Crayon More Art

A bright and breezy still-life showing a variety of spring flowers informally arranged in a pink ceramic vase set on a stone ledge with a panoramic view beyond towards the ocean and ...

A fine pastel still life with a bowl of fruit by Icelandic-American artist Louisa Matthiasdottir (1917-2000). Born in Reykjavik, Iceland, Louisa was known for her portraits, self por...

Heat, 2021, 78x54 cm

"Reflections in the Pond" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworld...

Summer bouquet 65x50 cm

Still life

Summer still life

A chair and flowers, 100x120cm, acrylic on canvas The work is sold without a frame.

Dialogue, 2018, 70x100 cm

Immersion , 2018, 70x100 cm

"Spring Sassafras" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly real...

Sea 40x30 cm

The Lovers, 60x40cm, acrylic, pastel, canvas

A fine impressionist pastel evening cityscape with carriages, possibly Boston, by American artist Arthur Clifton Goodwin (1864-1929). Born in Portsmouth, New Hampshire, Goodwin lived...

Provenance David Ramus, Ltd.; Menconi and Schoelkopf Fine Art, New York; Private collection, Atlanta, Georgia, until 2010 Exhibitions Philadelphia, Pennsylvania Academy of the Fine ...

A finely-drawn, pastel still-life showing red tulips informally arranged in a Chelsea soft paste porcelain Chocolate pot decorated in the Japanese style and set beside a cup and sauc...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

A fine impressionist pastel painting of a ballerina by American artist Louis Kronberg (1872-1965). The painter, dealer and art advisor Louis Kronberg was born in Boston, Massachusetts. He studied at the Arts Student League in New York and at the Boston Museum of Fine Arts School, where he was influenced by Edmund Tarbell...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Mysteries of the Night Garden, 100x80cm, acrylic, pastel, canvas

My paintings are a reflection of my inner space, I will call it a garden. What is this garden like? It's a little chaotic, a little bright, a little abstract, a little orderly, a l...

Fine drawing in pencil, oval format. Circle of Angelika Kauffmann. The subject is not clear. It is Amor with his arrows and perhaps Venus with a sp...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

basket with flowers 70x50 cm

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Artist: Marilina Marchica Title: Yellow Landscape Year: 2021 Dimensions: 46 x 61 x 3.8 cm Medium: Mixed media and pastel on canvas Condition: Excellent Framing: Not framed, edges pai...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle. Probably a design for a painting or architecture Pen-and-ink drawing in black on brownish paper, black wash Plain gold moulding with UV glass Allegory of Victory, 18th Century, Old Master Drawing, By De Wit, Figurative Jacob de Wit...

A fine pastel winter landscape of Dublin, New Hampshire looking east toward Pack Monadnock by American artist Alexander Robertson James (1890-1946). James, nephew of writer Henry James, was born in Cambridge, MA, studied painting while living with Abbott Thayer...

In this small and delicate painting, the combination of paint, pastel and paper collage, create a strong, abstracted composition. Pink and black pop from a vibrant background of inte...

New York Window, 1986, mixed media on illustration board, signed and dated lower right, 31 x 20 inches (image), 36 ½ x 28 inches (sheet) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

Black chalk, partly washed, on paper, sheet 27.5 x 19.7 cm Plain gold moulding, 44.8 x 36 cm The Rhenish still life painter Johann Martin Metz was ...

Girl with flowers 65x50 cm

A NOTE TO MYSELF #2 -Small paintings are intimate and personal. Loose, expressive brushstrokes and spontaneous scribbles are accented by a hint of red. A quiet sense of mystery invit...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Esquisse pour Lane bleu Pastel and charcoal on paper from 1979. Unqiue work. D...

Find a bird, 50x60cm

Ilan Leas uses graffiti-like strokes and bold angles to converge creating an intriguing balance of organized chaos in his drawings. His dynamic linear design compositions are aborigi...

Green leaf 100x 70 cm

Tulips in a bag 65x50 cm

Still life 70x50 cm

Vases 100x100 cm The work is sold without a frame.

Rainbow 70x50 cm

Girl with a bouquet 70x50 cm

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Signed lower right, 'Maria Winkler' (American, born 1946) and dated 1991. Professor Emeritus of the Art Department at California State University, Sacramento, Maria Winkler earned her MFA in painting...

Signed lower right, 'Maria Winkler' (American, 20th century) and dated 1991. Professor Emeritus of the Art Department at California State University, Sacramento, Maria Winkler earne...

Lemon leaves 100x70 cm

Single twin reclined by Efren Isaza Size: 40.5 x 29 inches Framed image printed on an archival canvas, intervened with paint, ink and intentionally scratched by the artist Signed, ti...

Daydream, 80x60cm, acrylic, pastel, canvas

Birds 50x40 cm