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Artist Comments
"This painting of an outdoor cafe in Paris is so full of life, you can almost hear the people engaged in conversation," says Faye Vander Veer. "From the waiter in the foreground to the waiter standing in the doorway, you can feel the energy." Through her loose brushwork and sense of perspective, Faye draws you into the painting so you too can experience a sunny April in Paris...

Lemon leaves 100x70 cm

Robert Irwin Getty Garden (hand signed and inscribed by Robert Irwin), 2002 Hardback monograph with dust jacket Hand signed and inscribed by Robert ...

This is an unique Autograph Invitation Letters by the Italian artist, Corrado Cagli (1910-1976) to the Countess and patron of arts, Anna Laetitia Pecci-Blunt. Paris, November 28th ...

Inside, Husband's Bathroom Drawer, 2018

Mörder hoffnung der frauen (Murderer, Hope of Women) is an original modern rare book illustrated by Oskar Kokoschka (Pöchlarn, 1886 – Montreux, 1980) in 1916. Original deluxe editio...

Tulips and Rose on Blue, 2018

Morning Wanderers

HILDA VIKA (married EGLITE) (1879 – 1963) She was born at Riga; her father was a worker at liqueur factory. Her first drawing teacher was a German artist Gerhard Fon Rozen, at Riga ...

Limited Edition Street Art France, 2021 Hardcover Book 10 1/2 × 8 × 2 in 26.7 × 20.3 × 5.1 cm Edition of 3000 This work is part of a limited edition set. Medium Books and Portfolio...

A Midnight Tryst

Framed price is listed Image size: 13.5 x 9" Framed size: 21.5 x 17" $90 Unframed Please contact us for more information on purchasing an unframed print

Artist Comments
Two charming Appaloosa foals nuzzle one another in a tender display of friendship. Their speckled coats glimmer under a soft, diffused light. The pale blue ba...

Blue Abstract About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discovered her love of abstract ...

L.T.S. (Lettre dactylographiée signée) Typewritten Letter Signed by Albert Field, on letter headed paper with double heading, central “The Salvador Dalì Catalog”, top right “Compiler Albert Field, 20-25 29th Street, Astoria 5, N.Y.” addressed to the Countess Anna Laetitia Pecci -Blunt. Dated 8th March 1958. One page (27.8 x 21.5 cm). In English. Perfect condition with usual folds in the paper. With some pencil and blue ink notes by the Countess. With this letter, in formal terms and on headed paper, Albert Field, as official compiler of Dalì's work, asks to the Countess make the catalogue complete with some information concerning "Instrument masochiste" and "Ossification prèmature d'une gare", bought by the Countess in 1934. The background: While the Catalonian artist was exhibiting his work at the National Gallery in Washington, he commissioned to Albert Field the creation of his Official Catalogue of Graphic Works, a guide to the artist’s works for collectors, dealers, gallery owners and museums: an opus magnum encompassing 40 years of production and comprising 1900 illustrations, of which 1500 in color. Albert Field was Dalí’s official archivist, besides the topmost authority regarding the artist’s work, who discovered approximately 17 types of falsification, as he reported to the St. Petersburg Times in 1987. Therefore, the catalog had the function of uncovering false Dalís scattered throughout the world. Nevertheless, Dalí himself reacted to the falsification phenomenon by saying: “Someone who is subjected to forgery the way I am must really be fantastically good''. An eccentric genius like Dalí thus found a kindred spirit in Mr. Field, an English, science, and maths teacher, as well as collector of playing cards, who had a passion for nudism and rambling, and who combined all of his interests by climbing the Appalachian Trail completely naked. At the sight of “Dream of Venus...

take him away, 150x120cm, Oil, Canvas, Sand

Calcography on frontispiece, 20 engraved sanguine tables and 20 text pages in Dutch, French and English with some minor ancient restoration. Tables in excellent conditions. Half leat...

Volume III of the collection dedicated to Picasso's lithographs. It includes reproductions of the etching created between 1949 and 1956. Copy on Velin paper. Cover and frontispiece a...

Edition of 131 copies including 66 original b/w and colour lithographs by Giorgio De Chirico, plus repeats on title-page and front wrapper. One of the 88 copies on papier de Chine, w...

Artist Comments
Soft clouds blend with a bright blue sky, where five birds soar in a serene atmosphere. The scene takes inspiration from artist Karen Barton's observation of ...

EVENING BAG & EVENING SHOES - This pair of paintings combine neutral acrylic colours with textured collage and a delicate touch of sparkle. Attention to detail captures a hint of tim...

Artist Comments
Breathtaking sunset reflects off a cloud-filled sky in Australia, creating a color-filled landscape. Below, a road cuts through a field and leads to a distant...

Pretzels

Roy Lichtenstein at CSU, exhibition catalogue, 1982 Softback exhibition catalogue with 2 very cool vellum pages with the Benday dots Unsigned 11 × 8 1/2 in...

Artist Comments
Much of artist Benjamin Thomas's work is rooted in memory and mistakes rather than direct observation of life. After learning from his painting mishaps, he no...

Richard Serra Early Work (Hand signed and dated by Richard Serra), 2013 Hardback monograph with no dust jacket as issued (Hand signed and dated 2014 by Richard Serra) Hand signed and dated 2014 by Richard Serra on the title page 12 × 10 × 1 3/5 inches Provenance The artist signed the work for the present owner at a special 2014 event with Hal Foster...

Hommage à Pablo Picasso is the catalogue of Pablo Picasso's exhibition of paintings held at the Grand Palais des Champs-Élysées (commonly known as the Grand Palais) in Paris, Novembe...

Muse, 140x90 cm, acrylic on canvas

Via San Niccolo

Warm & Cool

Bouquet, 85x80cm, oil on canvas

Tracey Emin: I Lay Here For You (Hand signed and dated book), 2022 Hardback monograph (hand signed and dated by Tracey Emin) on Munken Lynx Smooth Natural White 170 gsm with endpapers of Colorplan Candy Pink 135 gsm; matt laminate printed cover with black head and tail bands Hand signed and dated by Tracey Emin on the title page. 9 × 6 3/4 × 2/5 inches Unframed Hardback monograph with illustrated boards and no dust jacket as issued, hand signed by Tracey Emin. A beautifully designed publication I Lay Here For You, sumptuously illustrated and with a fascinating essay by Katy Hessell, author of The History of Art without Men. About the project: Tracey Emin’s first Scottish show since 2008, I Lay Here For You (28 May – 2 October) will offer an intimate encounter with love and hope set against the domestic architecture and informal woodland of Jupiter Artland. Imbued with connotations of both warmth and vulnerability, resonating with Tracey Emin’s belief of the ‘personal as political’ the exhibition will feature brand new work by the artist reflecting on the possibility of love after hardship. Tracey Emin’s participation in Jupiter Artland’s 2022 season begins with the unveiling I Lay Here For You, a six metre bronze sited personally by the artist in an old-growth beech grove. Larger than life, powerful and at ease, the sculpture presents a radically different view of woman’s place...

Keith Haring PS 122, New York, NY 1980: Rare, seldomly seen announcement card to Haring's seminal 1980 East Village, open studio exhibition and artist residency: P.S. 122, New York ...

Crucifixion, 130x100 cm, oil on canvas

Heliogravure, etching, and drypoint, 1934. From the deluxe edition of 40 with the drypoint remarqué, before the published edition of 100 printed from the reduced plate. From the po...

Milano II feat. Vespa Primavera 125, 2020

Meghan, 2013

Dreamstate II

Head Study 3

Gardani announces a new Pop Art Limited Edition, Giclée printed on Canvas. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number o...

Gardani announces a new Pop Art Limited Edition, Giclée printed on Paper. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number on...

Artist Comments
Part of artist Naoko Paluszak's signature series Who Are These Angels. A diaphanous figure appears to be swaying on her feet. Focused light shimmers on her wh...

Artist Comments
Dawn's first rays bathe the Los Angeles skyline, casting a burnished glow over the iconic palm trees. Billowing clouds add a touch of softness to the scene. T...

Peonies, 40x30 cm, oil on canvas

The Lobsterman NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fi...

Rose in Flute

80x70cm , oil\canvas

Artist Comments
A contemplative portrait rendered in bright oranges and green. Artist Gary Leonard first developed the abstract background and then worked the figure into the...

Vengeance on the Sound

Gabrielle

The works are created without a stretcher frame; if stretched on a stretcher frame, the size will be several centimeters smaller than stated.

Gardani announces a new Pop Art Limited Edition, Giclée printed on Canvas. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number o...

Gardani announces a new Pop Art Limited Edition, Giclée printed on Canvas. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number o...

Gardani announces a new Pop Art Limited Edition, Giclée printed on Paper. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number on...

Gardani announces a new Pop Art Limited Edition, Giclée printed on Paper. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number on...

Gardani announces a new Pop Art Limited Edition, Giclée printed on Paper. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number on...

The Glow II

Imprint 82

Yellow Breeze

"In times of chaos we sometimes lean a little too far in the opposite direction to try balance out the feelings of our own personal loss of control, which is what this piece represen...