Framed Mixed Media

Fabien Dettori is a painter and photographer who seamlessly embodies both art forms, never separating one from the other.This becomes evident through his photographs, capturing femal...

Young Model II Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

"Any Life of Home" is an original mixed media painting on paper by Xiao Ming. The artist signed the piece lower right. This artwork features a variety of the artist's personal symbol...

Monopoly homage in artist's signature style of chromatic thermo etching and varnish on canvas stretched over solid wood panel. Floats in white frame. One of a kind. About the a...

In Seeds of Change 128, Salvatore Matteo continues his exploration of balance, perception, and collective consciousness through intricately layered paper relief. Cut, curled, and sus...

SoHo, Grand and Greene St. transforms an urban intersection into a layered study of rhythm, movement, and spatial perception. Working with a cut fine art print on archival paper, Sal...

In Chicken Noodle? 4, Salvatore Matteo extends his investigation into deconstruction, consumption, and cultural memory by reworking a familiar image associated with everyday ritual a...

In Wall Street, Salvatore Matteo examines systems of power and control through the manipulation of architectural imagery associated with finance and institutional authority. Using a ...

Seeds of Change 147 by Salvatore Matteo transforms the elemental medium of paper into an intricate sculptural drawing that hovers between architecture, mandala, and meditation. Delic...

Acrylic strips are mounted on an acrylic panel with a handsome double frame. Jose Castro was born in Matanzas, Cuba in 1947. In 1961, when he was 14, he was sent to Miami to escape ...

Collage was an important part of Louise Nevelson's practice. The process mirrored her approach to sculpture; taking disparate elements and assembling or uniting them into a complex w...

There is rarely any forward planning, materials and choices are made randomly, colors and mediums are selected in accordance with the needs of what transpires at the moment. At times...

"Abstract Melange I" Abstract Collage 35" x 39" inch by Neama El Sanhoury Fabric Collage on Linen on Wood ARTIST BIO Neama El Sanhoury's upbringing...

Aida experiences resilience: she paints, she breaks and she rebuilds. Watercolor, subtle and delicate, turns into great sculpture. The beauty of scars in her work — imperfect and fra...

There is rarely any forward planning, materials and choices are made randomly, colors and mediums are selected in accordance with the needs of what transpires at the moment. At times...

Ink and spray enamel on paper. Signed "Lester Johnson" and dated "1968" lower right recto. Provenance: Martha Jackson Gallery

There is rarely any forward planning, materials and choices are made randomly, colors and mediums are selected in accordance with the needs of what transpires at the moment. At times...

There is rarely any forward planning, materials and choices are made randomly, colors and mediums are selected in accordance with the needs of what transpires at the moment. At times...

This artwork titled "Soho #48" c.1990 is mixed media, acrylic paint and collage on museum board paper by noted American artist Robert Inman, 1927-2016. It...

With pastel, watercolour and gouache. Signed. Presented in a gilt frame and double card mount. Title inscribed to label verso. On paper.

With watercolour, gouache and pastel. Signed to the lower right, presented in a light wooden frame and wash line mount. Label with title verso.

In this series, the artist takes Inspiration from ancient Italian frescos originally found at the Villa di Livia outside of Rome. The frescos are from the subterranean room used for dining. The lush gardens gave the dinner guests the illusion of dining alfresco. This exploration of the past and its connection to the present is a central theme running through Pylant's work. Here Pylant takes particular notice of the flora and fauna which was also present at her then North Carolina studio. This work is framed and measures 14.75h x 14w inches. Carol S. Pylant La Villa di Livia V oil on paper 6h x 6w in 15.24h x 15.24w cm CSP010 CAROL PYLANT Resume Title Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore, Wisconsin State Journal, Madison, Wisconsin, November 18 1990 "Artists Bring New Visions", by Ina Pasch, Wisconsin State Journal, Madison, Wisconsin, October 7 1990 "Madison's Wisconsin Triennial Makes a Statement in Many Ways", by James Auer, The Milwaukee Journal, October 7 1990 "Wisconsin Artists Represented at Triennial", by Kirsten Simonsen, The Daily Cardinal, University of Wisconsin, Madison, September 28 1990 "Wisconsin Triennial Art Show", by Kevin Lynch, The Capital Times, Madison, Wisconsin, September 22 1990 "School of Art & Design opens photo exhibit" The Intelligencer Journal, Lancaster, Penn., September 1990 "Art courts drama at PSA&D" Lancaster, Pennsylvania, September 1990 "Windows on an Artist", by Larry Mallak, Research Sampler ,The Graduate School, University of Wisconsin, Madison 1989 "Upward Mobility and Disposable Imagery", by Edgar Allen Beem, Maine Times, September 24 1989 "Award Winning Pylant Displays Realism", The Bowdoin Orient, Brunswick, Maine, September 8 1989 "Art Exhibit Opens at University Art Gallery", The Daily Star Journal, Warrensburg, Missouri, September l 1989 "Arts Calendar has Variety /Pylant Paintings in Bowdoin Show", The Times Record, Brunswick, Maine, August 1989 "Amerikanerinnen im Oberpfalzer Kuntslerhaus, Gegenseitiges Lernen", by Harold Raab, Die Woche, West Germany, July l3 1989 "American Spirits im Oberpfalzer Kunstlerhaus, Mittelbayerische Zeitung, West Germany, July 6 1989 "Zum Abscheid eine Ausstellung Arrangiert", Mittlebayerische Zeitung, West Germany, July 5 1989 "Amerikanerinnen in der Kebbel Villa", Mittelbayerische Zeitung, West Germany June 9 1989 "A Day With Carol Pylant", by Jackie Michard, On Wisconsin, University of Wisconsin- Madison, July 1989 "VCCA Artists in Germany", The News and Daily Advance, Lynchburg, Virginia, May 28 1989 "City Notes-Dear Diaries", by Paul Gerard...

This work is part of SOCIAL "research" and sees children divided into two categories both by skin color and wealth (social and economic). Instead, children MUST all be the same becau...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was my invention in 1994. In fact, since 1964 I had b...

Keun Young Park depicts the body in a state of transformation. Her works on paper show floating figures, faces, draped arms and cupped hands, which appear to be disintegrating and re...

Paper and Adhesive collage by Wayne Timm. Image measures 13 x 17 In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the ...

Technique : Silkscreen and diamond powder on canvas Edition : Limited ediiton of 45 ex, signed and numbered on the back  Information: Artist Russell's artworks adorn the homes of P...

“Scratches” by MP & MP Rosado, 2007 – Mixed Media on Canvas “Scratches” (2007) by MP & MP Rosado is part of their acclaimed series exploring identity, theatricality, and the interpl...

Mixed media Paper size: 21.75 x 14.5 inches Framed size: 36.25 x 29 inches Signed lower left

Collage made from hand pulled original prints and original painted papers. I always paint and create with the idea of reconstruction in mind All the components of this collage and...

"On at the Top" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. 65 x 63 cm framed in a silver wood...

One only Balance when your vision is able to capture all good things of life Static series is inspired by color and pattern found in nature, Each color stands alone in the pai...

Haleh Mashian transforms the natural world into a radiant vision of contemporary abstraction. Carved directly into wood, the surface becomes sculptural, with vertical grooves and rid...

In “Poolview Horizon”, Ayline Olukman, a French painter and photographer, takes us on a road journey. The road journey turns into an American personal experience of a person and of h...

This artwork "Untitled" 1980 is a mixed media, drawing and collage on paper by noted artist Daniel Wiener, born 1954. It is inscribed "Daniel Wiener b.1954" on the back. The artwork ...

One of a kind mixed media manipulated digitally on paper. Elegant, the heavyweight parchment is treated with multiple layers of acrylic and varnish to match the shades of the di...

Title of the work "Task". Series "Office". This series was first exhibited in the lobby of the South Quadrum building (Konstitucijos Ave. 21B), a site whose office function playfull...

Framed dimensions: 25.38 x 19.13 in Framed with UF5 Plexiglass which protects the artwork by filtering out 99% of harmful UV rays

Charles Green Shaw Pleasure and Recreation, circa 1935 18th Century print, playing cards 15 x 10 inches Charles Green Shaw, born into a wealthy New York family, began painting when...

"Homage to Daniel Buren" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference f...

This artwork "Untitled I" 1979 is a mixed media collage by American artist Margie Hughto, b.1944. It is hand signed and dated in pencil by the artist. Th...

Innere Zeit 29, 2021 Mixed media on canvas 24 x 27 inches 60.96 x 68.58 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy expressed in highl...

In “Vibrant Whisper,” Haleh Mashian captures the tenderness and delicateness of nature through a vibrant interplay of color, texture, and form. Carved vertical elements suggest a gro...

Original mixed media on 10.5 x 8 inch paper mounted on 14 x 10.87 inch paper. Hand signed on front by Purvis Young. Frame size approx 20 x 17 inches. Artwork is in excellent condi...

"The Golden Boy - Homage to Andy Warhol" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 57 x 51 cm framed in a...

This evocative painting depicts a nude figure reclining by a window, with the sea visible beyond. The artist employs a muted palette and loose brushwork to create a sense of intimacy...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years ...

The circle of life is a contemporary artwork realized by Artist of the late 20th Century. Bronze relief mounted on green background Includes frame

Angels Grau is a Catalan artist who spends her time between Barcelona, New York, and a small village located in the breathtaking Priorat, one of the most n...

L. Arello Untitled, 1981 Mixed media on wood 27 1/2 x 28 7/8 x 1 3/8 in. Signed lower right: L. Arello 1981

Annika Liljedahl (Swedish, b. 1946) After The Party, 1978 Mixed media in acrylic casing Frame: 30 3/4 x 25 x 1 1/2 in. Case: 33 1/4 x 27 1/2 x 3 1/4 in. Signature stitched lower righ...

Original work in XL American box Made on a wooden panel (MDF 10mm) prepared in the traditional way with a gesso coating, the painting is entirely done by hand, no gluing, no AI. The ...

"Los Renegades" is a unique work by Alberto Sanchez. This is a hand-painted photographic print on 300 gsm Hahnemuhle paper, floated on diabond, 60 x 119 x 5 cm, framed. (Depicted in...

7749 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1974. Mixed media.  Hand signed, titled and dated on the back. 

Tethered to the Echos of You Ink, Charcoal, Embers & Natural Mixed Media on Buried Canvas by Katherine Filice Tethered to the Echos of You is a 39.5 x 27 x 3‑inch work on buried canv...

Eve was the first woman and the first feminist. #eve #metoo This painting is one of my "Garden of Eden, revisited" series. The original title is in french " Que s'est-il passé au Ja...

7437 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1974. Mixed media.  Hand signed, titled and dated on the back.  

7518 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1974. Mixed media.  Hand signed, titled and dated on the back. 

7525 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1975. Mixed media.  Hand signed, titled and dated on the back. 

7552 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1975. Mixed media Hand signed, titled and dated on the back