Pigment Mixed Media

Orazio De Gennaro's "Terra Bruciata (Scorched Earth) #4" is a 10 x 10 inch abstract painting on paper mounted on a board. Unframed. The artist works wit...

Orazio De Gennaro's "Terra Bruciata (Scorched Earth) #57" is an 11 x 13 inch abstract painting on paper mounted on a board. The artist works with natural earth, charcoal, straw, pigm...

"X-Ormation Series I" is an encaustic-on-panel piece by Charles Ivey from his "X-Ormation" series. Ivey uses the encaustic process of combining hot beeswa...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

Pebbles, sand and pigment on panel, frame not necessary as it has worked edges. Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly differ...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acrylic...

This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...

Taysha Oil, Marble Powder, Asphalt, Burlap On Canvas 73.25 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Tapas Ghosal - Untitled - 24 x 24 inches (unframed size) Acrylic Dry Pastel & Pigment on Canvas, 2014 It will be delivered in a roll form. Style : In Hindu philosophy, the 'Antahka...

Mat Tomezsko's "NOW" series of mixed media Street Art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an...

Mat Tomezsko's "NOW" series of multimedia Street Art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an ...

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...

Antifona is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the mu...

Mixed media

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

Mosaics is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emotional...

Judith Brenner Gubbio Original Mixed Media and Acrylic Painting on Canvas Size: H 95cm x 130cm Framed (Please note that in situ images are purely an ind...

Promenades is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emotio...

Kathleen Hope MODULAR 78 cement, pigment, plaster 8.00 X 8.00 in $250.00

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...

Aharon Gluska (b. 1951) Pigment and oil paint, mixed media painting on archival paper. Dimensions (H, W, D): 22.5"h, 13"w image; 32"H, 24"w frame Provenance: Siegel Collection, Florida. The Siegels' collection was acquired under the guidance of Lawrence Salander of Salander-O'Reilly Gallery in New York in the late 1980s. Aharon Gluska (born 1951) is an Israeli–American painter. Gluska was born in 1951 in Hadera, Israel. He studied at the Académie des Beaux-Arts in Paris and Avni Institute of Fine Arts in Tel Aviv. Grants Gluska received grants from the National Endowment for the Arts and the Jackson Pollock- Lee Krasner Foundation. Awards Gluska was one of two winners along with Moshe Kupferman, of the 1996 Zussman Prize for artists dealing with the Holocaust, from the Yad Vashem museum, for his paintings of prisoners at Auschwitz based on photographs of them taken by their Nazi guards. Exhibitions: Bertha Urdang Gallery, NY, USA 1983 Aharon Gluska: Painting and Drawings 1985-1986 Bertha Urdang Gallery, NY, USA 1986 Group Exhibitions The Disciplined Spirit, Exit Art, New York, USA Artists: Nahum Tevet, Micha Ullman, Aaron Gluska, Jacob El Hanani, Moshe Kupferman, Gilad Ophir, Joshua Neustein, Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...

Contralto is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the m...

Madrigale is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the m...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Dipak Banerjee - Ganesha - 12 x 6.75 inches (unframed size) Hand Made Pigments on Canvas. ** Cost is inclusive of shipment ( unframed ) Dipak Banerjee is today the undisputed leader...

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...

Temperamento is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture th...

Kathleen Hope MODULAR 67 cement, pigment, plaster 8.00 X 8.00 in $250.00

History, memory and the post-tribal inform the work of Persian-born artist Firouz Farman Farmaian, whose lifetime of living in exile in Paris, in Andalusia and in North Africa profo...

Kathleen Hope MODULAR 26 cement, pigment, plaster 8.00 X 8.00 in $250.00

Pebbles, sand and pigment on panel. In a contemporary black frame Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environmen...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Exquisite pool or body of water amidst encroaching growth in the form of construction and city growth from all sides. This work from Frohsin's Cautionary Tales series is bold, strong...

Francesco is the painter of music. Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the musical rhythm dancing i...

“With Only The Moonlight To Guide Me (No. 2)” Sculpted Paper and Ink on Canvas by Katherine Filice is a 40 x 34-inch mixed media work featuring layers of hand-drawn marks sculpted in...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

"Blue #16" is an artwork created by Gianluca Patti in 2019. This piece is the part of the Floating Series, which Patti created in 2019. Made using natur...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

"Gaze" Abstract Mixed Media Photography 61'x44' inch Edition 1/1 by Ben Cope 2019 Photo on deconstructed paper with oils and paint pigments 61” X 44” inch Ben Cope is a Georgia na...

"Untitled Closed" (FRAMED) Photography 30" x 26" inch Edition 1/1 by Ben Cope From "If I could sleep, I wouldn’t" series Mixed Media Photo and Oils. Comes in gold frame. Ben Co...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

This two dimensional masterpiece with texture and pigments on canvas is unique. The materials used are hand picked and seasoned.

Kathleen Hope MODULAR 13 cement, pigment, plaster 8.00 X 8.00 in $250.00

Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. H...

Pure pigment, sand, mixed media on linen (64″ x 60″) Growing up in rural Upstate New York in the Hudson River Valley and within close proximity to art museums, nature and art have a...

Turbulence VIII 42" x 100" Pigment, Graphite and Sumi Ink on Archival Paper Unique Framed 105.5" x 44.5": $18,000

From the series, "Energy Grid" Inspired by conversations about the future power grid and the failing of the current one. Mixed media on canvas, 26”x25” signed by the artist. This m...

This grand scale masterpiece fills a space with marvelous color and energy. This is a three piece triptych that can be displayed with no space in between measures 180 inches in lengt...

Sacandaga River Confluence NY State slate/pigmented and sealed steel 12.5" (height) x 22" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are ...

Oil, Wax, Pigment, Charcoal, and Graphite on Canvas Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotati...

Mirror to the Sun II Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily...

Mirror to the Sun IV Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily...

"Untitled: Movement 2" Unique Abstract Mixed Media Photography by Ben Cope 2019 Photo on deconstructed paper on wood panel with oils and paint pigments 24” ...