Framed Mixed Media

We are pleased to offer this Ceravolo's classic "New York Model in Zebra with Yellow Stripes" a strong minimalist portrait, with great presence and po...

Villa is a textile, installation and street artist. Her work primarily explores interconnection. Among her themes are the visionaries creating positive change throughout history, pop...

Title of the work "Engineer". Series "Office". This series was first exhibited in the lobby of the South Quadrum building (Konstitucijos Ave. 21B), a site whose office function play...

Tobi C is a white, non-binary artist who grew up in San Diego and calls Columbia, Missouri home. Tobi holds a BA in both Structural Violence and Gender Studies from the Metropolitan University of...

Ed. of 12, archival pigment print face-mounted on acrylic. Lauren Truono has spent her summers on Nantucket for over thirty seasons in a row, working various jobs and enjoying all t...

For those not already acquainted: Stephen Gammell, in addition to being a very prolific studio artist, is also a great teller, appreciator, and illustrator of stories. For one so con...

For those not already acquainted: Stephen Gammell, in addition to being a very prolific studio artist, is also a great teller, appreciator, and illustrator of stories. For one so con...

Jim’s of Lambertville is proud to offer this artwork by: M. Elizabeth Price (1877 – 1965) Harer signed period frame. Mary Elizabeth Price was born in West Virginia and raised on a farm in Solebury, Pennsylvania, on the outskirts of New Hope. She studied at the Pennsylvania School of Industrial Arts and the Pennsylvania Academy of the Fine Arts under Hugh Breckenridge. Additionally, she studied in New Hope with William Lathrop. Following her art studies, Price went to New York. While there, she conducted the “Baby...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

Mr Brainwash Aquaman, 2018 Hand signed in ink low right, hand signed and dated on the reverse Inscribed 'UNQ21218', with a drawing (on the reverse) Numbered 1/1 Sheet size  126...

Bee Gone Bee Gone is a poetic and visually arresting work by Arminée Chahbazian that speaks to the fragility of the natural world and the silent disappearance of vital species. Throu...

Combining found elements with those fashioned by my own hand, my work encompasses two- and three-dimensional collage as well as sculptural objects. Infused with a rich sense of histo...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes o...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes o...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

Love Vertical Gardens, but don't want the commitment of caring for the plants? This is the garden for you! Beautiful abstract composition of real preserved mosses...

Pearlescent wave series, in aluminum with mixed media and pearlescent enamel on wood. Wall sculpture is sold with it's certificate of authenticity. Can be purchased individually or a...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

24k gold, archival ink and kozo paper Image size: 11.5 x 9.13 in. Frame size: 15.38 x 12.38 in. Signature label with name, title, print type, series, edition number, date and copyrig...

Artist: Gregory Amenoff, American (1948 - ) Title: Expulsion Year: 1990 Medium: Mixed Media Painting on Paper, signed, titled and dated Size: 38 in. x 26 in. (96.52 cm x 66.04 cm)

Twelve Landscapes from 1969 is a watercolor and ink on lithograph with rubber stamping on paper. Signed and dated 'STEINBERG/1969' lower right. Framed in a contemporary wood frame.

Fallen Angels Always Rise is a layered meditation on resilience, transformation, and the quiet persistence of spirit. Katherine Filice’s composition unfolds in a textured field of su...

"Hong Kong Flora #7", 2024 Camille Levert's work is imbued with her life in Hong Kong. Having spent many years roaming the streets with her camera, the city and its iconic neon ligh...

William Kentridge (b. 1955) is an internationally acclaimed South African artist renowned for his dynamic prints, drawings, large-scale installations, and animated films. Through his...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

Combining found elements with those fashioned by my own hand, my work encompasses two- and three-dimensional collage as well as sculptural objects. Infused with a rich sense of histo...

framed in white wooden floater frame Andrew Kinmont: ''I have an overwhelming urge to create. This drive comes from deep within me, a need to explore a...

Introducing EMMI IIDA: Visionary Artist and Sound Alchemist Emmi Iida is a visual artist, sound healer, and multi-modal creative whose work blends art, spirituality, and transformat...

Fritz Bultman (1919-1985) was an American Abstract Expressionist painter, sculptor, and collagist and a member of the New York School of artists. He was born in New Orleans, Louisiana and moved to Germany to join the Bauhaus at the age of 16. There, he was acquainted with Maria Hofmann, the wife of Hans Hofmann, which initiated a move to New York to study under his guidance. Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core practice. In 1950, Fritz Bultman and 27 other distinguished artists signed a letter protesting the conservative nature of the work selected for a forthcoming national exhibition at the Metropolitan Museum of Art. The signees of this historic letter were identified as, the “Irascibles,” resulting in the majority achieving international acclaim as Abstract Expressionist artists including Willem de Kooning, Robert Motherwell, Jackson Pollock, and Mark Rothko, among others. Throughout his life Fritz Bultman received several awards including Fulbright and Guggenheim Fellowships and was a founding member of the Long Point...

Love Vertical Gardens, but don't want the commitment of caring for the plants? This is the garden for you! Beautiful abstract composition of real preserved mosses...

Love Vertical Gardens, but don't want the commitment of caring for the plants? This is the garden for you! Beautiful abstract composition of real preserved mosses...

The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery...

The words used in the artworks come from the indo-european root √Ker, which contains a bunch of auspicious meanings, which can be associated with vibration and rhythm and, together, with the flesh as well as with the head and the heart, developing a semantic collaboration that becomes a story. The heart and, on the other side, the brain, by vibrating, make the energy they generate flow in the flesh and animate it. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.

Unique Screenprint Collage on Board 41" x 42" AW, 42.75" x 43.88" F Reimann specializes in the further development of pop art in the tradition of Warhol’s portraits, paying homage ...

Story illustration for “Spotlight” by Clarence Budington Kelland for The Saturday Evening Post, published August 15, 1936. The full caption reads: “‘My point,’ he said, ‘is that ...

This piece is a black and white figurative work made of cut paper. Jerushia Graham is an Atlanta-based artist whose work straddles various media, including printmaking, book arts a...

"Nature Bear Wreath" By Johanna Mueller is a unique and detailed piece which depicts a bear, surrounded by different iconography of the forest, structured in a Native American style ...

Jane Skingley b. 1963 Hokusai Indigo IV, 2025 mixed media on vintage book pages laid onto canvas 100 x 100 cm 39 3/8 x 39 3/8 in signed, titled and dated on reverse Jane Skingley pa...

Martin Bradley 1931-2023 Schematic View of a Garden, 1958 oil and fibre on canvas 60 x 37 cm 23 5/8 x 14 5/8 in signed and dated; further signed and inscribed by Artist verso Born ...

Rafael says of his work… "The damn circumstance of water everywhere..." Born and raised on an island like Cuba, with all its peculiarities, my work borders on an obsession with themes such as insularity, identity and freedom. I frequently make both historical and everyday symbols my own to describe and question the environment that surrounds me through work with a marked social cut. I make art with any resource and/or material within my reach while taking advantage of the energy of recoverable objects and mixing them with traditional and contemporary supports and technologies. ⎯⎯⎯⎯⎯ Rafael Pérez...

Signed and dated twice lower right: Reginald Marsh 46 / Reginald Marsh 1946

Original mixed-media on paper Dimensions 6″ x 7″ unframed 20.5″ x 21.5″ framed. This is a study for a work entitled “Les Baigneuses” dated 1971 and is included in LeRoy Neiman’s cat...

Hand embroidery. Part of Carol Powell's solo-show "Time to Make the Donuts." The series, titled after the 1980s cult-classic Dunkin' Donuts ad campaign, parodies nostalgic advertisi...

Hand embroidery. Part of Carol Powell's solo-show "Time to Make the Donuts." The series, titled after the 1980s cult-classic Dunkin' Donuts ad campaign, parodies nostalgic advertisi...

Hand embroidery. Part of Carol Powell's solo-show "Time to Make the Donuts." The series, titled after the 1980s cult-classic Dunkin' Donuts ad campaign, parodies nostalgic advertisi...

Hand embroidery. Part of Carol Powell's solo-show "Time to Make the Donuts." The series, titled after the 1980s cult-classic Dunkin' Donuts ad campaign, parodies nostalgic advertisi...

Hand embroidery. Part of Carol Powell's solo-show "Time to Make the Donuts." The series, titled after the 1980s cult-classic Dunkin' Donuts ad campaign, parodies nostalgic advertisi...

Hand embroidery. Part of Carol Powell's solo-show "Time to Make the Donuts." The series, titled after the 1980s cult-classic Dunkin' Donuts ad campaign, parodies nostalgic advertisi...

Hand embroidery. Part of Carol Powell's solo-show "Time to Make the Donuts." The series, titled after the 1980s cult-classic Dunkin' Donuts ad campaign, parodies nostalgic advertisi...

Hand embroidery. Part of Carol Powell's solo-show "Time to Make the Donuts." The series, titled after the 1980s cult-classic Dunkin' Donuts ad campaign, parodies nostalgic advertisi...

Hand embroidery. Part of Carol Powell's solo-show "Time to Make the Donuts." The series, titled after the 1980s cult-classic Dunkin' Donuts ad campaign, parodies nostalgic advertisi...

Hand embroidery. Part of Carol Powell's solo-show "Time to Make the Donuts." The series, titled after the 1980s cult-classic Dunkin' Donuts ad campaign, parodies nostalgic advertisi...

This deceptively simple study of a downward view of a crab by modernist master Marsden Hartley is as much a well-observed document of a crab as it is a marvelous abstraction. Hartley...

Date: 1907 Medium: Mixed Media on Board Dimensions: 18.25" x 15.25" Signature: Signed Lower Right Provenance- From the Helen Hay Whitney estate (the author of The Bed-Time Book for ...

artwork dimensions (without frame): 33h x 45w x 6d inches Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sha...

Framed felt collage

Ynes Johnston (1920-2019) Woodcut With Color Stencils 1953 Singed Under mat 7.5" x 11.5" unframed 15" x 18.25" framed

Floating in Space Paper collage 4.5 x 4.5 unframed

Overview Paper collage 4.5 x 4.5 unframed