1940s Mixed Media

D Ollard Ribbons of Memory Gouache and photographic collage 20 x 26 cm Signed to reverse Provenance: The family of A. E. Halliwell Little is known about D Ollard other than the fac...

Untitled (Modernist Three-Panel Screen), 1948, mixed media on paperboard mounted into a three-section screen, 58 x 45 inches, signed and dated on each panel upper right This work is part of our exhibition America Coast to Coast: Artists of the 1940s. Charles Malcolm Campbell...

WPA Mural Study Mid-Century Modern American Scene Social Realism Workers Anton Refregier (1905-1979) Mural Study, Untitled 7 ¾ x 22 inches (sight) Gouache, pencil, and charcoal on board, c. 1940s Unsigned Provenance: Estate of Seymour Fogel, noted verso Thomas McCormick Gallery...

Signed lower right, in graphite, 'Frances Pratt' (American, 1913-2003) and dated 1947. Born in Glen Ridge, New Jersey, Frances Pratt moved to New York City where she studied at the New York School of Applied Design for Woman (1930-33), and, subsequently, at the Arts Students League (1933-35). She then met her first husband, Christopher Ritter, with whom she opened Laurel Gallery in Greenwich Village and printed the Laurel Folios. Frances Pratt taught drawing and painting at the Ballard School from 1942 into the early 1950's. She also taught mixed media and watercolor techniques at the Parsons...

Whimsical oil pastel drawing of an elaborate theater stage hosting a single ballerina made of a vintage photograph by Eli Berg, circa 1940. Original artwork on paper displayed on...

Raised in an orthodox Jewish family in Russia, Mane-Katz was born in the Ukraine and became an early 20th-century artist, known especially for portraits and paintings with Jewish the...

Micro picture, gouache on paper mounted on black leather. Belonging to the serie “Microbes”. Interestingly, it is unusually mounted on a black leather surface whose shape reminds th...

Jacob Otto Pins (17 January 1917 – 4 December 2005) was a German-born Israeli woodcut artist and art collector, particularly of Japanese prints and paintings. Jacob Pins was born in Höxter, Germany, the son of Dr Leo Pins, a veterinarian, and his wife Ida Lipper. He immigrated to Palestine in 1936 to study art. His father tried to discourage him from becoming an artist for financial reasons. Pins' younger brother, Rudolph, (1920-2016) moved to the United States in 1934. His father was sent to Buchenwald. In July 1944, both parents died in the Riga ghetto. Pins first lived on a kibbutz, which was disbanded in 1941. He moved to Jerusalem and studied woodcut and linocut under woodcut master and painter Jacob Steinhardt, also a German immigrant, at his small private school. He lived in poverty in a tiny room, subsisting on a meagre diet. He continued his studies at the new Bezalel Academy of Art and Design. Pins was married to Elsa, the subject of a number of his prints. They had no children. Pins bought his first Oriental print in 1945, and acquired a house on Ethiopia Street, opposite the Ethiopian church, where he lived for the rest of his life. He continued collecting until his death and was one of Israel's foremost art collectors. His book on Japanese Pillar Prints, Hashira-e is the definitive work on the subject. Pins died in Jerusalem in December 2005. Pins' artwork was heavily influenced by German expressionism and traditional Japanese wood block printing. From 1956 to 1977, he taught at Israel's leading art schools, most notably Bezalel, where he later became a professor. He was known as a demanding teacher, emphasizing strong technical skills and discipline. In the 1950s, Pins helped to found the Jerusalem Artists' House, a centre for the city's artists to meet and exhibit. Legacy Pins' extensive collection of Japanese woodprints...

Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern.mixed media. 21 x 16 (sight). Housed in a hand carved frame. Louis King Stone ...

Al Hirschfeld (1903-2003) "Beat the Band" 22 x 26 1/2 inches ink on board published in The New York Times, October 11, 1942 The unframed work comes directly from the Al Hirschfeld F...

Sz: 15"H x 30"W x 1/2"D Signed: State (bottom center) *wear commensurate with age*

Elegant eglomisé mirrored glass panel painting by Leon Masson (1911 - 1987). This finely etched plaque features a young naked woman on a balcony with a blackbird. The background's details show a lush landscape with a town or village on the hillside. The engraved artist's signature is in the bottom right corner. The eglomised mirror panel is encased into two sheets of clear glass, then framed with a contemporary blackened carved wood frame with Renaissance style. Measurements: With frame: 18.19 in wide (46.5 cm) x 21.44 in high (54.5 cm). Plaque size: 10 in wide (25.5 cm) x 13.19 i. high (33.5 cm). Please note that all the nuances of colors visible on the mirror panel are due to the reflections of the objects and the environment around the piece. The photos of the plaque taken flat reflect the exact color of the painting. Biography: Léon Masson (1911-1984) was a painter, illustrator, sculptor, and creator of jewelry and decorative objects. He was born in Simiane near Aix-en-Provence, France. Some of his works were acquired by the Louvre Museum in Paris. He produced sculptures for the Montreal Olympic Games in 1976. He also worked for the Christian Dior house...

A stunningly original mixed-media collage showing an Ark containing various life-forms and a dove resting in the waves. Fridman has used oil paint, papyrus and pre-columbian textiles...

A large vintage herbarium / botanical display collected and created by S. Lindvald in June 1945 in Sweden. This four-piece collection of botanical specimens is preserved behind glass...

Framed under glass, overall size is 22 x 26 inches Born in Lihons-en-Santerre April 12, 1881, Elisée Maclet began his career as something of a 'Sunday painter', who experimented in ...

Vivian Bewick Leopold von Habsburg, original vintage book cover India ink and body colour 30 x 26 cm This work was originally a book cover design for the biography on Leopold Habs...

This piece appears unsigned and unmarked. It came from an important estate in the Palm Beach area. It is an abstract flame or torch in a bronze vase. Venetian glass (Italian: vetro ...

Evelyn Harper, "Untitled: Cadillac Automobile Show" , Mixed Media on Illustration Board, 15 x 10, Mid-20th Century, 1948 Colors: Black and White A 15 x 10 Black and White Illustrat...

Very well done charcoal and wash portrait of a young boy done circa 1945. Signed and dedicated lower middle. Condition is good. Linen gallery mat with thin...

Still Life is an original photo-lithograph artwork realized by the Italian artist Luigi Bartolini in 1942 ca. Signed on the plate and dated. Very good conditions. The artwork represents still life, created by quick and confident strokes. masterly expressed through well-defined hatching of the objects Luigi Bartolini (Cupramontana, Ancona, 1892 – Rome, 1963) was a famous Italian engraver, painter, and writer. Through his etchings, which often accompany his writings, the artist led a research on light and on the signs of expressionist intonation. Among the literary works: Ladri di Biciclette (1946); Il mezzano Alipio (1951); Racconti Scabrosi (1963). Only after World War I, he dedicated himself entirely to engraving, achieving his first success in 1932 at the Italian engraving exhibition in Florence...

Gilded Chinese Vase is an original modern artwork realized in the first half of the XX Century by the French artist Gabriel Fourmaintraux (Desvre...

Ethel Merman "Annie Get Your Gun" original Mid Century Broadway theatre drawing Ethel Merman in the pre-Broadway tour of ANNIE GET YOUR GUN, 18 ½ ...

Emblematic Oblong mirror by French ceramist Mithé Espelt (1923–2020), originally designed circa 1949. This example was produced around 1990 under the direct supervision of the artist...

Max Bucaille ( 1906-1996 ) Collage surrealist " XII -47 " work on paper, dated XII 1947 , and signed Max Bucaille . framed original vintage black...

Family at the Beach WPA Modernism American Scene Social Realism Mid 20th Century William Gropper (1898 - 1977) "Family at the Beach" 27 1/2 x 19 1/2 inches Mixed media on paper, c. 1940 Signed lower left Provenance: Estate of the artist. The drawing will ship from the home of Mr. Gropper's grandson. Bio Throughout his life, William Gropper used his artistic talents to protest social injustice. Born in New York City, he grew up there in poverty and left high school to work as a dishwasher and delivery boy. He eventually began a career in art and was able to study with Robert Henri and George Bellows from 1912 to 1915. He adopted their realistic painting style, and his own work expressed sympathy for common laborers and outrage at society's ills. In 1919 Gropper established a reputation as a political cartoonist working for the New York Tribune. His blunt, forceful style attracted the attention of other publications, and he provided illustrations and cartoons for a variety of magazines, from the left-wing New Masses to mainstream Vanity Fair. Like many social realist artists of the 1930s, Gropper supported liberal political causes, depicting subjects such as the plight of migrant laborers and striking factory workers. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...

"Windmill on the Plains" is a captivating watercolor and ink on paper painting by 20th century Colorado artist Jenne Magafan. Created in the 1940s, this work depicts a large windmill...

La obra va firmada en la parte inferior por el artista "Frank Adams" El estado de la obra es bueno Se presenta bien enmarcada la obra Medidas de la obra: 67 cm altura x 47 cm anch...

Pastel, colored pencil with collage elements Unsigned Condition: Repaired tear in the area of the moon, only visible from verso Pin holes in the corners and in the ...

Max Bucaille ( 1906-1996 ) " collage IV- 47 " : collage on paper , signed Max Bucaille and dated IV 1947 . framed Original vintage velvet : 40,5 x 35,5 cm x 3 cm . paper : 24 x ...

Bird Man is an original modern artwork realized by Alexander Schawinsky in 1943. Gaufrage techinique. Includes frame. Hand signed, dated and numbered on the lower margin. Edition...

Madame et Monsieur is an original artwork realized by Georges Henri Tribout in about 1940. Mixed media on paper. On the lower margin is present a pencil inscription. Good Conditions...

Chinoiserie is an original modern artwork realized in the first half of the XX Century by the French artist Gabriel Fourmaintraux (Desvres, 1886 ...

Small Amphora is an original modern artwork realized in the first half of the XX Century by the French artist Gabriel Fourmaintraux (Desvres, 188...

Chinese Vase with Nightingale is an original modern artwork realized in the first half of the XX Century by the French artist Gabriel Fourmaintraux...

Beautiful and rare Poster Sketch created in 1942 in order to celebrate Littoriali Games during the Fascist period. Signed and dated 'D'Agnillo n. 26-5-1942-XX' lower right.

"Second Theme" 1949 Abstract Mid 20th Century Geometric Non-Objective Hard Edge Burgoyne A. Diller (American, 1906-1965) "Second Theme" 1949. Pencil and crayon on paper. Signed and dated 'D. 49' (lower right). Image: 9 1/2 x 5 1/2 in. Andre Emmerich Gallery, New York. Martha Jackson Gallery, New York. Anderson Gallery, Buffalo, New York. David K. Anderson Grandchildren's Trust. BURGOYNE DILLER (1906-1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and collages that paved the way for the development of American Minimalism during the 1960s and 70s. Born in New York City in 1906, Diller began painting and drawing as a teenager growing up in Battle Creek, Michigan. Later, while attending Michigan State University in East Lansing on an athletic scholarship, he made weekend visits to the Art Institute of Chicago, where he familiarized himself with Impressionist and Post-Impressionist painting. He was especially drawn to the landscapes and still lives of Paul Cézanne, who modeled color to create structure and volume. In 1929, Diller moved to Manhattan and enrolled at the Art Students League, where his teachers included such progressive-minded painters as Jan Matulka, Hans Hofmann, and George Grosz. Hofmann's concept of the "push-pull" effect of form and color exerted a strong influence on his early work, as did his growing familiarity with Analytical and Synthetic Cubism, German Expressionism, and other vanguard European styles. Diller had the opportunity to see some of this work firsthand, but he also kept abreast of developments abroad by reading journals such as Cahiers d'Art. Diller completed his studies at the League in 1933, the year he had his first solo exhibition at the Contemporary Arts Gallery in New York. It was around this time that his paintings began to show the influence of the reductive, pared-down geometric compositions of the Dutch Constructivist Piet Mondrian and the equally restrained compositions of Kasimir Malevich and El Lissitsky...

Born in San Francisco, California in 1884, painter and printmaker Rudolf Von Huhn studied and earned a degree in engineering in Germany and didn’t devo...

Born in San Francisco, California in 1884, painter and printmaker Rudolf Von Huhn studied and earned a degree in engineering in Germany and didn’t devo...

Includes a Certificate of Authenticity

Signed Lower Left by Artist The Saturday Evening Post cover, December 1, 1945

Medium: Mixed Media on Whatman Drawing Board Signature: Signed Lower Right Titled and marked "P4447" on Saturday Evening Post label verso. "The Refugee" by Bud Hutton and illustrated by Robert Fawcett...

Image Sz: 17 3/8"H x 17 1/2"W Frame Sz: 19 3/4"H x 21"W Dating from 1946, the game was made in England by Castell Brothers under their Pepys brand name.

Signed Lower Center A copy of the magazine accompanies this lot.

Signed and dated twice lower right: Reginald Marsh 46 / Reginald Marsh 1946

Poster design for National Art Week, November, 1940. In collaboration the Al Hirschfeld Foundation Al Hirschfeld’s drawings stand as one of the most innovative efforts in establishi...

Approximate Date: 1949 Medium: Mixed Media on Paper Dimensions: 18.50" x 22.00" Signature: Signed Lower Right Story Illustration

Approximate Date: 1949 Medium: Mixed Media on Paper Dimensions: 18.50" x 22.00" Signature: Signed Lower Right Story Illustration

Jim’s of Lambertville is proud to offer this artwork by: Dwinell Grant (1912 – 1991) Non-objective artist, Dwinell Grant, was born in Springfield, Ohio in 1912. His interest in the...

Artist: Matisse, Henri Title: Blue Cut Out/Flower Date: Unknown Medium: Paper Collage Unframed Dimensions: 4" x 5.75" Framed Dimensions: 20.75" x 22.5" Signature: Initialed E...