Tapestry More Art

Birth of Venus. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós e...

French made, Jacquard woven with relief stitch. Fully lined with rod pocket for hanging. 65% wool with/cotton/rayon/polyester. Also available in size 67 x 88 ( $1250.00) . Please me...

Belgian made, jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and rayon. Also available with black background. Available in smaller size 42x36 ($17...

French made, jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and polyester. Navy background shown and also available in beige background. Both back...

Marine. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded...

Belgian made, Jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and viscose. Available in single arch in sizes 66x36 ($320) and 94.75" x 53.5" ($86...

A lavish French Aubbusson style jacquard tapestry depicting an exciting Renaissance era hunting scene. The scene is set in a dense forest of blue, g...

Technique: Fused collage, machine stitched and quilted. Materials: 100 % cotton panel on wooden stretcher Size: 60cm x 60cm (24 x 24inches) each panel

A delightful embroidered scene depicting an elderly couple laughing together in a landscape. Their pet cat and dog sleep at their feet. Unsigned. Well presented in a gilt frame with ...

Broken White Band with Pink, Linen, wool, and cotton, 32" x 32" (2008). This two-tone contemporary abstract woven tapestry and textile wall sculpture is by UK-based textile artist, Sara Brennan...

Early 19th-century embroidery with watercolor collage details. Unsigned. Presented in a Hogarth-style frame with a damask silk mount. On panel.

Jaali' of Urdu origin meaning netting, is an ornamental open work originally crafted on wood, metal and stone for interiors. A significant feature of Indo-Islamic art, the Jaali is an intricate pattern ranging from delicate trellises to complex floral layouts. The wall panels depict the interlacing design of the Jaali in mid earth tones on silk. The compositions of flowers and the paisley are embroidered in thread with subtle highlightes of shine. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Abstract Aubusson tapestry by Cora Paszkowski, created circa 1960, is an artist’s proof. Mid-century modern textile art. Cora Paszkowski was born in 1917 in Poland.

A vibrant floral & botanical embroidery depicting parrot tulips intertwined with red berries and smaller spring flowers. Presented in a stunning o...

A vibrant tapestry by Peruvian artist Victor Delfin, depicting four birds feeding on the nectar from a large flower. Four Birds Victor Delfin, Peruvian (1927) Date: 1978 Tapestry Si...

Journey Trees IV, linens and swing threads, 7.5" x 8" x 1", 2021. This figurative woven textile piece is by UK-based textile artist, Sara Brennan (b. 196...

Artist: Charles Chamot Title: Artichoke Year: 1979 Medium: Woven Wool Tapestry, signed and numbered on label, verso Edition: 1/6 Size: 84 x 72 inches

Signed lower left Titled and signed verso on label Tapisserie d’Aubusson, édit par Edgar Ponthieu This item is in our New York City warehouse and can be viewed by appointment.

Geometric tapestry made of various red, green, purple, and blue fabrics titled "Geometric" by Bill Condon, circa 1970's. Similar to the early geometric designs of Ida Kohlmeyer. Ar...

This work, titled "The Milk Rivers" is a tryptic of 135x70 cm works and it's a jacquard weaving from cotton and recycled plastic thread Eco Nat. Artist Monika Zaltauskaite Grasiene...

Lancelot / from Zolotnitsky's Extinct Series - a series of paintings of chairs. This Jacquard Tapestry by Magnolia Editions is one of six. Ed. 1/6....

Submerged / from Zolotnitsky's Extinct Series - a series of paintings of chairs. This Jacquard Tapestry by Magnolia Editions is one of six. Ed. 1/6...

Journey Trees III, linens and swing threads, 8" x 8" x 1", 2021. This figurative woven textile piece is by UK-based textile artist, Sara Brennan (b. 1963...

Technique: Fused collage, machine stitched and quilted. Materials: 100 % cotton panel on wooden stretcher Size: 60cm x 60cm (24 x 24inches) each panel

Technique: Fused collage, machine stitched and quilted. Materials: 100 % cotton panel on wooden stretcher Size: 60cm x 60cm (24 x 24inches) each panel

Unique. Acquired directly from the artist. Free shipment worldwide. Arman explores reality. He strives to transform and sublimate artefacts into works of art. Everyday objects bec...

This detailed embroidery depicts a woman seated by a spinning wheel. Presented in a gilt frame with decorative foliate corners and a verre églomisé mount. Acquired with a companion w...

"Porter Series: Carte L'Europe (Shower Woman)" is a tapestry by South African artist William Kentridge. It is edition 1 of 5 (plus 2 APs) and signed verso "W. Kentridge". William Kentridge is a South African graphic artist, filmmaker, and theatre arts activist especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The pungent humanism he revealed in these and other works echoed a larger European tradition of artists such as Honoré Daumier, Francisco de Goya, and William Hogarth. Kentridge, whose father was a noted antiapartheid lawyer, attended the University of Witwatersrand in Johannesburg (1973–76) and the now-defunct Johannesburg Art Foundation (1976–78). At various times in the 1970s and ’80s, he worked as an actor, playwright, set designer, and theatrical director, and he studied mime and theatre in Paris in the early 1980s. In 1992 he began an ongoing collaboration involving multimedia performances with Handspring Puppet Theatre (founded 1981) in Cape Town. As is clear from both his early training and his later artistic output, Kentridge’s interest in the visual arts was rooted in its connection with the theatrical arts. The narrative structure and character development in his films reflect this connection. While Kentridge pursued several avenues as an artist, at the centre of his work was a sequence of short animated films. To produce them, he made a rough charcoal drawing, photographed it, altered the drawing slightly, photographed it again, and so on. Kentridge’s original drawings are often completely effaced by their successors. Many of these films—including Johannesburg, 2nd Greatest City After Paris (1989) and Felix in Exile (1994)—follow the fortunes of the greedy capitalist Soho Eckstein and his alter ego, the sensitive and artistic Felix Teitelbaum. They present modern South Africa as reflective of the spiritual, ecological, and emotional crises of late capitalism. Kentridge later established himself as a consummate figure in the performing arts, particularly for his innovative stagings of the operas The Nose (2010) and Lulu (2015) at New York’s Metropolitan Opera and Wozzeck (2017) at the Salzburg Festival...

Unsigned. With watercolour painting to the background. Presented in an oval Hogarth style frame. On silk.

Rare American silkwork picture. Presented in a charming gilt-effect frame with glazing. On linen.

Jaali: Jaali' of Urdu origin meaning netting, is an ornamental open work originally crafted on wood, metal and stone for interiors. A significant feature of Indo-Islamic art, the Jaali is an intricate pattern ranging from delicate trellises to complex floral layouts. The wall panels depict the interlacing design of the Jaali in mid earth tones on silk. The compositions of flowers and the paisley are embroidered in thread with subtle highlightes of shine. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Artist: after Shlomo Katz, Polish/Israeli (1937 - 1992) Title: Moses and the Ten Commandments (Passover) Year: 2000 Medium: Woolen Carpet Tapestry Size: 84 x 54 in. (213.36 x 137.16 cm)

Artist: Charles Chamot Title: Stormwind Year: 1979 Medium: Woven Wool Tapestry, signed and numbered on label, verso Edition: 5/6 Size: 72 x 84 inches

Purple Corn Festival, by Ángel Pahuamba - Wool Tapestry, - 120 x 100cm, - Folk Art, c. 2025 Ángel Pahuamba works from three traditions deeply rooted in Mexican culture: corn, the f...

Tapestry of a collection of brightly color abstract scenes titled "Unique" by Bill Condon. The piece is made out of various fabric pieces stitched onto light denim fabric. Artist Bi...

Glitch Tapestry 1, 2012 Jacquard woven tapestry made of dyed cotton thread. 60 x 80 inches The Digital Tapestry Project continues my exploration of notions of materiality, craft, a...

There has been a failure on the Interwebz Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between ...

Sz: 68" x 56"

Andy Warhol, After, American (1928 - 1987) - Marilyn, Year: 1997, Medium: Woolen Rug Tapestry, Edition: 7/99, Size: 72 x 72 in. (182.88 x 182.88 cm), Publisher: Museum Masters...

Andy Warhol, After, American (1928 - 1987) - Bridgett Bardot, Year: 2001, Medium: Woolen Rug Tapestry, Edition: 7/99, Size: 72 x 72 in. (182.88 x 182.88 cm), Publisher: Museum...

Peter Mayer’s design ethos is a unique fusion of his extensive experience as a production designer in the film industry and interior designer of commercial and private projects. With...

Peter Mayer’s design ethos is a unique fusion of his extensive experience as a production designer in the film industry and interior designer of commercial and private projects. With...

Parvaze, a talented Chain Stitch artist from Kashmir, showcases the exquisite beauty of this ancient craft through his work. Using worsted yarn of high quality and traditional techni...

Parvaze, a talented Chain Stitch artist from Kashmir, showcases the exquisite beauty of this ancient craft through his work. Using worsted yarn of high quality and traditional techni...

Parvaze, a talented Chain Stitch artist from Kashmir, showcases the exquisite beauty of this ancient craft through his work. Using worsted yarn of high quality and traditional techni...

Mathieu Matégot (1910-2001) Sans titre c.1950s wool tapestry, Manufactura de Tapeçarias de Portalegre 150 x 70 cm signed ‘Matégot’ and with the Manufactura de Tapeçarias de Portalegre monogram (lower right) Price: $11,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF21324) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern tapestry...

Mathieu Matégot (1910-2001) Oberon c.1950s wool tapestry, Manufactura de Tapeçarias de Portalegre; (possibly) no. 2 125 x 202 cm signed ‘Matégot’ and with the Manufactura de Tapeçarias de Portalegre monogram (lower right); titled, inscribed, numbered and signed (workshop label on the verso) Price: $18,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF19387) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern tapestry...

Mathieu Matégot (1910-2001) Castille c.1950s Aubusson tapestry, Pinton Frères; (probably) unique 156 x 120 cm signed ‘Matégot’ and with the Pinton Frères monogram (lower right); titled, inscribed, numbered and signed (workshop label on the verso) Price: $14,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF11410) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern tapestry...

Mathieu Matégot (1910-2001) Apollo c.1950s Aubusson tapestry, Manufactura de Tapeçarias de Portalegre; edition 3 of 6 142 x 118 cm signed ‘Matégot’ with the Manufactura de Tapeçarias de Portalegre monogram (lower right); titled, inscribed, numbered and signed (workshop label on the verso) Price: $13,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF19383.3) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern...

Cotton and wool Jacquard tapestry (Edition of 6) This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachusetts) and Sammy Cucher (b. 1958, Lim...

Cotton and wool Jacquard tapestry (Edition of 6) This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachusetts) and Sammy Cucher (b. 1958, Lim...

Cotton and wool Jacquard tapestry (Edition of 6) This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachusetts) and Sammy Cucher (b. 1958, Lim...

Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the material. He is best know...