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Edition of 440 copies including 32 coloured illustrations by André Lhote. One of the illustrations is full-page. Original editorial softcover with spine lightly damaged. Inside near ...

Artist: after Shlomo Katz, Polish/Israeli (1937 - 1992) Title: Who Knows One (Passover) Year: 2000 Medium: Woolen Carpet Tapestry, signature in the cache Size: 120 x 95 in. (304.8 x ...

Enter the captivating realm of Rachel Marie's artistic expression as we showcase "Limits" in our exhibit. Created in 2024, this mesmerizing artwork intertwines acrylic and oil pastel...

Léon Paul Fargue, Les Ludions de Léon Paul Fargue illustrés par Marie Monnier, Paris, Éditions J.O. Fourcade, 1930. Vol. in 4°, cm 31.5 x 1.5 x 21.5, pp. n....

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is inc...

Drowned Roar is a commanding 21 x 27 inch original work by Italian artist Francesco La Rosa, whose mastery of microetching pushes the boundaries of contemporary realism. Rendered ent...

Bather

Mary Heilmann To Be Someone (hand signed and inscribed "Love from Mary Heilmann"), 2007 Hardback monograph with dust jacket (hand signed and inscribed by Mary Heilmann) Warmly signed...

Tierra, 2020

This is the forth in a series of intimate paintings exploring colour combinations using fragments of Fortuny textiles. Through the use of paint, paper and fabric, the simplified comp...

Closing Statements, 2018

Iconoclast, 2018

Luna's Spotlight, 2021

Marc Chagall (1887-1985) - The Wolf, the Mother, and the Child Etching from 1954. Edition of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm. Referen...

Thomas Wimberly III is an artist and designer from southern Louisiana. After earning his BFA in Graphic Design from Louisiana State University he has been acting as an art director a...

Skateboarding Apparatus, 2021 Skate Deck 32 x 8 x .25 in (81.3 x 20.3 x .64 cm) Edition of 150, w/ Signed COA Multidisciplinary artist CB Hoyo is known for skewering norms, his word...

Wonderful contemporary abstract signed painting Series of 4 canvas assembled to form a single painting signed Kozo Inoue dated 1974 This painting, never before on the market, comes f...

Cubist Style Mid Century Color Ethiopian Girl in pink hue Comes Unframed On Stretched Canvas About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to...

MARINI, Marino. Tout Pres de Marino. Text by Egle Marini. Illustrated with 10 original etchings by Marini. Atlas folio, loose as issued in wrappers and cloth folding box. Paris:...

**ANNUAL SUPER SALE UNTIL FEB 29tH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** Celebrating the King of Pop Michael Jackso...

**HOLIDAY SEASON SALE UNTIL NEW YEAR'S DAY** Take Advantage Of This Limited Time Opportunity. Celebrating the King of Pop Michael Jackson by Mauro Oliveira. The colorful pinstripes ...

Gloria Dudfield After Clyfford Still 1960s Acrylic on paper site 36"x25" black wood gallery frame float mount 40"x1.25"x28" Good Condition- Minor wear...

Keith Young Pow! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 12.25x11.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1134 -------------------...

Embark on a captivating journey into the world of Rachel Marie's artistic vision with "DISRUPTED," featured in our exhibit. Crafted in 2024, this mesmerizing artwork blends acrylic a...

Camp

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

La Grande Guerre is an original woodcut print by Benito (Edmond Garcia, 1891-1961) realized in the Early 20th Century. Good condition. The artwork is depicted through strong stroke...

This is Not a Riot 1

Original title: Le Secret professionnel suivi des monologues de l'oiseleur & augmenté de douze dessins en coeleurs de l'auteur reproduits en fac-similé. Pri...

Family Outing, 2018

A New Cagli's Period - Autograph is an interesting L.A.S.s.d. Autograph Letter Signed and Dated) by the Italian artist, Corrado Cagli (1910-1976) to the Countess and patron of arts, ...

Harding Black San Antonio (1912 - 2004) Huge Heavy Oxblood Vase 1984 Height 17'' At widest 5'' Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Mel Ramos 50 Years of Pop Art (Hand signed, dated and inscribed to Nadine by Mel Ramos), 2010 Softback monograph with dust jacket (hand signed, dated and inscribed by Mel Ramos) Hand...

Seraphine

Pablo Picasso (1881-1973) - Jacqueline at the Stamen Phototype and pochoir from 1962. From the edition of 1,000 copies, this example is number 334, as noted in the colophon. Dimen...

Sean Scully: Material World (Hand signed and dated by Sean Scully), 2022 Hardback monograph on Munken Lynx, 150 gsm paper (hand signed by Sean Scully) Boldly signed and dated by Sean Scully in black marker on the first front end page 11 1/2 × 9 3/4 × 3/4 inches Unframed This lavish hardback monograph [book] with no dust jacket, as issued, was published in conjunction with the exhibition "Sean Scully Material World" at the Thorvaldsens Museum, Copenhagen, from September 2, 2022 to March 5, 2023. It was, exceptionally, hand signed by Sean Scully for us at a special event at Rizzoli books in Manhattan, where he was in conversation with curator and book contributor Raphy Sarkissian...

Barn Number 3, 2018

Summer Wine, 2018

This is a Autograph Letter Signed by Fabrizio Clerici to the Countess A.L. Pecci-Blunt. April 4th, 1956. Signed "Fabrizio". One page, single-sided. In Italian. Excellent condition, ...

Tracey Emin Strangeland (Hand signed, dated and inscribed by Tracey Emin), 2005 Hardback monograph with dust jacket (hand signed, dated and inscribed for Ann by Tracey Emin) Hand sig...

A delightful 1767 sampler depicting the alphabet and floral motif. Signed and dated. Presented in a dark wooden frame. On cotton.

Cocktails

Pablo Picasso (1881-1973) - The Werewolf Phototype and pochoir from 1962. From the edition of 1,000 copies, this example is number 334, as noted in the colophon. Dimensions of she...

Georges Braque (1882-1963) - Colombe sur fond vert Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Plate signed. ...

Nude In Lavender NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch ...

Pablo Picasso (1881-1973) - Jacqueline with a Bird’s Gaze Phototype and pochoir from 1962. From the edition of 1,000 copies, this example is number 334, as noted in the colophon. ...

This is the original b/w postcard, representing the official portrait of the Italian senator of the Kingdom of Italy, Giacomo Grosso, with the inscription "Yacopus Grosso -Senator di...

Love is a Political Act

Summer's Dreams are Made of These

Wasim Kapoor - Untitled Charcoal on Paper 14.5 x 13.5 inches, 2008 (Unframed & Delivered) Style : Wasim Kapoor is an artist possessed by the dark emotions of pain, suppression, suff...

Sibilla is an original couple of books engraved by Giulio Aristide Sartorio (Rome, 1860 - 1932) in 1922. Original First Edition. 1333 numbered and signed copies. Published by L'Eroica, Milan. Format: in 4°. The dimensions of the book are indicative. The book includes 230 pages with 219 etchings (70 of them are in full page). Good conditions. Giulio Aristide Sartorio (11 February 1860 – 3 October 1932) was an Italian painter and film director from Rome. Having attended the Rome Institute of Fine Arts, Sartorio presented a Symbolist work at the 1883 International Exposition of Rome. He formed friendships with Nino Costa and Gabriele D’Annunzio, and associated with the painters and photographers of the Roman countryside. He won a gold medal at the Paris Universal Exhibition of 1889 and met the Pre-Raphaelites in England in 1893. His participation in the Venice Biennale began in 1895 with the 1st International Exposition of Art of Venice, after which he taught at the Weimar Academy of Fine Arts from 1896 to 1898. His period of greatest renown came at the beginning of the century, when he produced decorative friezes for the 5th Esposizione Internazionale d’Arte of Venice (1903), the Mostra Nazionale of Fine Arts (Milan, Parco Sempione...