Wax Mixed Media

2023, Oil & cold wax on canvas

Stella Alesi, The Shape- Yellow & Orange, Oil and wax on oil paper, 22.5 x 22.5", 2022

LeRone Wilson (1968) is a sculptor and painter living and working in New York. His primary medium is encaustic, the oldest form of painting, used by the ancient Egyptians to fuse hieroglyphics. His sculpted encaustic paintings explore the complexities of the historical and cultural inferences of spirituality, history and identity. His work represents a medley of different textures that stimulate the senses, making the art not just a thing of beauty to be admired from a distance, but something we can feel connected to through the expression of touch. It’s a way of revealing an image without actually being able to control it, letting it come about itself. The work varies in shapes with 1 to 4 inches of wax built up on the surface. Their elegant abstract details invoke minimalist historical references that are surprisingly compelling. The results are unrecognizable surfaces that encourage kind of curiosity as to their function as paintings. Minimalism can be defined as the perfection that an artifact achieves when it is no longer possible to improve it by subtraction. This is the quality LeRone wants to achieve with the texture of the encaustic. Every component, every detail and every function has been reduced or condensed to the essential. The simplicity of his work explores the possibility of working creatively without disrupting the purity of the material. A finalist for the Louis Comfort Tiffany Award and winner of Best in Show for the Carroll Harris Sims Award, his works have also appeared in live auctions...

Contemporary Australian painter Sara Freeman uses multiple layers of egg tempera over a base layer of beeswax to create meaningful, slow art. The linework through the image is made f...

"Red Line" by Steven H. Rehfeld is a vibrant 48" x 36" mixed-media masterpiece that pulses with the raw energy and complexity of abstract expressionism. This artwork is a riot of tex...

Steven H. Rehfeld's '1994' is a versatile and dynamic 38" x 64" mixed media artwork that resonates with the spirited essence of abstract expressionism. The canvas is a symphony of co...

Michael David (b. 1954) Billie's Tree Signed, Titled, and Dated 1982 Verso. Provenance: Museum of Contemporary Art, Chicago (bears label en verso) where it had been exhibited for nearly two decades. It was also Exhibited at the Museum of Modern Art (MoMA NYC) just after he won the National Guggenheim Award. The Piece Measures approximately 70" x 71" x 8" Deep. Michael David Singer; born 1954, is an American painter. Born in Reno, Nevada, David's family relocated to Brooklyn, New York, where he was raised. He attended SUNY Fredonia for one year and in 1976 received a B.F.A. from Parson's School of Design. Michael David is classified as an abstract painter, best known for his use of the encaustic technique, a was pigmentation technique which incorporates pigment with heated beeswax. He is also known for his works in mixed-media figure painting, photography and environmental sculpture. He often incorporates religious iconography and symbolism, art historical themes such as the nude, and contemporary politics into his paintings resulting in a critical dialogue between the layered abstraction of the surface and the integrated representational imagery. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Jewish Museum in New York, the Museum of Contemporary Art in Los Angeles, and the Los Angeles County Museum of Art, among others. In 1976 David, erotic photographer Roy Stuart and Fredonia friend Richie Stotts formed a band called The Numbers, with David on bass. The group was a fixture in New York's early punk rock music scene, playing in clubs alongside punk pioneers Television, Blondie and the Ramones. David also played bass with punk innovators Jerry Nolan of The New York Dolls, Cheetah Chrome of The Dead Boys, Marky Ramone, Peter Gordon, David Van Tieghem and the free-improvisation noise music group Borbetomagus. In 1977, The Numbers were approached by impresario Rod Swenson, who was seeking musicians to form a backing band for singer Wendy O. Williams, whose radical persona he sought to exploit as punk music and performance art. The Numbers became The Plasmatics but the attention David began to gain as an important voice in the art world caused him to leave the band to pursue his burgeoning painting career. David's first one-man show was in 1981 at the historic Sidney Janis Gallery. That year he was awarded a Guggenheim Fellowship, at the time the youngest artist ever to do so, and in 1982 was awarded an American Academy of Arts and Letters prize. He went on to exhibit at galleries worldwide and was represented by Knoedler & Co. for the next 25 years. David is best known for using the encaustic technique of painting, which uses pigment combined with heated beeswax. David built his early career on abstraction and religious iconography, which formed the bulk of his output until 1999. Since then he has also experimented with representational painting and traditional photography. In 2000, he developed the "Chortens" and "Populations" series, about which prominent art historian and critic Donald Kuspit writes: "They are enigmatic works, all the more so because of the way their innumerable details form singularly monumental, intimidating wholes. Dense yet delicate, awesome yet intimate, they convey the fragility as well as grandeur of sheer being. Layer upon layer of paint piles up like layer upon layer of coral, but the textural result is more epic, not to say startling, than any coral island, and virtually any other existing abstract expressionist painting (upon which they are stylistically founded)." In 2001, David developed bi-lateral neuropathy due to being poisoned by gases released by overheated beeswax used in the encaustic process. The disease left him with partial paralysis of his legs, slowing the production of his painting for a number of years. That year, David began painting one of his best-known series, the "fallen Toreadors", inspired by 19th century French Realist painter Édouard Manet's "The Dead Toreador" of 1864. In 1993, David experimented at the "20x24" Polaroid studio in Manhattan, which resulted in a series of portraits of playwright Edward Albee and of friend Jackie Gross, which would become the ongoing "Jackie" series of mixed-media works. When neuropathy rendered him unable to paint during 2003, he returned to the 20x24 camera and shot large-format Polaroids inspired by Caravaggio; nude men and women dressed as Toreadors, and religious imagery. In 2002, David began to develop The Greenhouse Project, an evolving "architectural construct" based on historical American Antebellum greenhouses built using the actual glass negatives sold to starving farmers in the post-American Civil War South. David has indicated that each greenhouse will, through the display of photography and use of social networking, create a forum and exhibit for ideas and artifacts related to civil and human rights; the specifications of each greenhouse particular to the community in which each is built. David's work was reviewed in Artforum and Art in America, and is considered one of the last links to the New York School of painting. David may be the most innovative master of immediate surface since the abstract expressionists. He has acknowledged his debt to Abstract Expressionism, but he has transformed it. Where the abstract expressionist paintings of the forties and fifties seem like modern cave paintings, as their crude, unfocused, often meandering, turbulent painterliness suggests, and as such to reinstate prehistory, David seems to turn the cave into a temple, as his more considered, concentrated, indeed, dense, contemplative painterliness indicates, so that his paintings have the aura of post history. SELECT GROUP EXHIBITIONS 2023 Radiate, Garvey Simon, New York, New York 2021 Selections from NYFA - Courtesy of the Martin Z. Margulies Foundation, New York, New York 2020 Bill Lowe Gallery Presents: Masterworks from the Gallery 2016 The Golem, The Jewish Museum of Berlin, Berlin, Germany In a Post-World: Post-Punk Art Now, The Invisible Dog Art Center, Brooklyn, New York 2014 Gallery Artists, Bentley Gallery, Pheonix, Arizona 2011 Post Mammalian Tension: Michael David & Scott Browning, Bill Lowe Gallery, Atlanta, Georgia 1999 Waxing Poetic: Encaustic Art in America, Montclair Art Museum, (Jasper Johns, Jackson Pollock, Robert Rauschenberg etc) Forty Years of American Drawings, Raab Galerie, Berlin, Germany Germany Summertime, Knoedler & Company, New York, New York 1997 Michael David and James Hyde...

Tokyo and Ceremony II, Diptych 2022, by Hunter & Gatti From The series MY WAY Acrylic and oil wax on fine art paper 255 grs Overall size: 21.5 in H x 35 in W Individual size size: 21...

A I and AII Diptych, 2022 by Hunter & Gatti From the series Opposed Tendencies Acrylic and oil wax on fine art paper 255 grs. Overall size: 29.5 in H x 47.2 in W Image size: 29.5 in ...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Yum Three by artist Brenda Zappitell is a pink, blue, and grey, contemporary abstract made of flashe and Acrylic with cold wax on panel 60 x 60 and is priced at $16,000. Brenda Zapp...

Artist Statement My paintings emerge from the emotion I feel in the moment my brush touches a blank surface. I am a very physical and spontaneous painter. Moving back and forth with ...

Yum II by artist Brenda Zappitell is a pink and light ingigo contemporary abstract made of flashe and Acrylic with cold wax on panel 50 x 50 and is priced at $14,000. Brenda Zappite...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Artist Statement My paintings emerge from the emotion I feel in the moment my brush touches a blank surface. I am a very physical and spontaneous painter. Moving back and forth with...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

"On the Water XXIII: Windward" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of periwinkle and cool blues, interrupted by str...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

This stunning artwork by Jeremy Prim is a minimalist masterpiece that exudes tranquility and captures the essence of the Pacific coastline. The painting features a serene blue color ...

"On the Water XXIV: Stem the Tide" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of cool blues interrupted by stripes of vibr...

This stunning artwork by Jeremy Prim is a minimalist masterpiece that exudes tranquility and captures the essence of the Pacific coastline. The painting features a serene blue color ...

"Homage to Frida" is a poignant and unique sculpture, paying tribute to the iconic artist Frida Kahlo. This one-of-a-kind constructed work, composed of carved limestone, copper tubing, steel, and beeswax, becomes a powerful artistic expression that resonates with Kahlo's life and legacy. Created for a gallery show in Detroit that coincided with a Frida Kahlo exhibition...

"On the Water XIV: Morning Sail" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of creamy pink and vibrant cool blues. Erickso...

"Sunset Symphony" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition of soft lilac and rosy white interrupted by fiery reds and vibrant oranges. Eri...

NOTE: This listing is for a commission based off the original piece. Please allow 4-6 weeks for delivery. Custom colors and sizes are available. "Snakecharmer" is a minimalist and...

"On the Water XIV: Boat Life" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of rich cream and deep, cool blues. Erickson's pr...

Steven H. Rehfeld's "Scattered", a 49" x 36" mixed media on canvas is a contemporary abstraction that captures a fragmented yet harmonious narrative. The canvas is a rich tapestry of...

This stunning artwork by Jeremy Prim is a minimalist masterpiece that exudes tranquility and captures the essence of the Pacific coastline. The painting features a serene blue color ...

This piece titled "See the Sky About to Rain" is an original piece by Kate VanVliet and is made from 112 repaired chicken eggs, mahogany, plastics, brass, copper, iron, beeswax and, ...

Abstract, three-dimensional standing sculpture in colorful shades of aqua blue, blood orange, green, blue, yellow, and pink "Play Tower #6", made by Hudson Valley artist, Donise Engl...

Tom Sime experiments with wax to create organic biomorphic compositions. The materials and techniques he employs require extensive knowledge and familiarity with the medium, enabling...

Tom Sime experiments with wax to create organic biomorphic compositions. The materials and techniques he employs require extensive knowledge and familiarity with the medium, enabling...

This stunning artwork by Jeremy Prim is a minimalist masterpiece that exudes tranquility and captures the essence of the Pacific coastline. The painting features a serene blue color ...

Yinka Shonibare It's My Party and I'll Cry If I Want To, 2013 24ct gold leaf embellishment, hand applied dutch wax batik fabrics on 225gsm Somerset Enhanced Paper Boldly signed and n...

"Rainbow River" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition of soft purples contrasted with sharp white and vibrant magenta. Erickson's proce...

2023, Oil & cold wax on canvas

2023, Oil & cold wax on canvas

2023, Oil & cold wax on wood panel

2023, Oil & cold wax on wood panel

2023, Oil & cold wax on wood panel

2023, Oil & cold on wood panel

2023, Oil & cold wax on wood panel

An abstract diptych painting made using cold wax medium and oil on panel.

An abstract painting using cold wax as a medium and oil on panel.

An abstract painting using cold wax as a medium and oil on panel.

Ġoxwa began painting at a very young age in her native land of Malta and eventually enrolled at the Saint Martin School of Art in London. Years later, she moved to Boston and attend...

Ġoxwa began painting at a very young age in her native land of Malta and eventually enrolled at the Saint Martin School of Art in London. Years later, she moved to Boston and attend...