Textile Mixed Media

Hypomnema, 2023 Ivan Castiblanco From The Series Hypomnema Handmade Oriental Rugs 31.4”h x 31.4”w x 18.8”d Weight: 7kg Approx. Unique Hypomnema...

Intenciones del Silencio III, 2019 by Angélica Chavarro Franco From the series Intenciones del Silencio Mixed media (Oil paint and textile) on canvas Frame size: 14.9 H in x 16.9 W...

Textiles and metal on wooden panel Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International Fashio...

Intenciones del Silencio IV, 2019 by Angélica Chavarro Franco From the series Intenciones del Silencio Mixed media (Oil paint and textile) on canvas Frame size: 14.9 H in x 16.9 W ...

Intenciones del Silencio V, 2019 by Angélica Chavarro Franco From the series Intenciones del Silencio Mixed media (Oil paint and textile) on canvas Frame size: 14.9 H in x 16.9 W i...

Figurative Textile Art, Cotton, Handmade Free style weaving 80x80cm Commission piece About the artist Matthias De Vogel The Textile art studio Fa...

Intenciones del Silencio II, 2019 by Angélica Chavarro Franco From the series Intenciones del Silencio Mixed media (Oil paint and textile) on canvas Frame size: 18.8 H in x 35.8 W ...

Yinka Shonibare Fabric-ation, 2013 Original Dutch wax print fabric chosen by the artist on Hardback cloth bound monograph with fabric covered board 12 1/2 × 11 × 1 1/2 inches Edition 21/50 (each entirely unique) Hand signed, dated and numbered 21/50 by Yinka Shonibare on the first front end page (see photo) Published by Yorkshire Sculpture Park, UK This gorgeous hand signed, numbered and dated monograph with hand made fabric covered boards was published on the occasion of the Yinka Shonibare MBE: Fabric - ation Exhibition at the Yorkshire Sculpture Park and the Kunstforeingen Gl Strand in 2013. 160 pages Hand signed, numbered and dated by artist in on the first front end page. Beyond the exhibition plates, the catalogue also includes an interview with the artist by Hans Ulrich Obrist and texts by Dr Rebecca Schneider and Jean Fisher. The book measures 12.5" x 11", and is 160 pages. Shonibare produced this beautiful catalogue in an edition of only 50, and is sold out. Each work is totally unique, and has been cloth bound using a different original Dutch wax print fabric with embellishments that was chosen by the artist. It is also signed and numbered by Shonibare. Taking place in three of YSP’s indoor galleries and the open air, FABRIC–ATION featured over 30 vibrant works from the period 2002–2013 including sculpture, film, photography, painting and collage, with many works never before seen in the UK. This major exhibition was sponsored by Guaranty Trust Bank. Born in London in 1962, Shonibare moved to Nigeria when he was three, later returning to the UK to study art. His work shrewdly explores and confounds stereotypes of race and class, engaging with ideas around identity and authenticity as well as dislocation, multiculturalism, global food production and revolution, often addressed through playful conceits. This approach is part of his determination to avoid being categorised: Shonibare accepted an MBE in 2004, adopting the title into his working name, saying, “it was the last thing you would have expected of me”. More about Yinka Shonibare: Yinka Shonibare CBE RA was born in London in 1962 and moved to Lagos, Nigeria at the age of three. He returned to the UK to study Fine Art at Byam Shaw School of Art, London and Goldsmiths College, London, where he received his Master’s in Fine Art. Over the past decades, Shonibare has become well known for his exploration of colonialism and post-colonialism within the contemporary context of globalization. Working in painting, sculpture, photography, film and installation, Shonibare’s work examines race, class and the construction of cultural identity through a sharp political commentary of the tangled interrelationship between Africa and Europe and their respective economic and political histories. Shonibare uses wry citations of Western art history and literature to question the validity of contemporary cultural and national identities. In 2002, Shonibare was commissioned by Okwui Enwezor to create one of his most recognised installations, Gallantry and Criminal Conversation for Documenta XI. In 2004, he was nominated for the Turner Prize and was awarded the decoration of Member of the ‘Most Excellent Order of the British Empire’, or MBE. In 2019 Shonibare was made Commander of the same order, amending his professional name to include CBE. In 2008, his mid-career survey commenced at Museum of Contemporary Art, Sydney and toured to the Brooklyn Museum, New York and the Museum of African Art at the Smithsonian Institute, Washington D.C. In 2010, his first public art commission Nelson’s Ship in a Bottle was displayed on the Fourth Plinth in Trafalgar Square, London. In 2013, Shonibare was elected as a Royal Academician and his most recent contributions have included: the RA Family Album, which was used to wrap Burlington Gardens building during construction and his two curated rooms which were part of the 2017 Royal Academy Summer Exhibition, during which Wind Sculpture VI was also displayed in the RA courtyard. His recent major commission with the Public Art Fund, Wind Sculpture (SG) I, was installed at Doris C. Freedman Plaza, Central Park from March 7 through October 14, 2018. FRONT International: Cleveland Triennial for Contemporary Art presented The American Library at the Cleveland Public Library from July 14 until September 30, 2018. The British Library was recently acquired by the Tate London. In March 2021, Shonibare received Whitechapel Gallery’s prestigious Art Icon award, becoming the eighth artist to receive the honor. He was also selected to coordinate the Royal Academy of Arts 253rd Summer Exhibition in September 2021. Shonibare’s works are included in notable collections internationally, including the Tate Collection, London; Victoria and Albert Museum, London; National Museum of African Art, Smithsonian Institution, Washington, D.C; Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Moderna Museet, Stockholm; National Gallery of Modern Art in Rome; Pérez Art Museum Miami in Florida and VandenBroek Foundation, The Netherlands. -Courtesy of James Cohan Gallery

A rare edition work from “The Generals” series, dated back to the early Seventies. Mixed media with passamentrie and collage on brocade with originals medals and pins limited edition...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

'Hereditary Flaws,' 2020 Mixed fabrics over stretched vintage linen 36 x 48 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recontextualized far beyo...

Square composition made on linen canvas with acrylic paints, as well as texture paste with sand and coffee, textiles, jute fiber. It is covered with a durable acrylic varnish. Does n...

A group of leaves in various shapes are composed of delicately stitched donated clothing, textiles, notions, buttons and guitar string ball-ends, in a soft palette of pale salmon, pi...

A group of leaves in various shapes are composed of delicately stitched donated clothing, textiles, notions, buttons and guitar string ball-ends, in a soft palette of pale salmon, pi...

A group of leaves in various shapes are composed of delicately stitched donated clothing, textiles, notions, buttons and guitar string ball-ends, in a soft palette of pale salmon, li...

This piece titled "Zentai Peace Suit" is an original artwork by PJ Linden and is made from acrylic, dimensional paint, lycra, and foam on velvet. This piece measures 31”h x 24.75”w x...

Canvas 3D ‘Velvet’ 2016 Linen yarn, textile stripe, stainless steel hanger; size of the textile: 155 x 64 cm (128 cm circuit), Canvases 3D are decorative fabrics entirely designed ...

A group of leaves in various shapes are composed of delicately stitched donated clothing, textiles, notions, buttons and guitar string ball-ends, in yellow ochre, a blue checkered pa...

'Strategic,' 2023 Black tea dyed linen over stretched canvas 36 x 36 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recontextualized far beyond “wom...

A white oak leaf is composed of delicately stitched donated clothing, textiles, notions, buttons and guitar string ball-ends and embellished with gold sequins, in warm golden brown, ...

'Extra,' 2020 Mixed fabrics and vintage tent over stretched vintage linen 50 x 50 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recontextualized fa...

An eastern redbud leaf is composed of delicately stitched donated clothing, textiles, notions, buttons and guitar string ball-ends, in warm umber brown, saffron, light pink, sage gre...

'July,' 2023 Wool over stretched canvas 50 cm x 40 cm 19.6 x 15.7 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recontextualized far beyond “women’...

Square composition in the genre of conceptualism. The mixed media painting has a soft color scheme - beige, gray, light blue and silver. Acrylic paint, texture paste witt coffee and ...

A white oak leaf is composed of delicately stitched donated clothing, textiles, notions, and guitar string ball-ends, in dark brown, dark navy, a checkered pattern and botanical patt...

Dating to the mid-20th century, this colorful Hmong textile is a classic example of the appliqué technique used for the traditional cloth known as paj n...

Square composition in the genre of conceptualism. The mixed media painting has a contrast color scheme - dark blue, light turqiouse, light green and silver. Acrylic paint, texture p...

Canvas 3D ‘The Way’ 2016 Linen yarn, textile stripe, stainless steel wall hanger; size of the textile: 134 x 70 cm (140 cm circuit). Canvases 3D are decorative fabrics entirely desi...

Robert Petersen After A Rain #2, 1987 Collage on Paper: Pencil, Oil, Acrylic and Cloth Hand signed, dated and titled on lower front with Castelli Graphics label on the back Frame Inc...

Grid Yellow Textile Art, Cotton, Handmade Free style weaving 80x80cm 2023 About the artist Matthias De Vogel The Textile art studio Fault Lines is...

The present work is an excellent example of the flags and banners of Haitian Voodoo practice. It is constructed of cloth with hand-stitched glass beads and sequins, representing Danbala (also Damballa and Damballah, spelled on the flag "DAMBALAH"). Danbala depicts the spirit or loa of life. In Vodun practice, Danbala Wedo, along with his wife Ayida Wedo, are representative of birth and creation. They are in essence the divine mother and father of the universe. In the iconography, they are usually depicted together as two serpents, or sometimes as a serpent and a rainbow. The snake is symbolic of power, knowledge, and wisdom. Danbala is an especially popular deity and is often represented alone as St. Patrick or Moses, as both of these Christian figures performed miracles associated with snakes. This vévé shows the typical image of two snakes intertwined on a pole, accompanied by two flags. The imagery of Haitian Voodoo culture is derived from multiple sources, and the culture seems to have the ability to integrate the various sources from popular culture to catholic imagery into traditional African symbols, values and rituals. Flags like this one are meant to honor or invoke gods, as well as depict likenesses or attributes using dazzling displays of color. The relatively young age of this example shows the power and influence the imagery continues to have in Haiti to this day. 11 x 13.5 inches, artwork 19 x 21.5 inches, frame Framed to conservation standards in a shadow-box using 100 percent rag matting and museum glass within a gold gilt frame. Polk, Patrick Arthur. Haitian Vodou Flags...

"Minutiae V" is a fiber collage mixed media piece by Jeanne Smith. This abstract piece is mostly blue on the front and mostly green on the back. The artist wrote on a small beige-col...

Brumm Handcrafted Wood Wood box with velvet interior. This beautiful handmade inlaid wood decorative box by artist Norman Brumm (1939 - 2008) is an intri...

An example of eco-friendly art is the minimal use of synthetic materials and the reuse of natural materials without harming the environment. Square composition made on linen canvas w...

This textile is an excellent and unusual example of the work of Stacy Wiatrak, being both an artwork and a wearable garment. The artist uses appliqued ribbons, images of lilacs and b...

"Mother's Day (Hands & Seashells) is a mixed media textile piece by Stacy Wiatrak. It is signed and dated in the lower left corner. This piece depicts two hands reminiscent of Michel...

"Pieta" Textile Art, Mixed Media Woven Photo Tapestry with Embellishments This piece is unique, signed on verso, and includes a certificate of authenticity Katie Commodore is an interdisciplinary artist who concentrates on creating intimate portraits of her friends that often focus on how they express their sexuality. In 2000, Commodore received her Bachelor of Fine Arts in Illustration from Maryland Institute College of Art. In 2004, she obtained her Master of Fine Arts in Printmaking from Rhode Island School of Design, where she is currently an adjunct professor. Commodore has exhibited throughout the United States and Europe, including in England, Italy, Germany, and Greece. Her work has previously been featured in a number of group shows presented by The Untitled Space...

Tracey Emin Be Faithful To Your Dreams, 1999 Limited Edition Embroidered Cotton Handkerchief with embroidered signature and accompanying card Embroidered date and signature, Edition of 500 16 × 16 inches Unframed (folded in packaging) Rare vintage collectible...

Hand-dyed ghost gear netting*, muslin, adhesive, foam, paint, pins, reclaimed copper flashing Recovered Ghost Gear Data: Retrieval Coordinates: 42° 10ʹN 69°52ʹW Retrieval Vessel: F/V Donna Marie (Groundfish Trawler/Scallop Dragger out of Provincetown) Water Depth: approx. 100 fathoms/183 meters/600 feet Source: pre-Magnuson-Stevens Act* foreign, most likely Russian, fishing net 'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend...

Kokonja (b. 1996) is a young artist born in Aqmola oblysy, Zhalgyzqaragsai, based Almaty. She studied at the Philology faculty, Eurasian Institute for Humanities in Astana. In 2020 s...

The present work is an excellent example of the flags and banners of Haitian Vodun practice. It is constructed of cloth with hand-stitched glass beads and sequins, representing the figure Gran Bwa (also Grand Bois, spelled on the flag "GRAИD BOI"). According to Patrick Arthur Polk, Vodun flags are meant to honor or invoke gods, as well as to depict their likenesses and attributes with dazzling displays of color. In addition, the beadwork may reference the African religious elements of Vodun which came to Haiti with African slaves. Haiti is an important part of the African diaspora and there is no other Caribbean nation that has such rich survivals of African-style music and dancing, and of religious beliefs and practices that relate to ancient African tradition. According to Polk, Gran Bwa, "ruler of the forest, is the master of herbal remedies. He also presides over initiations which require, at least symbolically, the secrecy of the forest’s darkest recesses. He normally appears as a tall, symmetrical figure that is half man and half tree." The imagery of Haitian Voodoo culture is derived from multiple sources, and the culture seems to have the ability to integrate the various sources from popular culture to Catholic imagery into traditional African symbols, values and rituals. Images like that of Gran Bwa are based off ritual drawings, or vévé, used to invoke the deity and to consecrate ritual space. Such vévé in Voodoo, unlike images appropriated from Catholicism or from popular culture, are probably based off of ground drawings from Central and West Africa. The relatively young age of this example shows the power and influence the imagery continues to have in Haiti to this day. 16.5 x 19.25 inches, artwork 24.25 x 27 inches, frame Polk, Patrick Arthur. Haitian Vodou Flags...

This Orange and Pink Silk Scarf is printed with a japanese-style paper cutting motif. The japanese-style paper cutting motif is derived from the Edition "I only know Mifune and Kitan...

"The Art Jacket" is an entirely unique piece - a piece of wearable art - a hand painted jacket that Rauschenberg signed for the artist who made it - that makes a fantastic conversation piece that you simply won't find anywhere else in the world! Hand signed by BOTH Robert Rauschenberg and artist Rudy Ramirez Artists whose names appear on the jacket are: PICASSO, CEZANNE, MONET, GAUGIN - and of course Rauschenberg Robert Rauschenberg and Rudy Ramirez Art Jacket, hand painted by Raul "Rudy" Ramirez, hand signed by the artist and also (autographed on camera by Robert Rauschenberg), 1982 Cloth jacket with acrylic paint; hand signed in marker by Robert Rauschenberg 30 1/2 × 18 inches hand signed on the sleeve by Robert Rauschenberg; and hand signed in the front by Rudy. See photo of Rauschenberg signing Robert Rauschenberg signed...

"Julia" Textile Art, Mixed Media Woven Photo Tapestry with Embellishments This piece is unique, signed on verso, and includes a certificate of authenticity Katie Commodore is an interdisciplinary artist who concentrates on creating intimate portraits of her friends that often focus on how they express their sexuality. In 2000, Commodore received her Bachelor of Fine Arts in Illustration from Maryland Institute College of Art. In 2004, she obtained her Master of Fine Arts in Printmaking from Rhode Island School of Design, where she is currently an adjunct professor. Commodore has exhibited throughout the United States and Europe, including in England, Italy, Germany, and Greece. Her work has previously been featured in a number of group shows presented by The Untitled Space...

Hand-dyed ghost gear netting*, muslin, adhesive, foam, paint, pins, reclaimed copper flashing Recovered Ghost Gear Data: Retrieval Coordinates: 42° 10ʹN 69°52ʹW Retrieval Vessel: F/V Donna Marie (Groundfish Trawler/Scallop Dragger out of Provincetown) Water Depth: approx. 100 fathoms/183 meters/600 feet Source: pre-Magnuson-Stevens Act* foreign, most likely Russian, fishing net 'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend...

"E.D." Textile Art Mixed Media Woven Photo Tapestry with Embellishments This piece is unique, signed on verso, and includes a certificate of authenticity Katie Commodore is an interdisciplinary artist who concentrates on creating intimate portraits of her friends that often focus on how they express their sexuality. In 2000, Commodore received her Bachelor of Fine Arts in Illustration from Maryland Institute College of Art. In 2004, she obtained her Master of Fine Arts in Printmaking from Rhode Island School of Design, where she is currently an adjunct professor. Commodore has exhibited throughout the United States and Europe, including in England, Italy, Germany, and Greece. Her work has previously been featured in a number of group shows presented by The Untitled Space...

Reworked textile with wool

"Carly" Textile Art Mixed Media Woven Photo Tapestry with Embellishments This piece is unique, signed on verso, and includes a certificate of authenticity Katie Commodore is an interdisciplinary artist who concentrates on creating intimate portraits of her friends that often focus on how they express their sexuality. In 2000, Commodore received her Bachelor of Fine Arts in Illustration from Maryland Institute College of Art. In 2004, she obtained her Master of Fine Arts in Printmaking from Rhode Island School of Design, where she is currently an adjunct professor. Commodore has exhibited throughout the United States and Europe, including in England, Italy, Germany, and Greece. Her work has previously been featured in a number of group shows presented by The Untitled Space...

Tracey Emin Exploration of the Soul from the Estate of Warhol's Agent, 1994 Tipped-in monoprint (unique) and ink inscription held in Hand signed and numbered (edition of 200) & ink i...

"Beneath The Surface" Discarded Clothing This piece is unique, signed on recto and verso, and includes a certificate of authenticity Linda Friedman Schmidt is a German-born American...

"Lacescape IV" is an original wall-hanging sculpture by Spanish artist Elisa Ortega Montilla. This contemporary piece is made with an expert assemblage of sculpted plywood and reclai...

Brand new in original sealed packaging (not shown) - never opened MEL BOCHNER Blah, Blah, Blah Limited Edition Mask, 2021 Machine washable lightweight fabric with three layers of pro...

"Lacescape VII" is an original wall-hanging sculpture by Spanish artist Elisa Ortega Montilla. This contemporary piece is made with an expert assemblage of sculpted plywood and recla...

Untitled, Series "The Way" - Handwoven Linen and reflective yarn textile, 470 x 70 cm, 2014 - Contemporary Wall Object , Very Long Format This Object is entirely constructed on a w...

Tracey Emin Rothko Comfort Blanket, 2010 Blanket, Embroidery, Thread, Linen 7 × 7 inches Edition 14/100 Hand signed and numbered with ink title and inscription on tag "Rothko Comfort Blanket for Private Views and Other State Occasions." Held in original Emin International packaging (unframed) An article in Artnews recounts the story: When Tracey Emin was going to the Royal College of Art in London in the late 1980s, she broke down while viewing a radiant pink-and-yellow Mark Rothko painting...

Original art by Alena Po. Hand-Woven Wool Tapestry "Pure Joy". This work was born in reflection on the simple joys of ordinary life. The addition of the thre...

Meike Legler 'Agape,' 2022 Cotton, polyester, linen, acrylic paint and bleach over stretched canvas 48 x 36 inches - Meike Legler’s works are a bold post-feminist reframing of sewn...

Meike Legler 'Snack Platter,' 2021 Linen, bleach, wool, polyester, buried bed sheet, vintage army tent, cotton fabric, velvet over stretched canvas 48 x 36 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recontextualized far beyond “women’s work.” In 1918 Le Corbusier said, “There is a hierarchy in the arts: decorative art at the bottom and human form at the top. Because we are men”¹ Legler craftily subverts this notion by stitching together ideas and methodologies and powerfully placing herself within the spectrum of contemporary abstract painting. Originally trained as a clothing designer at Berlin’s Hochschule für Technik und Wirtschaft and Central St. Martins in London, Meike Legler uses fabrics and nimble sewing machine skills to create abstract paintings, stretched like canvas over wooden stretcher bars. When she moved to Los Angeles in 2016 her paintings became more complex, with wilder ideas and influences, and she started integrating materials like automotive tarps and faux fur into her elaborate constructions. ━━━━━━━━━━━━━━━━ - BIOGRAPHY - Meike Legler has exhibited at galleries and institutions in the Los Angeles area and internationally, including Art Movement LA, Los Angeles; Stella Ripley Contemporary, Québec, Canada; E.P. & L.P., West Hollywood; Claremont Graduate University, Claremont, CA; Nous Tous, Los Angeles; and Art House LA, Pacific Palisades. Her solo exhibitions include shows at The Voyager, Los Angeles; LADIES ROOM, Los Angeles; Soho House...