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Ryan Snow
Rectangles in Sage

2026

$3,100
£2,361.68
€2,737.59
CA$4,409.76
A$4,499.88
CHF 2,525.81
MX$55,137.16
NOK 30,072.04
SEK 29,943.19
DKK 20,460.33

About the Item

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind achieved by observing nature, documenting climate signals, collecting earth pigments and practicing meditation. His fine arts studio practice focuses on interpretation of these peak mind moments to create minimalist artwork informed by Earth's natural processes, physical and emotional energy flows, and extensive scientific/policy research of anthropogenic impacts to the biosphere. Ryan is a fine arts graduate of U.C. Santa Cruz, where he received his Bachelor’s degree and was the recipient of the Irwin Scholarship award.
  • Creator:
  • Creation Year:
    2026
  • Dimensions:
    Height: 25 in (63.5 cm)Width: 19 in (48.26 cm)Depth: 2.5 in (6.35 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Napa, CA
  • Reference Number:
    Seller: rsx-30951stDibs: LU144217866712

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Chroma X78

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Inspired by cartography from an early age, Chase Langford’s abstract paintings transform the familiarity of cities and maps into fluid visions, evoking the feeling of the location with carefully selected color and precise shapes. In the 1980’s, after studying cartography at UC Santa Barbara and drawing maps for the UCLA faculty, Langford began exploring ways to combine his mastery of map-making with his love of fine art. In his original map paintings, Langford reinterprets geography by taking selected features from maps and filling in the reconfigured shapes with flurries of color, exploring varied locations such as Essex, England and the Galapagos Islands. In his “Morphic” series, Langford once again finds inspiration in specific geographic regions, abstracting them until they are nearly unrecognizable with colors interweaving and flowing around each other. Almost seeming to mimic the fluid strata of the Earth, Langford adds and scrapes away layers of oil paint, building up intricate textures while simultaneously revealing the colors below. Langford’s highly-collected “Chroma” series began as a happy mistake. One day, displeased with the brushwork of a painting, he decided to obscure the image by painting small rows of vertical brushstrokes; in doing so, he took note of the beauty of organic uniformity. After years of refining his technique, Langford created the trance-like paintings that he likes to think of as rows of city blocks on a map. Langford has completed many site-specific commissions, including for Monique Lhuillier, Inc.; the Michael & Susan Dell Foundation; and Caesar’s Palace...

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