Abstract Paintings

Artist: Jack Graves III (American, 1988-) Title: "Tibetan Flame" Series: Abstract *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2025 Medium: Orig...

Verso signiert und datiert (Feb 1995) Die Schüttbilder sind charakteristisch für Hermann Nitsch. Die Anwendung der Schütttechnik wird aus dem Schaffen des Wiener Aktionismus heraus ...

Roland Ayers (1932-2017). Untitled, 1983. Ink on paper, measures 17 x 23 inches. Unframed and unmounted. Signed and dated lower left. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Contemporary abstract painting by Viktoria Ganhao. Signed on the back, ready to hang. This artwork is a striking example of abstract expressionism, characterized by dynamic brushstro...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Meredith Walker's “All Living Things” is a stunning example of contemporary folk art that blends botanical motifs and symbolic imagery to evoke a sense of interconnectedness and harm...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Title: French Seascape Oil Painting of Traditional Sailboats Moored in Calm Water By Fanch Lel Signed: Yes Size: 12.75 x 16.25 inches (height x width) Oil painting on board, unframed...

Max Schnitzler (1903-1999). Untitled, ca. 1950's Oil on canvas measuring 18 x 24 inches. Unframed. Minor area of paint loss at margin upper left.

Title: French Coastal Oil Painting of Moored Boats and Walled Seaside Town in Pastels By Fanch Lel Size: 13 x 16.25 inches (height x width) Oil painting on board, unframed Condition:...

This contemporary, still life, oil on canvas, on panel is by artist Mel Davis. In a style reminiscent of the French master Matisse, Montreal-born Mel Davis reinvents the traditional ...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

Contemporary Art, Abstract Painting Acrylic on canvas 130x170cm Signed About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultura y Grabado (ENPEG) “La Esmeralda”. As a Mexican Contemporary Expressionism artist, Pichardo reminisces about the Pre-Hispanic past and indigenous traditions by using symbolisms of a time when the civilizations believed in magic, rituals and created beautiful colors. Through his work, he also pays tribute to world renowned Mexican artists such as Rufino Tamayo, Francisco Toledo, Rodolfo Morales...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Capturing movement in acrylic paint, Armen Ges experiments with optical illusions and perspective in his original pop artworks. To create these intriguing visuals, Ges employs tradit...

Superb original British abstract oil painting, from the 1980's period. The painting is by the hitherto undiscovered abstract painter Isaiah Gerard Calleja (1936-2016), who was base...

The Musicians French Modernist artist, circa 1960's period signed oil on canvas, unframed canvas: 35.5 x 36 inches Provenance: private collection, France Condition: very good conditi...

Sam Maitin (1928-2004). Seated Figure, ca. 1970. Charcoal, gouache and decorative paper collage. Measuring 15.5 x 20.5 inches; 22.75 x 27.75 inches framed. Signed lower left. Excellent condition. Period frame original to the piece in mahogany with natural wood grain on sides and 22k gold leaf gilt face. After graduating from Simon Gratz High School, Maitin won a scholarship to the Pennsylvania Museum School of Industrial Art (now the University of the Arts). A painter, printmaker, sculptor, muralist, graphic designer, political activist, and beloved teacher, Maitin headed the Visual Graphics Communication Laboratory at the University of Pennsylvania’s Annenberg School for Communication from 1965–1972 and served on the board of Woodmere Art Museum from 1995–2004. He received a number of awards, including a 1968 Guggenheim Foundation Fellowship. He created murals and other public art for the Children’s Hospital of Philadelphia, the University of Pennsylvania, Temple University’s Kornberg School of Dentistry, the Please Touch Museum, and Hahnemann University Hospital, among others. Maitin's work is museum collections in the United States and Europe, including (but not limited to): Philadelphia Museum of Art Library of Congress, Washington, D.C. National Gallery of Art, Washington, D.C. Museum of Modern Art, New York Tate Gallery, London Bauersche Geisserie, Germany Oakland Museum, California Pennsylvania Academy of the Fine Arts The Currier Gallery of Art...

Contemporary Art, Abstract Painting Acrylic on canvas 210 x 215 cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Naci...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

A vivid contemporary street art style painting of an abstracted tree with two embracing figures creating the trunk by Santa Cruz, California artist Elliott Bliss (American, b.20th Century). Bright colors and bold patterns add interest and depth to this visionary piece, which pops with yellow and green against a bright sky blue background. Signed and dated "Elliott Bliss / Dec 2013" lower right. Unframed. Canvas size: 16"H x 20"W. Elliott Bliss is a contemporary Santa Cruz, California based artist. He is known for using bright colors to capture the spirit of living in Santa Cruz in his visionary paintings...

This black, red, and beige abstract painting titled "breathe out" is an original artwork by 108 made of paint on paper. This piece measures 12"h x 12"w. 108 is an Italian artist in ...

Reach For the Light by Sophia Chalklen [2022] original and hang signed by the artist Oil on box canvas with Embellished with 24ct Gold, copper and bronze leaf. Image size: H:51 cm x W:61 cm Complete Size of Unframed Work: H:51 cm x W:61 cm x D:3cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look I wanted to create a painting with the light as a focal point. An image which is beautiful, uplifting and has an ethereal feel to it. The painting is quite textured and needs to be seen in real life to fully appreciate the beauty of the gold leaf glistening through the leaves. Contemporary artist Sophia Chalklen sold online and in our gallery at Wychwood Art. Sophia has always had a strong passion for Art ever since she was a child. Sophia studied at Winchester school of Art where she completed a BA specialising in Textile design. After achieving her BA she went on to become a Freelance Printed Textile designer for a small company in London. Shortly after that she managed to get a job as a Fine Jewellery Designer for the Crown Jewellers, Asprey and Garrard Bond St. Sophia became a specialist in designing high end Jewellery, accessories, and ornaments for English and Middle Eastern Royalty and the Elite. She also designed a great variety of items including rings, Jewellery Suites, watches, cufflinks, Jewel incrusted clocks, tiaras and precious ornaments. Her eye for detail leant well to her career in jewellery design and she became an expert in her field. Once she decided to start a family she went back to main her love of fine art, drawing and painting and started her own business running Art...

Large and impressive modernist landscape painting. Oil on canvas. Framed. Signed illegibly.

Claudine Berechel (1925-2011) Parisian Rooftops, ca. 1955-60 Oil on canvas measuring 15 x 24 inches. Framed measurement, 20 x 29 inches. Signed lower center. Janet Fleisher Ga...

Oil on canvas Xia Fu-Ning is a Chinese artist born in 1962 in Nanjing. He was a professor in the Department of Fine Arts during the 1980s at Tianjin Polytechnic University. He curre...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

Amit Kalla - Untitled - 60 x 36 inches (unframed size) Acrylic on Canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his commitment to experimenting with social engagement through the arts. It is here his strength lies. Through his deep connection to a cultural expression of a universal spirituality and passionate sense of humanity Kalla, continuously draws people from all communities into acts of creativity in the belief that through creativity people are empowered and communities move incrementally closer to truth. His poetry and paintings are spiritually intuited. While his poems create a secretive world of words, where silence speaks his paintings are calligraphic and draw on the same silent unknowing of invented texts. His paintings represent moments on the continuum; a slice snatched from his deeper hidden journey. The strength of Kalla’s work is that it represents an Indian artist’s quest for an indigenous tenor rather than a superficial inventory of native motifs, there is nothing about his work which relies on a static Indian Identity. About the Artist & his work : Born : 1980 in Jaipur, Rajasthan. Education : 2005 - Masters in Art and Aesthetics from Jawaharlal Nehru University, New Delhi 2003 - Graduation in Art History, National Museum Institute specializing in ancient Indian art...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Artist: Jack Graves III (American, 1988-) Title: "Aura IV" Series: Aura *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2022 Medium: Original Acryli...

Capturing movement in acrylic paint, Armen Ges experiments with optical illusions and perspective in his original pop artworks. To create these intriguing visuals, Ges employs tradit...

Thelma Appel Nightfall, 1973 Acrylic and Oil on Canvas. Hand Signed. Framed. Hand signed and titled on the back Unique Frame included Museum Provenance. This work was originally sold in 1973 by the prestigious Jill Kornblee Gallery to a corporate collection, and, in 2019, it was featured in the Thelma Appel 50 year career survey at the Brattleboro Museum in Vermont – so the provenance is superb. Measurements: Framed 38.5 x 89.5 inches Artwork 36.5 x 87.5 inches Thelma Appel Biography: A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been practicing art for more than six and a half decades. In the 1980s, Thelma Appel was represented by the renowned Jill Kornblee Gallery and, after Ms. Kornblee retired, Appel joined the legendary Fischbach Gallery, (the gallery of record for Alex Katz for many decades,) also on West 57th Street, before they shuttered. After leaving Manhattan, she retreated from the art world for several decades; however, in recent years, her work is being rediscovered by a generation of new collectors. A beloved and popular teacher, at 87 years of age, Thelma could still be found teaching “The Art of Painting” at Artsplace in Cheshire, CT. and at the Osher Life Long Learning Institute (OLLI) At the University of Connecticut, near her home during the 2024-5 Fall/Winter Semester. In 2019, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams. She has also exhibited at the Mattatuck Museum in Connecticut, which acquired one of her fabric collages for their permanent collection, the Bennington Museum in Vermont and the Police Museum in Lower Manhattan. Thelma Appel was born in Tel Aviv, Israel, but following her parents’ divorce, her father remained in Israel, but her mother emigrated to London to pursue a career as a journalist. However, she soon became ill, and Thelma was sent alone to be educated in a Protestant missionary schools in Darjeeling, India, a geographical displacement that would impact her life and her work. Thelma returned to London, England, to study art at the legendary St. Martin's School of Art (later Central St. Martins) and Hornsey College of Art, under such renowned teachers as Joe Tilson and Eduardo Paolozzi, before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. (One of Thelma’s students was the renowned art dealer Matthew Marks.) She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design in Bridgehampton and Art New York art fair, which selected Appel’s Times Square series of paintings for their invitational public Project Space sponsored by Absolut Vodka. She was one of the winning artists of the juried exhibition “Pets of the Pandemic” juried by art historian and critic David Cohen, publisher and editor of artcritical, who cited it for special commendation as a “masterful portrait”. In recent years, Thelma’s work has been exhibited in both one-person and group shows at Alpha 137 Gallery in New York, Sager Reeves (now Sager Braudis) Gallery in Missouri, the Chashama Foundation in New York City, as well as the Five Points Gallery and Center for the Visual Arts in Torrington Connecticut, the David M. Hunt Gallery in Falls Village, CT and Wisdom House in Litchfield Ct...

Choose the color of thr frame Sophie Dumont's work "Geometric Balance" deftly explores the interplay of shapes and colors in a space governed by a subtle tension between order and di...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils, glass, with gold flakes t...

Looking out from Ledwell by Rupert Aker [2022] original and hand signed by the artist Oil on Canvas Image size: H:50 cm x W:58 cm Complete Size of Unframed Work: H:50 cm x W:58 cm x...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.75 x 18.25 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lo...

Elizabeth Geisler is best known for her dazzling contemporary water reflection paintings that bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet...

video copyright by the artist and Bentley Gallery, Inc. b. Long Beach, CA (April 9, 1926 – January 17, 2018) Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...

Claude Vermette R.C.A. is a Canadian ceramist and painter who was born in Montreal, Quebec, August 10, 1930 and who died in Sainte-Agathe-des-Monts, April 21, 2006. Artist of international reputation, he made important contributions to the ceramic arts in Canada As a ceramist who worked in the architecture field, Claude Vermette is a pioneer in Québec and in Canada with regards to this type of artistic expression. The bursts of colours of his ceramics, the warmth of their hues and the play of their textures brought a human dimension in architectural spaces that were often grey and frigid. In his abstract paintings as well as in his prints and watercolours, Claude Vermette pursued this bold approach while constantly renewing and expanding the possibilities of colour and light. His work works with gradations of color field and shifting light. A native of Montreal, Quebec, Claude Vermette studied art under the guidance of Brother Jerome, c.s.c. at Notre-Dame College while also attending the Collège Saint-Laurent and the college of the Clercs de Saint-Viateur for his academic studies. Through his contact with Brother Jerome, he met Paul-Emile Borduas and joined the Automatiste group of emerging artists. They were influenced by Surrealism and its theory of automatism. Members included Marcel Barbeau, Roger Fauteux, Claude Gauvreau, Jean-Paul Riopelle, Pierre Gauvreau, Fernand Leduc, Jean-Paul Mousseau, Marcelle Ferron and Françoise Sullivan...

"Personage" Heavy Impasto Expressionist Portrait of Lady with a Hat Abstract expressionist portrait of a woman wearing a hat by California artist Harald "Harry" Dry Schmidt (America...

Vintage signed abstract landscape painting by Gabriel Godard (Born 1933). Oil on canvas. Framed. Exhibited.

Green moss has been by the river from the beginning. But now that Spring is here, the green of the moss is so much more vibrant. It brings to mind the happy activities of Spring ce...

In this contemporary oil painting on canvas, a lively, bright red botanical pattern is vibrant against a mauve background with a cobalt blue bird perched on a tree. Signed, dated and...

Shizico's unique approach to paintings, erasing, rewriting, and destroying the landscape in the background through bold strokes of gold leaf on the top layers in this series, works o...

Oya Bolgun is a visionary artist whose dynamic and ever-evolving abstract style captures the imagination and inspires the senses. Drawing on her deep passion for self-expression and ...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

It Is A Fearful Thing, acrylic on museum board, 8.5 x 9.5 inches (Framed size: 17 x 16 inches), $650 Tom Kass was born on the East Coast to a father who was ...

Artist/ School: Modern British School Title: Interior scene with side table Medium: oil on canvas laid over board, unframed Size: painting: 55...

Abstract geometric three-dimensional wood wall sculpture in shades of blue, green, teal, with contrasts of white "Peekin", made by Hudson Valley artist, Stephen Walling, in 2020 35 x...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Charles Collins hails from a family of New Orleans artists. His late mother was a noted painter as his sister currently is, and he has a son who is a glassblower. His work has not be...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Artist/ School: French, late 20th century, indistinctly signed Title: abstract expressionist composition Medium: mixed media painting on canvas, unframed canvas: 28.75 x 39.25 i...

Maurice Potier (French, 1926 – 2002) Oranges, figs, lemons and a vase of flowers Oil on canvas Signed ‘M Potier’ (lower right), Further signed and dated Maurice Potier / 1994. 27.3/8...