Plastic Mixed Media

Untitled 06 [Dissecting the Unknown 06], 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in. 25 H x 20 W cm Zsolt B...

This work is framed with a simple white float to allow the jewel-like, diaphanous strips of fabric to glow without distraction. Linda Kamille Schmidt received an MA in drawing and a...

This is a multi-paneled painting of Heather Hartman's investigation into the light and landscape of Tennessee. earth tones are combined with violets to give space for the light, crea...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 52" x 40" x 2". It is acrylic on canvas, glass beads, paper, plaste...

Bunny Ryan Cronin Oil Paint, Wood, and Fiberglass 52" (Height) x 25" (Width) x 12.5" (Depth) When people look at his work Cronin wants them to feel an immediate impact, even if they...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

083r (short_squeeze_aside), 2016 is an acrylic and urethane on etched acrylic panel painting, 48 x 31.5," and signed 'Darren Goins 2016' verso....

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 36" x 36" x 2". It is made with paper, acrylic paint, plaster, glas...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 40" x 40" x 2". It is acrylic and oil on panel, painted, plexiglass...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 12" x 12" x 2" (HxWxD). It is paper, acrylic paint with a plexiglas...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 10" x 10" x 2". It is made with acrylic, paper and overlayed with p...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 15" x 15" x 2" (HxWxD). It is acrylic on panel, painted with plexig...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 12" x 12" x 2" (HxWxD). It is acrylic on canvas, Japanese paper, pa...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 24" x 2" (HxWxD). It is painted plexiglass overlay, mulberry ...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "From Sea to Shining Sea" Peña takes a traditional approach to representing a house with modern architecture in what is seemingly the suburbs and contrasts the image with a more abstracted and chaotic foreground consisting of Sintra or PVC. The image is framed with a 1 inch white border. Nick Peña...

Sett , 2019 Perspex, encaustic wax & oil colour on deep-fame board 600 x 600 mm

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "From the Bottom Up", Peña takes a more traditional approach to representing a landscape with bold and vivid colors and contrasts the image with a more abstracted and chaotic foreground consisting of arrows and cut Sintra board to act simultaneously as an obstruction and window into the image. The work is framed with a 1 inch white border. Nick...

In this painting, we see an underpainting of clouds parting around a sunburst at dawn. The natural curvature of the clouds is interrupted by hard-edged longitudinal stripes of gradie...

This painting is a small framed early work by Heather Hartman. The majority of the canvas is overcast with ivory and grey cloud cover. In the lover left-hand quadrant of the painting...

WHIRL II captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

Roxane is an Atlanta-based, multi-disciplinary artist. Originally from the Midwest, she was influenced by the Native American spiritual sensibilities and respect for the Earth she en...

Roxane is an Atlanta-based, multi-disciplinary artist. Originally from the Midwest, she was influenced by the Native American spiritual sensibilities and respect for the Earth she en...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Abstract expressionist found object assemblage on wood with highly expressive silver and gold paint by Bay Area artist Michael Pauker (American, b. 1957). Against the raw woodgrain, the artist has attached several objects, including paper fragments of ornithological illustrations of birds...

Fern Samuels received her Bachelor of Fine Arts degree from Loyola University in Chicago, Illinois, and her Master of Fine Arts from the School of the Art institute of Chicago. She r...

Found objects pasted on wooden panel with a acrylic painted background. Artworks comes box framed in a white wooden frame with acrylic glass, ready to hang and display. Can be commis...

HEATHER HUTCHISON DANCE WHEN YOU ARE PERFECTLY FREE, 1996 beeswax, plexiglass, pigment and wood 48 x 55 x 2 in. 121.8 x 139.8 cm. signed, dated and numbered on verso semi-translucent

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

The black strings in Carrara’s acrylic 3D sculptures form lines that may be thought of as flat or one-dimensional, similar to lines drawn on paper or painted on mylar which are most ...

This laser cut acrylic series of Scribble Sculptures is inspired by the gestures and quick mark making found in abstract expressionist painting and drawing, and the whimsical, bold color and shape found in classic cartoon. Ryan Coleman...

BATIK II by Kim Fonder is a Vintage Batik Textile on Burlap with Plexiglass measuring 60.00 X 36.00 in and is priced at $3,600.00. Kim Fonder loves texture and touch. Her paintings ...

Wyona Diskin, American (1915 - 1991) Elephant Acrylic on canvas mixed with collage cut out paper, foam, Signed. Measurements: H 60 x W 50 x D 1.0 inches Wyona Diskin, an American p...

"Blue #16" is an artwork created by Gianluca Patti in 2019. This piece is the part of the Floating Series, which Patti created in 2019. Made using natur...

This laser cut acrylic series of Scribble Sculptures is inspired by the gestures and quick mark making found in abstract expressionist painting and drawing, and the whimsical, bold color and shape found in classic cartoon. Ryan Coleman...

"Red #2" is an artwork created by Gianluca Patti in 2019. This piece is the part of the Floating Series, which Patti created in 2019. Made using natural...

Rachel Wickremer is a Canterbury based painter known for her colourful work exploring the relationship between the maker and the prefabricated, she is...

"Midnight Rider" Wall Sculpture 42" x 29" inch by Ibrahim Abd Elmalak Fiberglass Signed & Dated Sculptures that mostly depict his characteristic figures of feminine form and feel...

"Sign (black)" is an artwork created by Gianluca Patti in 2019. This piece is the part of the Floating Series, which Patti created in 2019. Made using n...

This Plexiglass collage was created by Canadian artist Max Epstein. Epstein's works often feature Canadian motifs and bright colors. This collage is signed and titled at the bottom, ...

Kim Jae-Il Vestige (edd-gold), 2019 Acrylic on fiberglass resin 22⅜ x 34⅝ x 1¾ inches 57 x 88 x 4.5 cm KJI027 Raised and educated in Seoul, Kim Jaeil works in a manner similar to an earlier generation of artists who lived through the Korean War. Beginning in the 1970s, those artists began producing abstract works in a conscious shift away from the realist...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 20" x 20" x 2" (HxWxD). It is Acrylic on panel, Japanese paper, pai...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 10" x 10" x 2" (HxWxD). It is acrylic, molded paper, painted plexig...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 10" x 10" x 2" (HxWxD). It is acrylic with painted plexiglass overl...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 10" x 10" x 2". It is acrylic and oil on panel, painted, plexiglass...

This is a one of a kind original abstract painted plexiglass suspended over oil painted canvas by San Diego artist, Kathleen Kane-Murrell. Its dimensions are 30" x 24". A certificate...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 20" x 20" x 2.1". It is acrylic and paper on panel, Japanese paper,...

This is a one of a kind original abstract painted plexiglass suspended over oil painted canvas by San Diego artist, Kathleen Kane-Murrell. Its dimensions are 20" x 20". A certificate...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 36" x 36" x 2.1". It is acrylic on canvas, painted, plexiglass, ink...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 40" x 2". It is acrylic and paper on canvas, paper detritus, ...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 40" x 2". It is acrylic on panel, charcoal, mulberry paper, g...

J. Ivcevich portrays urban deterioration and grit in much of his work. Taking inspiration from the abstract forms found in shredded advertisement posters around New York, Ivcevich ph...

J. Ivcevich portrays urban deterioration and grit in much of his work. Taking inspiration from the abstract forms found in shredded advertisement posters around New York, Ivcevich ph...

Framed size: 28.50h x 23w in J. Ivcevich portrays urban deterioration and grit in much of his work. Taking inspiration from the abstract forms found in shredded advertisement posters...