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Dewashish Das - Krishna Acrylic on Canvas, 24 x 30 inches Inclusive of shipment in roll form. A graduate of the Purnea Art College in Bihar, Dewashish's...

T. Athi Veerapandian - Untitled Acrylic on Canvas, 38 x 46 inches Attained a Diploma of Fine Art (1984-1989) and a Master of Fine Arts Degree at the Government College of Arts & Crafts, Chennai (1998-2000) Selected Exhibitions - T. Athiveerapandian’, The Noble Sage, London (2019); ‘group show Selected Exhibitions One man Show at ART HOUZ, Bengaluru february(2016) ‘Absence & presence’ One man Show at Dakshinachitra,Chennainovember(2015) ‘Absence & presence’ One man Show at Art Houz(2012)'Further towards nature' - T. Athiveerapandian’, The Noble Sage, London (2015); ‘101 Months of The Noble Sage’ Group Exhibition, The Noble Sage @ Candid Art Gallery, London (2015); ‘New Works in the collection by T. Athiveerapandian’, The Noble Sage, London (2013); ‘Further Towards Nature’, Solo Exhibition, The Noble Sage, London (2009); In the Fore, The Noble Sage, London (2008); ‘Towards Nature’, Solo Exhibition, The Mint, New Delhi (2008); ‘The Primera Collection’ xia, Bangalore (2008); ‘In the Fore’, The Noble Sage Art...

T. Athi Veerapandian - Untitled Acrylic on Canvas, 38 x 46 inches Attained a Diploma of Fine Art (1984-1989) and a Master of Fine Arts Degree at the Government College of Arts & Crafts, Chennai (1998-2000) Selected Exhibitions - T. Athiveerapandian’, The Noble Sage, London (2019); ‘group show Selected Exhibitions One man Show at ART HOUZ, Bengaluru february(2016) ‘Absence & presence’ One man Show at Dakshinachitra,Chennainovember(2015) ‘Absence & presence’ One man Show at Art Houz(2012)'Further towards nature' - T. Athiveerapandian’, The Noble Sage, London (2015); ‘101 Months of The Noble Sage’ Group Exhibition, The Noble Sage @ Candid Art Gallery, London (2015); ‘New Works in the collection by T. Athiveerapandian’, The Noble Sage, London (2013); ‘Further Towards Nature’, Solo Exhibition, The Noble Sage, London (2009); In the Fore, The Noble Sage, London (2008); ‘Towards Nature’, Solo Exhibition, The Mint, New Delhi (2008); ‘The Primera Collection’ xia, Bangalore (2008); ‘In the Fore’, The Noble Sage Art...

Jiban Biswas - Nostalgia - 36 x 48 inches (unframed size) Acrylic on Canvas Style : According to him, “ The Mud colour are changing its shade, The sheds...

Jiban Biswas - Quality Time - 60 x 96 inches (unframed size) Acrylic on Canvas, 2020 Style : According to him, “ The Mud colour are changing its shade, T...

Sanjay Soni - Peace Oil & Acrylic on Canvas, 72 x 96 inches, 2019 Born in 1971 in Delhi. A self-taught artist who through his paintings,portrays his emotions in the most profound wa...

Sanjay Soni - Peace Oil & Acrylic on Canvas, 72 x 60 inches, 2020 Born in 1971 in Delhi. A self-taught artist who through his paintings,portrays his emotions in the most profound wa...

Sanjay Soni - Parivena Oil & Acrylic on Canvas, 36 x 48 inches, 2016 Born in 1971 in Delhi. A self-taught artist who through his paintings,portrays his emotions in the most profound...

Sanjay Soni - Parivena Oil & Acrylic on Canvas, 36 x 48 inches, 2018 Born in 1971 in Delhi. A self-taught artist who through his paintings,portrays his emotions in the most profound...

Gurunathan Govindhan - Untitled Pigment on Canvas, 84 x 60 inches

Gurunathan Govindhan - Untitled Pigment on Canvas, 24 x 18 inches

Amitabh Sengupta - Inscription Series II - 48 X 48 inches (unframed size) Mixed Media on Canvas Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is dep...

Chandra Bhattacharya - Untitled - 48 x 72 inches (unframed size) Acrylic on Canvas It will be shipped in rolled form. Style : In the last three to four years, he has engaged with t...

Distant Dreams is an oil painting created using oil, acrylic, and gold leaf on canvas by British artist Charlotte Aiken. Aiken responds to her environment through her use of paint, w...

Birendra Pani - Boy Dancer - 66 x 42 inches (unframed size) Acrylic on Canvas ** Free shipping ** Will be delivered in rolled form Should you want the work in ready to hand condit...

Fawad Tamakanat - Soldier - 36 x 48 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Fawad Tamkanat, from Hyderabad participated with his slightly older works. One in which he is exploring the raging intrusion of technology in today's times. How digital images are influencing images, imagery and the traditional medium of painting. Portraying everyday activities like the work titled ‘Cafe House...

Somenath Maity - Untitled 30 x 30 inches (unframed size) Oil on canvas Inclusive of shipment in a roll form. About the Artist & his work : Born in 1960 at Midnapore in West Bengal, Somenath Maity studied Fine Arts at the College of Visual Arts in Kolkatta under the guidance of the senior and eminent Bengali artist, Shuvaprassana. After obtaining his degree here, Maity went on to receive a diploma in Fine Arts from the Indian College of Arts and Draftsmanship, also in Kolkatta. Somenath Maity is self-professedly an artist of urban environments and cultures. Called avantgarde and unconventional for his landscapes, this artist’s favourite occupation is to find the inner beauty that exists in every big city and that most people don’t see or bother to look for, and then express it in his abstract oils on canvas. Maity builds up his paintings, all aptly titled "structure", one brush stroke at a time, almost as an architect would work on a blueprint for a building. Maity’s colors and textures are strong, bringing to the forefront the life of the urban sprawls that he paints, and investing them with a force that works beyond the life of their inhabitants, keeping them ticking no matter who comes or goes, lives or dies. Recognized today as one of Bengal's important new emerging painters, Maity has already exhibited his works at many major Indian and European galleries. He has won awards and scholarships from most of the major Indian fine art...

Amitabh Sengupta - Trip to Hampi - 30 x 30 inches ( unframed size ) Oil on Canvas ** This work will be shipped in roll form to save on shipping cost . Style : Amitabh Sengupta’s ...

Inspired by one of the ancient Persia sculptures of love, this artwork reinterprets historical symbolism through a contemporary lens. It reveals the mysterious life of the Amlash fam...

This work brings together symbolic elements from ancient cultures within a timeless architectural space. At its center stands the Mother Goddess of Amlash—a sacred figure inspired by...

48"x36" abstract composition in indigo blue, turquoise and rose on a white ground. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

BUGS BUNNY: STOP ON THE LOT MEDIUM: Giclée on Paper IMAGE SIZE: 24" x 18" EDITION SIZE: 475 SKU: GICLEE-248 ABOUT THE IMAGE: Bugs Bunny sketch with him le...

Bright, vivid, and saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. Shinohara is well known for his boxing paintings...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vertical elongated forms in rose pink, mauve, lavender and turquoise blue rise over a layered field of cream white brushed with violet. Washes of red and orange fade into hot pink in this vibrant abstract painting by the artist. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

Acrylic on canvas with a wooden frame.

Acrylic on canvas.

Martin's vision of cities is cartographic. He is undoubtedly a man from another era - who likes the present - his plans of cities are an act of resistance in the era of google maps

Translated title: "He sees you". Acrylic on canvas.

Translated title: "When someone point at the moon, the fool looks at their finger" Acrylic on canvas.

"Looking for faith at the party" stems from finding pattern and rhythm in the world around him. Giles' paintings begin from finding places and spaces between words and lines in the text of "One Hundred Years of Solitude...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 83×102 cm. Frame size: 98 × 117 x 5 cm. Acquired directly from the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 104 × 78 cm. Frame size: 119 × 93 x 5 cm. Acquired directly from the artist. Free shipmen...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 80 × 104 cm. Frame size: 95 × 119 x 5 cm. Acquired directly from the artist. Free shipmen...

This large scale abstract oil painting contains a line based composition over a neutral blue - grey ground, that appears sometimes blue, sometimes violet given the time of day and q...

72"x60" signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vibrant red, violet and pink fields of color are contrasted by sky blue and golden yellow in this gestural abstract painting. An impressive statement piece by the artist. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Violet, blue and red intertwine in this gestural abstract painting by Debra Drexler. This painting is inspired by the intensity of light and colors in Hawaii, where the artist splits her time between there and New York City. Bold lines and brushstrokes enhance the composition in this large scale painting by the artist. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. Her work translates the inner experience into outer form through a vigorous athletic painterly process. Drexler has had over 30 solo exhibits and over 100 group exhibitions at galleries and museums in New York, Hawai’i, Australia, Berlin and across the states. New York, NY. In 2017, her two-person exhibition was reviewed in Whitehot Magazine and Arte Fuse. Her most recent solo New York exhibits were at Van Der Plas Gallery in 2015 and 2017. She had a solo exhibition at The Majestic Theater curated by The Dorado Project in Jersey City in 2016. Other recent New York solo exhibits include: Pool Art Fair, Chelsea Hotel Blue...

This Conceptual Text based painting features the words "When you look here imagine me standing next to you" in white over a royal blue background ...

This is a large scale, contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vertical elongated forms in rose pink, mauve, lavender and turquoise blue rise over a layered field of cream white brushed with violet. Washes of red and orange fade into hot pink in this vibrant abstract painting by the artist. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...

60"x 48" acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Turquoise and violet raspberry colored forms reminiscent of Matisse cut outs, curl in a textural ground of brushed and poured paint. Drexler's process of composed shapes and fields of color are created with brushwork, poured glazes and and textural depth. This immersive and expressive painting is created with vibrant colors, which react beautifully with each other to create a rhythm of forms that is meditative and contemplative. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

This large scale oil painting by Mark Masyga employs a linear abstract composition. Masyga's masterful knowledge and background in color field painting shows a heightened sense and ...

72"x48" acrylic and oil on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. A cool blue pool of col...

MEDIUM: Giclée Canvas Limited Edition SIZE: 24" x 36" EDITION SIZE: 395 ARTIST: Peter Ellenshaw SKU: DFA-LE-SMOKESTAIRS ABOUT THE IMAGE: Inspired by Walt Disney’s Animated Classics and features Mary Poppins. ABOUT THE MEDIUM: Each piece is on hand-numbered canvas and includes a Certificate of Authenticity. ABOUT THE ARTIST: William Samuel Cook “Peter” Ellensaw was an English matte designer, special effects creator and master painter. He mentored under Percy Pop Day who played a pivotal role and mentored him on painting on canvas and glass, which was to create matte background form film. After serving his country as an RAF pilot in World War II, Ellenshaw returned to work for Mr. Day at the studios. After a brief yearlong stint at MGM, Ellenshaw left in 1947 upon receiving a call to work for Walt Disney Studios on the film, Treasure Island. As it turned out, his partnership with Disney would last over thirty years and earn him five Oscar nominations. For his work on "Mary Poppins" in which he recreated scenes of Edwardian London in 102 different mattes, he won an Academy Award. Walt Disney became Ellenshaw's mentor and friend, spurring him on continually to perfect his craft and push the creative envelope. ABOUT THE FILM: Mary Poppins is a 1964 musical fantasy film directed by Robert Stevenson and produced by Walt Disney, with songs written and composed by the Sherman Brothers...

The Rising Collection, my latest body of work, combines two key elements of my process—my signature use of needlepoint, plus, the use of powdered pigment, g...

The Rising Collection, my latest body of work, combines two key elements of my process—my signature use of needlepoint, plus, the use of powdered pigment, g...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

A nicely detailed view of a harbor by American artist William Moore Davis (1829-1920). Davis was born in Setauket, New York, and spent most of his life painting and living in the area he loved best, Port Jefferson, Long Island. There he befriended renowned genre painter William Sidney Mount...

A nice abstract oil painting by American artist Donald Hugo Stoltenberg (1927-2016). Stoltenberg was born in Milwaukee, WI, attended public grade school in Chicago, and High School i...