Plaster Mixed Media

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Work made on plaster cement and acrylic Monochrome Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculptu...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Mixed media on canvas

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

King is a modern mixed media wall sculpture. Made from Italian plaster paint, paint, birch panel, and MDF. From the artist: This is the second piece I made as I begin to experiment w...

John Marak 18x24-05-05-2021 Plaster, Acrylic Year: 2019 Size: 24x18 in Signed by hand COA provided ------------------------------------- John Marak is a seco...

"Interface Blue" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 24"h x 20.25"w x 2.75"d framed, and is shipped...

Textured Abstract Expressionist Composition in Acrylic on Board Textured and detailed abstract composition by Loretta Burton Youngman (American, b. 1943). Red and charcoal blue patc...

John Marak 24x24-08-08-2019 Plaster, Acrylic Year: 2019 Size: 24x24 in Signed by hand COA provided ------------------------------------- John Marak is a second-generation artist ba...

Levan Mindiashvili, in his second major exhibition at ODETTA, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity ...

When we fall in love with someone, do we see them for who they really are, or only what we dream of seeing in them? Who is the bigger deceiver—the one who pretended, or the one who l...

Levan Mindiashvili, in his second major exhibition, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity politics f...

Levan Mindiashvili, in his second major exhibition, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity politics f...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 24" x 2" (HxWxD). It is painted plexiglass overlay, mulberry ...

Levan Mindiashvili, in his second major exhibition at ODETTA, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity ...

Levan Mindiashvili is a Georgian born visual artist currently living and working in Brooklyn, NY. After graduating from Tbilisi State Academy of Arts and numerous exhibitions in Europe and in his native Georgia, Levan continued postgraduate studies at The National University of Art of Buenos Aires (Argentina). While in Buenos Aires, he had curated several shows at The Laguanacazul Art Gallery and was a performer of the experimental theater company Ensamble Caustico. Among his awards are “Emerging Artist of 2011, Movistar Arte Joven” (Buenos Aires, Argentina) and FABLES Commission Grant for Public Art Projects (Fourth Arts Block, New York, 2014). Recent solo exhibitions include “Studies For Unintended Archeology”, The Vazquez Building, (Brooklyn, 2015), “Borderlines” The Lodge Gallery (New York, 2014), “Urban Identities” Kunstraub99 (Cologne, 2013). Current curatorial projects include “Heritage” at The Georgian National Museum (Tbilisi, 2013) and at The RichMix Arts Center (London, 2015). Recent group exhibitions include “Kiosk”, ODETTA gallery...

Levan Mindiashvili is a Georgian born visual artist currently living and working in Brooklyn, NY. After graduating from Tbilisi State Academy of Arts and numerous exhibitions in ...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

"Into the Depths" captures the pivotal moment of decision, where one stands on the threshold of self-discovery. It represents the brave journey inward, into the metaphorical forest o...

Ragisména series White M2, 2024 by Rodrigo Zampol From Ragisména Series Plaster on canvas Dimensions: 30 cm H x 20 cm W Weight: 3 kg Unique piece Signed on the back The piece has a...

One of a kind shaped painting by Noche Crist (1909 - 2004). Titled "The Kiss" and signed on reverse. Painting is casein paint and plaster on board. Catalogue of an exhibition in...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 40" x 40" x 2". It is acrylic and oil on panel, painted, plexiglass...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Brown Gallery, she has exhibited at The American Academy of Arts and Letters, the Nassau County Museum of Art, The Cornell Art Museum in Delray Beach, Florida and the New York Artists Equity Gallery. In 2023, she received a 2023 Fellowship from the New Jersey State Council on the Arts in sculpture, and in 2022 was awarded the Alex J...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Modern blue, green, and orange abstract op art landscape. Through using 3-dimensional elements and realistic shading techniques, Kidd is able to great an undulating, futuristic lands...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 36" x 48" x 2". It is acrylic on canvas, glass beads, Japanese pape...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

Size includes wood mounting. George Aarons (born Gregory Podubisky, in St. Petersburg, Russia, 1896 - died in Gloucester, Massachusetts 1980) was a distinguished sculptor who lived and taught in Gloucester, Massachusetts, for many years until his death in 1980. He had, many students in the area and he designed Gloucester's 350th Anniversary Commemorative Medal. Aarons moved from Russia to the United States when he was ten. His father was a merchant. He began taking drawing classes during evenings at Dearborn Public School in Boston as a teenager and went on to study at the Boston Museum of Fine Arts in 1916. Aarons later moved to New York City to study with Jo Davidson, and other Paris-trained masters at the Beaux-Arts Institute. He eventually returned to the Boston area and established studios in Brookline and Gloucester, Massachusetts. During his lifetime, he was recognized internationally and won several prestigious awards. Aarons had studios in Brookline, Massachusetts and Gloucester, Massachusetts where he produced large bronze and marble figures and wood carvings. He produced several projects for the Works Progress Administration including a group of three figures for the Public Garden (Boston), a longshoreman, fisherman and foundry worker, as well as a large relief (1938) for the South Boston Housing Project and façade of the Baltimore Hebrew Congregational Building (1956). His works are at the Museum of Art in Ein Harod, Israel; Fitchburg Art Museum in Massachusetts, Musée de St. Denis in France; Hilles Library at Radcliffe College in Cambridge, Massachusetts; and Hillel House at Boston University in Massachusetts. He did reliefs for Siefer Hall at Brandeis University in Waltham, Massachusetts (1950); Edward Filene (the founder of Filene's Department Store and a philanthropist) on the Boston Common; Fireman's Memorial in Beverly, Massachusetts; a memorial to Mitchell Frieman in Boston; the U.S. Post Office in Ripley, Mississippi; and at the Cincinnati Telephone Building; the Combined Jewish Philanthropies building in Boston (1965); and a commemorative medal for the 350th Anniversary of the City of Gloucester, Massachusetts (1972). Characteristic of his era, George Aarons was among the foreign-born American sculptors of the early 20th century who started their careers as academicians and evolved into modernists and increasingly abstract artists. Over thirty pieces spanning the length of this sculptor's career were featured in this exhibition, including work in various medium bronze, wood and original plasters. Like his contemporaries, Aarons experimented with direct carving in wood, and he was one of the few academically trained sculptors who consistently cut his own works in marble. His early work was classically inspired figurative work, along with sensitive portraits. Some of his most powerful sculpture comes from his middle period, when he worked through his emotional pain following the global realization of the Jewish Holocaust. He depicted humanity deep anxiety over this tragedy with figures that are at once symbolically charged and movingly beautiful. Aarons late work consists of radically simplified forms that continue to reference the human form and often are carved directly in wood and stone. Aarons summered and taught classes on Cape Ann for many years before moving to Gloucester full-time with his wife about 1950. While Aarons is best known locally for his domestic-scale works, he also executed numerous monumental, public commissions that can be found throughout the United States in cities such as Washington, D.C.; Baltimore, Maryland; and Cincinnati, Ohio; as well as in France and Israel. As noted in a Gloucester Daily Times Article, Aarons wanted his sculptures to honor the struggles and nobility of people and rail against the evil done against them. And that was why, even as his work grew more and more abstract, stylized and simplified, he never left behind the form of the human figure that had been his focus from his earliest works. Aarons told the Gloucester Daily Times in September 1954 that he found it hard to remember at just what age he started studying art, but he recalled that the nude model had to partially dress when he was in class because he was so young. He initially studied painting and drawing at the museum school, but he once said he became fascinated by sculpture when he met an established sculptor at the Copley Society in Boston who invited Aarons to his studio and offered him some clay to "play around" with. After he graduated, he apprenticed under sculptors Richard Brooks, Robert Baker and Solon Borglum. He worked as a carpenter, shipbuilder, dishwasher and chimney sweep. He fashioned architectural decorations, including figures for fountains and now and then a few commissioned portraits. He returned to Boston by the early 1920s and began to exhibit his own works and get commissions for portraits, fountains and reliefs. His sculptures from this time are dreamy and romantic in the realistic, academic style of the time. A painted portrait of the young Aarons that is included in the North Shore Arts Association exhibit shows a determined fellow with dark brown hair, a suit and bow tie. However, in 1922, this determined young artist was living with his parents on Calder Street in Dorchester. In the 1930s, Aarons adopted the streamlined, monumental style of the socialist works of the time. Aarons made money, as he would all his life, from commissions, selling his personal work and teaching sculpture, but the Depression of the 1930s was tough for everyone. So Aarons found work though the federal Works Progress Administration, one of Franklin Roosevelt's New Deal programs. He received his first major commission when he was asked to create a public sculpture for the South Boston Harbor Village public housing project around 1937. He was elevated to the position of supervisor for the project and received a corresponding $5 pay increase to make his weekly salary $32. The raise convinced him he was fit to marry and he proposed to Gertrude Band, an attractive brunette dancer whom he had been dating for more than a year. They were married before the Harbor Village project was dedicated on Labor Day 1938. Aarons' design featured a brawny, larger-than-lifesize fisherman, longshoreman and a laborer flanked by a boy and girl at either end to portray the children who would live in the apartments. Aarons elected to do the piece in cast stone to employ carpenters and laborers as well as craftsman for a total of 10 men. In his sculpture, Aarons focused more and more on the theme of oppressed people as he worried about the spread of fascism and Nazism during the 1930s, World War II and after. He had done pieces during the mid-1930s about the oppression of African-Americans, including "Negro Head," which is in the North Shore Art Association retrospective. After the war, he also delved into Jewish themes and became increasingly known as an important Jewish artist, leading to commissions from Jewish organizations across the country and abroad. "He gets into raw emotion. Some people describe him as an expressionist because of the emotion (in his work)," Reynolds says. But Aarons, also sculpted sensual sexual nudes...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 40" x 52" x 1.5". It is acrylic and plaster on canvas. It is unfram...

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

Panoply 5 Mounted on a Cradled Birchwood panel, 16 plaster of Paris squares each 4 X 4 x 3/4 inches. The full piece is 24 X 24 x 2.5 inches. Acrylic paint and ink. Jose Castro was ...

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Kathleen Hope MODULAR 17 cement, pigment, plaster 8.00 X 8.00 in $250.00

Elizabeth Jordan is an emerging artist working primarily in sculpture. Her work uses multiple materials to produce unique, organic forms. In early 2016, she participated in an exhibi...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

ANNA CASSER (1943- ) Born in Verona, Italy, Anna Caser was educated at the Fine Arts School in Genoa, Italy. Her works can be seen in Italy, Europe, UAE, USA and Canada at importan...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

This minimalist blue 3D wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which reflects inner states. Not a mirr...

This minimalist green 3D wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which reflects inner states. Not a mir...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

This minimalist dark pink 3D wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which reflects inner states. Not a...

This minimalist blue 3D wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which reflects inner states. Not a mirr...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

This minimalist purple 3D wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which reflects inner states. Not a mi...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...