Vertical More Art

Happy Day 2, 130x100cm, Acrylic on canvas

"Pearl Jam Seattle 2021 Streaming Event" Wood Edition by Ian Williams Discover the rustic charm of "Pearl Jam Seattle 2021 Streaming Event" by acclaimed artist Ian Williams. This uni...

Inscribed on the reverse with the archive number C396 ARCH 274. perspex box: 217.5 x 176 x 13.2 cm. This work is accompanied by a certificate of authenticity.

Nick Thomm 'After Dark' (Orange) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #76 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NE...

"Drunk Archaeology II" is an original piece by NDA made from collaged mixed media mounted to panel. This pieces measures 25.25”h x 19.25”w framed. NDA is a public and gallery artist...

In this painting, the artist portrays a young girl surrounded by wildflowers—symbols of untamed beauty and resilience. Wildflowers thrive without cultivation, growing freely wherev...

Single twin reclined by Efren Isaza Size: 40.5 x 29 inches Framed image printed on an archival canvas, intervened with paint, ink and intentionally scratched by the artist Signed, ti...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Water Lilies in the Pond with Pots of Flowers Ashtray by David Hockney Fine Bone China edition of 250 numbered on the base. released by Salts Mill and comes in original packaging D...

series "Non-standard configurations", 42x30 cm, acrylic on paper The work is sold without a frame and mat

DC x Estate of Jean-Michel Basquiat Highly decorative & collectible, limited edition Jean-Michel Basquiat Skateboard Deck licensed by the Estate of Jean-Michel Basquiat in conjuncti...

In colors that pop like jazz, Live Composition II, 2024 by African American artist Bai is a 30” x 22” acrylic, oil pastel, and ballpoint pen painting on paper. A raw energetic style ...

The world if full of light and color if we look for it. A new day is a new opportunity. A new day is full of hope. The painting is on heavy weight paper and painted expressively with...

The day has much promise and bathed in it's light, there is hope. This painting is expressive and colorful adding to the brief moment in time. The artwork is on heavy weight mixed me...

Two enchanting 19th century sailors valentine having a rare form hand decorated with exotic seashells, one around an image of a man and woman in a rowboat and the other around an ima...

About the Artist's Edition book: Untamed Spirits: Horses From Around the World is a comprehensive photo book inviting you on a decade-long journey around the world to document the mo...

Artist Comments
A pale winter road winds through a hush of trees, their bare branches reaching into soft, silvery air. The world holds its breath, and only the faint promise of...

"Hardly" is a captivating poster featuring the artwork of renowned artist Wassily Kandinsky. Published by Art Unlimited in Holland for the Museum Boymans-van Beuningen in Rotterdam, ...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

Milwaukee Handicraft Project, Applied Design Blockprinted Textiles Volume VI Supplement, c. 1935 - 1942, twelve block printed designs on linen, images are various sizes, each is mounted in its original folder which measures 24 x 19 inches, all bear the Milwaukee Handicraft Project label, various designers, including Barbara Warren (1915 - 2005) ("Checkered Flower" and perhaps others), includes original portfolio binder The Milwaukee Handicraft Project (MHP) was the most prolific and successful of the decorative arts projects of the Works Progress Administration (WPA). It served as a model for many other similar projects across the United States and attracted the attention of thought leaders as diverse as Frank Lloyd Wright and First Lady Eleanor Roosevelt. Designed with the dual goals of providing work for underprivileged women and the creation of well-designed household objects, the MHP began in 1935 under the direction of Elsa Ulbricht...

Mona Lisa, 120x80cm

KAWS Blush Flayed Companion 2016: New and sealed in its original packaging. Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The E...

BEARD, Peter [205] pp. Arena Editions 1999 First Edition 7 1/4" x 8 1/4" w/ Acrylic 'Red Hand-Print' Inscribed: from Peter [Beard] 205 W 57th [NYC] thanks for all Feb 15, 20...

Artist Comments
A quiet street leads through the coastal town of Estepona, Spain, lined with houses resting in shadow. Further in, a sunlit building faces the viewer, its warm ...

Artist Comments
Part of her series about the divinatory meanings of the swords tarot cards, artist Rachel Srinivasan paints a minotaur with blades and a caduceus. She feature...

Artist Comments
A glowing still life of sunflowers and wildflowers arranged on a rich blue backdrop. Artist Jeff Fleming describes his painting style as kinetic impressionism. Jeff started the piece with a pencil sketch on the canvas, then with gloved hands, he generously applied oil paint using his fingers. Jeff says he created this scene purely from imagination.

About the Artist
Artist Jeff Fleming uses fingerpainting to create exuberant portraits of dogs. Growing up in Southern California, Jeff was first introduced to fingerpainting in kindergarten. He painted through high school and college and won several art awards, including Best of Show in a city wide student competition. After graduating with a degree in journalism and advertising, he went to work as an art director. For the next 40 years, he created print, radio and television ads for a number of top agencies. "After retiring in 2019, the clouds of stress and pressure cleared and allowed me to set my creative energy free," says Jeff. He began developing new techniques focused on the excitement and energy of painting. Today, he uses a variety of methods and tools, including fingerpainting wearing nitrile gloves, traditional paint brushes, bamboo shish kebab sticks, kite string, spraypaint and splattering. While working, Jeff always listens to music, including Broadway musicals, dance music and rhythmic Hawaiian tunes.

Words that describe this painting: impressionism, flowers, vase, spring, blooms, Iris Scott...

Artist Comments
Artist Onelio Marrero portrays his niece examining Jules Bastien-Lepage’s 1879 painting of Joan of Arc receiving her life-changing vision. Set within a room...

Muse, 140x90 cm, acrylic on canvas

Artist Comments
Muted grays and warm earth tones come together in this atmospheric scene, capturing the quiet pause that follows a rainfall. Expressive brushstrokes and layered...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

This piece titled "Self-Reflection on March 12, 1972" is an original piece by Han Cao and is made from embroidery on a vintage photograph. This piece measures 11" x 9" framed and is ...

Artist Comments
A gently flowing river reflects the soft glow of a warm summer morning, creating a sense of calm and stillness. A towering tree casts deep shadows over the wa...

A note about succulents, Canvas, mixed media, 110x90cm The work is sold without a frame.

Peter Halley New Works, The Butler Institute of American Art (Hand Signed), 1999 Offset lithograph poster (signed by Peter Halley) 38 × 21 1/2 inches Boldly signed in black marker by...

In flowers, 89x80cm, oil on canvas The work is sold without a frame.

Summer bouquet 65x50 cm

Artist Comments
Verdant blades of grass blend into warm tones of yellow and orange, gradually leading to a sandy shore. On the horizon, a quiet beach meets the clear blue sky...

Shepard Fairey Cut It Up spray paint can: Limited Edition Shepard Fairey spray paint can published circa 2019 on the occasion of Shepard Fairey's, OBEY 30th anniversary. Features a w...

Sea 40x30 cm

KAWS HOLIDAY SPACE (Silver) & KAWS HOLIDAY United Kingdom: set of two works (2020/2021): This set features two KAWS Holiday pieces: KAWS HOLIDAY SPACE is a celebration of 20 years o...

Arcadian landscape inspired tapestry. Belgian made, jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and rayon. Measurements are approximate.

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Oil On Canvas On Panel, Mediterranean View With Sailboat And Cliffs ** SOLD WITHOUT FRAME ** Additional information about the work: Title: Mediterranean View Medium: oil on canvas...

Beyond the Streets x CB Hoyo Skateboarding Apparatus, 2021 Skate Deck 32 x 8 x .25 in (81.3 x 20.3 x .64 cm) Edition 46 of 150, w/ Signed COA Multidisciplinary artist CB Hoyo is kno...

Lemon leaves 100x70 cm

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Pine , 60x25 cm, oil on canvas

Graceful interweaving of plants cucumber and tomatoes on the peach colors background. inspired by designs of William Morris - Limited edition giclee Print - with archival inks o...

The Way Home is an original abstract painting by Janet Keith. The Way Home is an expressive, gestural painting evoking a feeling of movement, light and fresh air. The painting is bui...

Der Mantel is an original modern rare book written by Nikolaj Vasil'evič Gogol'-Janovskij (Velyki Soročynci, 1809 - Moscow, 1852) and illustrated by Walter Gramatté (Berlin, 1897 –...

Muse, 140x90 cm, acrylic on canvas

Solneman der Unsichtbare is an original Rare Book illustrated by Otto Nückel (Cologne, 6 September 1888 – Cologne, 12 November 1955) and written by Alexander Moritz Frey (1881–1957) ...

Jean-Michel Basquiat Spray Paint Cans 2017: Limited Edition Jean-Michel Basquiat spray paint cans (set of 2), published circa 2017 featuring the Estate trademark of Jean-Michel Basq...

Born in 1982 in Manzanillo, Cuba, artist Darwin Estacio Martinez honed his artistic skills at the Professional Academy of Fine Arts "El Alba" in Holguin...

Syrian roses, 46x30 cm, oil on canvas

Bird 1, 2019

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Artist Comments
A tropical summer unfolds along the banks of a quiet river. Palm trees dot the landscape, their fronds catching the bright sun. The lush foliage reflects on the...

Victorian Nineteenth Century Marine Oil Painting Ships in the Sunset off Whitby Coast. An Oil Painting on Canvas, mounted on stretchers and housed in a period frame. A most typica...

Madonna, 2021, 110x88 cm