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Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

The Skateroom x Estate of Jean-Michel Basquiat In Italian Skateboard Triptych, 2014 7 ply Grade A Canadian Maple wood (Set of 3) 31 1/2 × 7 9/10 in 80 × 20 cm Open edition Licensed...

CHARLES LEVIER – "LE VASE BLEU" Oil on Canvas ⚜ Signed Lower Right & Verso ⚜ Professionally Framed A RARE MIDCENTURY STILL LIFE WITH HISTORICAL DEPTH A striking floral still life by...

Rare Out of Print Andy Warhol Mao Skateboard Deck circa 2012. A highly decorative estate licensed skate art piece which originated circa 2012 as a result of the collaboration betwe...

Artist: David Choe Limited Edition to 3000 Copies DC Comics Batman #108

It is signed in a stitch Omaggio a Depero, Ivana, 2000 Fortunato Depero (1892 – 1960) was an Italian futurist artist and painter, writer, sculptor and graphic designer who worked in...

Sold unframed. For Shirin Neshat, "art became a kind of an excuse to build a relationship, even from a distance," to her homeland and history. Neshat grew up in pre-revolutionary Ir...

Beautiful antique Peruvian face vessel. Chimu Inca, c.1500 Terracotta, measures h. 8 in., w. 4 7/8 inches. No repair or conservation.

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures formed from found metal scraps. With an eye to the aesthetic possibilities of this humble material, Chandler invests the reclaimed steel with sculptural fluidity and a wry sense of form. Steel scraps salvaged from a hot water...

Jean-Michel Basquiat Skateboard Decks: Complete set of three limited edition Jean-Michel Basquiat Skateboard Decks licensed by the Estate of Jean-Michel Basquiat in conjunction with ...

Windmill in The Hamptons (Long Island, NY) Photography Edition of 10 UNFRAMED: (framing is $140) Print to Order About the Artist: Short Biography in a Nutshell: A fun journey My ...

KAWS x Disney Pinocchio & Jiminy Cricket, 2010 Pinocchio size: 26 x 12.7 x 11.4 cm Jiminy Cricket size: 5.7 x 2.5 x 2.5 cm Edition of 500 Stamped to the underside of the feet Produc...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LXIV Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

David Rankin, American (b. 1946) Rocky Hillside, (1990) Oil on paper Hand signed lower right, signed and titled verso. 30 x 22 1/2 inches David Rankin is a New York-based, British-born Australian post-war and contemporary artist known for his expressionistic abstract paintings. His work can be categorized by his use of quick, loose brushstrokes, reminiscent of scribbles on a page. Rankin works predominantly in oil painting and acrylic on canvas, but also works with paper, prints, sculptures and ceramics. Rankin has held over 100 one-person exhibitions in cities across the world, including New York, London, Paris, Beijing, Mexico, Vienna, Berlin and Cologne, as well as all over Australia. Represented in many of the world’s leading public and private collections and museums, David Rankin’s work is featured in Australia’s leading institutions, including the National Gallery of Australia, Art Gallery of New South Wales, National Gallery of Victoria and Queensland Art Gallery. David Rankin was born in Plymouth, Devon, England in 1946 then emigrated to Australia with his family in 1948. He spent his childhood in the 1950s in the semi-rural Port Hacking region South of Sydney and his teenage years in country New South Wales, from Hay, Wagga Wagga and Albury in the South to Bourke and Brewarrina in the North. Rankin is self-taught, developing his techniques and ideas in the outback towns of his youth. He was inspired by the greats from Leonardo da Vinci to Paul Klee as well as being influenced by the history of Buddhism and Asian art. In his travels before he arrived in Sydney in 1967 he developed a concept of what he wanted to achieve as an Australian artist. His dream was to express the anima, the life spirit or the essence of God in all nature. As an Australian artist he believed could bring the elements of Western Art together with an understanding and love for the cultures of Asia and the Australian Aborigine. He also felt that as Australia was closer to Asia than Europe it made sense to think about the art of Indian, Chinese and Japanese artists, and that one could not be an authentic articulate Australian artist without a love and respect for the artistic and spiritual expressions of the various Aboriginal artists, peoples and cultures. His work combined elements of Abstract Expressionist painting with Jewish and Aboriginal influences. In 1979 his first wife, Jennifer Mary Roberts (née Haynes) died. Rankin subsequently met his current wife Lily Brett, whose own life was etched by tragedy with her parents being survivors of the Holocaust. She too migrated to Australia as a child after the Second World War in 1948. The artist recounts that his empathy for Lily and the pity for his first wife's death fused into what he calls "the dark blessing of my life." The darkness was transformed into images. The author Dore Ashton writes that the events of 1979 and the fire which ravished his studio in 1997 and burnt his art works and many personal possessions, had a profound impact on his work. Having personal life experiences as his subject matter, Rankin's paintings contemplate these things. For example, his Jerusalem series followed a trip to Jerusalem in 1988, which then led to his Golgotha works. His travels to the Australian, American and Mexican deserts became the subject matter for many of his canvases, such as Ridge – Mungo, Golden Prophecy – San Antonio, Grey Sonora Landscape and then led to his Witness Series. From the fire in his studio he then painted Buddha and Flames. He illustrated two books by Lily Brett on the holocaust and explored the theme further in his huge work The Drowned and The Saved from a book by Primo Levi of the same name. Through Brett he encountered Jewish mythology and painted judaica imagery, Black...

Complete title: Nova Iconologia di Cesare Ripa Perugino Cavalier de SS. Maurition & Lazzaro Nella quale si descrivono diverse imagini di Virtu, Vitij, Affetti, Passioni humane, Arti,...

Salvador Dali (1904-1989) - The Inferno, Canto 9 - The Furies Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is in Exce...

Corner, 75 x60 cm

Autograph letter signed by Gino Severini to Veno Pilon. Nice, Avril 7th 1958. One double-sided page, in Italian. With some notes in pencil. Excellent condit...

Peter Halley New Works, The Butler Institute of American Art (Hand Signed), 1999 Offset lithograph poster (signed by Peter Halley) 38 × 21 1/2 inches Boldly signed in black marker by...

Couple at play Watercolour on paper laid to board 21cm x 14cm Mounted 39cm x 29cm 1921 Signed with Monogram Bottom right This is an exquisitely executed watercolour painting that ...

This drawing shows several studies of a donkey with a carriage. Its style is close to Flemish 17th century artists. On the passepartout one reads "Mathias Scheyer/ Jacob Weyer", both...

On the cover an original lithograph in four colors realized by Pablo Picasso especially for this volume. Text by Maurice Jardot. Every plate is signed by the artist. In-8º, text in ...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Signed KAWS ONE Artist Book 2001: hand signed KAWS ONE artist book, Tokyo, Japan, 2001. An early monograph documenting KAWS’ seminal New York bus ad “interruptions”, and renown ear...

ELLIE RILEY – "DEEP WATER I" Acrylic on Canvas ⚜ Hand Signed, Titled and Dated on Verso ⚜ Frameless Display A LUMINOUS, HIGH-TEXTURE STUDY IN COLOR AND FORM Ellie Riley’s "Deep Wate...

Antonin Artaud, Le Pèse-Nerfs, suivi des Fragments d'un Journal d'Enfer. Edition ornée d'un frontispice par Andé Masson, Les Cahiers du Sud, Marseille 1927. Uncut. Edition decorated ...

The instrument is done in a Brazilian Rosewood finish and is of the carved Victorian style. The piano has been fully restored and refinished, inside and out, and the restoration was ...

Nick Thomm - ONYX - Dusk (XL SIZE 36" x 48"). Limited Edition #15 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW - Unopene...

Salvador Dali (1904-1989) - The Paradise, Canto 19 - The Language of the Bird Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publi...

A fine modernist portrait of a woman by American artist Margaret Hawkins Keane (1927-2022). Keane was born in Nashville,TN, and attributes her deep respect for the Bible and inspirations of her artwork to the relationship with her grandmother. In the 1960’s, while married to her second husband Walter, she was forced to paint and sell under his name, but during their divorce proceedings, she was able to prove that the paintings were actually done by her and the court determined that she was able to paint under her own name again. She became known for painting women and children with large black sad eyes...

From the cycle LYRICAL Fire, 60x42cm, gouache, paper, razor

"The Promise (Grey)" is a 2022 vinyl sculpture by renowned artist KAWS, featuring two of his iconic Companion characters exchanging a globe. The sculpture is available in three colo...

Pink Islands - Textures and loose brushstrokes create expressive visual shapes and a sense of movement in this abstracted landscape painting. Parts are le...

"Close my eyes with rose petals"

Glazed ceramic mirror by Marion De Crecy for Atelier Mithé Espelt

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XLIV Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

This hand-blown square vase by Ioan Nemtoi could easily be the centerpiece of any collection of glass art. Nemtoi's incorporation of gestural composition techniques derived from Abstract Expressionism into his glass work yields a dazzling array of colors when this vase is illuminated from the inside. Hand-blown glass 13.25 x 7.4375 x 7.25 inches Signed 'Nemtoi' along the base Ioan Nemtoi was born in 1964 on a farm in Trusesti near Dorohoi, in North-Eastern Romania, as the eldest son of a large family. When Nemtoi was in the fifth grade, one of his teachers noticed his artistic talent and sent him to art school. Later he went on to the art branch...

Kseniia Kokovashina - "Nude I&II" set of two. Beautiful limited edition art photography. Printable in colour or black/white. Editions: 20. Tec...

Body Temperature, 2017 Found images transferred to acetate film, collage, acrylics, and graphite. Mixed Media on 100% Cotton Paper Image size: 30 in. H x 22 in. W Frame size: 34 in. ...

Danse Macabre is an original Rare Book illustrated by Frans Masereel (1889 – 1972) in 1941. Original Edition. 950 numbered copies. Published by Lang, ...

YOBITSUGI STYLE VASE (INV# NP2717) Aaron Scythe porcelain, clay, underglaze, glaze 8 x 6 x 6” 2020 This vase is made of several different vases, cut apart and enameled back together!

Henri Matisse (1869-1954) - Femme Nu Photogravure from 1952. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure sh...

Bird 1, 2019

Pablo Picasso (1881-1973) - L'homme au mouton Lithograph from 1967. The edition of 500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the publ...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Makes a unique and memorable gift - a truly one of a kind piece of Pop Art history! Takashi Murakami, Jeff Koons, Richard Prince, Piotr Uklański, Ashley Bickerton, Gavin Turk, Mauriz...

Do you like modern art? 2024 by Roberto Fonfría Mixed Media Collage (acrylic, china marker, archival polyester film, thread) on Bristol acid free paper Image size: 17 in. H x 14 in. ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

In my paintings, I chose the main character Gestalt wooden figurine of a man) and trying to "animate" his\her

“I don’t have any Seine River like Monet, I’ve just got US 66 between Oklahoma and Los Angeles.” — Ed Ruscha True First Edition of Ruscha's most iconic book - hand signed with except...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

A fine landscape of birch trees in the Adirondacks by American artist Paul Bernard King (1867-1947). King was born in Buffalo, New York, and after becoming an established printer, went on to study at the NY Art Students League with Henry S...

Art Deco rug created by American artist Giancarlo Impiglia entitled "Dinner For Two". Perfect for hanging on a wall as a tapestry. Measures 67 x 60 inc...