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"Windswept Beach", captures the quiet drama of nature—where sea meets sky and shadows stretch across the sand like whispered stories. Soft brushstrokes and muted tones evoke a sens...

Dune Path by Filomena Booth is a serene acrylic landscape that captures the quiet beauty of a coastal escape. The painting invites the viewer to wander down a sandy trail flanked by ...

This evocative landscape captures the quiet majesty of twilight, where the sky transitions from deep indigo to radiant amber. Wisps of clouds catch the fading light, creating a lumin...

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Artist Suren Nersisyan depicts the romantic cityscape of Paris. "I love the bridges of this city connecting the banks of the Seine river," shares Suren. He ca...

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A blue and grey bird balances its tiny body on a branch. Loose brown and green brushstrokes suggest foliage. Sally Adams' paintings are inspired by photograph...

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A single orchid blooms vibrantly and full of energy, as if reaching toward something unseen. The surrounding movement echoes its strength, turning growth into a...

A water inspired abstract painting by New York/Hawaiian artist Debra Drexler. 60"x48" signed on reverse. Lavender, plum, purple and violet colors overlap with peach light orange/pin...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Tiny Toon Adventures SKU: IFA3118 ABOUT THE IMAGE: Steven Spielberg Presents Tiny Toons, us...

Evening Glow Watercolor Art size - 8"x6" Matted to fit in standard 8"x10" frame :: Painting :: Impressionist :: This piece comes with an official certificate of authenticit...

Framed dimensions: 43.5 x 30.5 inches "Clair de Lune" is a contemporary oil painting on canvas. Orsolic is known for her melodic landscapes and precise attention to detail, however,...

Spring Song Watercolor Art size - 10"x14" Matted - 20"x16" A symphony of spring blooms, dancing in watercolor warmth and shimmering with metallic gold accents. Spring Song capt...

MEDIUM: Limited Edition Cel SIZE: 11.75" x 28.75" EDITION SIZE: 100 ARTIST: Kirk Mueller SKU: CC1246 ABOUT THE IMAGE: Adapted from the famous opening used in the Bugs Bunny Road Ru...

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A contemporary floral study balances bold, graphic shapes with quiet elevation. Broad petals in soft greens, deep blues, and warm yellows rise against a pale bl...

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Whitewashed barns capture a timeless Americana charm. Rolling hills and a clear blue sky frame the structures, creating a serene, inviting atmosphere. Artist Do...

Jean-Michel Basquiat Bearbrick 400%: set of 2 works: Unique, timeless collectibles trademarked & licensed by the Estate of Jean-Michel Basquiat (crown figure), and the estates of Basquiat & Andy Warhol (red figure). The partnered collectibles reveal details from Jean-Michel Basquiat and Andy Warhol's 'New Flame...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This is a still life piece that is a reflection of how it was growing up in a simpler time. The thought of being able to fly a with a propeller began with a balsa wood plane and a r...

This "Personaje" by Mike Rivero is painted on a light green background stands with prominence. Inside the studio with Mike Rivero has been quite an experi...

This abstract contemporary painting by Milly Ristvedt is all about colour. Early in her career, Milly Ristvedt had already been singled out as an exceptional artist by Canada’s Jack...

This abstract contemporary painting by Milly Ristvedt is all about colour. Framed Dimensions = 49.5 × 49.5 in (125.73 × 125.73 cm) Several paintings of this masterful abstract arti...

Willem Muys was a Dutch, 18th-century painter of history pieces, portraits and cabinet pieces. Above all, he appears to have been active as a painter of ‘wallpaper’. Until the mid-18th century, ‘wallpaper’ was not painted on paper but on coarsely woven linen. Wealthy citizens had their mansions or country estates adorned with ‘wallpaper’ with landscapes, exotic birds or chinoiseries. Willem Muys mainly painted ‘wallpaper’, which means that few of his works have been preserved. They are hardly represented in public collections. The works of his sons, Nicolaas en Robbert, both painters, are a little less rare. The painting with Rebecca and Eliezer...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SKU: IFA3964 ABOUT THE IMAGE: Looney Tunes is a series of animated short films by Warner Bros. It...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

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Artist Dwight Smith presents a whimsical, surrealist scene where three towering ice cream cones rise like mountain peaks. Suspended in the soft pink sky, a bl...

#33, 90x140 cm, acrylic, pastel, canvas

MEDIUM: ​Original Production Cel on Original Background with Matching Drawing IMAGE SIZE: 10.5" x 9.5" PRODUCTION: Batman The Animated Series, Pretty Poison SKU: IFA9577 ABOUT THE I...

Companion Blush (Flayed) Set of two painted vinyl figures in original 2016 packaging from Medicom Toy Corp. From KAWS' (a.k.a. Brian Donnelly's) open edition release. Unsigned.

Southern Landscape with View of a Castle and Ships passing by Pen and brush in brown and black over pencil, brown and grey wash, 17,5 x 22,7cm Plain black moulding with golden pearl ...

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Clouds drift across the sky as a storm begins to subside. From left to right, they shift from dark gray to pure white, gradually dissolving into a vibrant blu...

Budd Hopkins, American (1931-2011) 'City Sun II', 1969 Oil painting on canvas. Hand signed and dated lower left. Verso: Artist, title, and year in pencil on stretcher. Dimensions: 36" H x 52" w. Frame: 37.25" h x 53.25" w. Budd Hopkins was one of the leading proponents of the "hard-edge" abstract minimalist school of painting in the 1950s and 1960s, Budd Hopkins (born 1931) created works that show the strong influence of Jackson Pollock and other leading painters of the Abstract Expressionism movement. Hopkins' paintings are now in numerous major collections, including the San Francisco Museum of Art, the Guggenheim Museum in New York, and the Hirshhorn Collection in Washington, DC. Recently, he has also been recognized for his research into the matter of UFOs and one of his books, "The Intruders", printed by Random House, was on the New York Times best-seller list and was the basis for a television show on CBS. Born in 1931, he is a graduate of Linsly Military Institute (now Linsly School) in 1949 and Oberlin College in 1953. He first displayed artistic abilities when, as a child recovering from a long-term illness, he began to create sculptures of ships made out of modeling clay. But it wasn't until he arrive at Oberlin that he made a serious study of art. Later, Hopkins included abstracted figures in his sculptural pieces. While moving away from Abstract Expressionism, Hopkins retained in his work the use of intense colors and hard-edged forms. His works of the 1980s, including Temples and Guardians, featured these "sentinels" who were, according to Hopkins, "participating in a frozen ritual, fixed – absolutely – within a privileged space..." Though Hopkins denied any connection, some critics viewed these ritualistic pieces as an extension of Hopkins' fascination with alien beings. Hopkins viewed his sculpted guardians not as human per se, but as magical, fierce, noble robots of the unconscious. He settled in New York after obtaining his degree and has had a residence there ever since. He and his wife, April Kingsley, and their daughter, Grace, divide their time between their home at Cape Cod, Mass., and that in New York City. In his work, he travels widely. He has exhibited in England, Finland, Italy and Switzerland. In 1963, Hopkins was selected by the Columbia Broadcasting System as one of the 15 painters featured in the network's first television special on American art. In 1958, Art News picked him as one of 12 Americans for exhibition in Spoleto, Italy, in the "Festival of Two Worlds." His brilliance has won him a number of fellowships and awards. In 1972, the West Virginia Arts and Humanities Council awarded him its Commission Prize. In 1976, he received the John Simon Guggenheim Fellowship for Painting and in '79 he received a fellowship from the National Endowment of the Arts. He also won a special project grant from the New York State Council on the Arts in 1982. He was friends with Robert Ryman and many of the other 10th street avant garde artists. He was an original member of March Gallery which showed Alice Baber, Elaine de Kooning, Mark di Suvero, Lester Johnson, Matsumi Kanemitsu. His work was handled by Poindexter Gallery. (a major gallery founded in 1955 in New York City by Elinor Poindexter. The gallery specialized in sculpture, abstract, and figurative art and featured the works of such artists as Richard Diebenkorn, Jules Olitski, Nell Blaine, Al Held, Willem de Kooning, Franz Kline, Earl Kerkam, Milton Resnick and Robert De Niro, among others. His art has been featured in the Metropolitan Museum of Art, Museum of Modern Art, Bronx Museum of Art, Brooklyn Museum, Whitney Museum, Corcoran Gallery, Guggenheim Museum, Queens Museum in New York, and the Public Library of New York. He was included in Young America 1960: Thirty American Painters Under Thirty-Six buy Lloyd Goodrich at the Whitney Museum of American Art in NYC. Artists included: Sonia Gechtoff, Edward Giobbi, Ron Gorchov, James Harvey, Budd Hopkins, Wolf Kahn, Alex Katz, Robert Natkin, Rudy Pozzatti, Dean Richardson, Frank Roth, William Wiley, and Noriko Yamamoto...

In Houska's Chinoiserie Jungle Party, you see his classic pop art style and use of soft colors to create a lively jungle scene with various iconic characters.

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This cityscape captures traffic on a midtown Manhattan avenue at dawn. Rain softens the scene, creating misty reflections across the street and the surrounding ...

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Strong morning light intensifies the vivid colors and dramatic contrasts across the trees and foliage, creating a striking visual impact. The tall trunk at the ...

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This simple study of a southern Massachusetts marsh transforms the landscape through bold color and the removal of unnecessary detail. Expressive brushwork give...

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Artist Jonelle Summerfield captures a quiet hollow in Blue Spruce Park in this impressionist oil landscape. Varied shades of green and layered textures bring th...

Still life with books, 120x80cm, oil on canvas

Painted cast vinyl Edition of 500 (unnumbered, reported) Stamped on the underside of foot Figure in excellent condition, with minor markings. Some minor imperfections may exist given...

60"x48" abstract composition in golden yellow with lavender, violet and light cream. Large gestural movements overlay one and other on the on canvas. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

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The artwork depicts a woman from a direct overhead view, moving through a sunlit landscape. She wears a light blue swim shirt and a broad-brimmed hat and drags ...

**NEW YEAR FINAL 90 DAYS SUPER SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** ...

Wild, 140x140 cm, oil on canvas

Julia Contacessi’s Drenched in Possibilities, a 40" x 45" gallery wrapped acrylic on canvas, evokes the quiet power of shifting skies and deep water horizons. Layers of soft gray, wh...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Batman The Animated Series, The Cape and The Cowl Conspiracy SKU: IFA6148 ABOUT THE IMAGE...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Wild, 140x120 cm, oil on canvas

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Original cover illustration for The Saturday Evening Post, June 18, 1955 The Post described, “Through this community is sweeping Hurricane Harry, leaving in i...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

The original painting on paper, Indian Chief, 2024 by contemporary African American artist Bai (Carl Karni-Bain), is in the artist's series on indigenous Indian chiefs. 30 x 22in, a...

A girl with pink hair, 60x100 cm, acrylic on canvas

Date, 70x90 cm, acrylic on

Kitovras, 120x120 cm, acrylic on canvas

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A wide, open landscape stretches beneath a blue sky, where a single wispy cloud drifts above. Colorful woodlands rise along gentle hills on both sides, guiding ...

Tulips and Sunshine, oil on canvas, 100 x 100cm Tulips and Sunshine, captures the joyful embrace of warmth that comes with a sunny day. The vibrant yellow tulips stand tall, their...

Bouquet, 80x60cm

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes, Bunny Snatchers 1992 SKU: IFA1763 ABOUT THE IMAGE: Invasion of the Bunny Snatchers is a Bugs Bun...

Original Oil painting by Ukrainian artist Evgeny Chernyakovsky " Birch forest " 45.0 X 60.0 CM / 17.7 X 23.6 IN HIGH QUALITY oil on canvas Signed on the front and back Dated 2...

A fine landscape of birch trees in the Adirondacks by American artist Paul Bernard King (1867-1947). King was born in Buffalo, New York, and after becoming an established printer, went on to study at the NY Art Students League with Henry S...

Artist Comments
A paper crane flies among a flock of birds against a dusky warm gradient. "The title of this work, 'This Is Not a Flock of Birds,' is a nod to Belgian surrealist painter René Magritte," shares artist Candice Eisenfeld. She takes pleasure in letting her viewers create their own meanings inspired by her work.

About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...

CHIFFON IN GREEN - An air of femininity is expressed in this chiffon style dress painting on art board, offering a nod to glamour. Delicate detail builds up a soft texture over trans...