrook Academy before becoming Direct...

Teakwood and white make this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree grew. Sitti...

Resonance 01 is a wall-mounted wooden sculpture exploring rhythm, symmetry, and the relationship between opposing forms. Two carved halves form a circular composition, separated by ...

large format beach photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Cala Conta...

This striking wall-mounted light installation is crafted from a reclaimed vintage bed spring frame and fitted with warm bulb lights, forming the wo...

Resin, crystal, cotton and wood sculpture Edition of 250 Not signed, numbered via ZHEN authentication New, as issued. Minor imperfections may appear due to the nature of the material...

Ray Beldner blurs the line between sculpture and collage in this dynamic wall-mounted relief work. Using cut archival prints mounted to custom-cut wood forms, Beldner reimagines the ...

Pendant window pictures attributed to Christian Wilhelm Ernst Dietrich, called Dietricy (1712 Weimer - 1774 Dresden). Typical genre depiction of two pretty young ladies leaning out of arched windows. Both ladies are shown open-hearted with white blouses. One painting shows a lady with a red hair band and red cheeks leaning on a low railing and looking at the observer with a slightly glassy gaze. The window opening is framed with vine tendrils and a Mediterranean potted plant on the left edge of the painting. The other painting shows a young beauty with flowers in her hair, leaning loosely out of a window opening with a relief depiction of putti and the same green vine leaves. A red velvet...

This piece titled "NOWHERE TO GO BUT DOWN" is a one-of-a-kind original piece by Amanda Marie (Mando) done with hand-cut stencil, acrylic and aerosol on canvas in solid wooden box fra...

Linda Stein, Highway, Bridge & Twist 296 - Mixed Media Metal Wood Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural wo...

Fredric Karoly (1898-1987). Etude III, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

'Mountain sketch no3' a small square work on timber, abstract expressionist landscape. A sweet happy original painting to add light and joy to any room or small wall space. This small collection is inspired by Canberra, Australia's national capital, surrounded by mountains. You have a magnificent show of these beautiful land forms from anywhere you stand.  The breath taking Brindabella’s are located on the border that separates New South Wales and Canberra. The range rises to the west and includes the Namadgi National Park in the ACT and the Bimberi Nature Reserve and Brindabella National Park in New South Wales. The Brindabellas are visible to the west of Canberra and form an important part of the city’s landscape. 'Mountain Sketch' is painted in soft earthy tones, coral, skin, tan, burnt Sienna, peach, grey, leaf green and white. Heavily layered with lots of thick descriptive textures and details. This work comes ready to hang. 3 paintings make us this collection. A wonderful edition to a home, hang one or more side by side on a hallway wall, above a bedside table, or make a statement with a salon hang with 2 or 3 works for the main living room wall. - Original one of a kind painting - Ready to hang - Painted on ply wood timber box...

Traffic is a rare and newly surfaced work from one of mid-century New York's most compelling yet underrecognized voices in Abstract Expressionism. Executed in the 1950s at the height...

Linda Stein, Sentinel 689 - Feminist Contemporary Black Leather Metal Figurative Wall Sculpture Linda Stein started her Knights of Protection series after she was forced to evacuat...

Ectoplasm II is a unique mirror-polished stainless steel sculpture and burnt oak wood base by contemporary artist Franck K, dimensions are 153 × 59 × 22 cm (60.2 × 23.2 × 8.7 in). T...

The Skateroom x James Rosenquist F-111 TRIPTYCH A (ATOM) Date of creation: 2021 Medium: Digital print on Canadian maple wood Edition: 100, unnumbered Unsigned Size: 80 x 20 cm (eac...

*temporary listing price reduction due to currency exchange rate large format photograph by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Pan di Zucchero...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

This piece titled "UR OWN DOOM" is a one-of-a-kind original piece by Amanda Marie (Mando) done with hand-cut stencil, acrylic and aerosol on canvas in solid wooden box frame. This pi...

Olģerts Saldavs (1907.29.VII – 1960.1.IV) - Painter, art scholar. Studied in the studio of U. Skulme, later of K. Miesnieks and L. Liberts (1926). In 1936, he graduated from the V. ...

This piece titled "Cannonball Tavern" is original artwork made from paper, acrylic, enamel, watercolor, inkjet prints, pastel, basswood by Drew Leshko. This piece measures 7”h x 14”w...

Original oil on masonite attributed to the hand of the Russian/American artist, Nahum Tschacbasov. Circa 1938. Unsigned. Estate stamped verso twice. Original artist inventory labe...

Hunt Slonem (b. 1951) is an internationally celebrated American artist whose vibrant and instantly recognizable works have made him one of the most collectible contemporary painters ...

Giorgio Petracci (born in 1974, Fermo, Italy) is an artist based in Paris, whose work is deeply inspired by the seaside landscapes of his childhood and the personal experiences that ...

Surrealist City Scene by Roberto Soto, Argentinian (1926–1986) Date: 1977 Oil on Masonite, signed and dated l.r. Size: 24 in. x 24 in. (60.96 cm x 60.96 cm) Frame Size: 27 x 27 inches