Framed Mixed Media

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Edmond Xavier Kapp (British, 1890 – 1978) Abstracted tiles Painted ceramic Signed and adated ‘Kapp 60’ (lower middle) 15.5/8 x 12in. (39.7 x 30.5 cm.) measured to slip edge Edmond Kapp was born in Islington, London, on 5 November 1890, of American and German Jewish parentage. He gave himself the middle initial ‘X’ – sometimes said to stand for Xavier – to distinguish himself from his father Emil Kapp, who was a wine merchant. However, his parents called him ‘Eddie’ while his wife and friends knew him as ‘Peter’. During his early years, Kapp was continually ill and, while convalescing, entertained himself by drawing at home. As his health improved, he attended Dame Alice Owen’s School, Islington (1903-10), with periods at Berlin University (1909) and L’Institut Français pour les Etrangers, Paris (1909). He then read Languages at Christ’s College, Cambridge (1910-13), though spent most of his time writing and drawing. Kapp took a studio in London, and worked intensively until the outbreak of the First World War, contributing to the Daily News, the Onlooker and other periodicals. During the war, he served as a 2nd Lieutenant in the Royal Sussex Regiment on the Western Front, and then in Intelligence, rising to the position of Staff Captain on Haig’s Staff. Finally, he founded and directed the Neutral Press Counter-propaganda Section. In 1919, Kapp returned to London and, after abortive periods at three art schools, worked alone. In that year, he made his name with an exhibition of caricatures, held at Furst’s Gallery, London, and accompanied by a catalogue introduced by Max Beerbohm. This soon led to contracts with three London periodicals and a book of caricatures, Personalities, published by Martin Secker. Through the 1920s and 30s, his drawings of musicians...

This is a mixed media collage with an almost sculpture quality to it. it is hand signed. size includes frame. Hugh O'Donnell is an English painter, printmaker and site-specific art...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 13.5 x 9.75 Frame Size: 19 x 15.5 Medium: Mixed Media on Poster Board "Home Sweet Home" Biography Johnny Banks (1912-1988) In ...

As a uniform of toil, a symbol of status, or a protective accessory, the bandana is an archetype of Americana. Western heroes like John Wayne wore them around their necks in a flouri...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 10.5 x 17 Frame Size: 20.5 x 16.5 Medium: Mixed Media on poster board Dated 1987 "Thanksgiving" Biography Johnny Banks (1912-1...

Paper and Adhesive collage by Wayne Timm. Image measures 12 x 13 Framed in a closed corner steel custom frame In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lich...

"Second Theme" 1949 Abstract Mid 20th Century Geometric Non-Objective Hard Edge Burgoyne A. Diller (American, 1906-1965) "Second Theme" 1949. Pencil and crayon on paper. Signed and dated 'D. 49' (lower right). Image: 9 1/2 x 5 1/2 in. Andre Emmerich Gallery, New York. Martha Jackson Gallery, New York. Anderson Gallery, Buffalo, New York. David K. Anderson Grandchildren's Trust. BURGOYNE DILLER (1906-1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and collages that paved the way for the development of American Minimalism during the 1960s and 70s. Born in New York City in 1906, Diller began painting and drawing as a teenager growing up in Battle Creek, Michigan. Later, while attending Michigan State University in East Lansing on an athletic scholarship, he made weekend visits to the Art Institute of Chicago, where he familiarized himself with Impressionist and Post-Impressionist painting. He was especially drawn to the landscapes and still lives of Paul Cézanne, who modeled color to create structure and volume. In 1929, Diller moved to Manhattan and enrolled at the Art Students League, where his teachers included such progressive-minded painters as Jan Matulka, Hans Hofmann, and George Grosz. Hofmann's concept of the "push-pull" effect of form and color exerted a strong influence on his early work, as did his growing familiarity with Analytical and Synthetic Cubism, German Expressionism, and other vanguard European styles. Diller had the opportunity to see some of this work firsthand, but he also kept abreast of developments abroad by reading journals such as Cahiers d'Art. Diller completed his studies at the League in 1933, the year he had his first solo exhibition at the Contemporary Arts Gallery in New York. It was around this time that his paintings began to show the influence of the reductive, pared-down geometric compositions of the Dutch Constructivist Piet Mondrian and the equally restrained compositions of Kasimir Malevich and El Lissitsky...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. These works combine the exacting and time consuming artistry of the palladium platinum printing process with Dalzell's expressive and immediate painting style to bring colour and drama to Sparshatt's portraits. James Sparshatt's Spirit of Revolution series documents the strength and resillience of a generation of Cubans who have lived through a half century of tumultuous history on their island. His black and white portraits capture every wrinkle and line. Shot on the street they exude a natural charm. They are printed as Palladium Platinum prints by master of the art Max...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. These works combine the exacting and time consuming artistry of the palladium platinum printing process with Dalzell's expressive and immediate painting style to bring colour and drama to Sparshatt's portraits. James Sparshatt's Spirit of Revolution series documents the strength and resillience of a generation of Cubans who have lived through a half century of tumultuous history on their island. His black and white portraits capture every wrinkle and line. Shot on the street they exude a natural charm. They are printed as Palladium Platinum prints by master of the art Max...

Mixed media on plywood, signed on back. Armand Avril, né à Lyon en 1926, est un peintre vivant à Cotignac dans le Var. Il est surtout connu pour les assemblages qu'il a réalisés à partir de 1968. D'origine modeste, cependant très tôt intéressé par l'art et les musées où le poussait son père, il s'essaie d'abord à la peinture. Cependant, Avril ne commence à trouver son véritable style qu'à l'âge de quarante-deux ans. Enfant, il est un habitué des musées de Lyon qu’il fréquente sur les conseils de son père. Adulte, sa passion pour la collection l’incite à se nourrir des arts premiers et d’artistes comme Gaston...

Original mixed media (acrylics, oil, watercolor) on handmade rice paper. Hand signed and dated lower right by Jiang Tiefeng. Artwork size: 35.5 x 52 inches. Frame size: 45 x 62 in...

"Ajna" by Loren Abbate Original mixed media painting on panel using acrylic, found image collage, holographic iridescent metal foiling & silkscreen, framed in a custom black wood flo...

summer and winter wool

End of Season by Texas artist Julie England is mixed media on Yupo paper. The size of End of End of Season is 37″ x 24″ Image 46″ x 32 3/4″ Framed. Ar...

A striking mixed media harbour scene by Jean Roll (1921-2015). Roll uses a palette knife to create an expressive, textured surface over a watercolour background. This is then overlai...

With pastel and watercolour. Signed. Presented in a gilt frame. Title inscribed to label verso. On paper. Image size: 23 x 22cm.

Illustration of the 1937 Rolls Royce Vintage Car - from the Antique Automotive Stamp Series Illustration showing a chauffeur next a 1937 Roll...

Abstract Mixed Media artwork by Spanish artist Eduardo Arranz-Bravo. Cadaques No.22 Eduardo Arranz-Bravo, Spanish (1941) Date: 1994 Mixed Media on Paper, signed lower left Size: 8 x...

Medussa Deluxe, by Nicole Chaput -Oil on polypropylene, - 17 x 21 cm / 6.69 x 8.27 in - Feminist painting, 2025 Nicole Chaput expands painting until it becomes body, working throu...

Alighiero Boetti (Turin 1940 - Rome 1994), Independent Thoughts (1985) Collage, pencil and pastel on paper 76 x 57 cm signed lower center. The work appears to be archived at the Al...

Untitled (Musical notes abstraction) Mixed media on paper, 1991 Signed lower right center Condition: Very good Archival framing with conservation glass Provenance: ...

Keishi paints with the classic Japanese technique called Nihonga - he prepares the paper with gold leaf, then paints on top with mineral pigments, thus creating a special perspective...

Really kool original prototype art probably for a poster advertising the show. Mixed medium on artists board. Measures 24 by 18 and frame is 25 by 19. Great decorator piece!

"El Universo Conspire", Edition 9/20, is a work by Alberto Sanchez. It depicts an urban city space with colors and birds and is mounted on wood. 60 x 60 x 5 cm. ALBERTO SANCHEZ, ...

10 color spray paint and stencils with paint markers on genuine $1 bill. Surface – genuine $1 bill Edition size – edition of 1/1 Description – 5 colour spray paint and stencils wi...

Last One to Know, Layered, Stained and Painted Birch Wood Artwork by Texas Artist, Mitch McGee. This female figurative Pop Artwork is 30" Round. She is Blonde with Blue Eyes. Th...

New Series - Over The Moon with Little British Birds. We are so blessed with such a variety of beautiful garden bird species within the UK. I feel inspired and 'Over The Moon' with ...

"Hong Kong", mix medias on paper by Tony Soulié A prolific painter, performer and photographer, Tony Soulié is recognized artist of the New French Abstraction since the 1970s. He is...

Embroidery by Yanne Kintgen : "Poetry 34". Born in Redon (France) on April 26, 1960, Yanne Kintgen has been a painter and illustrator since 1985. To en...

"Little Man" is an original mixed media artwork by Volker Kuhn. The work is an homage to Giacometti, hand-signed by the artist below the artwork on the mat. 51 x 43 cm framed in a si...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. These works combine the exacting and time consuming artistry of the palladium platinum printing process with Dalzell's expressive and immediate painting style to bring colour and drama to Sparshatt's portraits. James Sparshatt's Spirit of Revolution series documents the strength and resillience of a generation of Cubans who have lived through a half century of tumultuous history on their island. His black and white portraits capture every wrinkle and line. Shot on the street they exude a natural charm. They are printed as Palladium Platinum prints by master of the art Max...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Ed. of 12, archival pigment print face-mounted on acrylic. Lauren Truono has spent her summers on Nantucket for over thirty seasons in a row, working various jobs and enjoying all t...

Venus E, smoke on paper, framed on a contemporary box frame - all archival materials. Artwork size: 40x30 inches Frame size: 48x37x2.5 inches Frame s...

Dance Paper, mixed media, 21x26.5 cm The focal point of the artwork is a representation of dance, capturing the movement, rhythm, and expression of the art form through the use of ...

Industrial Landscape Contemporary American Watercolor Magic Realism 20th Century Henry Koerner (1915-1991) J&L Oxygen Plant 18 x 24 1/2 inches Watercolo...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. Graciela, an icon of old Havana. It was taken in 2001 on one of James first visits to the island. Rachael’s interpretations bring alive her spirit. These works combine the exacting and time consuming artistry of the palladium platinum printing process with Dalzell's expressive and immediate painting style to bring colour and drama to Sparshatt's portraits. James Sparshatt's Spirit of Revolution series documents the strength and resillience of a generation of Cubans who have lived through a half century of tumultuous history on their island. His black and white portraits capture every wrinkle and line. Shot on the street they exude a natural charm. They are printed as Palladium Platinum prints by master of the art Max...

This series explores the tension between manufactured perfection and authentic human identity. Inspired by the philosophy of kintsugi — the Japanese art of embracing fractures rather...

Collage, 1988 Handsigned by the artist in pencil Mixed media and collage on cardboard Dated October 23, 1988 Frame dimensions: 48 x 54 cm 36.00 cm. x 42.00 cm. 14.17 in. x 16.54 in...

"Chicago", mix medias on paper by Tony Soulié A prolific painter, performer and photographer, Tony Soulié is recognized artist of the New French Abstraction since the 1970s. He is o...

Joan Breckwoldt is an American contemporary artist living in Houston, Texas. This collection of mixed media abstractions in The Encounter Series on paper...

Ed. of 12, archival pigment print face-mounted on acrylic. Lauren Truono has spent her summers on Nantucket for over thirty seasons in a row, working various jobs and enjoying all t...

Collage, 1989 Single work Handsigned by the artist in pencil Mixed media and collage on cardboard Dated February 6, 1989 Frame dimensions: 47 x 61.5 cm 32.00 cm. x 46.00 cm (image)...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait is of a lady from the valley of Viñales in Cuba. Viñales is t...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. Puro…Alegría IV is a portrait of Graciela, an icon of old Havana. It was ta...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. Graciela, an icon of old Havana. It was taken in 2001 on one of James first visits to the island. Rachael’s interpretations bring alive her spirit. These works combine the exacting and time consuming artistry of the palladium platinum printing process with Dalzell's expressive and immediate painting style to bring colour and drama to Sparshatt's portraits. James Sparshatt's Spirit of Revolution series documents the strength and resillience of a generation of Cubans who have lived through a half century of tumultuous history on their island. His black and white portraits capture every wrinkle and line. Shot on the street they exude a natural charm. They are printed as Palladium Platinum prints by master of the art Max...

"Bodacious" 2022, 21.5" x 21.5" square. A small but mighty abstract painting consisting of acrylic, pencils, and oil pastels on flat board canvas by Argentine-born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Traditional Home, Veranda Magazine, Luxe Interiors, and most recently in Introspective Magazine...

A mesmerizing contemporary artwork composed entirely of dice transforms chance into deliberate beauty. Thousands of tiny cubes—each marked with dots once meant for games—are meticulo...