Panel Mixed Media

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Joe and Jack (Mixed Media) Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spr...

Paper paint graphite charcoal on panel referencing Creation of Adam by Michelangelo in Sistine Chapel Whether the subject matter is figuration or natu...

Joe and Jack (Abstract Painting) Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, ...

KOLLABS is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In their work, they create compositions juxtaposing undomesticated animals within domestic ...

Still Steel (Abstract painting) Cement and corroded steel on foam panels. Unframed. Auville works with construction cement. Applying techniques used in the construction and ship bu...

Cement and corroded steel on foam panels. Unframed. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

“When I was little more than a child my imagination was caught by a newspaper account of the voyage of the Belgica…” Over the Edge of the World locates itself in the entangled lega...

Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the cement over Ursalit...

Available at Madelyn Jordon Fine Art. 'The Front' by Eugene Healy, 2023. Fabric collage and oil on canvas, 14 x 12.5 in. / Frame 25.25 x 21.25 ...

Mixed media on panel

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...

'Untitled' 2013 by American artist Patrick Berran. Mixed media on panel, 14 x 11 in. This work encapsulates Berran's signature use of geometric forms. The minimalist image features a pyramid form oscillating in an enclosed space outlined by a square. A dramatic dimensional work with layered “screens” of color in light blue and black colors. Patrick Berran’s practice relies on the transformation of visual materials though a process of constant experimentation and recycling. The artist employs various transfer techniques to evolve his original source material into abstract forms, revealing the subtle textures embedded within their surfaces. The resulting patterns have become Berran’s signature form, which he transcribes, layer upon layer, into his painted compositions. Throughout his work, frames and deconstructed grids punctuate his dense patterning to create a frenetic rhythmic quality aligned with the fast-paced and stripped-down audio experience of punk rock music. Patrick Berran lives and works in New York, NY. He received his BFA from Virginia Commonwealth University in 2002 and his MFA from Hunter College, New York in 2006. He has had solo exhibitions at HUNTER / WHITFIELD, London; White Columns, New York; and Chapter NY. His work has been included in group shows at Rod Bianco, Oslo; M+B Gallery, Los Angeles; Indianapolis Museum of Contemporary Art, Indianapolis; and Gavin Brown...

“Of the return voyage there is nothing to tell… In 1912 all the world learned that the brave Norwegian Amundsen had reached the South Pole; and then, much l...

Completing by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 49 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly changing world. Inspired ...

Jane S. Parkes Born in New York City to an economist father, and a culture loving mother, Jane gravitated to art along with her three siblings. All through school she was exposed to inspiring teachers and in 1980 graduated from New England School of Art and Design where she studied graphic Design. Drawn more to the craft of making art than to the commercial side, Jane worked making architectural models for Ben Thompson in Boston and Peter Marino in New York. After raising two boys in New York, Jane began working full time as an artist in New York and in Swans Island...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien...

“But then, the backside of heroism is often rather sad; women and servants know that …But the achievement is smaller than men think. What is large is the sky, the earth, the sea, the...

"…last Thule of the South, which lies on our maps and globes like a white cloud, a void, fringed here and there with scraps of coastline, dubious capes, suppositious islands, headlan...

Oil paint and collage on wood panel Unique work Hand-signed lower right by the artist

Leonardo Da Vinci said, “Simplicity is the ultimate sophistication. Jack Kerouac said, “One day, I will find the right words, and they will be simple. I love texture and touch. My...

In Mashian’s mixed media piece, “Delphine,” the central focus is on the figure of a woman, crafted using a diverse array of techniques that extend beyond conventional paint applicati...

In “Bubbles” the artist skillfully employs color theory alongside a meticulous and repetitive layering technique on wooden panels. This deliberate approach not only captures viewer’s...

A fine abstract expressionist paper collage with windmills by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This collage consists of antique sepia...

Original work by Susan Goldsmith. Susan Goldsmith (b. 1955, Los Angeles, CA) attended the California College of the Arts in Oakland, CA, where she completed a BFA in 1977 and an MFA...

A native of Toronto, Franco graduated from the Ontario College of Art (now OCAD) in 1990 and returned to the University of Guelph in 2004-05 to further his studies after 12 years wor...

This painting is a masterful blend of realistic and surrealistic elements. The painterly brushwork and textural elements create a sense of abundance and opulence, while the interplay...

This contemporary botanical drawing is part of the series "Golden Roots" — a series of three-dimensional abstract paintings created on a black relief wooden surface and gilded with g...

Mixed media on wood

Mixed media on wooden panel - artwork can be shipped only in a crate

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

ABOUT THE PAINTING: These extraterrestrial blooms, belonging to a distant and enigmatic planet, carry an aura of mystery and intrigue. Their unsettling beauty challenges traditional ...

This contemporary botanical drawing is part of the series "Golden Roots" by Silvana Ilieva — a body of three-dimensional abstract paintings created on a black relief wooden surface a...

In Haleh Mashian's piece, "Awaken 3," a portrayal unfolds as the artist captures the countenance of a man who appears to have transcended the pervasive cloud of forgetfulness and dis...

Mixed media - artwork can be shipped only framed in a crate

Thread, nails and acrylic paint on wooden panel, edition of 7 Artwork can be shipped in a tube or framed in a crate

Mixed media on wooden panel - artwork can be shipped only framed in a crate

Mixed media on wooden panel, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Mixed media on wooden panel - artwork can be shipped only framed in a crate

Kim Fonder Fasci Di Luce Su Legno Cinabro Mixed media over panel 30.00 X 30.00 in $1,650.00

12 Cybercollage (M81. Colourful abstract geometric painting Mixed media on canvas, on wood panel, 2019. Dimensions in cm.: 41.5 x 31.5 x 5 cm. (Without frame 40x30x2 cm.) In inches: 16.34" x 12.4" x 1.97" . Simplicity, geometric shapes and pure lines. The strong colors and textures give solidity to this work of art by Spanish artist Juan Pita...

This contemporary botanical drawing is part of the series "Golden Roots" — a series of three-dimensional abstract paintings created on a black relief wooden surface and gilded with g...

Artwork by Moon Beom. Moon begins with a monochrome surface using an acrylic pigment. He then applies small dabs of color using oil stick, pushing the oil pigment with his hand into...

Kim Fonder ETNOGRAFICA INDACO ET ARANCIA mixed media on canvas over panel 24.00 X 24.00 in $1,300.00

Kim Fonder ETNOGRAFICA INDACO + BIANCO ET ARANCIA mixed media on canvas over panel 24.00 X 24.00 in $1,300.00