Vertical Paintings

Artist Comments
Layers of colors and gestures define this abstract piece. Soft green, orange, and blue contrast with touches of black. Expressive scratches and marks bring text...

Antique American impressionist flower still life oil painting by Frederick M. Fenetty (1854 - 1915). Oil on canvas. Signed. Framed. Measuring: 21 by 17 inches overall, and 18 by 14 p...

This painting resonates with silence dissolved in shades of blue. Gentle layers of color, from the lightest to the deepest, unfold into an invisible vibration—an echo that seems to...

Artist Comments
A white circle floats against a softly textured greenish-blue background. It suggests a moon, a sun, or a symbol of calm and completion. The composition feels b...

Portrait of a Young Lady French School, early 1800's period oil on canvas, unframed canvas: 26 x 21 inches Provenance: private collection, France Condition: some crazing and pronoun...

"A Vase of Flowers" Eugene Paul aka Gen Paul (French, 1895-1975) Oil crayon on paper 20 1/2 x 14 (28 x 21 1/2 frame) inches "Gen Paul is undoubtedly the greatest representative, and...

A captivating, 1930s portrait painting of a young woman by famed Chicago artist, Francis Chapin (Am. 1899-1965). A sensitive, skilled portrait of a young female model, most likely h...

Portrait of a Lady French artist, Rococo period 18th century oil on canvas, framed framed: 15 x 12.5 inches canvas: 10.5 x 8.5 inches provenance: private collection, France condition...

"The Beacon", from the Light series, handwoven abstract landscape, linen yarn, organic cotton, acrylic, linen cloth, gold leaves, 80 x 60 cm, 2025. This artwork also works as a di...

A set of four fine hand painted botanical watercolour studies on silk by La Roche Laffitte. The works are signed bottom right and titled below three of the watercolours in Latin and ...

Dimensions with frame: 55 x 47,5 x 5,5 cm This evocative antique floral still life oil painting depicts a lush bouquet of roses and wildflowers arranged in a delicate porcelain vase...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023, Style: Impressionism, Subject: West Coast, Size: 30" x 44.5" ...

Elegant antique original oil painting on canvas depicting a romantic pastoral scene inspired by 19th-century European traditions. The composition portrays a young couple resting in a...

Unsigned Work on canvas Gilded wooden frame 70,5 x 48 x 4,5 cm

Still Life of Flowers by Pierre PIOT (French, 1921-1998) Oil on canvas, framed Signed lower right, Titled and countersigned on verso, framed: 28.5 x 25 inches canvas: 22 x 18 inches...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Turquoise blue background with thick use of paint...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

Antonio Molinari (Venice, 1655-1704) attributable Madonna and Child with Saint John the Baptist Oil on copper (24 x 20 cm - In frame 36 x 31 cm) This exquisite copper paint...

Artist/ School: French School, late 19th century/early 20th century, signed by Barthelemy Title: Profusion of flowers in a deep blue vase. Medium: oi...

Artist/ School: French School, indistinctly signed, dated 1910 Title: Portrait of a man seated in a library room of books. Medium: signed oil painting on canvas, unframed canvas...

Portrait of noblewoman, known as "the Little Princess of Longueville," attributed to Jean Ducayer (1595-1685). Oak plank, one board, not parqueted. Jean Ducayer, a court painter...

Antique English impressionist dog portrait oil painting. Oil on canvas. Signed. Exhibited. Framed. Measuring: 22 by 27 inches image alone. Handsomely framed in white wood molding....

Bruno Wiklund (1937-2011) Sweden Stormig natt (Stormy Night) (1978) medium: pastel signed and dated unframed 52 × 41.5 cm (approx. 20.5 × 16.3 in) framed 59 × 48 cm (approx. 23.2 ×...

Signed Adolfo Perez Frame size 75x64 cm.

* No US duty or taxes to pay on this item * A beautiful signed and dated 1953 French naïf oil on canvas depicting the River Seine at the Pont Neuf, by Louis Florquin. Excellent qua...

Portrait of a Pug Dog French School, 19th century, unsigned inscribed verso possibly with the artists name/ former owner oil on canvas, framed framed: 26 x 22 inches canvas : 22 x 19...

6067 WPA oil on board of the east river from Astoria NY Signed Whiteford 1939 Framed image size 13.5x17.5"

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

Giusto (or Justus) Sustermans (Antwerp, 1597 – Florence, 1681) Workshop of Portrait of Ferdinando II de' Medici (1610–1670), Grand Duke of Tuscany Oil on canvas 133 x 97 cm Fram...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

ANTONIO REVERTE OLIVA (Monteagua, Murcia, 1943 – Gavà, Barcelona, 2014). A self-taught artist, Antonio Reverte settled in Catalonia in 1961, in the Barcelona town of Viladecans. In ...

The Border Terrier by Leonard Richard Finn (British, b. 1891) signed oil on canvas, framed framed: 24 x 20 inches canvas: 20 x 16 inches provenance: private collection, UK condition:...

Artist Comments
Green, blue, and orange with black accents create a dynamic abstract composition. Scratches and marks add texture and energy. Artist Dorothy Gaziano used oil pa...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

Portrait of the Artists Mother *see below by Gladys Marguerite Baker (British, 1889-1959) signed, titled verso oil on canvas, framed framed: 29 x 17 inches canvas: 24 x 12 inches Pr...

5-3509 Acrylic an artist board Set in a natural wood frame Image size 13.5x10.5"

A Summer French Coastline French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas), un...

Antoni Llobet Aracil Mediterranean Coastal Landscape Artist: Antoni Llobet Aracil Date: c. 1950–1965 Medium: Oil on canvas Artwork dimensions: 61 × 46 cm (24.0 × 18.1 in) Dimensio...

Artist Comments
Two horses lean on each other as they rest under a night sky. Three white birds soar overhead, heading in the same direction. The scene captures a peaceful mome...

Artist/ School: 18th/ 19th century Continental School, after Murillo Title: Figures eating Grapes Medium: signed oil painting on metal, framed. Size:...

This painting "Under the Maltese sun" , created by French artist Natalya Mougenot, is part of her Nature series. Completed in the summer of 2023, it reflects the artist’s desire to c...

The Young Model Paul Morro, German circa 1960’s Oil painting on canvas, unframed Canvas size: 27 x 23.5 inches Portrait of a young girl, signed by the impressionist artist. Unfra...

Pastel Landscape by Irina Hale (British 1932-2022) pastel sketch on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotswolds condit...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils to add a very contemporary...

Lively abstract painting with primary tones of yellows, reds and greens with accents of blue and black on white background, 1952. Signed lower right. Original artwork on paper dis...

Sandor Vago (Hungarian/American 1887-1946) The Chinese Girl, 1925 Oil on canvas Signed lower right 34 x 30 inches 38 x 34 inches, framed Exhibited: Clevela...

Senses, 2021, Horizons Series Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm ‘Horizons’ are a symbiosis of two disciplines of art, Painting and Weaving. ...

Antique European impressionist oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed in period giltwood molding. Excellent cond...

oil stick, acrylic, charcoal on raw linen canvas

Beautiful cubist portrait of a woman by unknown Russian artist. Oil on canvas measures 17 x 25 inches. Signed and dated lower right. Label fragments affixed on verso.

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Aka...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 19.5 x 13 inches condition: excellent provenance: all the paintings we hav...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Beautiful illustration art painting depicts a gentleman calling on a Southern belle. Oil on canvas measures 16 x 20 inches; 18 x 22 inches framed. Signed lower left.

"Be Bold" is a striking piece that demands attention from the moment one sets eyes on it. The central figure, a woman with flowing blue hair, exudes an air of confidence and resilience. The blue hue not only serves as an aesthetic choice but also carries deeper significance, representing the freedom to break societal norms and embrace personal identity without fear. The composition is masterfully crafted, with bold brushstrokes and intricate details that draw the viewer into the artwork. The woman's piercing gaze locks with the observer, inviting them to explore their own journey of self-discovery and empowerment. Each stroke of Theophilus's brush seems to radiate energy and passion, capturing the spirit of the subject and infusing the artwork with a powerful presence. "Be Bold" serves as a powerful symbol of embracing individuality and embracing one's true self. The woman with blue hair stands as a representation of those who dare to be different, challenging societal expectations and norms. The vibrant blue color symbolizes freedom, confidence, and the courage to break free from conformity. In a world that often pressures individuals to fit into predefined molds, Theophilus's artwork is a reminder of the beauty and strength found in embracing one's unique qualities. "Be Bold" calls on viewers to celebrate their differences, encouraging them to step out of their comfort zones and express their true selves without hesitation or fear of judgment. The power of "Be Bold" lies in its ability to evoke a strong emotional response in those who experience it. The artwork serves as a catalyst for introspection, urging viewers to reflect on their own lives and choices. The confident and defiant gaze of the woman with blue hair prompts individuals to question their own limitations and seek the courage to break free from them. By inspiring viewers to be bold, Theophilus encourages self-empowerment and personal growth. Through his art, he instills a sense of pride and confidence, reminding us that our uniqueness is a strength to be celebrated, not hidden away. The artwork's impact extends beyond the confines of the gallery walls, inspiring individuals to embrace their authentic selves and pursue their passions with unwavering determination. "Be Bold" by Adewuyi Theophilus...

This painting named "Sunkissed sunflowers in a terracotta vase " celebrates my love for these beautiful joyful summer flowers. Van Gogh and my admiration for his art, inspired me ...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 1947 From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed mea...

This piece, titled "The Meeting 30" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, a...

3912 19th Century French female portrait Image size 23x19.5