Unframed Mixed Media

This 4 panels abstract original painting is a textural work on bold bright colors, with beautiful details and texture. The panels are created on different tones of blues and dark rus...

"White Lotus" Canvas, mixed media, 100x70cm The work is sold without a frame.

Amitabh Sengupta - Nigeria Period , Edition 1/1 Frottage on Paper , 30.25 x 22.25 inches , 1987 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depi...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Mixed media painting on the cradled wooden panel. Painting is 12"x12". The sides are 1.5" . The sides are painted black. Bold, Brave, Expressive! :: Mixed Media :: Abstract Expr...

Desmond Mclean (1929-2015). Untitled, ca. 1960's. Mixed media on heavy wove paper. Sheet measures 14.5 x 20 inches; 19.25 x 25 inches in old matting. Unframed. Born: Ireland ...

En Face, Agneta Hobin, mica and steel, 70" x 48", 2007. This 7-piece mica and steel hanging installation and sculpture is by Finnish artist, Agneta Hobin...

Mixed media, oil on panel, aged paper, hand fired resin finish. The painting shown on the wall may not be proportional to the room size.

Paper size is 12 x 9 inches. Mixed media on handmade paper. Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before moving toward painting in t...

Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

Untitled Mixed media with collage elements on paper, c. 1990's Signed by the artist in pencil lower right (see photo) Condition: Excellent Image size: 7 1/16 x 6 inches Support sheet size: 10 9/16 x 8 3/8 inches Provenance: Estate of the artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Jayashree Chakravarty - Untitled - 8 x 8 inches (unframed size) Mixed Media on Paper, 2020 Style : Jayashree’s distinctive art practice over the last thirty years has expressed her...

A collage by Conrad Marca-Relli from 1968. An iconic piece of 1960's minimalist multi-media art. Artist: Conrad Marca-Relli, American (1913 - 2000) Title: Ibiza Year: 1968 Medium:...

Original Artwork created with spray paint and ink on deep-edge canvas Size 16 x 16 inches 1/1 Comes with a Certificate of Authenticity

We are the Earth is comprised of a photograph, acrylic paint, found objects in nature (bones, leaves, flowers, stones, crystals) and resin. The base materials for the work consist of a wooden paneled canvas that provides the platform for the adhesion of a rolled photographic canvas, a fine art photography print. The canvas print, in this case a double exposure digital photograph, is adhered to the wood using a clear acrylic varnish. Acrylic Paint is added along with the objects that I found in nature, which are all placed in a careful and meticulous fashion, finally cemented in resin. This specific piece of art was my first large scale piece of its kind, created in my studio in Brooklyn in 2019. This piece was inspired by the colors of my travels, the deserts, trees, mountains and sunsets. The human depicted is myself, it is a self-portrait captured in Great Sand Dunes...

Linda Stein Soft Curve 312 (from the Estate of artist Will Barnet), 1998 Mixed media sculpture of wood, metal and stone Signed, titled and dated with additional sculpted text Unique ...

Richard Smith Seven from Logo Suite (Pink Blue), 1971 Silkscreen on 3-D Molded Plastic Over Wood Pencil signed, dated and numbered 65 from the edition of 75 on the front 23 1/2 × 19 ...

Amitabh Sengupta - Nigeria Period , Edition 1/1 Frottage on Paper , 30.5 x 22.5 inches , 1987 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depict...

Africa Allure portrays the rich cultural, historical, and social contributions of Black individuals and communities throughout history. It encompasses the traditions, values, and ach...

Peter Tunney (b. 1961) Audrey Hepburn 2015 Acrylic paint Hand-pulled silkscreen with hand coloring on archival museum board. 40 x 32-1/4 inches (101.6 x 81.9 cm) (sheet) Hand si...

Painted digital print :: Mixed Media :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Sig...

Keith Haring Original Album Cover Art: a set of 15+ works (1983-1988): A rare collection of 16 individual 1980s Keith Haring illustrated record c...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Of Lustre is a unique collage on panel, created entirely from hand-torn vintage print materials. The coloration in the work is hand dyed to optimal archival specifications. The artis...

Surfboard. Mixed Media on wood. Resin finish optional. Homage to Chanel. About the Artist: Seek One has been featured in Forbes, Maxim, Haute Luxury among others. He sho...

Artist: Verbicky, James Title: Bhavanga 28 Series: Bhavanga Date: 2021 Medium: Mixed Media / Enamel & Crystallina on Canvas Unframed Dimensions: 48" x 48" x 2" Signature: Sign...

"Citra" Abstract Sculpture 36" x 18" x 18" in by Shawn Kolodny Medium: Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for our short atte...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Original work on Arches paper by Mary Early. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of mat...

Greek Goddess Venus. Acrylic, spray paint and screen print on 1/2 inch thick plywood. Ready to hang. Original Created: 2021 Subjects: Pop Culture/Celebrity Materials: Wood Medi...

NOTE: This is a commission piece. It will be made specifically for you. Custom sizes and colors available. Allow 3-4 weeks plus shipping. "Apollo V" is a modern, minimalist, wood...

Gouche and technic mixte on paper.signed in the text. Benjamin Vautier was born July 18, 1935 in Naples, Italy to a French family. He is the great-grandson of the Swiss painter Marc Louis Benjamin Vautier [fr] (1829-1898). He discovered Yves Klein and the Nouveau Réalisme in the 1950s, but he became quickly interested in the French dada artist Marcel Duchamp and the music of John Cage. In 1959, Vautier founded the journal Ben Dieu.[2] In 1960, he had his first one-man show, Rien et tout in Laboratoire 32. Ben joined George Maciunas...

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Untitled Acrylic on paper 2021 Unframed size at 53 ½ x 45 ½ in. Current framed in white wood shadow box. Lyndi Sales is an artist based in Cape Town, Sout...

Bridge To Total Freedom No.3 (Diminishing Returns) (2017) by Gary Sczerbaniewicz. Wood, laser-cut MDF, cast plastic, plaster, ink, acrylic, paper.

*The artwork includes a certificate of authenticity (COA).*

Landscape with ironing board in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 12 x 12 x 1.5 and it is Aerosol and Molding Paste on Birch Panel with UV Gloss Varnish. A certificate of authent...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Chris Wood’s "Scabious" is a dichroic glass light sculpture that radiates a mesmerizing interplay of color, light, and movement. The circular arrangement of glass elements reflects a...

John Baker’s “Bubblegum Girl” is an acrylic painting on canvas with collage 72 x 42 x 1.5 inches in pinks, greens and flesh tones. The bright pink of th...

Untitled #526 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

An encaustic painting on panel.

Jeffery’s journey into the realm of collage was sparked by an enlightening visit to his tailor. Upon seeing the remnants of fabric destined for waste, he envisioned their potential a...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Steven H. Rehfeld (American, born 1954) "Interplay" 2003 Oil Paint, Pencil, Paper, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. "Interplay" by Ste...

GREG MILLER "Grace" Acrylic, Collage 48 x 48 in. Signed verso by artist Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his ...

Original art by John Randall Nelson depicting a horse with characteristics of Pop Art and Folk Art combined with a whimsical, illustrative style. The vibrant colors, cartoonish figur...

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon ...

The Great Rivers & Mountains is a Diptych Mixed Media Artwork. The artwork was selected for the 2024 Goldreed Industrial Design Award (GIDA) , a week-long exhibition in the Xiongan G...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Gina Phillips is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

An original mixed media painting of a portrait and still life images by Israeli artist, Michael Eisemann. The artwork is hand-signed and dated in ink...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Rishi Barua - City Twilight Oil on Acrylic , 24 x 24 inches , 2015 ( Framed & Door Delivered ) About the Artist and his work : Education : B.Fine (Bachelor of Fine Arts) in 1985 fro...

Pop Art Portrait of Queen Elizabeth II of England. Painting is on gallery style canvas. Signature at the back. Original Created: 2022 Subjects: Pop Culture/Celebrity Materials: ...

Artist Commentary: During the spring of 2011, Columbia fiber and installation artist Susan Lenz spent a mere two hours along South Carolina’s coastline coll...