Vertical Paintings

Oil on plywood realized by Sirio Pellegrini in 1970s. It includes a beautiful gilded wooden frame frame cm. 96.5x90. Very good condition. Sirio Pellegrini, born in Rome on March 1...

sight: 29 1/4 by 24 1/4 inches frame: 39 by 32 inches Needs to be repaired some areas of paint pealing and with losses to paint mostly to the left side, areas of craquelure mostly...

Flemish painter of the 17th/18th century Portrait of Augustus, first Roman emperor Oil on canvas 61 x 49 cm Framed 77.5 x 65 cm The portrait depicts Augustus, founder and fi...

Early 20th Century French gouache and watercolour on paper of a fisherman by Louis Henri Magnat, The painting is signed bottom right and presented in a carved and gilt wood frame und...

IN THE WOOD - Italian oil on board framed painting, Italy, xx sec, Raffaele Tafuri. External measurement cm.66x59 Raffaele Tafuri (1857-1929) was an I...

Artist Comments
"The flowers hide the face so that you don’t make assumptions about the model, you focus on the beauty of existence," states artist David Shepherd. "You appreciate that they are a person without any impressions of their character. When I compose a painting I think back to my childhood memories. It ties in with what I was saying above. When you’re a child it’s much easier to make friends and enjoy people. That innocence allows for such pure emotion. I always try and get back to that feeling when I’m composing my work."

About the Artist
Canadian artist David Shepherd fuses techniques from both old and modern masters to create contemporary interpretations of the human form. While offering strong nods to pop art and cubism, the work remains grounded by David’s training in 19th Century academic realism. Combining discrete techniques within a single tableau is initially jarring to the viewer, creating an unexpected visual complexity in the work and demonstrating the artist’s breadth of skills. “I think in the future we will be much more interested in works of art that show a mastery of multiple styles,” says David. Each artwork effectually suggests the surreal nature of human existence within a convoluted modern society.

Words that describe this painting: flowers, floral, portrait, realism, hyperrealism, photorealism, hyperreal, face, beauty, eye, rainbow, calm, calming, love, lips, people, large, people, flora, realism, oil painting, pink

Loose Lips...

Gene Hedge Untitled, 1980 Signed and dated "GENE HEDGE 1980" on the reverse Acrylic on canvas 42 x 30 inches Provenance Estate of the artist Gene Hedge was born (1928) and raised ...

Banana leaves 100x70 cm Fleur Professional artist from Belarus

Madonna and Child Workshop of Andrea del Sarto, pseudonym of Andrea d'Agnolo di Francesco (Florence 1486 - 1530) Attributable to Jacopo di Giovanni di Francesco, known as Jacone (...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

"Juliet" Abstract Figurative Oil Painting 59 x 33.5" in by Anastasiia Danilenko Ships rolled in a tube Anastasiia Danilenko is an artist and graphic designer. But the area of he...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Work on canvas Black wooden frame 86 x 74 x 3 cm

INTERIOR WITH DESK Size: 63.5 x 55.5 cm (including frame) Oil on canvas A warm and inviting mid-century painting that captures a quiet charm of an interior scene, executed in oil on...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

Artist: Slonem, Hunt Title: Flight Date: 2024 Medium: Oil on wood Unframed Dimensions: 11" x 9" Framed Dimensions: 13" x 11" Signature: Signed by Artist on Verso Edition: Uni...

The inspiration for Daniel Wimmer’s art consistently stems from the human body. He is particularly fascinated by the beautiful colors of the skin and is constantly searching for intr...

PaperLandscape mixed media, oil paint and collage on canvas original artwork Original Created:2019 Subjects:Landscape Materials: Canvas Styles: #Abstract #AbstractExpressionism #...

5162 Vintage American framed oil painting signed Linda Haber Image size 17x13"

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

Bellissima opera siglata E.K. Cornice decò Figura di donna ,Soubrette o Circense con pantera e sullo sfondo un leone dietro le tende Classico soggetto anni 20 Deco Forse per illust...

Leo Schutzman (1878 - 1962) Simchat Torah in the Synagogue, circa 1958 Oil on canvas 40 x 36 inches Signed lower left Provenance: The Contemporaries Gal...

Abram Tromka ( Polish/ Russian American 1896-1954 ) Hand signed upper center right. Bears label from Marbella Gallery, New York verso "Two Men Praying" (Davening) Dimensions: Sight- ...

The young Dutch artist Lars van Wieren is seen by many as a great talent. We get that! Through one of our artists we were made aware of Lars' work. W...

In this contemporary landscape in oil on canvas mounted on panel, two figures stand by the shore of a beach, gazing out at the deep blue ocean, while fluffy, pale salmon pink cumulus...

The beginning of something special. A celebration, an evening, a state of being. A state that unites and illuminates.

Contemporary Abstract geometric painting in vivid shades of yellow, greys, white, and black "Ospedale III" painted by Hudson Valley, NY based painter, Anthony Finta, in 2019 36 x 24...

Oil on canvas Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the Scho...

This is an Peter Max original mixed media on paper “solar view” early work . In good condition measures 34x27

Title: Mid Century French Linear Geometric Abstract Drawing in Black Ink on Paper by Serge Guerin (b. 1916), French Ink on artists paper, unframed Size: 25.75 (height) x 19.75 (width...

Artwork size: 67 x 51 cm. Frame size: 112 x 97 cm. Free shipment worldwide. Archive number SF 89-153 in the Sam Francis Foundation. Stamped with the Sam Francis Estate logo and stamped signature on verso. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...

Portrait of a Man in Suit French, mid 20th century oil on canvas, in a slip wooden frame Framed: 18.5 x 15.5 inches Canvas : 18 x 15 inches Provenance: private collection, France Con...

Spring Tulips and daffodils" floral still life in oil of Volsky Lily.When the energy starts flowing through me, I don't control the process - the brush moves by itself. The picture s...

Destiny's Path, Hawaii - Surreal Mid Century Hawaiian Figurative Abstract Symbolistic and romantic 1940s surreal figurative of pastel orange figure...

Maikel van Emmerik Spotted Woodpecker 24 x 18 cm ( framed included in price 28 x 22 cm) Acrylic paint on canvas Maikel van Emmerik is a Dutch wildlife painter whose art reveals a pr...

70 x 40 x 1.5 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of r...

Beautiful Hudson river scene, landscape, painting Oil on canvas No visible signature Restored 19th century 22 x 34 unframed, 26.75 x 38.5 framed

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 19 x 15.5 inches condition: excellent provenance: all the paintings we hav...

Genoese school of the second half of the seventeenth century Circle of Domenico Piola (Genoa 1627-1703) The Holy Family Oil painting on canvas 83 x 68 cm. - in an antique frame 99 x...

Monumental modernist oil on panel painting by Louis Demott Bunce (1907-1983), from an installation for the Oregon Centennial Exposition, 1959. A rare & important and monumental abstract painting by the celebrated Oregon artist Louis Bunce, the artist was commissioned to paint a mural for the 1959 Oregon Centennial & Trade Fair in Portland, the installation was titled " Gay Garden Way ", it was painted for the exterior of the Horticultural building. The mural having abstract plant abstractions, according to Bunce in his own words it was "the rounded shapes of flowers and the sun", the mural created a major furor from the conservative art public. The painting signed and dated by the artist lower left, the work was sold in the late 1980s through the celebrated Laura Russo Gallery, this painting is featured in Roger Hull's book; "Louis Bunce, Dialogue with Modernism". The painting is in good condition and ready to grace your wall. Louis Bunce attended high school and the Museum Art School before leaving for the Art Students League in New York. He established a New York connection that began when he first attended classes there in 1927 and continued over the years with frequent visits. He became friends with many promising artists, including Jackson Pollock and David Smith. In 1939 he worked for the WPA Easel Project in New York and by the time he returned to Portland he was an established artist on the East Coast. He worked at the WPA art center in Salem as an Instructor and Assistant Director. His work included murals, two of which are in the Post Offices in Grants Pass and St. Johns. Their subjects, mining and orchard farming, are activities of each region. "I have always been visually drawn to the landscape, at first the desert and mountain regions of Wyoming; then the lush and gentle color of the Pacific Northwest and the urban landscape of New York." From 1942-1945 he worked as an illustrator, a tool designer, and in assembly for the Oregon Shipbuilding Corporation. After WWII, Bunce joined the faculty of the Museum Art School in Portland, where he had been a student in 1925-1926. He taught there until his retirement in 1972. He excelled at producing screen-prints and introduced this technique to Oregon. While maintaining a national reputation throughout the 1950s and 1960s, some of New York's most prestigious galleries represented him. Theater buffs will remember his murals and portraits for Portland Civic Theater's 1938 production of Pride and Prejudice. In a career that made him one of the most recognized names in Oregon's art history, Bunce had many styles: cubism, expressionism, surrealism and abstractionism. His 1958 mural in the Portland International Airport presents this abstract style: "whirling propellers and shadows of the concourse as seen from above." It was controversial at the time as being too abstract for a public art project. Louis and wife Eda opened a full-time art gallery in Portland in 1949, called the Kharouba. Located first at 1016 SE Morrison, then at SW 11th and Alder, the gallery represented many of the leading artists of the day: Josephine Cameron, William Givler, Clifford Gleason, Jack Hammack, Charles Heaney, Frederick Heidel, George Johanson, Jack McLarty, Rick Norwood, C.S. Price, Arthur Runquist, Jolan Torok, Charles Voorhies...

Ippolito Scarsella, known as Lo Scarsellino (Ferrara, around 1550 - 1620) workshop Altarpiece depicting the Madonna and Child, St. James the Greater and the donor in armour Technique: oil on panel Measurements: 93 x 72 cm./with frame 109 x 86 cm. Provenance: Prato, Farsetti, auction of 28.10.2016, lot 261 (link) A majestic Madonna in Glory occupies the upper register of the canvas, seated on a blanket of iridescent clouds surrounded by angels, flanked by a cherub who scatters flowers contained in a cornucopia towards the infant Christ as a sign of abundance, naked and supported with both hands from the mother. In the lower part of the composition stands the figure of San Giacomo Maggiore, one of the twelve apostles, standing on the right side of the altarpiece, represented dressed in a humble tunic; one arm holds the open Gospel book, while the other holds a cross pilgrimage staff. A particular aspect of the table is the presence in the central part, to indicate its importance, of the figure of the donor, kneeling on a cushion, with his hands joined in prayer and his face observing the Virgin in an attitude of devotion, while on the opposite lectern is placed a prayer book; depicted with the features of a young leader in armor, with a sword and a rich iridescent red cloak, elements which, combined with his authoritarian composure, enhance his ennoblement. Unlike the medieval altarpieces, the knight is here included in the space of the painting and has proportionate dimensions to those of the other characters, returning to all intents and purposes in the sacred scene, with a pose that cannot but evoke the detail of the 'Montefeltro altarpiece' made by Piero della Francesca for Federico da Montefeltro, kneeling in front of the sacred group in the guise of a leader. On the right, the view recedes into depth highlighting the background of an urban landscape set on a hill behind which a mountain range stands out, with the peculiarity of the arched aqueduct that runs along the entire landscape. Presumably among these expanses were the donor's own possessions and his hometown. It is a quality table, imbued with the late Mannerist style still resistant in the second half of the 16th century, characterized by a 'sweet and affable religiosity, rendered through a manner of studied simplicity and grace', which highlights the unmistakable stylistic and chromatic connotations of the produced...

a relaxing pathway through a dreamscape :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed:...

This fine 18th-century portrait depicts a distinguished gentleman. The subject wears a powdered wig and a silk cravat, both emblematic of his high social standing. His composed gaze ...

The Shepherd and his Border Collie Dog by John Edwards (English, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collec...

Artist: Irving Amen, American (1918 - 2011) Title: Untitled (Kneeling Mother and Son) Year: circa 1975 Medium: Oil on Canvas, signed Size: 24 x 20 inches Frame: 32 x 28 inches

"Florentine Expressions: A Portrait Series III", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inte...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

Artist: Alex Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2020 Style: Impressionism Title: Lilac ...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

Lesley Anne Spowart (American, born 1957) "Kinetic II" 2025 Mixed media, acrylic paint, and oil paint on paper glued over board Signed by the artist at the bottom right corner and on...

Circle of William James Muller (British, 1812-1845) Portrait of a Bearded man in a Fez Oil on canvas, unframed unsigned Dimensions: (Unframed) 31.5 in. (H) x 21.75 in. (W) Conditio...

Antique American school abstract oil painting. Oil on canvas. Framed. Image size, 25L x 47H.

acrylic on Yupo paper

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This Limited Canvas Edition ( #12 of 20 ) is authentically hand painted by the artist on Giclée printed canvas. , finished with Shizico Yi's original brushstroke and oil paints on 9...

Original artwork by Spanish artist Rafael Ruz. Acrylic in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the sam...

Oil on canvas, signed lower Left. Gérard Souzay (né Gérard Marcel Tisserand le 8 décembre 1918 à Angers, Maine-et-Loire, et mort le 17 août 2004 à Antib...

This painting is Bruno Surdo’s contemporary reimagining of Saint Sebastian, one of the most enduring subjects in Western art. From Mantegna and Botticelli to Guido Reni and Caravaggio, Sebastian has long been depicted as the bound, arrow-pierced martyr whose physical suffering becomes an image of spiritual transcendence. Surdo clearly situates himself within this lineage: the contrapposto pose, uplifted gaze, and carefully modeled anatomy reflect his atelier training and deep engagement with Renaissance ideals of the heroic nude. The flesh is luminous and sculptural, recalling Michelangelo’s influence on the canon of the male body as both aesthetic and symbolic form. Yet Surdo decisively destabilizes the tradition. The arrows piercing the body are not lethal shafts but rubber suction-cup darts—objects associated with toys and staged play. This substitution transforms martyrdom into performance. The gravity of sacred suffering is undercut by irony, even absurdity. The saint is no longer impaled by instruments of death but by harmless projectiles, suggesting that contemporary suffering may be theatricalized, trivialized, or culturally mediated. At the same time, the figure’s expression remains sincere and emotionally vulnerable; the psychological intensity is real, even if the wounds are not. This tension between authentic emotion and artificial harm introduces a modern critique of spectacle—how pain can be aestheticized, simulated, or consumed. The graffiti-covered urban wall further collapses sacred history into contemporary space. Instead of a devotional landscape or heavenly backdrop, Surdo situates his Sebastian against a chaotic, tagged surface, merging classical beauty with raw urban immediacy. Saint Sebastian has long functioned not only as a symbol of faith but also as an emblem of sensualized male beauty and coded identity in art history. Surdo acknowledges that layered tradition while reframing it through irony and cultural commentary. By replacing deadly arrows with toy darts, he transforms martyrdom into a meditation on vulnerability in an age where suffering may be symbolic rather than fatal—performed, projected, or socially inflicted rather than divinely ordained. As in much of his work, Surdo grounds contemporary psychological tension in the authority of Renaissance form, using the language of history painting to question what sanctity, sacrifice, and spectacle mean today. Bruno Surdo Paradox of St. Sebastian oil on canvas 60h x 36w in 152.40h x 91.44w cm Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...