Crayon More Art

Talking until midnight, 2023, 78x54 cm The work is sold without a frame.

By that time, 2023, 78x54 cm

Untitled , 2025, 78x54 cm The work is sold without a frame.

Untitled , 2025, 78x54 cm The work is sold without a frame.

Heat, 2021, 78x54 cm

Idle chatter, 2021, 78x54 cm

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

"Seize the Moment", 60x40cm, acrylic, pastel, canvas

Daydream, 60x40cm, acrylic, pastel, canvas

"Domino", 100x73 cm, acrylic, pastel, canvas

"Loop", 90x73 cm, acrylic, pastel, canvas

Where is your mind?, 90x70cm, acrylic, pastel, canvas

”Nature’s music fills”, 60x40cm, acrylic, pastel, canvas

“The Lovers”, 60x40cm, acrylic, pastel, canvas

“ Ethereum”, 60x40cm, acrylic, pastel, canvas

Silent harmony, 60x40cm, acrylic, pastel, canvas

Tulips in a bag 65x50 cm

Girl with a bouquet 70x50 cm

Girl with umbrella 70x50 cm

Picnic 70x50 cm

Girl with a cup of coffee 70x50 cm

Summer still life

A chair and flowers, 100x120cm, acrylic on canvas The work is sold without a frame.

Dream time 80x120cm The work is sold without a frame.

Glass of wine 65x50 cm

A cup of coffee 100x100 cm The work is sold without a frame.

Girl in a cafe 70x50 cm

Red vase 110x80 cm

Valley, 120x100cm, acrylic on canvas

basket with flowers 70x50 cm

Everything is ahead, 70x50cm, oil on canvas, oil pastel

This delicate slip dress painting features an interplay of tone-on-tone paint and textile with an outcome both expressive and refined. The combination of intricate detail and intuiti...

Fethiye 40x30 cm

Sea 40x30 cm

Umbrellas 40x30 cm

Buttoned Up

Rose in Flute

In my paintings, I chose the main character Gestalt wooden figurine of a man) and trying to "animate" his\her

“The Lovers”, 60x40cm, acrylic, pastel, canvas

Valley, 120x100cm, acrylic on canvas

Forest fog, 60x40cm, acrylic, pastel, canvas

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

New York Window, 1986, mixed media on illustration board, signed and dated lower right, 31 x 20 inches (image), 36 ½ x 28 inches (sheet) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

Girl in a cafe 70x50 cm

Red vase 110x80 cm

Summer 80x80 cm The work is sold without a frame

March 70x50 cm

Fethiye 40x30 cm

Dancer Signed in pencil, l.c. Pastel on paper mounted to Glassine 14 x 10 inches This work is offered by ClampArt in New York City.

March 70x50 cm

Early Twentieth Century Landscape Seascape Pastel Drawing of San Giovanni, Bellagio on Lake Como. An atmospheric picture of a Fishing Vessel on the Lake with the hills in the background. It is an "en plein air" study that has beautiful light and shadows placing it firmly in the School of Post Impressionism. John Terrick Williams...

Life with a cat, 2023, 78x54 cm The work is sold without a frame.

Embrace, 2021, 54x39 cm

Acrylic, pastel, charcoal, and graphite on paper

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunit...

In this small and delicate painting, the combination of paint, pastel and paper collage, create a strong, abstracted composition. Pink and black pop from a vibrant background of inte...

A NOTE TO MYSELF 1 -Small paintings can make a big statement. Loose, expressive brushstrokes and spontaneous scribbles are accented by a touch of barely-there blue. A quiet sense of ...

Suhas Roy - Radha Soft Pastel & Acrylic on Paper 14 x 18 inches, 2004 ( Unframed & Delivered ) In this ethereal portrait titled Radha, Suhas captures the divine feminine with delica...

Wasim Kapoor - Untitled - 15 x 14 inches ( unframed size ) Pastel on Paper, 2004 (Unframed & Delivered) Style : Wasim Kapoor is an artist possessed by the dark emotions of pain, sup...

Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle. Probably a design for a painting or architecture Pen-and-ink drawing in black on brownish paper, black wash Plain gold moulding with UV glass Allegory of Victory, 18th Century, Old Master Drawing, By De Wit, Figurative Jacob de Wit...