Glitter Mixed Media

"best in the west" is an original piece by Danielle Krysa, who curates vintage imagery with feminine embellishments to create trophy silhouettes in her newest UNDEFEATED series. This...

"Shape Up (diptych)" is an original artwork by Eustace Mamba and measures 24”h x 18”w x 1”d (left panel), 48”h x 24”w x 2”d (right panel). The artists cuts, arranges, sews, and coll...

"Kate Moss Nr. 3" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink fully covered in diamond dust ...

Silkscreen on paper with mixed media, felt and glitter. Hand signed and numbered by the artist. Edition of 250. Artwork image size approx 31.5 x 23.5 inches. Artwork sheet size 39....

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

The unapologetic Portrait of Maya #10 (2024), originally conceived as a monumental 8-foot-tall artwork as part of the Broad Collection 2017, is a bold celebration of love and sexuali...

"Kate Moss Nr. 1" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink with partial diamond dust and ...

"Kate Moss Nr. 8" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink with red full diamond dust bac...

Beth Reitmeyer is a visual artist based in Nashville, TN. Her current installations are based upon landscape topography and geology, specifically sinkholes, caves, geodes, and rocks....

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, color pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned...

A stylized depiction of bathers in a swimming pool, reminiscent of 1970's style advertising, this large scale conceptual text based by New York artist, David Kramer reads: "I am all ...

Artist: Steven Sorman, American (1948 - ) Title: When Something is a Picture Year: 1980 Medium: Mixed Media Collage with Fabric, Screenprint, and Glitter, signed and numbered in penc...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* ***Looking for one of kind precious high ending gift that no one ...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon and glitter on canvas. Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, ent...

This 48 inch square original textural painting of trees on canvas is wired and ready to hang. It is signed by the artist on the back. The thick layering of colorful paint, resin, glitter and other mixed media elements present a dazzling tactile nature to the work. This would be a marvelous addition to any collection. ABOU THE ARTIST - For over 20+ years, Haleh Mashian’s art has colorfully illustrated her unique, astute view of the world, both real and imagined. As a painter and creative expressionist, Mashian’s abstract works reveal her appreciation of color theory, compositional form, and the study of positive and negative space. Working in mixed media and using a variety of techniques from collage to impasto, a repeated layering and application of paint, Mashian’s dynamic pieces range from smaller artworks that can be arranged together to large-scale paintings. Her large-paneled paintings have been exhibited nationally in Los Angeles, Miami, and other art enclaves and are included in private collections in the United States and abroad. Her creativity extends into other forms as well. Haleh has included fashion design, digital art, and music into her repertoire of boundless expression. She is the Founder and Lead Designer for MASH City, her innovative men’s and womenswear collection. Originally from Iran, she is a longtime resident of Southern California with a Studio in Santa Monica where she lives with her husband and two children. TREE SERIES - The Tree Series presents an intricate study of positive and negative space and the mystery of multitudes in minimalism. These canvases, often large-scale, have the effect of walking into a multicolored forest. Art critic, Peter Frank, speaks of this series with awe: “Haleh Mashian does not paint trees. She does not paint forests. She paints the condition that persists between trees and forests...

Born  Robert  Keith  Court  on  November  2nd  1970  in  the  market  town of Romford,  Essex,  England  to  a  working  class  family.  Courty,  is  his childhood  nickname  adopted  for  signature  reference  to  his  collection of signed neon artworks. Since  1987  Courty  has  dedicated  his  life  to  the  study  of  neon  lights and  immersed  his  mind  in  creating  beautiful  works  of  art  with  the  use of  vibrant  colours,  lighting  technology,  typography  and  the  written word,  predominantly  with  the  use  of  the  iconic  light  form  known  as 'Neon'. A  respected  and  well  known  English  craftsmen  of  the  100  year old  art  of  glassblowing  neon  tube  lights,  Courty  has  reached  master neon  glass  blower  level  and  is  forever  exploring  and  pushing  the boundaries  of  hand  made  neon  light  use  in  the  world  of  art  & sculpture from his East London based studio. Not  a  classically  trained  artist,  Courty  has  chosen  to  work  from industry  ground  level  and  has  spent  a  lifetime  working  hands  on  with creative  minds  from  around  the  world  in  the  art  &  design  arena, turning  ideas  and  visions  into  'illumination  reality'  on  a  spectacular level.  This  has  earned  him  the  reputation  of  being  'the  man  to  go  to' for  high  end  neon  fabrication.  Being  company  owner  of  commercial illumination  specialists  'Signs  Of  All  Kinds'  and  art  world  specialists 'Creative  Neon',  Courty  is  in  a  unique  position  to  produce  high  quality neon  art  that  combines  his  own  personal  creativity  with  his  knowledge and  technical  expertise  that  culminates  in  a  beautifully  crafted  light  art piece...

Darren Goins, (American, b. 1993) Acrylic paint and metal flake glitter with silkscreen on paper Not signed on front. (presumably signed verso but has not been examined out of frame) Overall: 30-1/4"h x 26-1/4"w Paper Size: 26-1/2"h x 22-1/2"w Darren Goins (American Post War and Contemporary art) was born in 1984 in North Carolina but now resides in Los Angeles, California. Goins is well known for his unique style and aesthetic, which involves the combination of digital technologies and traditional painting methods to create abstract paintings. Working with a wide range of media–printmaking, painting, drawing, sculpture, neon–Goins’ art manages to capture the anxiety of the digital Information Age in both color and form. Creating imagery with both computer software and the paintbrush, Darren Goins’ paintings utilize both traditional methods of abstraction as well as digital intervention.Goins graduated from UNC Charlotte with a BFA in Photography and Printmaking and a minor in Art History. Goins soon moved to New York, and later Los Angeles where he currently lives and works. Goins’ style utilizes computer software, like Adobe Photoshop or Microsoft Paint, in order to etch the image onto an acrylic panel using a CNC carver. He then paints over the surface, which in turn becomes the backside of the painting as the reverse side of the clear panel faces the viewer. Goins in this manner appears to be tricking the eyes of the viewers with his work; portraying the pieces as a base relief in reverse as if the painting is somehow bubbling up from behind the acrylic panel. Goins’ pieces also confront the audience with how one can engage with, and utilizes, technology in art. Through his embrace of technical chance and his flexible, manual process, something organic peeks through from, within these images. In Goins’ paintings we can see the ghost of humanity filtered through digital media, fluidly weaved in space. Using his camera phone, digital prints, silver gelatin prints and screen-print drawings from his computer, Microsoft Paint or Photoshop. He has been exhibited internationally, Goins has had solo exhibitions at Hezi Cohen Gallery in Tel Aviv, Israel, Whitcher Projects in Los Angeles, Martin Lawrence Galleries, La Jolla, California and Hap Gallery in Portland, Oregon among others. Goins has participated as an artist-in-residence at Socrates Sculpture...

Coming Soon

In WELFARE, Samuel Dunson creates a work that encompasses generations, drawing upon the symbolism of his personal history and political beliefs to expres...

Born  Robert  Keith  Court  on  November  2nd  1970  in  the  market  town of Romford,  Essex,  England  to  a  working  class  family.  Courty,  is  his childhood  nickname  adopted  for  signature  reference  to  his  collection of signed neon artworks. Since  1987  Courty  has  dedicated  his  life  to  the  study  of  neon  lights and  immersed  his  mind  in  creating  beautiful  works  of  art  with  the  use of  vibrant  colours,  lighting  technology,  typography  and  the  written word,  predominantly  with  the  use  of  the  iconic  light  form  known  as 'Neon'. A  respected  and  well  known  English  craftsmen  of  the  100  year old  art  of  glassblowing  neon  tube  lights,  Courty  has  reached  master neon  glass  blower  level  and  is  forever  exploring  and  pushing  the boundaries  of  hand  made  neon  light  use  in  the  world  of  art  & sculpture from his East London based studio. Not  a  classically  trained  artist,  Courty  has  chosen  to  work  from industry  ground  level  and  has  spent  a  lifetime  working  hands  on  with creative  minds  from  around  the  world  in  the  art  &  design  arena, turning  ideas  and  visions  into  'illumination  reality'  on  a  spectacular level.  This  has  earned  him  the  reputation  of  being  'the  man  to  go  to' for  high  end  neon  fabrication.  Being  company  owner  of  commercial illumination  specialists  'Signs  Of  All  Kinds'  and  art  world  specialists 'Creative  Neon',  Courty  is  in  a  unique  position  to  produce  high  quality neon  art  that  combines  his  own  personal  creativity  with  his  knowledge and  technical  expertise  that  culminates  in  a  beautifully  crafted  light  art piece...

Crystal LaBeija 2022 Signed Binder and glitter on acrylic 28.5 x 26.5 inches (72.4 x 67.3 cm) Crystal LaBeija (1930s-1990s) was the founder of the legendary House of LaBeija. She...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earn...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

materials: acrylic, glitter, colored pencil, paint pen, collage on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing fr...

This artwork is a diptych consisting of 2 panels. Each canvas panel measures 60 inches high and 40 inches wide giving it a full width of 80 inches. Both panels are stretched and read...

materials: acrylic, flashe, spray paint, glitter, paint pen, collage on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawi...

materials: acrylic, spray paint, airbrush, flashe, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in P...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

materials: acrylic ink, spray paint, airbrush, flashe, collage, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earne...

Medium: acrylic, flashe, collage, pencil, paint pen, glitter and crayon on canvas. Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, ent...

Original watercolor and glitter on paper. Hand signed on front by the artist. Sheet size 21.75 x 15 inches. Artwork is in excellent condition. Certificate of authenticity included. ...

Maren Conrad’s mixed media works manifest meditation in vibrant, visual display. Inspired by the concepts of loss and renewal, Conrad creates visual metaphors that express the collec...

This conceptual text based painting by New York artist, David Kramer, incorporates gestural swatches of color over a controlled pastel striped ground. The bold text reads: "I AM COM...

This text based fiber work by New York artist, David Kramer incorporates elements of crafting known as hook rug, which are tooled over hand drawn elements on the burlap. A Firestone ...

Maren Conrad’s mixed media works manifest meditation in vibrant, visual display. Inspired by the concepts of loss and renewal, Conrad creates visual metaphors that express the collec...

This conceptual text based painting by New York artist, David Kramer, combines stylized painting of the FBI Building in Washington DC and the bold text: BRUTAL. An architecture joke, the subtitle reads: "Quasi-Political Architecture Joke (for James Comey.). The J Edgar Hoover building is a low-rise office building located at 935 Pennsylvania Avenue NW in Washington, D.C., in the United States. It is the headquarters of the Federal Bureau...

materials: acrylic, ink, flashe, spray paint, glitter, paint pen, collage on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and ...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon, collage, glitter on canvas Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon and glitter on canvas Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, enti...

Maren Conrad’s mixed media works manifest meditation in vibrant, visual display. Inspired by the concepts of loss and renewal, Conrad creates visual metaphors that express the collec...

paper construction on wood panel 9"x 12" (available unframed) Nancy Baker creates detailed paper constructions by combining hand and laser cut geometric forms based loosely on ma...

DAVID DREBIN Champion, 2021 (Diamond Dust version) 59 x 86.5 inches (150 x 220 cm) Edition of 6 Chromogenic Print with Diamond Dust Mounted and Framed Ask us for framing options. ...

Alea Pınar du Pre was born in Vienna, where she grew up under the intense influence of the artistic legacy left by the Vienna Secession and the Wiener Werkstatte. Du Pre studied mark...

Alea Pınar du Pre was born in Vienna, where she grew up under the intense influence of the artistic legacy left by the Vienna Secession and the Wiener Werkstatte. Du Pre studied mark...