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This exquisite portrait remained for nearly 300 years in the possession of the sitter’s descendants, preserved among the Bigg-Wither family portraits at their magnificent stately man...

Fernando Botero (Colombian, 1932–2023) Una Famiglia I – Original Exhibition Poster, 1991 This original exhibition poster, published in Italy in 1991 on the occasion of Fernando Bote...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

Portrait of Lady Diana Bruce in a Blue Dress with Cut Sleeves c.1660-1670 Circle of Sir Peter Lely (1616-1680) Presented by Titan Fine Art is a captivating portrait of the noble Lad...

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Snow covers the landscape, painting the birch trees and soil white. Drawing from quiet, reflective walks in the woods, artist Valerie Berkely captures this sere...

Still Life with a Blue Vase 70x50 cm

Original Oil painting by Ukrainian artist Alisa Onipchenko-Cherniakovska In this vibrant oil painting, I've channeled the essence of a sun-drenched seaside town, blending elements o...

Christopher Wool (hand signed by Christopher Wool), 2006 Cloth hardback monograph (hand signed by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half title p...

Jim Dine – Self-Portrait: The Landscape 1969 Medium: Lithograph in Colors on Hodgkinson Mould-Made Paper Edition: 65/75 Artwork Size: 53 x 37.5 in Framed Size: 58.5 x 43.25 in Price:...

A wonderful piece of unknown edition by Andy Warhol. A silkscreen print on a Cellulose and Cotton dress. Fearing the artist's trade mark Campbell's soup can. In very good condition.

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This painting combines two of artist Onelio Marrero's interests: his love for the Metropolitan Museum of Art in New York City and his fascination with observi...

Portrait of Barbara Herbert, Countess of Pembroke c.1708 Charles d’Agar (1669-1723) This magnificent large-scale portrait, presented by Titan Fine Art, depicts the British court of...

Robert Motherwell – Primal Sign I 1979–1980 Medium: Color Aquatint & Lift-Ground Etching on Cream Whatman Paper Edition: 38/60 Artwork Size: 23.5 x 18 in Framed Size: 34.75 x 28.25 i...

Wonderful contemporary abstract signed painting Series of 4 canvas assembled to form a single painting signed Kozo Inoue dated 1974 This painting, never before on the market, comes f...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

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A robot elephant balances an heirloom tomato and a pot of daisy flower on its head. This is artist Diane Flick's first painting using AI-generated reference p...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Officially Licensed THE CURE, 2022 Paris tour poster. 18 X 24 Inches.

This 27" x 19" monochromatic graphite, oil pencil and charcoal drawing by Serbian artist Bojan Grof depicts a dog with a lifted leg, urinating on a stone wall with a graffiti'd "FREE...

Diamond Supply Co. x Estate of Jean Michel Basquiat Basquiat Negro Athletes Skateboard Deck: Limited edition Basquiat skate deck licensed by the Estate of Jean Michel Basquiat in co...

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Orange and yellow candy-colored Gerbera daisies exploding on a nostalgic patterned blue background featuring pink flowers. Painted on Arches heavyweight oil primed paper, which can be framed with our without glass.

About the Artist

Words that describe this painting: Gerbera daisies, daisies, vase, floral, bouquet, flowers, still life, flora, representational, vintage, oil painting, orange

Flowers and Twigs...

Two enchanting 19th century sailors valentine having a rare form hand decorated with exotic seashells, one around an image of a man and woman in a rowboat and the other around an ima...

Portrait of an Elegant Lady in a White Satin Dress, signed and dated 1669 Attributed to Nicolaes Maes (1634–1693) Radiant in condition and impressive in scale, this refined three-qu...

Hares, 2023, 78x54 cm

Les Métamorphoses du Jour is an original modern rare book written by Various Authors and illustrated by Jean Jacques Grandville (Nancy, 1803 – ...

The McGuires have created a body of work inspired by the seedy, shady underworld of Film Noir. Inhabited by gritty gangsters and femme fatales these characters come alive within a se...

Up for sale is a complete set of skate decks featuring offset lithographs in colors by the renowned artist Retna. This set, produced by Beyond the Streets...

Soldier is an lithograph realized by Alphonse de Neuville in 1883. Signed on Plate. Good conditions. The Artwork is depicted through soft strokes.

Raymond Gallucci (1923-2005) Lamp Base, ca. 1970. Glazed ceramic. 15 " h, 7 3/8" w, 6" d. Opening for lamp post measures 11/16 inch. While the piece would make a lovely lamp, we...

Sold without frame Executed in 2015, this work is a poster from an unnumbered limited edition of approximately 300, published by Astrup Fearnley Museet, Oslo on the occasion of the ...

Drypoint, aquatint and heliogravure, 1965. Signed by the artist and dated in pencil, lower right margin. Numbered 42/150 in pencil, lower left margin. Printed by Robbe, Paris. Pub...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Portrait of a Gentleman in Blue Coat Standing by Curtain c.1695 Attributed to Constantyn Netscher (c.1668-c.1723), not signed The gentleman in this portrait has been depicted standi...

Limited edition Jean-Michel Basquiat Spray Paint Can 2017: Highly collectible limited edition Jean-Michel Basquiat spray paint can by published ci...

Roberto Montenegro Untitled

Super cool and collectible Banksy Cut It Out Mini Book. Released in 2004. Must have for the Banksy collector. Last in the series of 3 books released in mini black book format in the ...

Artist Comments
A woman lies under a vibrant night sky, the stars and planets illuminating her form. Bold colors and energetic directional brushwork add a hypnotizing energy to the composition. This piece is artist Diana Elena Chelaru's personal interpretation of the vast space.

About the Artist
Artist Diana Elena Chelaru creates vibrant expressionist works that explore human emotion and the cosmos. “Art is a means of communication, a way to express my thoughts, hopes, and joys,” says Diana. She uses form, lines, and color to bring her imaginative compositions to life, with inspiration drawn from Byzantine mosaics and Gustav Klimt’s decorative patterns. Diana received her BFA in Painting from George Enescu Art University and an MA in Art History from Queens College. Diana’s creative process is fluid and intuitive, guided by her emotions in the moment, with music as a constant companion. Her studio, located in the basement of her home, is kept clean and organized. When she’s not creating, Diana enjoys spending quality time with her family.

Words that describe this painting: Universe, stars, sky, night, meditation, celestial, space, flow, movement, planets, reclining, expressionism, nature, people, acrylic painting, blue

Star Gazing...

Sol LeWitt Limited Edition Geometric Abstraction Silk Scarf, ca. 1987 Limited Edition Silkscreen on 100% Italian silk scarf/shawl Signed on the fabric with artist's printed signature...

Not signed The hand-colored etching plates by Johann Wilhelm Weinmann, from Phytanthoza Iconographia (1737–45), present carrot and primrose with a detailed balance of structure and v...

In collaboration with Real Mad Hectic, and produced by Bounty Hunter, this piece depicts KAWS’s signature figure, Companion, in Black. This human/animal/cartoon hybrid has a Mickey Mouse body, complete with gloves, shorts, and clown-like shoes...

"Pearl Jam Seattle 2021 Streaming Event" Wood Edition by Ian Williams Discover the rustic charm of "Pearl Jam Seattle 2021 Streaming Event" by acclaimed artist Ian Williams. This uni...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Artist Comments
Artist Jaime Ellsworth captures a clever brown dog skillfully balancing a red ball and a black bird on its head. With curious gazes, the critters turn to their right as if something has piqued their interest. The two-tone backdrop of ochre and moss green sets the stage for this endearing scene.

About the Artist
Jaime Ellsworth paints animals. Her career as a cowhand never got off the ground, so she stumbled into art never knowing it would complement her passion for animals so completely. Most subjects are her own, but lately she has expanded out of her corral to include bears and beasts not commonly seen on San Juan Island, in the Pacific Northwest, where she's lived for the last 30 years. She suspects it will be years before she runs out of inspiration or has jeans that aren’t covered with paw prints or paint.

Words that describe this painting: dog, bird, ball, whimsical, happy, playful, animals, acrylicpaint, portrait, profile, primitive, animals, primitive, acrylic painting, brown

Dog Ball...

Art Card: Willem de Kooning and Elaine de Kooning, 1953 (Hand Signed by BOTH Willem de Kooning and Elaine de Kooning) from the Dan Pope collection, 1985 Offset lithograph postcard (S...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

L'Asino, Art Magazine, Year 24, no. 29, 1915, is an original colorful illustrated Italian magazine with a satiric political scene. Published on Sunday 18 Luglio 1915, in 4 pages, do...

Roy Lichtenstein (after) Vintage Museum Press Kit (National Gallery, LACMA & Dallas Museum), 1994 -1995 Offset Lithograph brochures, press releases, magazines and a bookmark Unsigned...

KAWS Companion 2016 (Set of 2 individual works): each, new and sealed in their original packaging. These iconic KAWS figurative sculptures were published by Medicom Japan in conjunct...

Original title: "Picasso Lithographe. Notices et catalogue établis par Fernand Mourlot. IV, 1956-1963". The cover and the frontispiece are two original lithographs realized by Pablo...

Nick Thomm ARCHANGEL (XL SIZE 36" x 48"). Limited Edition #22 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW - Unopene...

Beautiful poster from Daniel Arsham

Portrait of a Gentleman in Armour and Azure Cloak with Diamond Brooch c.1700 Attributed to Joseph Vivienne (1657-1735) The sitter in this superb portrait, offered by Titan Fine Art...

Decorated with a cartouche on which the family coat of arms was probably engraved, this interesting small bronze object is a "cheer mortar" (also called a "mascolo" or "mastio" of ch...

Valentino Large: Hand signed and numbered Monograph (gift book) in elegant Clamshell Box Una Grande Storia Italiana Valentino Garavani (Hand Signed and Numbered Collectors Edition),...

Artist Comments
A brightly colored parrot perches on a snow-covered rock before a tranquil lake, with snowy mountains rising in the background. Tropical foliage frames the bird...

Artist Comments
In this evocative watercolor painting, artist Vic Roschkov captures the quiet resilience of a coastal sanctuary. Bathed in the crisp light of a northern afterno...

Contemporary mixed media assemblage by Massachusetts artist Al Souza. Known for using unconventional art materials such as puzzle pieces, in this work Souza combines newspaper and glue to recreate spitballs, reminiscent of his youth. Currently hung in a light wood frame. Signed and dated by artist on reverse. Artist Biography: Al Souza was born in Plymouth, Massachusetts in 1944 and currently resides in Worcester, Massachusetts. He has exhibited extensively both nationally and internationally. His work is part of numerous collections including the Museum of Fine Arts, Houston, Dallas Museum of Art, El Paso Museum of Art, Art Museum of Southeast Texas, Tyler Museum of Art, University of Houston, Houston Airport System, City of Houston, New Orleans Museum of Art, Mississippi Museum of Art, Montgomery Museum of Art, Whitney Museum of American Art, Yale University Art Gallery, Crystal Bridges Museum of American Art, Parrish Art Museum, DeCordova Museum, San Diego Museum of Contemporary Art, and the University of Massachusetts. Souza was awarded an International Association of Art Critics/USA Award in 2007 for Best Show in a Commercial Gallery Nationally, 1st Place, for the exhibition David Ireland...

This is a beautiful patchwork piece by Zita Chocarro. Her exploration of color plays with form and contrast, as the intersection of the shapes she uses masterfully come together to ...