Fabric Mixed Media

"Infinite" intentionally feels almost portal-like, as if the painting could be stepped into without end. Its black surface symbolizes both infinity and origin …a space of rebirth, cr...

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...

Emmanuel made this work as a source of hope for those who have health issues, not to lose hope, They’re not alone so far they’re waking up every day they still have a chance to do gr...

The title means to ‘shine a light’ or illuminate. Alice Vander Vennen’s beautiful contemporary compositions are designed to tell a story. Fashioned by hand, the canoe-like shape of t...

Series: "The Non-Silent Plants" In this series, I turn to the quiet yet essential moment — the blooming of vegetable plants that form the foundation of human nutrition. These blosso...

TAKI-KASURI FOLDS from Chloe Hedden’s Fold Series explores the tension between softness and structure through the poetic manipulation of handmade Japanese fabric on linen. In this sc...

Experimentation with different materials, textures and techniques in each of his paintings has been a point of discovery and a major part of Raul de la Torre’s artwork. In his Fils I...

PaperLandscape mixed media and collage on juta canvas 50x50 2017 the painting is part of the Paper Landscape series I like to call them fragile landscapes the title PaperLandscape,...

This contemporary abstract painting by Karin Olah captures the layered serenity of a shoreline meeting the sea. Blending acrylic paint with hand-dyed textiles, the composition presen...

The bond between brothers, whether by blood or through the strong connection forged by friendship, is truly special. It's amazing how we can find support and solace in those who may not be family but have chosen to be there for us. Martin Luther rightly said, "We have flown the air like birds and swum the sea like fishes, but we have yet to learn the simple act of walking the earth like brothers". In a collective society, it's crucial for us to embrace the concept of being our brother's keeper. By nurturing a sense of empathy and compassion, we can make a positive difference in each other's lives. Whether it's lending a helping hand, offering a listening ear, or providing support during challenging times, being there for one another creates a stronger and more supportive community. Let us always cherish and celebrate the unbreakable bond we share with our brothers, both by blood and through the deep connections we form along life's journey. Together, we can create a world where everyone feels loved, supported, and appreciated. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Daniel Oguche...

The title, "Lady in Red," sets the tone for the artwork, drawing attention to the woman's commanding presence. Red is a color often associated with passion, power, and sensuality, and in this context, it symbolizes the woman's self-assurance and poise. Her choice of attire reflects her unapologetic embrace of femininity and her willingness to stand out with grace and charm. The sophisticated hairstyle of the young woman is a captivating element of the artwork. It showcases the artist's attention to detail and skill in portraying intricate features. The hairstyle's complexity symbolizes the complexity of the woman herself – a multi-faceted individual with dreams, aspirations, and a unique personality that shines through her every glance. In "Lady in Red," Daniel Oguche...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich textu...

"Fluid Movement", Modern Abstract Art, 2021 Fluid Movement” is a piece of modern abstract letter art inspired by graffiti by Addison Jones featuring her unique text previously featu...

Mid Century Full of Colors Painting ORL-14064-1 Mid Century Full of Colors One of a kind Mixed Medium on Canvas Collector's Edition Mixed Media: Acrylic, Ink, Digital, Watercolor,...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

Original mixed media painting attributed to the French artist, Yvon Prevel. Composed of painted rope with oil paint and found wooden painted pieces attached to a painted wooden backi...

"Duduyemi" captures the enduring resilience that black women possess in the face of adversity. The artwork depicts a black woman with a serene expression, exuding strength and grace....

Obirin Asiko (Fashionable Woman) is an original painting by Oladimeji Alabi. Oladimeji created the Obirin Asiko (Fashionable Woman) with Mixed Media on a 21W by 24H inches primed canvas. This painting is created to document the uniqueness of African women's fashion style and ideology. My childhood experiences seeing my Mother dressed up in her "Iro and bubba" standing in front of the mirror making up while showing much charisma and attitude, shows a way of appreciating oneself, it's sí interesting and this inspires my art. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe, while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

With Night Garden, Olga Radionova brings darkness to life — not as absence, but as presence. This richly textured wall sculpture features soft, velvety forms in shades of deep rust, ...

Art has always been a medium to express emotions, tell stories, and convey messages. The artwork titled "Have My Back" is a stunning portrayal of the bond between two women, showcasing the essence of trust, support, and camaraderie. In today's world, the tale of success is often portrayed as a one-person journey, highlighting the individual's hard work, perseverance, and determination. However, this artwork brings to light the indispensable role that trusted mentors and colleagues play in one's journey toward success. The artwork features two women, standing shoulder to shoulder. The women's posture exudes confidence, determination, and a sense of unity. The use of vibrant colors adds a sense of vibrancy to the artwork, creating a visually appealing image. The title of the artwork, "Have My Back," reinforces the idea of trust and support. It speaks volumes about the bond between the two women, highlighting the fact that they are each other's trusted confidants, supporters, and cheerleaders. The artwork's message is particularly relevant in today's world, where women often find themselves struggling to break the glass ceiling and establish themselves in their respective fields. The artwork reminds us that success is not a solo journey, but a collective effort, with the support of trusted mentors and colleagues. The use of two women in the artwork is particularly significant, as women have historically faced significant challenges in their professional and personal lives. The artwork challenges the traditional narrative of women as competitors and highlights the importance of collaboration and support among women. In conclusion, the artwork titled "Have My Back" is a powerful representation of the role that trusted mentors and colleagues play in one's journey toward success. The artwork's message is particularly relevant in today's world, where women often face significant challenges in their professional and personal lives. It reminds us that behind every great tale of success, there is an indispensable circle of trusted mentors and colleagues, and that success is a collective effort. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Roseleen Labazacchy, a true Nigerian born in the year 2000 and based in Ibadan, Oyo state Nigeria. Roseleen holds a National Certificate of Education in Fine Art from Emmanuel Alayande College of Education, Oyo State. She is a mixed-media painter. Roseleen was exposed to art from a very young age; Her father being an artist himself enrolled her in the popular Nike Art Gallery at a very young age to learn traditional Adire making, a skill she still practices to date. This was how she started art professionally and she has been getting better at what she does since then. In the just-concluded international art exhibition and competition organized by Talentia Foundation, Roseleen Labazacchy who participated in the competition amidst other international artists came first in the Mix Media category and was presented with a certificate of achievement in recognition of her artistic endeavor. Roseleen uses oil and acrylic with fabrics on canvas to consciously project African women's dignity and true African beauty. As an African painter, Roseleen hopes to bring about the emancipation of the true African Women image...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Seggiaro's fascination for the human body, for the movement of the muscles, the bone structure, and the circulatory system coexists perfectly with the arteries of red linen, with the...

Idia (Iyoba) was the mother of Esigie, the Oba of Benin who ruled from 1504 to 1550. She played a significant role in the rise and reign of her son, being described as a great warrior who fought relentlessly before and during her son's reign as the Oba (king) of the Edo people. Queen Idia was instrumental in securing the title of Oba for her son Esigie following the death of his father Oba Ozolua. To that end, she raised an army to fight off his brother Arhuaran who was supposed to be the Oba by right and tradition but was subsequently defeated in battle. Esigie’s mother became the 17th Oba of Benin. Esigie instituted the title of iyoba (queen mother) and conferred it on his mother, along with Eguae-Iyoba (Palace of the Queen Mother). —Wikipedia She's the epitome of courage, vision, strength, and vigor. In this Becoming series, I hope to revive our heritage as well as examine the intricacies of self-actualization, vis-a-vis drawing inspiration from the African history from the Benin and Esan perspective, contemporarily. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Macaulay Barnabas...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil on canvas. The top portion of the painting is an earthy gold color, while the space beneath it is a textu...

The artwork titled "Kuluso (Ant-Lion Larvae)" is a captivating piece that portrays a man standing beside a woman carrying a child who is breastfeeding. The artwork was created by Nigerian artist Adegbenro Adeola...

Mixed Medium Original (Soft Pink) Acrylics and spray paint on deep-edge canvas Titled, signed, and numbered on reverse. #1/1 unique Size: 30 x 30 cm 11.8 x 11.8 inches

Emotan is an original painting by Barnabas Macauley. Emotan was created with Mixed Media (Charcoal, Acrylic, and Pencil on a primed 24W by 30H inches canvas. Emotan (real name Uwarraye) was a 15th-century market woman who plied her trade at the Oba Market in the ancient kingdom of Benin during the reign of Oba Uwaifiokun and Oba Ewuare the Great. She was known for her humanitarian work, love for children, and most importantly the key role she played during the period of Prince Ogun’s (Oba Ewuare I) succession travails following his time in exile. Although Emotan had no biological children of her own, Emotan loved and took care of many children in her foster home. Some parents would send their children to live with Emotan and learn some trades from her for a period of time. She also kept and trained orphans, many of which indeed became industrious and useful members of society. (Osaze Amadasun) In this Becoming series, I hope to revive our heritage as well as examine the intricacies of self-actualization, vis-a-vis drawing inspiration from the African history from the Benin and Esan perspective, contemporarily. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Macaulay Barnabas Osagie is a self-taught Artist and a graduate of the prestigious University of Benin, Nigeria, West Africa. Hailed from Benin heritage, which is known for its rich history, culture, and traditions. Growing up, He was fascinated by esthetics as a form of expression; this propelled his journey into the world of art. His passion for art began at the age of five, scribbling images on the ground using sticks—it evolved into drawings in primary and secondary schools. He was often selected among students to represent my secondary school in various art competitions. "Knowing that Art fuels my existence and helps me connect with the world better, in 2018, I decided to not only do art for love and relief, but to explore it professionally, and build a renowned career in the industry. One that reflects my views on societal issues and serves as an echo of hope. Determined to pay my dues, I had the privilege of working at Prince Saheed Adelakun's Olokun Art Studio in Abule-Egba, Lagos. It was there I met with other professionals. I created my first series titled "Odan Series"; which was expressed via hyperrealism. I created this series at the point when my life was in shambles; I was going through a rough phase; working on this series was my solace at the time. "Over the years, I have created brilliant artworks using charcoal and pencil on paper and have evolved using acrylic and charcoal on canvas as my primary media of visual articulation; these works take various forms and for various purposes, all a reflection of my creativity and depth. I am drawn to figurative African contemporary art and surrealism...

"Believe" is an original painting created by Eyitayo Alagbe. Eyitayo created "Beleive" with Mixed Media on a Primed canvas of 36W by 36H Inches Believe is a masterpiece that deserves to be celebrated. It is a powerful artwork that embodies the spirit of hope and faith that we so desperately need in these trying times. At its core, Believe is a symbol of optimism and perseverance. The artwork features a stunningly intricate image of a young boy, set against a backdrop of calming blue tones, the boy stands tall and proud, representing the resilience and strength that we all possess within us. The beauty of this artwork lies not only in its design but in its message. Believe is a reminder that we should never give up on our dreams, no matter how impossible they may seem. It encourages us to trust ourselves and to have faith in the path that we have chosen. It is not just an artist's interpretation of life, it is a positive force that inspires us to look at the world with a new perspective. Believe conveys that life has an amazing power to heal our system and rejuvenate our spirits. In today's world, where negativity and despair seem to be taking over, Believe is a beacon of hope. Its message is simple yet profound: we are capable of overcoming any obstacle if we believe in ourselves and never give up. The fact that Believe has managed to touch so many lives is a testament to its worth. It is not just a piece of art, but a timeless masterpiece that has the potential to inspire people for generations to come. In describing the painting "Believe", In Eyitayo Alagbe's words: "And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it. Believe in your heart that you're meant to live a life full of passion, purpose, magic, and miracles". Your belief and working towards what you believe in can make so much difference between the life you are living and the life you desire. In conclusion, Believe is a true masterpiece that is both beautiful and meaningful. It's not for mere decoration, it's a source of inspiration for life. Its message is a reminder to us all that we have the strength within...

This series of analog collages is constructed from precise assemblages of printed fragments, forming symmetrical compositions that suggest entities or emissaries from an alternate co...

This series of analog collages is constructed from precise assemblages of printed fragments, forming symmetrical compositions that suggest entities or emissaries from an alternate co...

Born in 1918 in Fordyce, Arkansas and raised in Louisiana, Fearing first studied art at Louisiana Tech University, and later earned a master’s degree at Columbia University in New Yo...

"Catchment of Time". This work combines the natural forms of the water catchment flower with the Ukrainian ornament "Berehynia", which symbolizes protection and feminine energy. The ...

Sanctuary A world that invented itself. It emerged from a deep inner need: to be somewhere you don’t have to be afraid. A space where it’s possible to be alive, trusting, and real. W...

What I wanted was a little more structure, a little more sense of purpose, and some acknowledgment from somewhere that I was important. Give them a sense of belonging to the society...

Rodrigo Franzão born 1982 in Sao Paulo, is a contemporary Brazilian artist based in New Orleans, whose work explores the relationship between form, texture, and color. Innovative in ...

Bethan Ash is a professional quilt maker and teacher with a background in Fashion design. She has exhibited widely and her work has been bought by museums in the UK and USA, includin...

John Baker’s “A Meeting in Rome I”, an acrylic painting on canvas with collage 36 x 26 inches, in Cardinal red, pink and greens, is from the artist’s “divided self” series. A figure,...

Abstract expressionist oil painting and collage by Bay Area artist Michael Pauker (American, b.1957). Features black and white oil paint with clips of newspaper and stamps. From a co...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity.

Alexandra Rozenman's "Three Chairs Under the Moonlight" ia a 9 x 12 inch mixed media painting on canvas. Three cute chairs under the moonlight are shining at us... playing with green...

Susumu Kamijo The Stranger, 2020 signed and dated 2020 on the overlap Flash vinyl paint on canvas 61.0 x 51.0 cm Susumu Kamijo is renowned for his striking drawings and paintings of...

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas 45W x 60H" Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed Thi...

"Leveling up", modern blue painting 2024 "Leveling up" is a contemporary blue mixed media painting by Addison Jones. This is an original, hand-signed piece with a certificate of authenticity. A R T I S T S T A T E M E N T: In the tranquil solitude of my travels to Antigua, I embarked on a journey that was as much internal as it was external. Immersed in the vibrant culture and the natural beauty of the island, I found myself in a profound dialogue with the environment, particularly during a snorkeling expedition on my final day. As I drifted through the clear waters, I encountered a cobalt fish...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Textured urban landscape, Modern Minimal Geometric Urban Landscape Painting, Colorful Abstract Original Artwork A Small Pause, 2025 16 × 20 in (40.6 × 50.8 cm) A Small Pause reflec...

Urban Landscape, Modern Minimal Geometric Painting, Colorful Abstract Original Artwork Clear Sight, 2025 16 × 20 in (40.6 × 50.8 cm) Clear Sight explores clarity and balance throug...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity.

Urban Landscape - Modern Minimal Geometric Painting, Colorful Abstract Original Artwork Fading Hours, 2025 16 × 20 in (40.6 × 50.8 cm) Fading Hours reflects a quiet sense of transi...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity.

Field — Contemporary Abstract Landscape Color Study in Pink and Green, Textured Minimalist Color Field Painting Description Original contemporary abstract landscape color study feat...

Lilt, 2026, fabric, thread, pins, paint, plastic, 10.5 x 9 in. (15.5 x 14 in. framed) In her framed works, Linda Kamille Schmidt plays with emotional connections and memory — each co...

John Baker’s “The Collyer Brothers” is an acrylic portrait painting on canvas with collage 20 x 20 inches in silver greys. Mad as hatters, crazy as bedbugs, and most of all oddly sym...

Plumb, 2026, fabric, thread, pins, paint, plastic, 8 x 7 in. (13 x 12 in. framed) In her framed works, Linda Kamille Schmidt plays with emotional connections and memory — each collag...

Original contemporary abstract landscape color study featuring soft blue, pink, and pale yellow tones arranged through horizontal bands of color and layered texture. Inspired by colo...

TITLE: Plus, Vibrant Geometric Fabric Collage in Blue, Orange, Magenta, and Navy DESCRIPTION: Plus, 2026, fabric, thread, pins, paint, plastic, 10.25 x 12 in. (15.5 x 17 in. framed) ...

A vibrant fusion of Eastern symbolism and street‑art energy, layered with gold leaf, vintage textures and mixed‑media detail. Presented within a black wooden block style frame.