Crayon More Art

Prakash Karmakar - Untitled - 36 x 40 inches ( unframed size ) Acrylic on Canvas , 2012 Prakash Karmakar was the most senior artist of Bengal . He was instrumental in the Bengal M...

Layers of paint build up this soft grey palette where emphasis is placed on minimal composition. From a distance, the painting explores colour fields and geometric abstraction. Upon ...

Travel notes Paper, pastel, 19x25 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during their...

Travel notes 2007. Paper, pastel, 19x27 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during ...

Mahlon Blaine (California, 1894-1969) "Saludo" boxing match original pastel painting, circa 1950s Small but mighty original pastel on paper. Dimensions: 7" x 4.5". The frame measures 19" x 16.5". Signed and titled in the lower right corner. A superb original pastel by this very talented California artist. The light over the ring illuminates the back of the heads of the spectators. One fighter gives a face-on "Saludo" to the other. Mahlon Blaine was born in California in 1894. He became part of a coming century of great popularity and diverse talent in the field of illustration that included Dean Cornwell, Robert Lawson, Andrew Loomis, George Petty...

Still life with papaya 100x100cm

Tea party 80x70 cm

Summer evening 100x80 cm

Summer still life

Green leaf 100x 70 cm

Coffee and water lilies 100x100cm

This is Not a Riot 2

Entanglements

Aundre

Razor's Edge

Cone Illusion

Silk, Leather, and Lace

Weber's Rose

Security Detail, 2020

Judging a Book By Its Cover, 2020

Rose in Flute

Red, Green, Orange and Purple, Chalk Pastel Painting by Mark Lancaster 1938-2021, circa 1960s Additional information: Medium: Chalk pastel 22.9 x 30.5 cm 9 x 12 in Mark Lancaster w...

Receding Tide, Rye, Oil Pastel with Pencil Painting by Pamela Burns B. 1938, 1998 Additional information: Medium: Oil pastel with pencil 25 x 31 cm 9 7/8 x 12 1/4 in signed, dated, and titled; further inscribed verso Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...

Receding Tide (Deal, Kent), Oil Pastel Painting by Pamela Burns B. 1938, 1998 Additional information: Medium: Oil pastel with pencil Dimensions: 25 x 31 cm 9 7/8 x 12 1/4 in Signed,...

Yachtsman Painting by Keith Purser B. 1944, 2009 Additional information: Medium: Chalk pastel, woodcut and sand Dimensions: 31 x 38.5 cm 12 1/4 x 15 1/8 in Signed, titled and dated....

Offering -(Ofrenda). Signed, date 87, and with a monogram. Technique: Pastel on Paper. Framed and Acrylic Plexiglass. Mexico. .

Renelio Marin is a visual artist with a diverse range of influences and styles. Born in Cuba, he received his graduate degree from the San Alejandro School of Fine Arts in Havana in ...

Woven silk and embroidered textiles have been popular in China and sought after the world over for thousands of years. Embroidered textiles are called xiuhua (or zhahua) ("making dec...

A fine pastel winter landscape of Dublin, New Hampshire looking east toward Pack Monadnock by American artist Alexander Robertson James (1890-1946). James, nephew of writer Henry James, was born in Cambridge, MA, studied painting while living with Abbott Thayer...

"Boats in Berlin Harbor" is an original pastel painting on cheesecloth. Small tugboats push across the Berlin harbor as a gauzy cityscape watches from behind. Image: 25" x 33" Frame...

Jogen Chowdhury Untitled Charcoal & Dry Pastel on Brown Paper Pasted on Board 10 x 8 inches 2021 Style : He has immense contribution in inspiring young artists of India. Jogen Cho...

Dancer Signed in pencil, l.c. Pastel on paper mounted to Glassine 14 x 10 inches This work is offered by ClampArt in New York City.

A wonderful nocturnal pastel landscape of Gstaad, Switzerland in partial moonlight by American artist William Samuel Horton (1865-1936). Horton was born in Grand Rapids, Michigan, an...

Titled, signed, and dated in lower margin. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay. Demanding, but very laid back personally, he expected a lot from Janet, and she grew from his expectations. She joined the National Council for Education in the Ceramic Arts (NCECA) which is a ceramics networking organization. It has a national conference each year where ceramists, educators and studio artists meet. She was on the Board of Directors for two years. Janet received her MFA in 1977. Moving back to Western Michigan, Janet found teaching positions with various colleges and taught art history, ceramics and a myriad of classes. However, she never forgot her mentor's advice, which was to continue her craft. Janet met a businessman/artist, John Baughman, who sold her artwork around the country. Janet bought a studio and her work was selling so well that she no longer needed to supplement her income with teaching. Janet and John had a business relationship for several years until life took one of those magical twists, and their relationship blossomed into much more. Later, the two of them were married. John and Janet bought acreage and moved to the country. Turning one of their buildings into a studio, the pair became extremely successful influencing them to concentrate only on their artwork and discontinue the sales end of his business. Janet says it has been very, very good for them and has caused different things to happen. The challenges of commissions make her think in directions that it is unlikely she would have done on her own. Janet is an extremely talented artist. It is difficult to believe when one sees her pastel, mixed media of pencil, oils and collage landscapes done on paper that this is the same artist that designs and makes very sophisticated and stylized ceramics. The natural beauty that abounds where she lives inspires her artwork. Interestingly, she also derives inspiration from her ceramics for her paintings although the two are quite different in style. Her paintings are stylized and readable, but she does not look for minute detail when she paints. These soft landscapes create a feeling of bucolic peace and serenity although Janet does not consciously paint a message. Janet says of her work, that it is like a dance or conversation in her head, which she expresses through her art. Janet lives an almost idyllic rural existence with her artist/husband who she says is "the love of her life." They work together everyday, and for them it is the perfect partnership because they compliment one another so well. Together they raise and train horses, and are expecting three foals within a year. In addition, she loves to garden and after the tradition of her grandmother and mother, has a huge vegetable garden. She and her husband love to cook. They enjoy golfing together as well. Their three grown children are still very important in their lives, and Janet sews intricate costumes for her daughter when she shows her horse. In the future, Janet thinks that living in Virginia with horses and continuing with her art would be perfect. She, along with her husband, would like to spend a summer in Provence...

This delicate slip dress painting features an interplay of tone-on-tone paint and textile with an outcome both expressive and refined. The combination of intricate detail and intuiti...

Tournesols by H. Claude Pissarro (b. 1935) Pastel on card 51 x 37 cm (20 ¹/₈ x 14 ⁵/₈ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a certificate of aut...

This painting evokes a grace that feels both intimate and timeless. The combination of intricate detail and intuitive mark-making communicates a feminine, ethereal impression. A restrained neutral palette with a hint of blush adds understated elegance. Tone on tone textures are built up using lace textile...

Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle. Probably a d...

Travel notes 2007. Paper, pastel, 24x22 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during ...

2007. Paper, pastel, 20x26 cm This artwork conveys the energy and architectural beauty of the urban environment through the artist's use of vibrant colors and dynamic composition. T...

Suhas Roy - Durga - 20 x 20 inches (unframed size) Tempera and Pastel on Board , 2005 ( Framed & Door Delivered ) Durga- Indian goddess combating evil...

Artist book

Ballroom Dancers II by Trudy Good. Original Charcoal & Pastel onto paper. Trudy Good is a British figurative painter who has exhibited in numerous pla...

"Landscape Pink & Red" is an original framed pastel drawing by Sue Bartfield. 36" x 25" art 47 1/2" x 36" framed Artist's Statement: "You might be surprised to know that I do not ...

"Two Ladies in White" is an original pastel drawing by Sue Bartfield in white and purple. 27 1/4" x 40 3/4" art 33 5/8" x 48" framed Artist's Statement: "You might be surprised to...

Contemporary collage by Anne-Joëlle Galley. Anne-Joëlle’s works predominantly with collage, collage-paintings, paintings, and monotypes. The artist studied in Europe, joining various painting ateliers and art courses such as Sotheby’s and ICA - Institute of Contemporary Art/Christies in London.  In the late 90s’, she enrolled at “The Art Students’ League of New York”, where she first became involved with printmaking. Galley uses various techniques and materials, and color remains her signature.  The artist has participated in more than 50 group and solo exhibitions in the US, Mexico, Italy, England, Switzerland, Spain, and Romania. In 2005, she was selected to participate in the I Biennale of Etching and Graphic Work organized by the Cultural Council of Cáceres’ Town Hall, in Spain. That year, she also participated in the Arad International Biennale of Contemporary Art (Arad, Romania). In 2007, she participated in the Florence Biennale of Contemporary Art in Italy. More recently, in 2019, she was invited to participate in the Exhibition “Where I come from: The Works and Influences of Charles Criner...

Ballroom Dancers by Trudy Good. Original Charcoal & Pastel onto paper. Trudy Good is a British figurative painter who has exhibited in numerous plac...

Wild clay, sand, dolomite from Black Sea coast, kaolin, oxidation firing

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Nudes and Horses, 1911 Technique: Original Hand Signed Pastel on paper size: 63 x 94.5 cm / 24.8 x 37.2 in Additional I...

"Landscape Blue, Violet, White" is an original pastel drawing by Sue Bartfield. 41" x 28" art 41 1/4" x 35 7/8" framed Artist's Statement: "You might be surprised to know that I d...

Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York and Santiago) integrates practices of poetry, performance, Conceptualism, and te...

"Fetish" c. 1960s Crayon on paper 11 x 8.5 inches (27.9 x 21.6 cm) Contact gallery for price.