Square Paintings

Title: Drama Character III Medium: Oil on canvas Size: 37.5 x 37.5 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 201...

Oil on wooden panel realized by Sebastiano Sanguigni (1931-2012). Hand signed lower right. Very good condition.

The third hour. Full, and still quiet — the way a held note fills a room without ever raising its voice. Three roses now, settled into the turquoise like something that has always b...

Contemporary Provençal beach scene in turquoise and yellow in oil on canvas by Dutch artist Bernadette Van Baarsen. Signed to the right side of the chassis. This artwork features a ...

"An Invasion" is a piece by Qiaira Riley made from acrylic paint and beads on found wood. This piece measures measures 24"h x 24"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...

Artist Comments
Artist Joey Korom paints a green abstract composition. He combines unconventional shapes to give the work multiple layers. "Subtle collisions suggest parts of...

A well-painted and fun picture of a feeding pig. Oils on canvas The artist painted animal subjects like this with a great deal of skill, giving his animals life and character. He ...

This abstract, floral, still-life oil painting was created by Jennifer Hornyak. Highly regarded as one of Canada’s finest contemporary artists, Jennifer Hornyak has been painting fo...

Artist : Susan Kiefer Title : Vertigo Materials : oil on canvas Date : March 2020 Dimensions : 20" x 20" x 20" Description : Tilted green oval balanced between orange and brown oval...

Beyond Reach From the series «1000 and 1 Night» In this work, love unfolds as a form of invisible closeness — a presence without touch. The space between two people is not empty; ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Painting title: Microcosm 6 Size: Width 6 inches, height 6 inches, depth 2.25 inches (6x6x2.25) Colors: White, pearl, fuchsia, orange, yellow, gray and iridescent, metallic gold, copper, and silver Medium: Acrylic paint and mixed-media on a beautiful birch wood panel, resin varnish More about this painting: This is an original, one of a kind, hand-made painting. The colors used in this painting are white, pearl, fuchsia, orange, yellow, gray and iridescent, metallic gold, copper, and silver. The colors flow together, and there is texture on the surface from the metallic leafing. The edges of the painting (the sides of the wooden block) have been painted white. This lovely little painting can easily be hung on a wall, or placed on a shelf, table, or desk. A thick, shiny Art...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

A woman sits in silence, observing. In the distance before her, a crystal castle shines. This gaze into silence opens a space where illusions melt, and from them clarity is born. In ...

My work touches on the importance of home and a sense of security. I believe it is a basic human need to feel like someone is waiting for you. I depict not only my homeland, but also...

In this abstract acrylic painting on canvas by Doug Bauer, vibrant yellows are highlighted by bright royal blues. The warmth of the pop of rich orange-reds contrast with the lighter,...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Kevin Larmon, (American, b. 1955), 1985-1986, oil on canvas; hand signed, titled, and dated on the reverse Provenance: bear a Curt Marcos Gallery label verso This is one of a pair we are offering for sale Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University. Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight. Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions. As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner. Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal. From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado. Exhibitions curated by Tricia Collins and Richard Milazzo Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons. Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack. Still Life With Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces took place at Galerie Jurka in Amsterdam during November 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Peter McCaffrey, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Laurie Simmons, Tyler Turkle, Meyer Vaisman, and Oliver Wasow. Final Love took place at the C.A.S.H./Newhouse Gallery in New York from March 15 – April 14, 1985. Larmon was accompanied by artists Ross Bleckner, Peter Halley, Jonathan Lasker, Allan McCollum, Olivier Mosset, Peter Nadin, Bonnie Nielson, Meyer Vaisman, Wallace & Donohue, James Welling, and Stephen Westfall. Cult and Decorum took place at Tibor De Nagy Gallery in New York from December 7, 1985 – January 4, 1986. Larmon was accompanied by artists Ross Bleckner, Sarah Charlesworth, David Diao, Peter Halley, Jeff Koons, Jonathan Lasker, Peter Nadin, Joel Otterson, Ricardo Regazzoni, Robin Rose, Laurie Simmons, Haim Steinbach, Gary Stephan, Philip Taaffe, and Meyer Vaisman. Modern Sleep took place at American Fine Arts Co. in New York from October 17 – November 16, 1986. Larmon was accompanied by artists Saint Clair Cemin, John Dogg, Tishan Hsu, Jonathan Lasker, Annette Lemieux, Olivier Mosset, Joel Otterson, and Jeffrey Plate. Art at the End of the Social took place at The Rooseum in Malmö, Sweden from July – October, 1988. Larmon was accompanied by artists Donald Baechler, Ford Beckman, Gretchen Bender, Ross Bleckner, David Carrino, Lawrence Carroll, Saint Clair Cemin, Sarah Charlesworth, Charles Clough, David Diao, John Dogg, Suzan Etkin, Peter Fend, Robert Gober, Peter Halley, Claudia Hart, Tishan Hsu, Jon Kessler, Jeff Koons, Jonathan Lasker, Annette Lemieux, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Joel Otterson, Richard Prince, Holt Quentel, Sal Scarpitta, Nancy Shaver, Haim Steinbach, Gary Stephan, Philip Taaffe, Tyler Turkle, Meg Webster, and James Welling. Exhibitions at Feature Inc. Head Sex took place at Feature Inc. in Chicago, Illinois from July 7 - August 7, 1987. Larmon was accompanied by artists Kathe Burkhart, General Idea, Mike Kelley, Lillian Mulero, Raymond Pettibon, Johnny Pixchure, Richard Prince, Kay Rosen, Rene Santos, and Kevin Wolff. Strung Into the Apollonian Dream... took place at Feature Inc. in New York, New York from January 20 - February 24, 1995. Larmon was accompanied by artists Michael Banicki, Nancy Chunn, Tom Friedman, Felix Gonzalez-Torres, Jenny Holzer, Peter Huttinger, Mike Kelley, Louise Lawler, Sherrie Levine, Allan McCollum, David Moreno, Hirsch Perlman, Raymond Pettibon, Adrian Piper, Richard Prince, David Robbins, Rene Santos, Nancy Shaver, Jim Shaw, Cindy Sherman, Elaine Sturtevant, Tony Tasset, James Welling, Kevin Wolff, and B. Wurtz. I Gaze a Gazely Stare took place at Feature Inc. in New York, New York from March 9 - April 14, 1995. Larmon was accompanied by Jeanne Dunning, Robert Flack, Jason Fox, Tom Friedman, Jim Isermann, Pruitt-Early, Brett Reichman, Richard Rezac, David Robbins, and Nancy Shaver. THOUGHTS took place at Feature Inc. in New York, New York from April 14 – May 19, 2007. Larmon was accompanied by Pam Golden, Jonathan Heartshorn, Andrew Masullo, Tracy Miller, Travis Molkenbur, David Moreno, Oren Slor, the unnameable, and Tyler Vlahovich. Tom of Finland and then Some took place at Feature Inc. in New York, New York from June 25 - July 31, 2010. Larmon was accompanied by Tom of Finland, Richard Kern, Judy Linn, Bastille, Jerry Phillips, Martin of Holland, Joe Brainard, Fred Esher, Larry Clark, Robert W. Richards and Brian Kenny, Sean Landers, Richard Prince, Robert Fontanelli, GB Jones, Jeff Burton, Mie Yim, Raymond Pettibon, Catherine Opie, Carl Ferrero, Jared Buckhiester, Judy Rifka, Jeffrey Pittu, Scooter Laforge, The Hun, Tyler Ingolia, David Frye, Kinke Kooi, Juan Gomez, Rex, and Gengoroh Tagame...

Original oil painting on canvas by Jessica Hess measuring 30in x 30in. About Jessica Hess: Oakland, CA-based artist Jessica Hess is a hyperreal landscape painter. A graduate of the ...

Yvonne Heemskerk is in addition to being a 'free' visual artist, commissioned portrait painter. Moreover, she is very active and successful as a teacher of her own "painting school".

Emmanuelle Vroelant starts from a “sense of powerlessness in the face of everything the future holds for us: a damaged planet, a war in space.” This initial unease reads in the larg...

An abstract canvas created with fluid acrylics, built around the rhythm of spirals and circular currents. Against a warm sand-gold ground, large swirling forms unfold in layers of tu...

Winged Cherubs French School, contemporary oil on canvas, unframed canvas: 8 x 8 inches provenance: private collection, Paris condition: very good and sound condition

Fred Wessel's "White Orchid" is a stunning egg tempera painting on gold leaf. Created in 2023, this piece features a blooming branch of white orchids, resting over a deep red backgro...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by...

Radcliffe Oxford Camera Painting by Trevor Waugh. It has been painted on canvas. A cyclist passing by the monument and few people admiring it. Additional information: 42.5 H x 42...

Figurative Surrealism Original Painting Artist: Ashot Yan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2018 Style: Figurative Surrealism, ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This contemporary abstract painting is by Milly Ristvedt, one of Canada’s most important artists. Highly praised and prized for her masterful and intuitive sense of colour, Milly Ri...

Artist Comments
A stark, nearly monochromatic landscape stretches beneath a full moon. Its light casts a silver glow on snow-dusted trees, while a black lake below holds drif...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

Transporting round English oil painting on wood of a steamship the S. S. Soltan LT. 129 in a choppy sea, presented in a painted frame in the form of a life preserver. Signed G. Macey...

Emily Mason Untitled abstraction, 1992 Silk collagraph monotype with chine collé and acrylic on handmade paper Signed and dated in acrylic paint on the front Unique Dazzling Emily Ma...

"Abstract Composition" original Oil Painting on board by Yvette Dubois Habasque (1929-2016) board: 8 x 8 inches Fine original abstract painting by the French artist, Yvette Dubois-...

Artist Comments
Artist Sherri Aldawood captures a peaceful moment from her trip to Marbella, Spain. Sunlight fills a narrow alleyway, adorned with vibrant flowers and lush pl...

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition...

'Staying Afloat' is a fun and vibrant contemporary 3D figurative painting of colourful figures and colourful boats on the water. Max Todd uses contemporary techniques to produce hi...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 9 x 9 inches condition: very good and impressive provenance: all the paint...

In this oil painting, I sought to capture nature's tranquil harmony, with gentle brushstrokes breathing life into the serene river, reflecting the day's last light. The fusion of imp...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Larry Zox Red, White and Blue painting, 1963 Original acrylic painting on board Signed and dated upper right front; Signed, titled and dated on the back as well Unique This work was ...

Ocean Grid is a geometric wall sculpture composed of individually carved wooden blocks, painted in a rich spectrum of blues, whites, and deep indigos. The rhythmic arrangement of col...

Mary Armour 1902 – 2000 Signed. Oil Paint on Board. Picture size: 24 x 24 inch (61 x 61 cm) Mary Nicol Neill Armour, née Steel, (27 March 1902 – 5 July 2000) was a Scottish landsc...

Created in March 2022, during the first weeks of the war in Ukraine, Light of Hope carries a deep emotional resonance. This hyperrealistic seascape unites the fiery energy of a sunse...

An original Oil painting by Daniela Astone (b. 1980 Pisa, Italy) of three lemons against a blue backdrop. A Tondo, or circular panel, is framed in a custom gold leaf frame, made in ...

Artist Comments
Shadows of memory take shape in two figures, one larger and closer, the other standing further away. Quick, repeated brushstrokes form a vibrant backdrop. Blu...

I have submerged myself beneath the sea and asked that the waters lead me to myself, to where I ought to be, where I was always meant to be. Becoming one with the tide is not an act...

This sketch was painted by me en plein air in the village of Shilovo, Tula region, in October 2018 captures the serene beauty of a rustic Bathhouse set against a vibrant autumn lands...

"Self," is an original oil painting by Karen Offutt. It is unframed, but ready-to-hang.

This is the most intense piece of my Gold Spot Collection. Layered. Very Textured. Golds. Burgundy. Pale Blues and Purples. Additional information: Acrylic paint, Gold Paint, Gouac...

Danza has a deep appreciation for the feelings of wonder and awe that come from being in nature. She tries to capture this experience with her immersive paintings, while also paying ...

Oil Painting on canvas Hand signed to lower right Lauro. Provenance: Eleonore Austerer Gallery, San Francisco, CA Work Size: 39.5 x 39.5 in. framed 44 X 44 inches. Roberto Lauro is a British-Swiss Post War & Contemporary artist who was born in 1932. Roberto Lauro was born in 1932 in Gorey Harbor on the island of Jersey (Great Britain) the son of a Swiss mother, Rosa Ramseier, from Oberdiessbach / Emmental, Switzerland, and and Italian father Innocenzo Roberto Lauro, born in Mondovi, Italy. In 1941 he moved to Switzerland with his mother. 1949-1953 he lived in Gunten (Switzerland) where he did an Apprenticeship as a lithograph and offset printer and graphic designer in Thun. There he was introduced to the color theory of Johannes Itten by Hermann Oberli at the Bern School of Applied Arts. From 1953 to 1955 he worked as a fine art printer in Norway where he was influenced by the color theory of Edvard Munch. These works bears the influence of Russian artist Andre Lanskoy, Tachisme and the Cobra artists Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn, and Joseph Noiret. In 1955-1956 he worked as an offset printer in Amsterdam (Netherlands). Visit to the Instituut voor Kunstnijverheidsonderwijs. In 1957 he returned to Gunten, Switzerland. Where he started working in printmaking and and oil painting. He resumed his studies at the Bern School of Applied Arts. He was greatly impacted and influenced by abstract art on the occasion of a large Paul KIee exhibition. In 1958 he moved to Zurich where he worked part-time work as an offset copyist; fulfilling graphic orders for advertising agencies. In 1962 he took his final examination as graphic designer at the Zurich School of Applied Arts. In 1980 he begins his development of three-dimensional picture objects, Sculpture, detachment from the canvas, using metal as a support and play space for light and color. By 1981 he has turned full time to fine art. He spends the next years growing and developing his considerable talent. Inspired by classical music, the rhythm, mood and lightness of which form the basis for the large swings and loops of his colorfully lacquered metal and blown glass sculptures. These are "pensieri", thought sketches that capture the emotions in countless versions. There is something dance-like about his rotating sculptures. Everything becomes music and the rhythm of colors. In 1988, after exhibitions in Europe, he has his first exhibitions in Atlanta and San Francisco (USA), In 1989 he does his first glass and metal sculptures at the Roberto Niederer glassworks, Hergiswil (Switzerland). In 1992 has a retrospective exhibition in the Tan Gallery, Zurich, and the Eleonore Austerer Gallery, San Francisco. They Publish a catalogue raisonne, Eine Retrospektive, covering a 45 year career. In 1993 he creates A Retrospective, a unique sculpture in a table top form that contains his catalogue raisonne and an original lithograph. 1993–1995 he begins work on a number of large scale public outdoor commissions, including Light Columns for a Bank building, and a commission of a sculpture-fountain in Oetwil am See. In 2001 he creates a wall sculpture entitled "Color Poems of the Yearly Cycle. A linen bound book enclosed in a unique plexi display with a one - of a - kind metal and glass sculpture,containing 12 linocuts each printed in colors and signed. Roberto Lauro's sculptural work work is spontaneous and loaded with energy. The furrows, rifts, cracks and scars in the metal allow light to enter; it is then reflected back by the glass. His work is a clear statement of our times, uniting the intellect and the heart in search of the spiritual. Like the interplay of light and shadow, his sculpture combines fragile, transparent glass with solid, heavy iron. These colorful and luminous sculptures convey a powerful presence and emit vibrant positive energy. With their jagged exteriors and translucent cores, the spectacular sculptures created by the synergy of metal and glass are powerful - yet fragile. Lauro has created and mastered his own idiom and proven that through the artist sheer will and vision, seemingly incompatible materials such as iron and glass can indeed be combined. In 2004 he has an anniversary exhibition Light and Color, Love of Life on the island of birth, Jersey. Ceramic works (raku with glass inclusions). Roberto Lauro's works have been shown in numerous exhibitions in Europe and the USA around the world, and he has also realized projects such as "KUNST AM BAU" in public spaces and for industry. He lives and works in Switzerland. Select Exhibitions Eleonore Austerer Gallery, Palm Desert ART IN THE FRAME FOUNDATION: The Harbour Gallery, Isle of Jersey Galerie fur Gegenwartskunst,, Bonstetten, Switzerland Galerie Annamarie Anderson, Zurich, Switzerland “Color and Light,” Austerer-Crider Gallery, Palm Springs, CA, USA “Color and Light: the art of Roberto Lauro,” Eleonore Austerer Gallery, San Francisco, CA, USA “Flower Power,” with Ed Baynard, Roberto Azank, Siegward Sprotte, and Daniel Phil...

Almazan Realistic Still Life Acrylic Painting MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic and translates ...

Parisian terrace 24" x 24" (60cm x 60cm) Evening. cafe. Random bystanders. Summer is the time to be outdoors. There are many terraces in Paris where you can drink, eat, and make an appointment...

Contemporary abstract painting by Welsh artist Peter Rossiter. Artists comments on the painting "The painting is an exploration of warm relationships between colours and choreograph...

Blue Moon is inspired by the second brilliant full moon in October. I wanted to capture that exciting feeling of freedom. In this painting, that shows in the contrasts between the...

"Sunset" is a beautiful original acrylic painting on panel, depicting a sunset, deep into the horizon and over a hill, with the sky reflecting its oranges pinks and purples. This st...

In this oil painting, I've captured a whimsical winter moment filled with joy and serenity. The snowman, graced with a cheerful smile, stands as a symbol of the simple pleasures and ...

Still Life with Watermelon and Cherries - Magic Realism still life oil painting in neutral grey with white and red. Larger than life cherries and sliced ...

Blushing by Allison Chambers is an original contemporary landscape painting in oil on paper. Measuring just 4 x 4 inches, its intimate scale makes it ideal for a small, thoughtfully ...