Vellum More Art

Banjo. Art Deco era musical instrument to be restored in inlaid wood. Signed on the handle Achille Jacomoni, the signature is made with the pyrographed technique. Materials: Wood, ...

This drawing shows several studies of a donkey with a carriage. Its style is close to Flemish 17th century artists. On the passepartout one reads "Mathias Scheyer/ Jacob Weyer", both...

The Rolling Stones "Love you Live," 1977 2 vinyl LPs, Stereo Rolling Stones Records, Netherlands, COC 89101 (COC-2-9001) Cover art commissioned and designed by Andy Warhol, with auto...

Unknown Artist, French School 18th Century, Circle of Mallet? Scene taken from the Decamerone. Old Master Drawing

Pierre Berchet, Drawing of Putti playing in a landscape, Painter of decorative history subjects; trained under La Fosse; worked in France and during the 1690s...

“Colors appear connected predominantly in space. Therefore, as constellations they can be seen in any direction and at any speed. And as they remain, we can return to them repeatedly...

Black chalk, partly washed, on paper, sheet 27.5 x 19.7 cm Plain gold moulding, 44.8 x 36 cm The Rhenish still life painter Johann Martin Metz was ...

Lewis Barrett Lehrman's ( American, 1933- 2023) exceptional artistic vision shines brilliantly in his one-of-a-kind creation : a 3D print capturing the iconic skyline of New York Ci...

Original painting. Acrylic, oil and paper on high quality linen canvas stretcher. Finished off with a soft glossy varnish. 70 x 90 cm 27.5 x 35.4". The corners are painted and it’...

Really well done collage in black and white with a few subtle touches of deep red. Collage is done on a box board and ready to hang.

Jan van der Heyden (1637 Gorinchem - 1712 Amsterdam), attributed. Old Master Drawing, Westerkerk Keizersgracht in Amsterdam, 17th century, Dutch Westerkerk and Keizersgracht in Amsterdam Backside: later drawn backside with village church of the 18th century Chalk and pen on paper 23,5 x 18,5 cm Preliminary drawing for a painting from the creative period c. 1667 - 1670. This painting has been published a few years ago by Peter C. Sutton in the catalogue raisonné of the artist. Van der Heyden was initially a pupil of a glass painter, but later turned exclusively to architectural painting and went to Amsterdam, where he painted views of churches, castles, palaces, public squares, streets, canals, etc., most of which are richly decorated with staffage. In addition, van der Heyden was also active as an inventor, for example, he developed a street lighting system for Amsterdam by means of oil street lamps, which was in operation from 1669 to 1840. After a stay in London, he painted the London fire of 1666, which he either witnessed himself or had seen the consequences of. Certainly influenced by this, he did much to further the technical and organisational development of the fire brigade from 1669 onwards. His greatest invention was probably the fire hose, which enabled significant improvements in fire-fighting technology and tactics. He also improved the hand-operated fire engines of the time by making them smaller, more mobile and more powerful, and he developed the series connection of several pumps to increase the pressure in order to achieve a greater range for the water jet. In 1690, together with his son, he was the author and illustrator of the Brandspuiten-boek, the first manual for fire fighting. Johann Lingelbach, Adriaen van de Velde and Eglon van der Neer...

Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle. Probably a d...