Michael Kessler
Emerald Pools (21)
circa 2010

Name: Emerald Pools (21)
Brand: Michael Kessler
Price: 5000 USD
Availability: InStock

About the Item

Michael Kessler makes nature-based paintings that merge geometric elements with biomorphism. He began his art career as a landscape painter. While an undergraduate at Kutztown University Kessler received a fellowship from the Whitney Museum of American Art to study and produce art in New York City at the Whitney Independent Study Program. Michael Kessler’s work explores the continuum between gesture and geometry. Each work consists of as many as 50 micro-thin layers of translucent and transparent acrylic. Biomorphic tendrils branch to and fro, while arcs of line and color slip over and under matrices, balancing nature’s sinuous curves with the mindfulness of structure. He likens the gestural freedom in his works to a kind of painterly “tai chi” – a visible expression of a line of energy – and imbues his structural motifs with a sense of play and buoyancy. Like the yin and yang, the organic and geometric elements in his paintings speak not of dichotomy, but of integration. Nature provides the basis upon which his work exists. Forty years ago he began by painting landscapes growing up on a farm in Pennsylvania.

Creator:

Michael Kessler (1954, American)

Creation Year:

circa 2010

Dimensions:

Height: 60 in (152.4 cm)Width: 20 in (50.8 cm)Depth: 1.5 in (3.81 cm)

Medium:

Acrylic

Movement & Style:

Abstract Geometric

Period:

2010-

Condition:

Gallery Location:

Three Oaks, MI

Reference Number:

1stDibs: LU51733337711

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Michael Kessler

Michael Kessler makes nature-based paintings that merge geometric elements with biomorphism. He began his art career as a landscape painter. While still an undergraduate at Kutztown University Kessler received a fellowship from the Whitney Museum of American Art to study and produce art in New York City at the Whitney Independent Study Program. During this period (1977–78) he met many important artists working in New York City including Richard Tuttle and Dorothea Rockburne. Influenced by the paintings of Brice Marden and Elizabeth Murray as well as the music of Phillip Glass and Steve Reich he began experimenting with his own work. His paintings soon became fully non-objective. Kessler's works are characterized by large fields of diaphanous color that are activated by organic linear structures that have been visually and physically woven into a grid structure, which consists of thick slabs of paint. These organic linear structures are overlapped and punctuated by dendritic growth patterns that suggest the bending of time and space. These visual elements as well as the color combinations have been carefully extracted from nature over time through prolonged observation and then reconstructed and orchestrated to transmit the dynamics of the Natural World. In this way Kessler synthesizes disparate elements into a new kind of harmony. In 1991 after returning from a year in Italy (via. the Rome Prize) Kessler became very involved with large-scale, site-specific installations. Gallery owner Chris Schmidt (Schmidt/Dean Gallery, Philadelphia) worked with Kessler to initiate this project by obtaining a commission from Arlen Specter for Kessler's first sitespecific work which was installed in Senator Specter's office at the Hart Senate Office Building in Washington, D.C. In Chicago Kessler continued this pursuit with Gallery owner Paul Klein who also got involved with the placement of sitespecific works in his gallery Klein Art Works. In 1993-95 Kessler taught art at Carnegie Mellon University in Pittsburgh. During the 90s Kessler worked with Brenda Kroos in Cleveland, Ohio. He had several exhibitions there and many of his paintings were placed in corporate and private collections in the Cleveland area.